| Juchem Play Sax-my Hobby Alto - Débutant Schott
Alto saxophone (SCHULE+CD) - very easy to easy SKU: HL.49033323 Die mo...(+)
Alto saxophone
(SCHULE+CD) - very easy
to easy SKU:
HL.49033323 Die
moderne Schule fur
Jugendliche und
Erwachsene. Composed
by Juchem. This edition:
Ring/Spiral binding.
Sheet music with CD.
Edition Schott. Edition
with CD. 130 pages.
Schott Music #ED 9832.
Published by Schott Music
(HL.49033323). ISBN
9783795757311.
9.0x12.0x0.675 inches.
German. This
saxophone method is
suitable for lessons and
self-study and is aimed
at young people and
adults who want to learn
to play the saxophone
with fun and success.
This is why this
established method
focuses on well-known
songs - long-winded
explanations and dry
exercises are avoided.
All subject matters have
been wrapped up in
attractive songs and
pieces which sound like
real music right from the
beginning thanks to the
live recorded playback
tracks. Thus, exercising
is fun. Another
successful instrumental
method in the well-known
'Hobby' series. Dirko
Juchem has made a name
for himself as a
saxophonist, saxophone
teacher and specialist
author on both a national
and international level
for many years.His
saxophone sound and wide
range of styles are well
in demand: He has played
with well-known German
and international artists
such as Rolf Zuckowski,
Barbara Dennerlein,
Thomas Anders, Anne
Haigis, Harald Juhnke, Pe
Werner, Sara K. as well
as with musicians of
Jethro Tull, Jazz-Kantine
or the Mike Oldfield
Band. Apart from numerous
concerts and productions
with other artists and
bands, he performs again
and again with his own
programmes - solo, as a
duo or with an entire
band. Up to now, he has
performed in more than
100 CD and LP
productions, and his
tours have taken him as
far as Los Angeles and
Taiwan.Having taught at
various music schools as
a saxophone teacher and
held lectures at the
Bundesakademie Remscheid
as a guest lecturer, he
knows the problems of
saxophonists from
first-hand experience.In
addition, Dirko Juchem is
the author of numerous
textbooks and tune books
for the saxophone as well
as a specialist author of
articles for musicians'
journals ('Sonic', 'Sound
Check', 'Fachblatt
Musikmagazin'). $34.00 - Voir plus => Acheter | | |
| Caribbean Cruise Piano seul - Intermédiaire Alfred Publishing
Composed by Kathy Holmes. Piano Suite; Piano Supplemental; Solo. Recital Suite S...(+)
Composed by Kathy Holmes.
Piano Suite; Piano
Supplemental; Solo.
Recital Suite Series.
Form: Suite. Recital.
Sheet. 12 pages. Alfred
Music #00-46125.
Published by Alfred Music
(AP.46125).
$5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Tenor Sax Solos Saxophone Tenor [Partition] Hal Leonard
Edited by Tim Price, compiled by Tim Price. For tenor saxophone. Format: instrum...(+)
Edited by Tim Price,
compiled by Tim Price.
For tenor saxophone.
Format: instrumental solo
songbook. With leadsheet
notation (chords and
melody), introductory
text and instructional
text. Bebop and
standards. Series: Hal
Leonard Artist
Transcriptions. 112
pages. 9x12 inches.
Published by Hal Leonard.
(4)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Terzenkrimi Piano seul - Facile Hofmeister Musikverlag
Piano - Grade 2-3 SKU: HF.FH-3098 13 kleine Studien fur Tastentater, d...(+)
Piano - Grade 2-3 SKU:
HF.FH-3098 13
kleine Studien fur
Tastentater, die keine
Etuden mogen.
Composed by Rodolphe
Haimann. Sheet music. 36
pages. Friedrich
Hofmeister Musikverlag
#FH 3098. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-3098).
ISBN 9790203430988. 9
x 12 inches. Der
Terzenkrimi - das sind 13
kleine Studien fur
Tastentater, die keine
Etuden mogen. Die Stucke
sind witzig und
einfallsreich. Der
Etudencharakter ist nicht
vordergrundig. Trotzdem
kommt er nicht zu kurz.
Ideal fur alle, die zwar
viel lernen mochten, aber
den Etuden im Allgemeinen
nichts abgewinnen konnen.
Der Komponist Rodolphe
Haimann wurde 1960 in
Arras (Frankreich)
geboren. Er studierte
Musikwissenschaft und
Kunstgeschichte in
Gottingen und danach
Klavier (bei Agathe
Wanek), Violine (bei
Doris Spemann),
Liedgestaltung (bei
Burkhardt Schaeffer)
sowie Komposition (bei
Friedrich K. Wanek) am
Peter-Cornelius-Konservat
orium in Mainz. Es folgte
ein Studium an der
California State
University in Fresno
(USA) in den Fachern
Klavier (bei Philip
Lorenz) und Komposition
(bei Jack Fortner).
Rodolphe Haimann
bestreitet zahlreiche
Konzerte als Solist,
Liedbegleiter und im
Klavier-Duo mit Thomas
Noichl im In- und
Ausland. Seit 1991 ist
Rodolphe Haimann
Lehrbeauftragter fur
Klavier und Komposition
am Camerloher-Gymnasium
in Freising (Musisches
Gymnasium). Er ist
Gastdozent an der
Musikakademie
Marktoberdorf und
Mitglied der EPTA
(European Piano Teachers
Association). $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - 2.2.0.1 - 0.0.0.0
- str - bc) SKU:
BR.PB-32117
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Sheet Music.
Duration 25'. Breitkopf
and Haertel #PB 32117.
Published by Breitkopf
and Haertel
(BR.PB-32117). ISBN
9790004215845. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $53.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Save the Best for Last - And More Great Ballads of the '90s Piano seul Hal Leonard
Arranged by Thomas Zink. Pianosoft (Yamaha software for the Disklavier pianos - ...(+)
Arranged by Thomas Zink.
Pianosoft (Yamaha
software for the
Disklavier pianos - this
is NOT sheet music).
Floppy disk. Published by
Hal Leonard.
$34.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Sonata E minor Hob.XVI:2e Piano seul Music Distribution Services
Piano SKU: M7.DOHR-17604 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano SKU:
M7.DOHR-17604
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 24 pages.
MDS (Music Distribution
Services) #DOHR 17604.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17604). ISBN
9790202036044. Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Sonata A major Hob.XVI:2b Piano seul Music Distribution Services
Piano SKU: M7.DOHR-17606 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano SKU:
M7.DOHR-17606
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 12 pages.
MDS (Music Distribution
Services) #DOHR 17606.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17606). ISBN
9790202036068. Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Partita Piano seul Schott
Piano (PS) - difficult SKU: HL.49008422 Composed by Heinz Holliger. Sheet...(+)
Piano (PS) - difficult
SKU: HL.49008422
Composed by Heinz
Holliger. Sheet music.
Edition Schott.
Classical. Composed 1999.
44 pages. Duration 32'.
Schott Music #ED 9459.
Published by Schott Music
(HL.49008422). ISBN
9790001131940.
12.0x8.75x0.13
inches. Composed in
anticipation of the Bach
anniversary in 2000. The
forms and religious
symbolism in Holliger's
piece are not restricted
in their reference to the
Cantor of St Thomas'
Leipzig, but include the
interwoven contradictory
attitudes towards Bach of
Schumann and Liszt. A
technically and musically
demanding concert piece.
Prelude (Inner Voice) *
Fugue * Barcarole *
Sphinxes (Intermezzo I) *
petit Csardas obstine *
Sphinxes (Intermezzo II)
* Ciacona
monoritmica. $39.00 - Voir plus => Acheter | | |
| Die schönsten Stücke für Konzertgitarre Guitare - Intermédiaire Voggenreiter
Guitar - intermediate SKU: M7.VOGG-816 Composed by Gernot Roedder. This e...(+)
Guitar - intermediate
SKU: M7.VOGG-816
Composed by Gernot
Roedder. This edition:
Ring/Spiral binding.
Sheet music with 2 CDs.
152 pages. Voggenreiter
#VOGG 816. Published by
Voggenreiter
(M7.VOGG-816). ISBN
9783802408168.
German. Für
Gitarristen der
Mittelstufe Ãœber 60
der bekanntesten und
wichtigsten Stücke
für die Konzertgitarre
(Solo und Duo) aus drei
Jahrhunderten in
traditioneller Notation -
die unentbehrliche
Stückesammlung, die in
keinem gutsortierten
Notenregal fehlen darf!
Endlich alle Stücke,
die man sich bisher in
Einzelausgaben anschaffen
oder aus Dutzenden von
Sammlungen
zusammenstellen musste,
in einem einzigen Band!
Von Aguado und Bach bis
zu Sor und Tárrega,
hier findet sich für
jeden
Gitarristengeschmack das
Richtige. Alle Stücke
spielfertig eingerichtet
mit Fingersätzen und
Lagenangaben. Die beiden
aufwendig produzierten
Begleit-CDs sind nicht
nur ein idealer Begleiter
beim Ãœben, sondern
auch ein absoluter
Hörgenuss für jeden
Liebhaber klassischer
Gitarrenmusik. $36.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Violin 2 (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc) SKU: BR.OB-32117-16 ...(+)
Violin 2 (solos: SATB -
2.2.0.1 - 0.0.0.0 - str -
bc) SKU:
BR.OB-32117-16
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-16. Published by
Breitkopf and Haertel
(BR.OB-32117-16). ISBN
9790004350843. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc) SKU: B...(+)
Basso (cello/double bass)
(solos: SATB - 2.2.0.1 -
0.0.0.0 - str - bc)
SKU:
BR.OB-32117-26
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-26. Published by
Breitkopf and Haertel
(BR.OB-32117-26). ISBN
9790004350867. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Violin 1 (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc) SKU: BR.OB-32117-15 ...(+)
Violin 1 (solos: SATB -
2.2.0.1 - 0.0.0.0 - str -
bc) SKU:
BR.OB-32117-15
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-15. Published by
Breitkopf and Haertel
(BR.OB-32117-15). ISBN
9790004350836. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Organ (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc) SKU: BR.OB-32117-11 (+)
Organ (solos: SATB -
2.2.0.1 - 0.0.0.0 - str -
bc) SKU:
BR.OB-32117-11
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-11. Published by
Breitkopf and Haertel
(BR.OB-32117-11). ISBN
9790004350829. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Viola (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc) SKU: BR.OB-32117-19 (+)
Viola (solos: SATB -
2.2.0.1 - 0.0.0.0 - str -
bc) SKU:
BR.OB-32117-19
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-19. Published by
Breitkopf and Haertel
(BR.OB-32117-19). ISBN
9790004350850. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mass in A Op. 1 Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5366 Composed by Kurt Thomas. Choir; staple...(+)
Chorus a cappella SKU:
BR.CHB-5366 Composed
by Kurt Thomas. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Early modern; Music
post-1945. Sheet Music.
Composed 1925. Breitkopf
and Haertel #CHB 5366.
Published by Breitkopf
and Haertel
(BR.CHB-5366). ISBN
9790004412961. 7.5 x 10.5
inches. Latin. Kurt
Thomas' Mass in a op. 1
for Soloists and two
mixed choirs a cappella
was composed in 1925 at
the end of his music
studies in Leipzig. It is
dedicated to his patron,
Thomaskantor (choirmaster
of St. Thomas) Karl
Straube, in highest
gratitude and reverence.
It was published in the
same year as his first
printed work by Breitkopf
& Hartel, founding a
long-term collaboration
which later enabled the
publication of the Small
Sacred Choral Music op.
25 (CHB 5344) and the
conducting tutorial
Lehrbuch der Chorleitung
(BV 271). In 1927, it was
awarded with the
Beethoven-Preis of the
Prussian Academy of Arts.
The work is set for
double choir throughout,
partly also giving way to
eight-part passages and
shorter sections in which
the choir sings in turn
with the four solo
voices. The Venetian
polychorality is also
used as a stylistic
device, emphasizing the
model character of
baroque choral music. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) S...(+)
Viola 1 (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc) SKU:
BR.OB-32034-19
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-19. Published by
Breitkopf and Haertel
(BR.OB-32034-19). ISBN
9790004350911. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Violin 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) ...(+)
Violin 1 (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc) SKU:
BR.OB-32034-15
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-15. Published by
Breitkopf and Haertel
(BR.OB-32034-15). ISBN
9790004350898. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU...(+)
Organ (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc) SKU:
BR.OB-32034-11
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-11. Published by
Breitkopf and Haertel
(BR.OB-32034-11). ISBN
9790004350881. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) S...(+)
Viola 1 (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc) SKU:
BR.OB-32034-20
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-20. Published by
Breitkopf and Haertel
(BR.OB-32034-20). ISBN
9790004350928. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib...(+)
Basso (cello/double bass)
(solos: SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc) SKU:
BR.OB-32034-26
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-26. Published by
Breitkopf and Haertel
(BR.OB-32034-26). ISBN
9790004350935. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Violin 2 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) ...(+)
Violin 2 (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc) SKU:
BR.OB-32034-16
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-16. Published by
Breitkopf and Haertel
(BR.OB-32034-16). ISBN
9790004350904. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.O...(+)
(solos: SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc) SKU:
BR.OB-32034-54
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-54. Published by
Breitkopf and Haertel
(BR.OB-32034-54). ISBN
9790004350966. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.O...(+)
(solos: SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc) SKU:
BR.OB-32034-53
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-53. Published by
Breitkopf and Haertel
(BR.OB-32034-53). ISBN
9790004350959. 10 x 12.5
inches. The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Sonata B major Hob.XVI:2c Piano seul Music Distribution Services
Piano SKU: M7.DOHR-17607 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano SKU:
M7.DOHR-17607
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 20 pages.
MDS (Music Distribution
Services) #DOHR 17607.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17607). ISBN
9790202036075. Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Sonata D minor Hob.XVI:2a Piano seul Music Distribution Services
Piano SKU: M7.DOHR-17601 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano SKU:
M7.DOHR-17601
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 16 pages.
MDS (Music Distribution
Services) #DOHR 17601.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17601). ISBN
9790202036013. Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Sonata B flat major Hob.XVI:2d Piano seul Music Distribution Services
Piano SKU: M7.DOHR-17603 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano SKU:
M7.DOHR-17603
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 20 pages.
MDS (Music Distribution
Services) #DOHR 17603.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17603). ISBN
9790202036037. Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Sonata A major Hob.XVI:2h Piano seul Music Distribution Services
Piano SKU: M7.DOHR-17602 Composed by Franz Joseph Haydn. Sheet music. Sin...(+)
Piano SKU:
M7.DOHR-17602
Composed by Franz Joseph
Haydn. Sheet music.
Single sheet. 16 pages.
MDS (Music Distribution
Services) #DOHR 17602.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17602). ISBN
9790202036020. Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch Haydns
Eintragungen ihrer
Incipits im sogenannten
Entwurf-Katalog.
Entstanden sind die
fraglichen sieben Sonaten
nach derzeitigem
Forschungsstand
vermutlich in der Zeit
zwischen 1766 und 1772.
Die vom
Haydn-Spezialisten Thomas
Enselein erstellten
Rekonstruktionen dieser
sieben Sonaten sind
sowohl in Einzelausgaben
wie auch in einem
Sammelband (E.D. 17600)
erhältlich. Zur jeder
Neufassung hat Enselein
einen Werkstattbericht
(deutsch/englisch)
erstellt, in dem er sein
Vorgehen bei der
Rekonstruktion der
einzelnen Sonate
erläutert. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Schmucket das Fest mit Maien Breitkopf & Härtel
Wind parts (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc) SKU: BR.OB-32117-30(+)
Wind parts (solos: SATB -
2.2.0.1 - 0.0.0.0 - str -
bc) SKU:
BR.OB-32117-30
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-30. Published by
Breitkopf and Haertel
(BR.OB-32117-30). ISBN
9790004350874. 10 x 12.5
inches. The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Selected Piano Pieces Piano seul Kunzelmann
By Nicolas Rubinstein. Edited by Horvath-Thomas. For Piano Solo. Sheet Music. Pu...(+)
By Nicolas Rubinstein.
Edited by Horvath-Thomas.
For Piano Solo. Sheet
Music. Published by
Edition Kunzelmann
$25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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