Performed by Genesis. Guitar Recorded Versions (Authentic note-for-note transcri...(+)
Performed by Genesis.
Guitar Recorded Versions
(Authentic note-for-note
transcriptions). Book
only. With notes and
tablature. Size 9x12
inches. 144 pages.
Published by Hal Leonard.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 20 pages. Duration
40'. Breitkopf and
Haertel #OB 14617-16.
Published by Breitkopf
and Haertel
(BR.OB-14617-16).
ISBN
9790004344545. 10 x 12.5
inches.
During his
Bohemian spa trip in
September 1811, Beethoven
notated the first
sketches for the Seventh
Symphony, a work that
occupied him until May
1812 - parallel at times
with its disparate sister
work, the Eighth Symphony
in F major. After a
non-public rehearsal on
21 April 1813 in Archduke
Rudolph's palace, the
Seventh was officially
premiered on 8 December,
together with the
programmatic symphony
Wellington's Victory or
the Battle of Vitoria op.
91. The concert given
before 5,000 enthusiastic
listeners became
Beethoven's greatest
success, probably mainly
because of the second
mentioned work.The
present edition from the
new Beethoven Complete
Edition re-evaluates the
complicated source
situation, using as the
main sources only the
autograph and the parts
from the premiere.
Revealed could be a
number of writing errors
and misunderstandings in
the copying of the parts,
leading to changes from
previous editions,
particularly concerning
numerous markings of
dynamics and
articulation.
SKU: HL.1525 Reference. Guitar Reference. Softcover. 304 pages. Published...(+)
SKU: HL.1525
Reference. Guitar
Reference. Softcover. 304
pages. Published by
Centerstream Publications
(HL.1525).
ISBN
9781574242676. UPC:
884088575465.
8.5x11.0x0.655
inches.
Centerstrea
m presents this detailed
look at the inner
workings of the famous
musical instrument
manufacturer of
Kalamazoo, Michigan
before World War II. For
the first time, Gibson
fans can learn about the
employees who built the
instruments, exactly
where the raw materials
came from, the identity
of parts vendors, and how
the production was
carried out. The book
explains Gibson's
pre-World War II factory
order number and serial
number systems, and
corrects longstanding
chronological errors.
Previously unknown
information about every
aspect of the operation
is covered in-depth.
Noted historian Joe Spann
gathered firsthand info
from pre-war employees,
and had access to major
Gibson document
collections around the
world. Long time Gibson
experts, as well as
casual collectors, will
find this volume an
indispensable addition to
their reference
shelf.
Genesis: Anthology Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Genesis. For voice, piano and guitar chords. Format: piano/vocal/ch...(+)
Performed by Genesis. For
voice, piano and guitar
chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Progressive rock and
classic rock. 352 pages.
9x12 inches. Published by
Hal Leonard.
(Book) SKU: HL.1303103 Composed by Josephine Koh. Music Sales America. Cl...(+)
(Book)
SKU:
HL.1303103
Composed
by Josephine Koh. Music
Sales America. Classical,
Theory. Softcover. Hal
Leonard #WMP1638.
Published by Hal Leonard
(HL.1303103).
UPC:
196288173021.
In
this last and
comprehensive coursebook
in the Practice in Music
Theory series, the author
has skillfully put
together the demandsof
the syllabus in an
enlightening style for
both teachers and music
students. The book
isorganised into 5
sections - Advanced
Harmonic Vocabulary, Trio
Sonata Textures,
Pianoforte Writing,
Melodic Composition,
Score Reading and
Analysis. Each section
contains topics which
provide the indispensable
background
tounderstanding the
concepts found in music
itself. Theoretical
considerations apart,
specific works are
analysis, illustrations
are abundant, musical
examples and interesting
exercises are plentiful
throughout the book.
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet
SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639).
ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches.
Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl.
Second violin (2. Violin) - Level 4 SKU: BA.BA07590-75 Composed by Giusep...(+)
Second violin (2. Violin)
- Level 4
SKU:
BA.BA07590-75
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 27 pages.
Baerenreiter Verlag
#BA07590_75. Published by
Baerenreiter Verlag
(BA.BA07590-75).
ISBN
9790006541621. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Urtext from the new Complete Edition (G. Henle Verlag). Composed by Ludwig van...(+)
Urtext from the new
Complete
Edition (G. Henle
Verlag).
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Ernst Herttrich.
Breitkopf
and Haertel #OB 14617-30.
Published by Breitkopf
and
Haertel
Featuring: Paradise by the Dashboard Light / Two Out of Three Ain't Bad...(+)
Featuring: Paradise by
the
Dashboard Light / Two Out
of
Three Ain't Bad /
I'd Do
Anything For Love (But I
Won't Do That).
Composed by
Jim Steinman. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop
Concert Band. Form:
Medley.
Pop. Score and Parts. 256
pages. Duration 6:00.
Alfred
Music #00-47421.
Published by
Alfred Music
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. 362 pages.
Baerenreiter Verlag
#BA07590_65. Published by
Baerenreiter Verlag
(BA.BA07590-65).
ISBN
9790006541607. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 20 pages. Duration
40'. Breitkopf and
Haertel #OB 14617-23.
Published by Breitkopf
and Haertel
(BR.OB-14617-23).
ISBN
9790004344569. 10 x 12.5
inches.
During his
Bohemian spa trip in
September 1811, Beethoven
notated the first
sketches for the Seventh
Symphony, a work that
occupied him until May
1812 - parallel at times
with its disparate sister
work, the Eighth Symphony
in F major. After a
non-public rehearsal on
21 April 1813 in Archduke
Rudolph's palace, the
Seventh was officially
premiered on 8 December,
together with the
programmatic symphony
Wellington's Victory or
the Battle of Vitoria op.
91. The concert given
before 5,000 enthusiastic
listeners became
Beethoven's greatest
success, probably mainly
because of the second
mentioned work.The
present edition from the
new Beethoven Complete
Edition re-evaluates the
complicated source
situation, using as the
main sources only the
autograph and the parts
from the premiere.
Revealed could be a
number of writing errors
and misunderstandings in
the copying of the parts,
leading to changes from
previous editions,
particularly concerning
numerous markings of
dynamics and
articulation.
Opera SKU: HL.14015279 Composed by Simon Holt. Music Sales America. Opera...(+)
Opera
SKU:
HL.14015279
Composed
by Simon Holt. Music
Sales America. Opera or
Operetta. Part. Composed
2003. 180 pages. Chester
Music #CH61418. Published
by Chester Music
(HL.14015279).
ISBN
9780711995796.
This
new Opera was first
performed in 1998 in
Huddersfield by Opera
North. Designed for the
modern stage, it utilises
only a small cast and
orchestra - albeit one
with a good variety of
percussion! The libretto
is adapted by the
composer from the play
'The Love of Don
Pemperlin for Belisa in
the Garden' by Feredico
Garcia Lorca, translated
into English by David
Johnston. The plot
revolves around the
ill-fated marriage of Don
Pemperlin, an ageing
bachelor and his
beautiful neighbour
Belisa, which was
suggested by Pemperlin's
maid. Tricks and
misunderstandings abound
and because of them,
Pemperlin ends by
stabbing himself and
dying even as Belisa
proclaims her love for
him.
Messa da Requiem Soli, choeur mixte et accompagnement - Intermédiaire Barenreiter
Composed by Giuseppe Verdi (1813-1901). Edited by Marco Uvietta. For solo vocal ...(+)
Composed by Giuseppe
Verdi (1813-1901). Edited
by Marco Uvietta. For
solo vocal quartet, SATB
choir, orchestra. This
edition: Urtext edition.
Paperback. Level 4. Piano
reduction. Text Language:
English/German. Published
by Baerenreiter Verlag
Orchestra SKU: BR.PB-5719 Fantastic Variations on a Theme of Knightly ...(+)
Orchestra
SKU:
BR.PB-5719
Fantastic Variations
on a Theme of Knightly
Character - Urtext.
Composed by Richard
Strauss. Edited by Nick
Pfefferkorn. Orchestra.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music.
Duration 43'. Breitkopf
and Haertel #PB 5719.
Published by Breitkopf
and Haertel (BR.PB-5719).
ISBN 9790004216569. 0
x 0 inches.
Strauss
had originally intended
that Don Quixotealways be
performed, if possible,
together with
Heldenleben, since Don Q.
in particular is only
fully comprehensible
alongside Heldenleben. To
date, Strauss's wish is
rarely respected. The Don
Quixote Urtext edition
now being published by
Breitkopf & Hartel can
assist here. Once again,
the new edition is based
on Strauss's own
engraver's model, helping
to clarify numerous
misunderstandings, and
facilitating the
correction of dozens of
traditional errors.
Furthermore, the woodwind
parts, previously
available only in
manuscript form, are now
appearing completely
engraved for the first
time.This new edition is
also being augmented by a
piano reduction of the
most important orchestral
passages for facilitating
the study of the solo
cello and viola parts;
these two solo parts are
also separately included
with the purchase of the
piano
reduction.
First
Urtext edition since the
original edition;
Evaluation of all
available manuscript and
printed sources; Detailed
preface giving the
genesis and reception
history; Detailed
critical report;
Facsimile pages.
Composed by Susan C. Bauman. Reference Textbooks; Suzuki; Textbook - General (Su...(+)
Composed by Susan C.
Bauman. Reference
Textbooks; Suzuki;
Textbook - General
(Suzuki). Book. 52 pages.
Alfred Music #00-0767.
Published by Alfred Music
Theory SKU: BT.FORFSE01 Composed by Elsie Stewart. Theory. Book Only. 32 ...(+)
Theory
SKU:
BT.FORFSE01
Composed
by Elsie Stewart. Theory.
Book Only. 32 pages.
Forsyths Publications
#FORFSE01. Published by
Forsyths Publications
(BT.FORFSE01).
English.
An
outstandingly simple and
practical introduction to
music theory. Recently
modernised, this ever
popular series remains
the ideal companion to
teaching in classes or
instrumental lessons.
Book 1 and Book 2 are
designed to be used
alongside each other,
enabling the pupil to
complete the exercises in
one book whilst the other
is being marked.
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited b...(+)
(Trois esquisses
symphoniques). Composed
by Claude Debussy
(1862-1918). Edited by
Douglas Woodfull-Harris.
For orchestra (2
flutes/soprano flute/2
oboes/english
horn/clarinet/2
bassoons/5
contrabassoons/2
trumpets/horn/2
trombones/tuba/percussion
/celeste/2
harps/strings). This
edition: Urtext edition.
Paperback. Study score.
Text Language:
English/French/German.
Duration 10 minutes.
Published by Baerenreiter
Verlag
Open strings, first and second finger. Arranged by Sarah Stiles. (Violin). This...(+)
Open strings, first and
second finger. Arranged
by Sarah Stiles.
(Violin). This edition:
1074319. De Haske
Play-Along Book.
Softcover with CD. 32
pages. Published by De
Haske Publications.
SATB choir, piano SKU: LO.10-5819MD Composed by Phil Nitz. Choral. Sacred...(+)
SATB choir, piano
SKU:
LO.10-5819MD
Composed
by Phil Nitz. Choral.
Sacred Anthem, Advent,
Christmas. Medallion
Music #10/5819MD.
Published by Medallion
Music (LO.10-5819MD).
ISBN
9780787789633.
The
beloved and longstanding
Christmas classic
recorded and made popular
by Amy Grant has been
given a creative twist by
incorporating a duet
between Mary and Joseph.
The choir beautifully
accompanies and supports.
This tender anthem
beautifully highlights
the emotions of Mary and
Joseph as the prepared
for the birth of
Jesus.
SKU: CA.9002000 Edited by Wolfgang Hochstein, Reinhard Wiesend. Hasse Stu...(+)
SKU: CA.9002000
Edited by Wolfgang
Hochstein, Reinhard
Wiesend. Hasse Studies,
Studies of composers,
Musicological books.
Book. 112 pages. Carus
Verlag #CV 90.020/00.
Published by Carus Verlag
(CA.9002000).
Language:
German/Italian.
Fra
nz Sales Kandler
(1792-1831), an
enthusiastic Viennese
music scholar, wrote the
essay Cenni
storico-critici in memory
and in honor of the
composer Johann Adolf
Hasse (1699-1783). In
this, he recommended
Hasse - who was
outstandingly successful
in his day - to younger
generations of composers
as a role model, despite
the social and stylistic
changes which had taken
place in the intervening
years. The original
Italian text is published
here for the first time
with a German
translation.
Choir Secular Double Choir and Violoncello SKU: PE.EP73479 Composed by Fr...(+)
Choir Secular Double
Choir and Violoncello
SKU: PE.EP73479
Composed by Francis Pott.
Choral Works (inc.
Oratorios). Edition
Peters. Living Composer.
Vocal Score. 164 pages.
Edition Peters
#98-EP73479. Published by
Edition Peters
(PE.EP73479).
ISBN
9790577019888. 297 x
210mm inches.
English.
At
First Light was
commissioned by Eric
Bruskin, a resident of
Philadelphia, USA, in
memory of his mother.
Eric had a longstanding
enthusiasm for my work,
and I was touched to be
the person he approached
for a task which is both
a privilege and a
daunting responsibility.
In a sense, no music can
ever measure up to the
weight of love or the
hope of consolation
vested in it under such
circumstances - but in
memory I carry the deaths
of both my own parents,
and I was able to draw
upon that. Eric's
fondness for my Cello
Sonata (itself written in
memoriam) led him to ask
that I include a solo
'cello part in the new
work - but his attachment
also to my polyphonic
sacred choral writing
meant that he wanted a
centrepiece which would
be both a showcase of
that approach and the
celebration of a life
well lived. Therefore,
the seven movements of At
First Light arrange
themselves as a series of
slow meditations
surrounding an exuberant
9-minute motet in which
the lamenting cello falls
temporarily
silent.
Eric's
Jewish faith meant that
approaching an agnostic
humanist brought up
within the Anglican
tradition was hardly free
of problems! Gradually,
though, I was able to win
his approval for a
collated mosaic of texts.
This embraces some
liturgical Latin
(necessary for the motet)
as the shared preserve of
broad western culture in
general, but balances it
with a secular approach
to loss, celebration,
remembrance and the many
shades of our mourning
those whom we see no
longer. Eric was adamant
that he did not want the
title Requiem; but what
has emerged is still a
form of semi-secular
Requiem in all but name,
taking its title instead
from a phrase in the poem
by Thomas Blackburn set
as the third movement.
This seemed to suggest
succinctly how the loss
of one very close to us
is an awakening into an
unfamiliar world where
everything is changed.
Following the exuberant
central movement, the
texts by the
Lebanese-born Kahlil
Gibran and the US,
Kentuckian poet Wendell
Berry first address the
departed loved one
directly, then place us
within an imaginary
funeral cortege, where
the perennial and
universal in human
experience become
personal without
subscribing explicitly to
any particular faith (or
lack of it). The final
text of all is a
translation of a Hebraic
prayer, requested and
provided by Eric Bruskin,
which serves to mirror
its Latin counterpart
heard at the
outset.
Throughout
, the lamenting cello
represents a commentary
on the experience
articulated in the text.
It evokes and, in a
sense, tries to embrace
and sanctify the
individual existential
journeys of the bereft,
as they in turn seek to
make their own sense of
what the short-lived
Second World War poet
Alun Lewis called 'the
unbearable beauty of the
dead' (movement
5).
In a modern
world hostage to ever
greater menace,
displacement, bloodshed
and anguish, I hope
fervently that this music
not only brings a measure
of solace to the person
who commissioned it, but
also makes its own small
contribution to bailing
out the sinking ship of
humanity.
God, Have Mercy Chorale 2 parties 2 parties, Orgue - Facile MorningStar Music Publishers
By Claudio Monteverdi. Arranged by Hal H. Hopson. For Two-Part Mixed Voices and ...(+)
By Claudio Monteverdi.
Arranged by Hal H.
Hopson. For Two-Part
Mixed Voices and
Keyboard. Lent, General.
Level: Easy. Octavo.
Published by MorningStar
Music Publishers.
Composed by Frederic Chopin (1810-1849). Edited by Roy Howat. This edition: Ur...(+)
Composed by Frederic
Chopin
(1810-1849). Edited by
Roy
Howat. This edition:
Urtext.
Masterworks. The Complete
Chopin - A New Critical
Edition. Masterwork;
Romantic.
Book. 80 pages. Edition
Peters
#98-EP73227. Published by
Edition Peters
Composed by Kelly Bennette. Concert Band; Performance Music Ensemble; Single...(+)
Composed by Kelly
Bennette.
Concert Band; Performance
Music Ensemble; Single
Titles.
Concert Band -
LudwigMasters.
Form: March. Score and
Part(s). Duration 3:00.
LudwigMasters
Publications
#36-50100313. Published
by
LudwigMasters
Publications