By Bill Conti. Arranged by Carla Boardman Padron. For String Quartet (2 violins, viola, cello). Instrumental piece from film Last of the Mohicans (1992).. Contemporary. Set of parts. 16 pages

By Traditional Xhosa (South African). Arranged by Leonaorah; Munro Kunene. For Voices: SATB or SAB, opt. Assembly, soloist. Piano reduction. Celebration Series Sacred. Level: easy. 2 pages. Published by GIA Publications.

Arranged by Bill Armstrong. For big band. Medium to difficult. Score and parts. Published by Walrus Music Publishing Score and Parts

Lyrics by Oscar Hammerstein, music by Richard Rodgers. For voice, piano and guitar chords. From the motion picture and Broadway musical "South Pacific". Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Broadway and movies. C Major. 5 pages. 9x12 inches. Published by Hal Leonard.

By William Harbinson. For Concert Band. Concert Band. Alfred Concert Band. Folk Song. Level: 4 (Medium Difficult) (grade 4). Conductor Score and Parts. 286 pages. Published by Alfred Publishing.

Haydn's South American String Leaps and A String Quartet Fragment with Doublebass by Werner Thomas-Mifune (1941-). String Quartets. For 2 violin, viola, Cello (Double Bass). Sheet Music. Published by Edition Kunzelmann

Composed by John Higgins. MusicWorks Grade 2. Festival, African. Score and parts. Published by Hal Leonard

Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Claves, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum and more. - Grade 2

SKU: CF.YPS248F

Composed by Aaron McMichael. Yps. Full score. 24 pages. Duration 3 minutes, 24 seconds. Carl Fischer Music #YPS248F. Published by Carl Fischer Music (CF.YPS248F).

ISBN 9781491161876. UPC: 680160920556.

This original work for developing bands was composed in January of 2019 when the composer ran a 10K from Port Isabel to Louis Backyard on South Padre Island at the break of day. This composition starts off slowly as the sun rises, alternating between 3/4 and 4/4 time. Students will have multiple opportunities to practice time signature changes, different ostinato rhythms, and dynamic levels as the race unfolds. When young ensembles strive for their best sound and balance, the music truly shines. The metronome markings and articulations, like the steady pounding of a runner's feet, are important to play correctly.

Holy, Most Holy Lord. Composed by Traditional South African. Arranged by Sandra Eithun. Handbells. Palm Sunday, General. Full score. Published by Chorister's Guild (LO.CGB886).

(A Christmas Celebration). By Linda Spevacek. For 3-part mixed choir and piano (with optional small percussion). Secular Christmas. Octavo. Published by Heritage Music Press

By Wynn-Anne Rossi. For Piano. Piano Suite; Piano Supplemental; Sheet; Solo. Recital Suite Series. Form: Suite. Recital. Intermediate. 12 pages. Published by Alfred Music

With African Noel. Composed by African Folksong South African Folk Song. Arranged by Catherine Delanoy. Sws. OCTAVO. 16 pages. Duration 2 minutes, 3 seconds. BriLee Music #BL1088. Published by BriLee Music

Composed by Melody Bober. For Piano. Graded Standard Repertoire; Piano Suite; Piano Supplemental; Sheet; Solo. Recital Suite Series. Form: Suite. Recital. Late Intermediate. 12 pages. Published by Alfred Music

By Enrique Iturriaga. Edited by Felipe Colonel Rueda. For choir. (Satb). Choral Octavos. Latin American Choral Series. Secular. Choral Octavo. Published by Neil A. Kjos Music Company.
Level: Grade 3.5.

Piano Vocal (Arranged for piano and voice with guitar chords). Size 9x12 inches. 4 pages. Published by Hal Leonard.

Mixed Choir (SATB AND ORGAN)

SKU: HL.1327607

SATB and Organ. Composed by Nico Muhly. Choral. Choral, Classical. Octavo. Duration 540 seconds. Edition Wilhelm Hansen #SRO100252. Published by Edition Wilhelm Hansen (HL.1327607).

UPC: 196288183396.

Nico Muhly's Southwark Service is his sixth setting of the Magnificat and Nunc dimittis for Evensong. Subtitled 'Service in Fifths'Â’this was written for Ian Keatley and the Choir of Southwark Cathedral, marking the retirement of The Very Revd Andrew Nunn, Dean of Southwark. The commission was made possible by generous donation of The Friends of Southwark Cathedral. First performed on Saturday 1st July 2023 by the Choir of Southwark Cathedral directed by Ian Keatley. Setting the text in English, this is scored for mixed choir and organ.

Grade 3

SKU: CL.012-3872-75

American Landscape No. 3. Composed by Robert W. Smith. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR364). Oversized, spiral-bound score. Composed 2009. Duration 6 minutes, 19 seconds. Opus III Wind Orchestra Publications #012-3872-75. Published by Opus III Wind Orchestra Publications (CL.012-3872-75).

Composer Robert W. Smith has enjoyed his sojourns in the great state of Texas each summer since 1985. In a recent visit to the southwest with his family, he was inspired to sketch three impressions of the Lone Star State. Desert Dawn opens the work with Native-American overtones depicting the warmth of the sunrise over a beautiful southwestern vista. Anyone ever visiting San Antonio will delight in the Paseo Del Rio depicting the light and lively Riverwalk of this great city. The energetic and powerful Longhorns concludes the work with a sense of joy while celebrating this uniquely American way of life. Suitable for concert and festival performance, Southwest Summer will be a valued addition to your next program.

Grade 3

SKU: CL.012-3872-01

American Landscape No. 3. Composed by Robert W. Smith. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR364). Extra full score. Composed 2009. Duration 6 minutes, 19 seconds. Opus III Wind Orchestra Publications #012-3872-01. Published by Opus III Wind Orchestra Publications (CL.012-3872-01).

Composer Robert W. Smith has enjoyed his sojourns in the great state of Texas each summer since 1985. In a recent visit to the southwest with his family, he was inspired to sketch three impressions of the Lone Star State. Desert Dawn opens the work with Native-American overtones depicting the warmth of the sunrise over a beautiful southwestern vista. Anyone ever visiting San Antonio will delight in the Paseo Del Rio depicting the light and lively Riverwalk of this great city. The energetic and powerful Longhorns concludes the work with a sense of joy while celebrating this uniquely American way of life. Suitable for concert and festival performance, Southwest Summer will be a valued addition to your next program.

Grade 3

SKU: CL.032-2453-01

Composed by Rowe. Jazz Ensemble. Audio recording available separately (items CL.WFR347 & CL.991-2015-01). Extra full score. Composed 1992. Duration 3 minutes, 33 seconds. C.L. Barnhouse #032-2453-01. Published by C.L. Barnhouse (CL.032-2453-01).

A hard hitting R & B flavored shuffle that really kicks! The Tenors and Trombones take the lead and build to a wide open powerhouse finish. Contains an open solo section that can be used by any instrument and written solo suggestions are provided. Southside Shuffle is a perfect example of why Howard Rowe’s charts have become so popular with mid-level bands.

Composed by Maurice Ravel (1875-1937). Edited by Nicolas Southon. For piano. This edition: Urtext edition. Stapled. With notes on performance and fingering by Alexandre Tharaud. Level 5. Performance score. Published by Baerenreiter Verlag

Composed by Jayne Southwick Cool. Arranged by Eric Nelson. Atlanta Master Chorale Series. Year A All Saints Day. 21st Century, Hope/Assurance, Lament/Grief/Sorrow. Octavo. Published by MorningStar Music Publishers (MN.50-8914).

Choral (SSA Choir)

SKU: HL.1220754

Composed by John Stobbs and Traditional English Folk Melody. Arranged by Philip Lawson. Choral. Concert, English, Festival, Folk. Octavo. Duration 215 seconds. Published by Hal Leonard (HL.1220754).

UPC: 196288142492. 6.75x10.5x0.029 inches.

This setting of the traditional folk song from the British Isles has a gentle rocking feel and expresses the longing for one's absent love.

Descant Recorder and Piano

SKU: FP.FHP04

Composed by Peter Hope. Published by Forsyths Publications (FP.FHP04).

ISBN 979-0-57050-371-1.

Currently being performed around the UK by John Turner, these wonderful tunes (including Blow The Wind Southerly and Bobby Shaftoe) are accessible to recorder players of intermediate standard. Comes with an optional cello part in addtion to the standard piano accompaniment.

Arranged by Philip Lawson. De Haske Choral Music. Octavo. 12 pages. Published by De Haske Publications (HL.158604).

Grade 3.5

SKU: CL.012-1919-01

Composed by Sheldon. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR357). Extra full score. Composed 1987. Duration 5 minutes. Opus III Wind Orchestra Publications #012-1919-01. Published by Opus III Wind Orchestra Publications (CL.012-1919-01).

A colorful and invigorating work which captures the spirit of the great American Southwest. From the frolicking cowboy exuberance to the gentle lyricism of the expertly crafted melodies this concert/contest selection sparkles with character and energy.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-392-010

Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2014. Anglo Music Press #AMP 392-010. Published by Anglo Music Press (BT.AMP-392-010).

English-German-French- Dutch.

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.

Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!

L’Å⠀œuvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.

Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-392-140

Composed by Philip Sparke. Anglo Music Midway Series. Score Only. Composed 2014. Anglo Music Press #AMP 392-140. Published by Anglo Music Press (BT.AMP-392-140).

English-German-French- Dutch.

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.

Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!

L’Å⠀œuvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.

Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.