Composed by Charles E. Callahan Jr. (1951-). Minimal Pedal, Bestseller, Preludes, Hymn Intros/Reharmonizations. Reformation, Lent, Easter, Christmas, Ash Wednesday. Published by MorningStar Music Publishers

By Julian Elloway. For descant & organ. This edition: Melody edition. Upper Voices. Sacred, Choral Collection. Melody edition. 72 pages. Published by Oxford University Press

By Julian Elloway. For descant and organ. This edition: 0. Upper Voices. Sacred, Choral Collection. 128 pages. Published by Oxford University Press

(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwitz, Ethan Fiks, and Vivian Clement. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. 96 pages. Published by Alfred Music Publishing

Books and Journals

SKU: UT.QC-4

Edited by Roberto Illiano and Rohan H. Stewart-MacDonald. Paperback (Soft Cover). Quaderni Clementiani. Essays by Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanova, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDo. Classical. Books and Journals. 568 pages. Ut Orpheus #QC 4. Published by Ut Orpheus (UT.QC-4).

ISBN 9788881094783. 6.5 x 9.5 inches.

Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner Lott


The career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys.
The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition.
This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.

By French. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 3700 pages. Published by Subito Music.

By Antony Baldwin. For organ. General, Hymn-based collection. Level: 3-staff. Sacred organ. Published by Sacred Music Press. (70/1240S)

Acoustic instruments - Intermediate

SKU: MB.30971M

Saddle-stitched. Ensemble. Book and online video. 48 pages. Mel Bay Publications, Inc #30971M. Published by Mel Bay Publications, Inc (MB.30971M).

ISBN 9781513467368. 8.75x11.75 inches.

A set of 12 beautiful new folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts ? melody, countermelody, and bass line ? as well as chords shown beneath the melody line. In addition to technical tips there is a video performance of each tune by Moonrakers played at a steady pace. Suitable for intermediate-level amateurs and professionals alike. Includes access to online video.

For Organ. Hymn preludes. Sacred. Intermediate. Book. Published by Kevin Mayhew Publishers

Organ Score. By Francois Clement Theodore Dubois. Arranged by N Stephens. (SATB). Choral Large Works. Size 10.5x14 inches. 64 pages. Published by G. Schirmer, Inc.

SATB Choir, organ

SKU: CA.9229600

Composed by Vincenz Goller. Coppenrath Series. German title: Missa St.Clementis Op.66 5043501. Sacred vocal music, Masses, Latin. Full score. Op. 66. 16 pages. Carus Verlag #CV 92.296/00. Published by Carus Verlag (CA.9229600).

ISBN 9790007125493. Language: Latin.

(A Sacred Cantata) Composed by Francois Clement Theodore Dubois (1837-1924). Octavo for soli voices, SATB choir and orchestra. With piano reduction. Choral. Text language Latin and English. 80 pages. Published by G. Schirmer, Inc.

By Vivian Clement. For Guitar. Guitar Method or Supplement. Book and CD. 96 pages. Published by Alfred Publishing.

SATB Choir (Vocal Score) - Grade 5

SKU: HL.14043777

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Hymns & Chorals. Softcover. Composed 2013. 100 pages. Edition Wilhelm Hansen #WH30793. Published by Edition Wilhelm Hansen (HL.14043777).

ISBN 9788759815878. UPC: 888680695682. 8.5x11.75x0.265 inches. English.

Three Stages - Quodlibet for 12 Voices was composed by Pelle Gudmundsen-Holmgreen in 2003. Commissioned by and written for Ars Nova Copenhagen. Text by William Shakespeare, Thomas Nashe, anonymous (English), Clement Janequin, Steen Steensen Blicher, street cries. Additional cries from Danish Street Cries (1860-1985) edited and collected by Vagn Holmboe.

By Karl Zinsmeister. For handbells (3-5 octaves). Handbell collection. Published by Sacred Music Press.

SATB choir, piano reduction - Early intermediate

SKU: GI.G-10304

Composed by Clement C. Shoenfeld, G. F. Handel, and Oliver Holden. Edited by James Abbington. Eastertide. African American Church Music Series. Tune Name: Antioch, Coronation, Oakville, St. Clement, Germany, Dennis. Sacred. Octavo. 12 pages. GIA Publications #10304. Published by GIA Publications (GI.G-10304).

UPC: 785147030416. English. Text by William Fisher Dickerson.

Contains : All Hail the Morn!, Come, All Ye People, Father, above the Concave Sky, Ministers Who Are Called to Preaching, On Earth, ere Christ the Lord Appeared, O Rapturous Scenes and O What Amazing Bliss.

Books and Journals

SKU: UT.QC-5

Edited by Fabio Morabito and Louise Bernard de Raymond. Paperback (Soft Cover). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 5. Published by Ut Orpheus (UT.QC-5).

ISBN 9788881095223. 6.5 x 9.5 inches.

Essays by Louise Benrard de Raymond, Muriel Boulan, Thomas Christensen, Etienne Jardin, Ellen Lockhart, Fabio Morabito, William O'Hara, Alban Ramaut, Annette Richards, Michael B. Ward

The nineteenth-century composer has a persistent image problem: inspired, unworldly, male, writing works of genius for posterity. If it has been the project of musicologists for the last 30 years to erode this checklist, he lingers still like a bad smell. This book uses Antoine Reicha (1770-1836) as a case study through which to develop alternative approaches to the nineteenth-century composer. That Reicha was a composition teacher and prolific writer of instruction manuals, for example, provides an opportunity (and new types of sources) to focus on composers' attempts at becoming composers. How can we catch them 'in the making', exploring not a body of works and achievements, but the priorities and anxieties of these individuals (the knowledge they followed or created) in crafting their artistic identities for the public? What modes of music historiography and analysis might help explore Reicha's and his contemporaries' music beyond mapping it within local or national traditions and their transfer? Can a networked model of music-history writing - we might call it 'a history of music with no protagonist' - assist musicologists in working on non-canonical composers without retrospectively making monuments out of them? These and other questions frame this volume, in order not only to reassess Reicha, but also our disciplinary toolkit: to ask how/why/to what end we tell stories about composers in musicology more generally.

By Francois Clement Theodore Dubois. Edited by Richard Proulx. For Voices: SATB. Organ. Choral Sacred. Level: easy. 3 pages. Published by GIA Publications.

SATB choir & organ (SATB) - Very Easy

SKU: OU.9780193416543

Composed by Various. Sacred choral - mixed voices. The Cambridge Singers Hymn Series. Vocal score. 4 pages. Duration 3.5'. Oxford University Press #9780193416543. Published by Oxford University Press (OU.9780193416543).

ISBN 9780193416543.

For SATB and organ In this arrangement of the hymn tune St Clement, traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements, which have been recorded by the Cambridge Singers on the Collegium CD Sing, ye heavens (COLCD 126).

About Cambridge Singers Hymn Series

The Cambridge Singers Hymns is a series of new hymn arrangements by John rutter, recorded under his direction by the Cambridge Singers. the aim of the series is to present some of the finest traditional hymns in new, practical versions which refresh old favorites and introduce welsome variety and interest to the familiar routine of Sunday hymn-singing.

Trio

SKU: BR.EB-9459

Composed by Helmut Lachenmann. Chamber music; stapled. Edition Breitkopf. Music post-1945. Sheet Music. Composed 1968. 20 pages. Duration 14'. Breitkopf and Haertel #EB 9459. Published by Breitkopf and Haertel (BR.EB-9459).

ISBN 9790004189368. 10.5 x 14 inches.

TemA was written in the summer of 1968. In spite of Ligeti's Aventures it may be considered one of the first compositions in which the breathing plays a role as an accoustically transmitted energy process (Holliger, Globokar, Kagel, Schnebel and Stockhausen in Hymnen have already worked on this phenomenon independently of each other and from different points of view). Moreover, temA marks for me the first step into that musique concrete instrumentale in which the mechanical conditions of the sound production are incorporated into the composition. This characterizes my later pieces such as Kontrakadenz, Air, Pression etc. more consistently. In temA, unlike what happened in my previous works, the naturalistic extreme cases were consciously accepted but at the same time integrated into a very rigorous musical context which was also to give a new meaning to the traditional playing conceptions. The violation of the tabus felt in the nearly 70s (not only regarding this piece) lay to a less degree in the phenomenon of the sound deformation (snoring, pressed strings, soundless blowing etc.), since such an alienation was perfectly tolerated as an humoristic, dadaistic or expressionistic element. Rather the shock was caused by the technical logic of the movements which rendered relative the sheer surrealistic effect and had to be taken seriously instead of in an humoristic way.(Helmut Lachenmann, translation: Roger Clement)CD:Linda Hirst, Martin Fahlenbock, Lucas Fels CD Montaigne Auvidis MO 782023ensemble phorminxCD WER 6682 2Bibliography:Hiekel, Jorn Peter: Escaped from Paradise? Construction of Identity and Elements of Ritual in Vocal Works by Helmut Lachenmann and Giacinto Scelsi, in: Vocal Music and Contemporary Identities. Unlimited Voices in East Asia and the West (= Routledge Research in Music 3), hrsg. von Christian Utz und Frederick Lau, London und New York: Routledge 2013, pp. 158-174.ders.: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 202-213.Meyer-Kalkus, Reinhart: Klangmotorik und verkorpertes Horen in der Musik Helmut Lachenmanns, in: Der Atem des Wanderers. Der Komponist Helmut Lachenmann, hrsg. von Hans-Klaus Jungheinrich, Mainz: Schott 2006, pp. 91-110.ders.: Stimme und Atemsyntax in Vortragskunst, Prosa und Musik, in: Musik & Asthetik, Heft 51 (Juli 2009), pp. 73-106.Nonnenmann, Karl Rainer: Auftakt der instrumentalen musique concrete. Helmut Lachenmanns temA, in: MusikTexte 67/68 (1997), pp. 106-114.Saxer, Marion: Kunstgesang als Klangsymbol. Belcanto in experimenteller Vokalmusik nach 1960, in: Musik & Asthetik, Heft 92 (Oktober 2019), S. 5-25 Weber,Barbara Balba: ,,Es musste einfach schick sein, beim Musikhoren etwas zuriskieren. Weltbezuge bei Lachenmann: Perspektive der Musikvermittlung, in:Zuruck zur Gegenwart? Weltbezuge in neuer Musik, hrsg. von Jorn Peter Hiekel(Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt55), Mainz: Schott 2015, pp. 160-169.

World premiere: Stuttgart, February 19, 1969.

Baritone voice & basso continuo

SKU: ST.Y255

Composed by Richard Dering. Edited by Jonathan Wainwright. Edited by Jonathan Wainwright. Choral. Octavo. Stainer & Bell Ltd. #Y255. Published by Stainer & Bell Ltd. (ST.Y255).

ISBN 9790220222399.

Composed by Colin Hand. For Organ. Tutors. Sacred. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

A Sacred Cantata for Soli, Chorus and Orchestra. By Francois Clement Theodore Dubois. Arranged by Nicholas Douty. Published by Theodore Presser Company.

By Francois Clement Theodore Dubois, Hal H. Hopson. For SATB choir and organ. Holy Week, Sacred. Cantata. Published by Laurel Press. (55/1076LA)

Organ

SKU: HL.14024698

Composed by Purcell J. Mansfield. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV957447. Published by Music Sales (HL.14024698).

Work for Organ published in 1960.