Artist Transcriptions - Trumpet. Performed by Louis Armstrong. Artist Transcriptions (Authentic note-for-note transcriptions). Size 9x12 inches. 48 pages. Published by Hal Leonard.

Performed by Bessie Smith. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, introductory text and black

(Creative Anthems and Resources for Children's Choir). By Cristi Cary Miller, Kathlyn Reynolds. (director man.). Brookfield Choral Series. Sacred. Size 8.5x11 inches. 56 pages. Published by Brookfield Press.

Composed by Gwyneth W. Walker (1947-). 21st Century. Complete piano/choral score. Duration 11 minutes, 45 seconds. Published by E.C. Schirmer Publishing (EC.8255).

America's All-Time Favorite Songs for God and Country (Library of Series). Arranged by Amy Appleby. Music Sales America. Gospel, Sacred, Sacred. Softcover. 320 pages. Music Sales #AM985314. Published by Music Sales

(No. 3 from Voices in Song ). Arranged by Gwyneth W. Walker. For 2-Part Treble Voices (SA Children), Orchestra or Piano. Prayer. Choral, general. Octavo. Published by E.C. Schirmer Publishing

(Duets for 4-hands, 1-piano). By Gerald Anderson. For piano, four-hands. Sacred. Moderately advanced. Published by Lillenas Publishing Company

By Various. For Unison. Modern Christian. Sacred. Choral Book. Published by Brentwood-Benson Music Publishing.

For voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment and lyrics. Gospel. 56 pages. 9x12 inches. Published by Hal Leonard.

By Walter Noona. For piano. Level: Level 2. Piano method. Published by Heritage Music Press.

A Collection of Spirituals, Children's Songs and Folk Songs. By Kathryn Scheldt & Frances McClain. For Guitar (All). Music therapy. Folk. Level: Beginning. Book. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

Piano/Vocal. Composed by Various. Piano Songbook. Spiritual and Gospel. Songbook (softcover). With vocal melody, piano accompaniment, lyrics and chord names. 64 pages. Music Sales #AM15058. Published by Music Sales

For Choir. This edition: Paperback. General Music and Classroom Publications. Wee Sing. 63 inspirational songs and poems. Sacred, Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.

Songbook for voice, piano and guitar chords. 256 pages. Published by Hal Leonard.

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 264 pages. Published by Hal Leonard

Performed by Jimmie Rodgers. For voice and guitar. Format: fake book. With vocal melody, lyrics, chord names and introductory text. Traditional country. Series: Hal Leonard Fake Books. 64 pages. 9x12 inches. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Sacred. 182 pages. 9x12 inches. Published by Creative Concepts

Arranged by Jurgen Sommer. Organ solo book (no lyrics) for electronic organ. With organ notation (with pedal parts). 32 pages. Published by Edition Nagel (German import).

Performed by Michael Lauren. By Michael Lauren. Edited by Ray Brych. DCI books (Percussion). 72 pages. Published by Alfred Publishing.

Composed by Andrea Cutuli. Carisch - Music Sales. Book with CD & DVD. 56 pages. Play Music Italy #CARML3755. Published by Play Music Italy

Soprano voice solo, SATB choir and orchestra

SKU: ST.D108

Composed by James McCarthy. For soprano solo, SATB chorus and orchestra. Libretto by the composer, with words selected and adapted from various writers. James McCarthy's acclaimed cantata dramatically recounts key episodes in the story of Alan Turing, the Second World War codebreake. Vocal Score. Stainer & Bell Ltd. #D108. Published by Stainer & Bell Ltd. (ST.D108).

ISBN 9790220225628.

Jame s McCarthy's Codebreaker dramatically recounts key episodes in the story of Alan Turing, whose work at Bletchley Park decrypting the naval Enigma codes helped save countless lives during the Second World War, and whose legacy endures in our contemporary digital culture transformed by computer science. Turing is recalled as a brilliant mathematician, pioneer and prophet. Above all, in a score conceived in bold contrasts of pathos and dynamic energy, he is remembered as a suffering individual, an outsider destroyed by the unforgiving public prejudice of his time, yet whose complex and sensitive inner being was inseparable from his genius. On the cusp of a twenty-first century revolution in artificial intelligence, the passionate, accessible and visionary music of Codebreaker urges us all to regret past misunderstandings, be vigilant against lingering bigotries, and simply to hold in reverence Turing's inspiring achievement, while wondering at the cruel betrayal of an ordinary-extraordinary man who was also a profound benefactor to humankind.

Theory

SKU: BT.FORFSE03

Composed by Elsie Stewart. Theory. Book Only. Forsyths Publications #FORFSE03. Published by Forsyths Publications (BT.FORFSE03).

English.

An outstandingly simple and practical introduction to music theory. Recently modernised, this ever popular series remains the ideal companion to teaching in classes or instrumental lessons. Book 3 and Book 4 are designed to be used alongside each other, enabling the pupil to complete the exercises in one book whilst the other is being marked.

A Musical Story for Young Choirs. By Emily Crocker, John Jacobson. (teacher edition). Expressive Art (Choral). Children's Musical. Size 9x12 inches. 40 pages. Published by Hal Leonard.

String quartet

SKU: HL.49045639

Chaconne. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2016. 108 pages. Duration 990 seconds. Schott Music #ED 30174. Published by Schott Music (HL.49045639).

ISBN 9781540004796. UPC: 888680710774. 9.5x12.0x0.37 inches.

Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach's D minor violin partita and the finale of Brahms's Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl.

By Daniel Anker, Carol Ponder and Donna Santman. Preface by Eric Booth. This edition: Book, Listening CD and Teacher's DVD. Textbook - General. Instructional Book, CD and DVD. 104 pages. Published by Alfred Publishing.

Harp

SKU: UT.MAG-221

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 221. Published by Ut Orpheus (UT.MAG-221).

ISBN 9790215318625. 9 x 12 inches.

Martin-Pier re Dalvimare, born in 1770, in Dreux (Eure-et-Loir), from a distinguished family, learnt music as an entertainment art, and was obliged to make it a resource for his existence, after the troubles of the Revolution in 1789. He had acquired a remarkable talent for the harp; when he arrived in Paris he made a very good impression. Then, man of the world, knowledgeable in many fields, which is rare for a musician, he was welcome everywhere, and very soon came in friendly terms with some of the most renowned artists and men of letters of his times. The marriage certificate of the poet Legouve (15 pluviose of the year XI, or February 1803, 12th municipality of Paris), shows that Dalvimare was one of his best men and that at the time he was thirty-two years old. He became harpist of the Opera in the year VIII (1800), and was definitively confirmed in the month of fructidor of the year IX. At the time of the institution of the emperor Napoleon's private music, M. Dalvimare was appointed as his harpist. In September 1807 he obtained the title of harp master of the empress Josephine. A lucky change of his fortune allowed this artist to renounce to practise his talent for living, he resigned from all of his positions on March, 12th, 1812, and he retired in Dreux, where he still was living in 1837. For a peculiar weakness, he does not like to speak about his artist career, which had been entirely honourable, and he would like to forget his success too. His first composition was a symphonie concertant for harp and horn, which he composed with Frederic Duvernoy, and published in the year VII (1798); notwithstanding, he counted as his first opus a collection of romances with accompaniment of piano or harp, which he later published with Pleyel.

In 1809 Dalvimare composed, for the theatre Feydeau, a one-act opera-comique called The Marriage for Imprudence. The music was weak; the work did not succeed, and people used to say that the greatest imprudence had been the one of the authors who had it performed. Nevertheless, the score of this opera was published in Paris by erard. (Francois-Joseph Fetis).