| Song of Spring Outing Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano
SKU: PR.110418480
Composed by Chen Yi.
Performance Score.
Duration 6 minutes.
Theodore Presser Company
#110-41848. Published by
Theodore Presser Company
(PR.110418480). ISBN
9781491136294. UPC:
680160688784. Chen
Yi’s beautiful and
highly-textured tone poem
was inspired by ancient
Chinese poetry; its
melodic ideas were
developed from musical
phrases characteristic of
Chinese opera. Wang
Ya’s original verse as
translated by Chen Yi
reads:“SONG OF SPRING
OUTING”Ten thousand
apricot trees by the
riverside,Spring flowers
bloom after the wind at
night.Covered over the
garden, colors dark and
light,Mirrored in the
green water
ripples. SONG OF
SPRING OUTING was
commissioned by the
Center for East Asian
Studies and the Asian
Classical Music
Initiative at the
University of Kansas in
2022 for Dr. Yi-Yang Chen
to premiere in 2023.The
work was inspired by an
ancient Chinese poem with
the same title:Song of
Spring Outingby Wang Ya
(Tang Dynasty)English
translation by Chen YiTen
thousand apricot trees by
the riverside,Spring
flowers bloom after the
wind at night.Covered
over the garden, colors
dark and light,Mirrored
in the green water
ripples.This inspiring
image is like taking a
walk through a beautiful
garden with layers of
colorful trees and
flowers, mirrored in the
green water.The opening
phrase of the music
introduces the signature
intervals, the leap of a
seventh found in Beijing
Opera fiddle’s
language, followed by
melodic material with a
major 2nd and perfect 4th
in pentatonic style as
the thematic materials.
[C-Bb-G in bars 1-2,
followed by the top
pitches A-B and Ab-E( in
bars 2-3]. This statement
is brought back
(Rehearsal F) in a
retrograded form of the
introduction at the
climatic end of the
piece.The musical form is
a combination of
variations on thematic
materials, and a rondo.
After the introductory
section, Rehearsal A
introduces an
improvisation-like
mountain song melody
(developed from the
pentatonic material in
the
introduction).Rehearsal B
brings in a lively
texture in short
groupings with staccato
in both hands (using the
seventh leap interval
introduced in the opening
of the piece).Rehearsals
C and D develop the
introduction’s
pentatonic melody and the
mountain tune (introduced
in Rehearsal A) with more
layers in the
texture.Rehearsal E
develops the material
presented in Rehearsal B,
with an extended range in
both ends of the
keyboard, increasing the
freshness and
excitement. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bada Bing, It's Spring! Voix d'Enfants Alfred Publishing
A Unison Musical for Primary Performers. Composed by Jill Gallina. This editio...(+)
A Unison Musical for
Primary
Performers. Composed by
Jill
Gallina. This edition: CD
Kit. Classroom Resources;
Classroom/Pre-School;
Early
Childhood; Musicals;
Musicals and Programs;
Reproducible; Songbooks.
Secular; Spring. Book;
Enhanced CD. 40 pages.
Alfred Music #00-46824.
Published by Alfred Music
$69.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bada Bing, It's Spring! Chorale Unison Alfred Publishing
A Unison Musical for Primary Performers. Composed by Jill Gallina. This editio...(+)
A Unison Musical for
Primary
Performers. Composed by
Jill
Gallina. This edition:
Teacher's Handbook.
Classroom Resources;
Classroom/Pre-School;
Early
Childhood; Musicals;
Musicals and Programs;
Reproducible; Songbooks.
Secular; Spring. Book. 40
pages. Alfred Music #00-
46825. Published by
Alfred
Music
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flowersongs Version 2012 For Flute, Oboe And Clarinet Score [Conducteur] Wilhelm Hansen
Flute, Clarinet and Oboe SKU: HL.14043012 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe
SKU: HL.14043012
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31940. Published by
Edition Wilhelm Hansen
(HL.14043012). ISBN
9788759829271. Hans
Abrahamsen 's Flowersongs
(2012 version) for Flute,
Oboe and Clarinet. Score.
'I wrote Flowersongs for
three Flutes in the
spring of 1973, when I
was 20 years old. Looking
back now, 40 years begins
to feel like a really
long time and sometimes I
think that it is as if
someone in 1973 is
talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of thenew simplicity,
minimalism and the
possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word, but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen. $38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flowersongs Version 2012 For Flute, Oboe And Clarinet Parts [Set de Parties séparées] Wilhelm Hansen
Flute, Clarinet and Oboe SKU: HL.14043011 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe
SKU: HL.14043011
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31940A. Published by
Edition Wilhelm Hansen
(HL.14043011). ISBN
9788759829288.
9.7x14.0x0.079
inches. Hans
Abrahamsen 's Flowersongs
(2012 version) for Flute,
Oboe and Clarinet. Parts.
'I wrote Flowersongs for
three Flutes in the
spring of 1973, when I
was 20 years old. Looking
back now, 40 years begins
to feel like a really
long time and sometimes I
think that it is as if
someone in 1973 is
talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of thenew simplicity,
minimalism and the
possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word, but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flowersongs Partitur, Kopi [Conducteur] Music Sales
Flute [Trio-] SKU: HL.14011531 Composed by Hans Abrahamsen. Music Sales A...(+)
Flute [Trio-] SKU:
HL.14011531 Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. 20 pages. Music
Sales #KP00379. Published
by Music Sales
(HL.14011531). ISBN
9788759877104.
10.25x14.25x0.44 inches.
Danish. Hans
Abrahamsen 's Flowersongs
(1973) for three Flutes.
Score. 'I wrote
Flowersongs for three
Flutes in the spring of
1973, when I was 20 years
old. Looking back now, 40
years begins to feel like
a really long time and
sometimes I think that it
is as if someone in 1973
is talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of the new
simplicity,minimalism and
the possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word: but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| BLOOM: The Gift of Spring Orchestre d'harmonie De Haske Publications
Concert Band (Score & Parts) - Level 2.5 SKU: HL.4006471 Composed by Sato...(+)
Concert Band (Score &
Parts) - Level 2.5
SKU: HL.4006471
Composed by Satoshi
Yagisawa. De Haske
Concert Band. Concert.
Softcover. Duration 330
seconds. De Haske
Publications #032530.
Published by De Haske
Publications
(HL.4006471). UPC:
888680992606. 9.0x12.0
inches. A wonderful
new work by Satoshi
Yagisawa in which flowers
are the focal point. This
work honors the official
registration of the
Dendrobium “Yishun
Primary School†in
the International Orchid
Register. This flower was
created by pupils of a
Singaporean school. The
dramatic mood of the
piece is intended to
inspire the next
generation of students
towards a hopeful future
after overcoming
difficulties and
hardships. $106.00 - Voir plus => Acheter | | |
| Spring in Dresden [Conducteur] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring's Awakening Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4734-00 Composed by J. Bell. Young Concert Band. Scor...(+)
Grade 2 SKU:
CL.011-4734-00
Composed by J. Bell.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4734-00.
Published by C.L.
Barnhouse
(CL.011-4734-00).
Flowers bloom
and the world stirs with
life renewed in
Spring’s
Awakening! The music
begins with a driving
ostinato in the
clarinets, and staggered
entrances that portray
flowers opening for the
first time. After the
entire ensemble enters,
two different melodic
themes are passed
throughout the ensemble,
layered over driving
8th-note rhythms that
propel the music forward.
Spring’s Awakening
is an engaging and
beautiful work that makes
a perfect fit for any
spring or end of the year
concert. $59.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spring's Awakening Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4734-01 Composed by J. Bell. Young Concert Band. Extr...(+)
Grade 2 SKU:
CL.011-4734-01
Composed by J. Bell.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4734-01.
Published by C.L.
Barnhouse
(CL.011-4734-01).
Flowers bloom
and the world stirs with
life renewed in
Spring’s
Awakening! The music
begins with a driving
ostinato in the
clarinets, and staggered
entrances that portray
flowers opening for the
first time. After the
entire ensemble enters,
two different melodic
themes are passed
throughout the ensemble,
layered over driving
8th-note rhythms that
propel the music forward.
Spring’s Awakening
is an engaging and
beautiful work that makes
a perfect fit for any
spring or end of the year
concert. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bada Bing, It's Spring! Alfred Publishing
SKU: AP.46826 A Unison Musical for Primary Performers. Composed by...(+)
SKU: AP.46826 A
Unison Musical for
Primary Performers.
Composed by Jill Gallina.
This edition: Enhanced
CD. Classroom/Pre-School;
Musicals; Musicals and
Programs; Reproducible.
Secular; Spring. Enhanced
CD. Alfred Music
#00-46826. Published by
Alfred Music (AP.46826).
ISBN 9781470639969.
UPC: 038081536927.
English. Spring is
just around the corner,
but the flowers have yet
to bloom. The children
are waiting for nice
weather, the weeds have
popped out of the earth,
but the flowers remain
steadfastly hidden
underground. It takes the
clever Dandelion Queen to
figure out why, and bring
about the first blossoms
of the season! This
charming, easy-to-stage
15-minute musical is
designed specifically for
grades K--4. The unison
songs, brief rhyming
script, creative costume
ideas, and simple staging
suggestions will make
your primary production
blossom. Reproducible
student pages, full
performance and
accompaniment recordings,
plus full-color cover art
are included on the
enhanced CD. $49.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Happy Rain on A Spring Night - Score [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S(+)
Chamber Music Clarinet,
Flute, Piano, Violin,
Violoncello SKU:
PR.11441271S For
Flute, Clarinet, violin,
Cello, and Piano.
Composed by Chen Yi. Poem
by Du Fu (712-770 in Tang
Dynasty). Premiered at
Merkin Hall in New York.
Contemporary. Full score.
With Standard notation.
Composed 2004. 45 pages.
Duration 12 minutes.
Theodore Presser Company
#114-41271S. Published by
Theodore Presser Company
(PR.11441271S). UPC:
680160587094. 8.5 x 11
inches. Poem by Du Fu
(712-770 in Tang
Dynasty). It's like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. This music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
60-70 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehersal A and B
(measures 1 - 41)
represents the first four
lines of the poem. The
woodwind instruments
response to the rustling
of fast moving notes on
muted string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high piano gestures. The
music in Rehersal C and D
(measures 42-87)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy key slaps on the
flute creates a
mysterious atmosphere, in
a dialogue with other
instruments. The cello
glissandi recite the poem
in the tone of Mandarin,
echoed by the string
harmonics. The music in
Rehersal E, F, G (m 88 -
161) is a toccata,
starting with the piano,
which builds up a big
shape, to reach the
climax in m. 116, and
keeps the vivid scene
towards the coda
(Rehersal H, m. 162 - the
end), which stands on the
energetic peak at the end
of the
piece. Commissioned by
the Music From Copland
House ensemble, supported
by a grant from the
NYSCA’s
Composer’s
Commissions program in
2002, my mixed ensemble
piece Happy Rain on a
Spring Night is written
for all five instruments
in the ensemble: flute,
clarinet, violin, cello
and piano, and premiered
on Oct. 18, 2004, at
Merkin Hall in New York.
 The musical
imagination came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in the
Tang Dynasty. Happy
Rain on a Spring Nightby
Du Fu (712-770 in the
Tang Dynasty)Â Happy
rain comes in time,When
spring is in its
prime.With night breeze
it will fall,And quietly
moisten all.Clouds darken
wild roads,Light
brightens a little
boat.Saturated at
dawn,With flowers
blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) It’s
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds; our new society is
pushing us forward to the
new future. Â The music
reflects the scenes and
the expression according
to the meaning of the
poem when it’s
being unfolded line by
line. Â Although the
tempo is set 60-70
quarter notes per minute
throughout (played
vividly, never slowing
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 1-41)
represents the first four
lines of the poem.
 The woodwind
instruments respond to
the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high piano gestures.
 The music in
Rehearsal C and D
(measures 42-87)
represents the next two
lines of the poem.
 It’s so dark,
a little light in the
boat is shimmering on the
lake... Â The breathy
key slaps on the flute
create a mysterious
atmosphere, in a dialogue
with other instruments.
 The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
 The music in
Rehearsal E, F and G (m
88-161) is a toccata,
starting with the piano,
which builds up a big
shape, to reach the
climax in m. 116, and
keeps the vivid scene
towards the coda
(Rehearsal H, m.
162-192), which stands on
the energetic peak at the
end of the
piece. According to
the principle of the
Golden Section, I have
constructed the piece
with two large parts (m.
1-115 and m. 116-192).
 The GS falls onto the
beginning of the climax
section of the piece,
which is exciting and
loud. Â All
subdivisions of the
structures coincide with
the numbers of
proportions based on the
GS principle. Â The
music has textures
changed according to the
proportional arrangement
throughout the
piece. First Part (m.
1-115, total 115
measures), including two
sectionsSection I (m.
1-69, total 69 measures),
including two
divisionsFirst Division
(m. 1-41, total 41
measures), including two
subdivisions:Subdivision
I (m. 1-25, total 25
measures)Rehearsal A,
violin triplets + cello
metalic sound in small
intervals, followed by
woodwinds.Subdivision II
(m. 26-41, total 16
measures)Rehearsal B,
cello triplets + violin
metallic sound in small
intervals, overlapped by
woodwinds.Second Division
(m. 42-69, total 28
measures)Rehearsal C,
breathy key slaps on
flute, in dark.Section II
(m. 70-115, total 46
measures), including two
divisionsFirst Division
(m. 70-87, total 18
measures)Rehearsal D,
soft cello reciting,
followed by string
harmonics & woodwind
“echoâ€
passages.Second Division
(m. 88-115, total 28
measures)Rehearsal E,
starts to buildup the
excitement, with piano
toccata in the beginning.
When it reachesthe
patterns on the top of
the keyboard, the lowest
passages on piano and
cello punch in, andreview
the pitch material with
small intervals.Second
Part (m.116-192, total 77
measures), including two
sectionsSection I (m.
116-161, total 46
measures), including two
divisionsFirst Division
(m. 116-133, total 18
measures)Rehearsal F, the
excitement reaches the
climax, GS located. All
instruments join
in.Second Division (m.
134-161, total 28
measures)Rehearsal G,
combination of E and F,
continue to
buildup.Section II (m.
162-192, total 31
measures)Rehearsal H,
coda, keep the excitement
on the peak. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartets for All Seasons: Spring - Parts Greenblatt and Seay
Arranged by Deborah Greenblatt. This edition: spiral-bound. Set of parts. Publis...(+)
Arranged by Deborah
Greenblatt. This edition:
spiral-bound. Set of
parts. Published by
Greenblatt & Seay
(GS.BSG4ASSP-P).
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Songs About Spring Voix Soprano, Piano Boosey and Hawkes
By Dominick Argento. Arranged by e.e. Cummings. (Soprano). Boosey and Hawkes Vo...(+)
By Dominick Argento.
Arranged by e.e.
Cummings. (Soprano).
Boosey and Hawkes Voice.
Size 9x12 inches. 20
pages. Published by
Boosey and Hawkes.
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spring Promises Piano seul - Intermédiaire Alfred Publishing
Piano - Late Intermediate SKU: AP.48033 Composed by Dennis Alexander. Due...(+)
Piano - Late Intermediate
SKU: AP.48033
Composed by Dennis
Alexander. Duet or Duo;
Graded Standard
Repertoire; Piano Suite;
Solo Small Ensembles.
Recital Suite Series.
Form: Suite. Recital.
Book. 12 pages. Alfred
Music #00-48033.
Published by Alfred Music
(AP.48033). ISBN
9781470642716. UPC:
038081554600.
English. The three
movements of Spring
Promises highlight the
energy of spring that
follows a long winter.
The first movement, A
Garden's Promise,
features a lyrical melody
line over a chord
progression that includes
a descending bass line.
It portrays the beauty of
the flowers that begin to
appear with the warmer
weather. Staccato fifths
and grace notes suggest
the image of Soft Rains
in the A section of the
second movement. Triplets
in the B section give a
stronger sense of
movement. The final
movement---Spring
Fever!---is a rondo that
uses root position and
second inversion chords
in a lively setting. The
staccato chords alternate
with more lyrical lines
to provide contrast. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serendipity in Spring Piano seul [Conducteur] - Intermédiaire FJH
Piano - Late Intermediate SKU: FJ.E1134 Composed by Julie Gardner Bray. P...(+)
Piano - Late Intermediate
SKU: FJ.E1134
Composed by Julie Gardner
Bray. Piano Solo; Piano
Supplemental. The FJH
Piano Ensemble Series.
Spring. Score. The FJH
Music Company Inc
#98-E1134. Published by
The FJH Music Company Inc
(FJ.E1134). UPC:
241444419632.
English. Appropriat
ely named, this colorful
piece is a tone poem that
evokes the earth
awakening to spring. The
lush harmonies exploit
the full range of the
keyboard with frequent
modulations to new keys.
The thematic material is
seamlessly woven into
both parts. Often the
primo and secondo hands
are very close to each
other. The composer
includes short phrases
above the staff such as
swaying branches,
fragrant rain, and
flowers blooming plus
others to depict the
various sense of spring.
Good piece for an
experienced duet
team.
About FJH
Piano Ensemble
Series Cre
ative material especially
written to explore
aspects of artistic
ensemble performance. $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adrienne and Amy Merion Music
Chamber Music violin, piano SKU: PR.144407660 Composed by Elena Ruehr. Se...(+)
Chamber Music violin,
piano SKU:
PR.144407660 Composed
by Elena Ruehr. Set of
Score and Parts. 40
pages. Duration 12
minutes. Merion Music
#144-40766. Published by
Merion Music
(PR.144407660). UPC:
680160692835. Judit
h Tick (biographer of
Ruth Crawford Seeger)
asked me to write a piece
in honor of Adrienne
Fried Block (1921-2009),
who was Amy Beach’s
first great biographer.
Judith pointed me to this
passage from Amy
Beach’s letters:“One
of the sweetest of my
recollections…was when
I was ten… I met Edgar
Rowland Sill, the poet.
When he heard that I was
the lucky possessor of
absolute pitch, he asked
me to go out with him in
the spring mornings, and
steal from the birds!
Professor Sill, whose ear
was true, had been
collecting bird melodies.
I shall always remember
that first spring
morning. The poet and I
sat down behind a stone
wall. It is a sweet
memory of the kindlypoet,
of California, of the
spring flowers, of the
unconscious
birds…”Adrienne and
Amy, the natural world
they lived in, the
professor, the artist,
the historian they
became, the tended garden
of their lives. These are
the ideas I have tried to
explore in this piece.
Some of the musical
material is directly
taken from Amy Beach’s
famous piano piece A
Hermit Thrush at
Morn. $37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flowers Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50059S Composed by Gregory Aldae Hein, M...(+)
Concert Band - Grade 2.5
SKU: AP.50059S
Composed by Gregory Aldae
Hein, Michael Pollack,
and Miley Cyrus. Arranged
by Patrick Roszell.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Young Band.
Light Concert; Pop;
Pop/Rock; Radio. Score.
Duration 2:30. Alfred
Music #00-50059S.
Published by Alfred Music
(AP.50059S). ISBN
9781470663735. UPC:
038081580760.
English. Perfect
for your spring concert,
Miley Cyrus's massive
number-one hit on the
Billboard Hot 100
Flowers, arranged by
Patrick Roszell, comes to
your concert band.
(2:30). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flowers Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49914S Composed by Gregory Aldae Hein, Mich...(+)
Orchestra - Grade 2.5
SKU: AP.49914S
Composed by Gregory Aldae
Hein, Michael Pollack,
and Miley Cyrus. Arranged
by Patrick Roszell.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Pop/Rock; Radio.
Score. Duration 2:30.
Alfred Music #00-49914S.
Published by Alfred Music
(AP.49914S). ISBN
9781470663704. UPC:
038081580746.
English. Perfect
for your spring concert,
Miley Cyrus's massive
number-one hit on the
Billboard Hot 100
Flowers, arranged by
Patrick Roszell, comes to
your string orchestra.
(2:30). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flowers Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50059 Composed by Gregory Aldae Hein, Mi...(+)
Concert Band - Grade 2.5
SKU: AP.50059
Composed by Gregory Aldae
Hein, Michael Pollack,
and Miley Cyrus. Arranged
by Patrick Roszell.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Young Band. Light
Concert; Pop; Pop/Rock;
Radio. Score and Part(s).
Duration 2:30. Alfred
Music #00-50059.
Published by Alfred Music
(AP.50059). ISBN
9781470663711. UPC:
038081580753.
English. Perfect
for your spring concert,
Miley Cyrus's massive
number-one hit on the
Billboard Hot 100,
Flowers, arranged by
Patrick Roszell, comes to
your concert band. This
arrangement would be
great with your middle or
high school band.
(2:30). $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flowers Orchestre - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49914 Composed by Gregory Aldae Hein, Micha...(+)
Orchestra - Grade 2.5
SKU: AP.49914
Composed by Gregory Aldae
Hein, Michael Pollack,
and Miley Cyrus. Arranged
by Patrick Roszell.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Pop/Rock; Radio.
Score and Part(s).
Duration 2:30. Alfred
Music #00-49914.
Published by Alfred Music
(AP.49914). ISBN
9781470663698. UPC:
038081580739.
English. Perfect
for your spring concert,
Miley Cyrus's massive
number-one hit on the
Billboard Hot 100
Flowers, arranged by
Patrick Roszell, comes to
your string orchestra.
(2:30). $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Yksinlauluja - Volume 2 Piano, Voix Boosey and Hawkes
Piano; Vocal; Voice (Voice and Piano) SKU: HL.48000909 Solo Songs....(+)
Piano; Vocal; Voice
(Voice and Piano) SKU:
HL.48000909 Solo
Songs. Composed by
Einojuhani Rautavaara.
Boosey & Hawkes Voice.
Classical, Contemporary,
Finnish. 87 pages. Boosey
& Hawkes #M550095052.
Published by Boosey &
Hawkes (HL.48000909).
UPC: 073999257076.
8.25x11.75x0.2
inches. Contents: I
Took That Trip towards an
Early Daybreak * What Is
There Arising from behind
Your Eyelids * I am
Walking over Tiny Spots
of Snow * Deep is the
Night * In the Great Wild
Woodlands * In Between
Grey Stones * Lucky Cat *
To You I Would Make a
Gift of Sunflowers * I am
Not Speaking, I am
Singing * Vocalise *
Melancholy * The Squirrel
* O Wonderful World *
Song of My Heart * Like a
Pale Mask, the Hour of
Parting * Spring Song *
Summer Night * Herbsttag
* Winter. $83.00 - Voir plus => Acheter | | |
| Spring Revels Chorale SATB SATB A Cappella Seafarer Press
By Elizabeth Alexander. For SATB Choir, a cappella (SATB). Medium-difficult. Dur...(+)
By Elizabeth Alexander.
For SATB Choir, a
cappella (SATB).
Medium-difficult.
Duration 12 minutes
$6.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| BLOOM: The Gift of Spring Orchestre d'harmonie De Haske Publications
Concert Band (Score) - Level 2.5 SKU: HL.4006472 Composed by Satoshi Yagi...(+)
Concert Band (Score) -
Level 2.5 SKU:
HL.4006472 Composed
by Satoshi Yagisawa. De
Haske Concert Band.
Concert. Softcover.
Duration 270 seconds. De
Haske Publications #DHP
1206225. Published by De
Haske Publications
(HL.4006472). UPC:
888680992613. A
wonderful new work by
Satoshi Yagisawa in which
flowers are the focal
point. This work honors
the official registration
of the Dendrobium
“Yishun Primary
School†in the
International Orchid
Register. This flower was
created by pupils of a
Singaporean school. The
dramatic mood of the
piece is intended to
inspire the next
generation of students
towards a hopeful future
after overcoming
difficulties and
hardships. $23.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| With Flowers Blooming Chorale 3 parties SSA Theodore Presser Co.
Choral SSA choir SKU: PR.312418600 Fors.S.A. Chorus, A Cappella. C...(+)
Choral SSA choir SKU:
PR.312418600
Fors.S.A. Chorus, A
Cappella. Composed by
Chen Yi. Premiere: Calvin
Women's Chorale,
conducted by Pearl
Shangkuan, Calvin
College, Grand Rapids,
MI. Contemporary.
Performance Score. With
Standard notation.
Composed 2010. 12 pages.
Duration 4 minutes.
Theodore Presser Company
#312-41860. Published by
Theodore Presser Company
(PR.312418600). ISBN
9781598063769. UPC:
680160596300. Octavo
inches. Chinese. Text: Du
Fu. Du Fu. Text by Du Fu
(Tang Dynasty), from the
poem 'Happy Rain on a
Spring
Night'. Commissione
d by Calvin Women's
Chorale, Dr. Pearl
Shangkuan, conductor, of
Calvin College in Grand
Rapids, Michigan, this
piece was premiered on
April 29th, 2011. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Throughout the Year 1 Piano, 4 mains [Partition] Hal Leonard
Late-Elementary Level Piano Duet Composer Showcase. Arranged by Christos Tsitsar...(+)
Late-Elementary Level
Piano Duet Composer
Showcase. Arranged by
Christos Tsitsaros.
Educational Piano
Library. Softcover. 48
pages. Published by Hal
Leonard.
$6.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Dawn of Spring Chorale SATB SATB, Piano - Intermédiaire Laurendale Associates
SATB choir, piano - Intermediate SKU: MN.CH-1064A Composed by Francis Bax...(+)
SATB choir, piano -
Intermediate SKU:
MN.CH-1064A Composed
by Francis Baxter. 21st
Century. Octavo. Duration
2 minutes, 35 seconds.
Laurendale Associates
#CH-1064A. Published by
Laurendale Associates
(MN.CH-1064A).
Opens with a
bright, pentatonic
feeling. The rippling
accompaniment relating to
the Chinese
butterfly-zither,
yangqin, continues to
support the range of mood
of the final line, How
many flowers fall?, a
metaphor for How many
have proved unfaithful?
Text is in Chinese
(Pinyin phonics) with a
translation and
pronunciation guide in
the notes. an English
text undeflay is
included. Duration
2:35. $2.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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