The Ecstasy of Gold Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114972-140 From The Good,...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1114972-140
From The Good, The Bad
and The Ugly.
Composed by Ennio
Morricone. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show.
Score Only. Composed
2011. 16 pages. De Haske
Publications #DHP
1114972-140. Published by
De Haske Publications
(BT.DHP-1114972-140).
9x12 inches.
The
Ecstasy of Gold is the
famous theme from the
movie The Good, The Bad
and The Ugly that leads
up to and is heard during
the movieâ??s climax,
the showdown! The
complete soundtrack to
The Good, the Bad and the
Ugly was released in 1966
and sold millions of
copies. Since 1983,
heavy-metal band
Metallica have been
opening concerts with
Morriconeâ??s dramatic
and exciting song, The
Ecstasy of Gold. Lorenzo
Bocci has created an
equally exciting
arrangement for concert
band.
The Ecstasy
of Gold is het beroemde
lied uit de muziek van de
film The Good, The Bad
and The Ugly en leidt
naar het hoogtepunt van
de film. Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
berühmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Höhepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Für
eine Handvoll Dollar und
Für ein paar Doller
mehr - vertont hatte. Die
Metal-Band Metallica
eröffnet seit 1983
ihre Konzerte stets mit
diesem dramatischen und
packenden Lied, das
Lorenzo Bocci für
Blasorchester
arrangierte.
Fil
m del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo
è uno tra i più
celebri western della
storia del cinema.
Lâ??Estasi dellâ??Oro
(The Ecstasy of Gold)
è una canzone composta
da Ennio Morricone per il
film, ricordata in
particolare per essere il
sottofondo musicale della
scena in cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
Score. Composed by
Ennio Morricone. Arranged
by Lorenzo Bocci. De
Haske Concert Band.
TV-Film-Musical-Show.
Softcover. Composed 2011.
16 pages. De Haske
Publications
#1114972-140. Published
by De Haske Publications
(HL.44012426).
9x12
inches.
The Ecstasy
of Gold is the famous
theme from the movie The
Good, The Bad and The
Ugly that leads up to and
is heard during the
movie's climax, the
showdown! The complete
soundtrack to The Good,
the Bad and the Ugly was
released in 1966 and sold
millions of copies. Since
1983, heavy-metal band
Metallica have been
opening concerts with
Morricone's dramatic and
exciting song, The
Ecstasy of Gold. Lorenzo
Bocci has created an
equally exciting
arrangement for concert
band.
The Ecstasy
of Gold is het beroemde
lied uit de muziek van de
film The Good, The Bad
and The Ugly en leidt
naar het hoogtepunt van
de film. Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
beruhmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Hohepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Fur eine
Handvoll Dollar und Fur
ein paar Doller mehr -
vertont hatte. Die
Metal-Band Metallica
eroffnet seit 1983 ihre
Konzerte stets mit diesem
dramatischen und
packenden Lied, das
Lorenzo Bocci fur
Blasorchester
arrangierte.
La
legendaire melodie The
Ecstasy of Gold vient
aureoler le point
culminant du film Le Bon,
la brute et le truand. Ce
film cloture la celebre
Trilogie de l'homme sans
nom dont les precedents
films sont Pour une
poignee de dollars, Et
pour quelques dollars de
plus. A la demande du
realisateur Sergio Leone,
Ennio Morricone composa
la bande originale des
trois films. Depuis 1983,
le groupe Metallica ouvre
ses concerts avec ce
theme dont Lorenzo Bocci
a realise un
epoustouflant arrangement
pour orchestre
d'harmonie.
Film
del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo e
uno tra i piu celebri
western della storia del
cinema. L'Estasi dell'Oro
(The Ecstasy of Gold) e
una canzone composta da
Ennio Morricone per il
film, ricordata in
particolare per essere il
sottofondo musicale della
scena in cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
The Ecstasy of Gold Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114972-010 From The Good,...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1114972-010
From The Good, The Bad
and The Ugly.
Composed by Ennio
Morricone. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1114972-010. Published by
De Haske Publications
(BT.DHP-1114972-010).
9x12 inches.
The
Ecstasy of Gold is the
famous theme from the
movie The Good, The Bad
and The Ugly that leads
up to and is heard during
the movie’s
climax, the showdown! The
complete soundtrack to
The Good, the Bad and the
Ugly was released in 1966
and sold millions of
copies. Since 1983,
heavy-metal band
Metallica have been
opening concerts with
Morricone’s
dramatic and exciting
song, The Ecstasy of
Gold. Lorenzo Bocci has
created an equally
exciting arrangement for
concert band.
The
Ecstasy of Gold is het
beroemde lied uit de
muziek van de film The
Good, The Bad and The
Ugly en leidt naar het
hoogtepunt van de film.
Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
berühmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Höhepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Für
eine Handvoll Dollar und
Für ein paar Doller
mehr - vertont hatte. Die
Metal-Band Metallica
eröffnet seit 1983
ihre Konzerte stets mit
diesem dramatischen und
packenden Lied, das
Lorenzo Bocci für
Blasorchester
arrangierte.
Film del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo
è uno tra i più
celebri western della
storia del cinema.
L’Estasi
dell’Oro (The
Ecstasy of Gold) è una
canzone composta da Ennio
Morricone per il film,
ricordata in particolare
per essere il sottofondo
musicale della scena in
cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
Concert Band (SCORE+PARTS) - Grade 3 SKU: HL.44012425 Concert Band Sco...(+)
Concert Band
(SCORE+PARTS) - Grade 3
SKU: HL.44012425
Concert Band Score and
Parts. Composed by
Ennio Morricone. Arranged
by Lorenzo Bocci. De
Haske Concert Band.
TV-Film-Musical-Show.
Softcover. Composed 2011.
De Haske Publications
#1114972-010. Published
by De Haske Publications
(HL.44012425).
UPC:
196288024705.
9.0x12.0x0.443
inches.
The Ecstasy
of Gold is the famous
theme from the movie The
Good, The Bad and The
Ugly that leads up to and
is heard during the
movie's climax, the
showdown! The complete
soundtrack to The Good,
the Bad and the Ugly was
released in 1966 and sold
millions of copies. Since
1983, heavy-metal band
Metallica have been
opening concerts with
Morricone's dramatic and
exciting song, The
Ecstasy of Gold. Lorenzo
Bocci has created an
equally exciting
arrangement for concert
band.
The Ecstasy
of Gold is het beroemde
lied uit de muziek van de
film The Good, The Bad
and The Ugly en leidt
naar het hoogtepunt van
de film. Ennio Morricone
componeerde de soundtrack
voor deze
spaghettiwestern van
Sergio Leone. Ookde
eerste twee delen van de
filmtrilogie, A Fistfull
of Dollars en For a Few
Dollars More, voorzag hij
van filmmuziek. De
hardrockband Metallica
opent sinds 1983 haar
rockconcerten met dit
dramatische en pakkende
lied. Lorenzo Boccimaakte
er een versie voor
blaasorkest van. Spannend
en
meeslepend..!
The
Ecstasy of Gold ist das
beruhmte Lied aus der
Filmmusik zu The Good,
The Bad and The Ugly
(Zwei glorreiche
Halunken), welches den
Showdown und zugleich
Hohepunkt des Films
einleitet. Komponiert
wurde der Soundtrack zu
Sergio Leones klassischem
Italo-Wester von Ennio
Morricone, der auch schon
die beiden ersten Filme
der Trilogie - Fur eine
Handvoll Dollar und Fur
ein paar Doller mehr -
vertont hatte. Die
Metal-Band Metallica
eroffnet seit 1983 ihre
Konzerte stets mit diesem
dramatischen und
packenden Lied, das
Lorenzo Bocci fur
Blasorchester
arrangierte.
La
legendaire melodie The
Ecstasy of Gold vient
aureoler le point
culminant du film Le Bon,
la brute et le truand. Ce
film cloture la celebre
Trilogie de l'homme sans
nom dont les precedents
films sont Pour une
poignee de dollars, Et
pour quelques dollars de
plus. A la demande du
realisateur Sergio Leone,
Ennio Morricone composa
la bande originale des
trois films. Depuis 1983,
le groupe Metallica ouvre
ses concerts avec ce
theme dont Lorenzo Bocci
a realise un
epoustouflant arrangement
pour orchestre
d'harmonie.
Film
del 1966 diretto da
Sergio Leone, Il Buono,
Il Brutto, Il Cattivo e
uno tra i piu celebri
western della storia del
cinema. L'Estasi dell'Oro
(The Ecstasy of Gold) e
una canzone composta da
Ennio Morricone per il
film, ricordata in
particolare per essere il
sottofondo musicale della
scena in cui Tuco cerca
freneticamente il
cimitero con la tomba
dove si trovano 200.000
dollari in oro.
Harpsichord; Early Music SKU: UT.DM-76 Guia practica para Pianistas, O...(+)
Harpsichord; Early Music
SKU: UT.DM-76
Guia practica para
Pianistas, Organistas y
Clavecinistas.
Composed by Enrico
Baiano. Paperback (Soft
Cover). Theoretical and
Educational Texts.
Classical. Softcover. 232
pages. Ut Orpheus #DM 76.
Published by Ut Orpheus
(UT.DM-76).
Chamber Music Alto (or Tenor) Saxophone & Piano SKU: PO.PE007 Composed by...(+)
Chamber Music Alto (or
Tenor) Saxophone & Piano
SKU: PO.PE007
Composed by Matthew
Hindson. Sws. Score and
parts. Composed 1997.
Promethean Editions
#PE007. Published by
Promethean Editions
(PO.PE007).
ISBN
9780958367967.
Hind
son's In Search of
Ecstasy (1997) is a
flamboyant work for solo
saxophone and piano that
showcases the highly
appealing range of
saxophone sounds. In
writing this work,
Hindson drew influence
from popular music, in
particular the incessant
beat of techno music,
which makes it a
particularly energetic
work. In Search of
Ecstasy also contains
free time sections
allowing for some open
performance
interpretation.
Choir; Orchestra; Early Music SKU: UT.NAP-5 Oratorio for 4 voices, cho...(+)
Choir; Orchestra; Early
Music
SKU:
UT.NAP-5
Oratorio
for 4 voices, choir and
instruments. By
Pietro Metastasio. By
Niccolò Jommelli.
Edited by Nicolò
Maccavino Gaetano
Pitarresi. Hardback
(Cloth Hard Cover).
Napoli e l’Europa
(Naples and Europe).
Classical. Score. Ut
Orpheus #NAP 5. Published
by Ut Orpheus (UT.NAP-5).
ISBN 9790215318465. 9
x 12 inches.
Napoli
e l'Europa (Naples and
Europe) - Masterpieces of
the Neapolitan School
selected by Riccardo Muti
for the Salzburg Whitsun
Festival Project in
association with the
Ravenna Festival
Betulia
liberata, for four
voices, strings, two
oboes, two horns and
basso continuo, was the
second oratorio by
Niccolo Jommelli
(1714-1774), following
Isacco figura del
Redentore. It was
composed in 1743 to a
commission from the
Fathers of the
Congregation of the
Oratorio of Saint Philip
Neri, and was widely
performed in Italy
throughout the 18th
century, as well as in
Prague and in London.
Metastasio's text proved
popular with composers,
and Jommelli's version of
this text is one of the
most felicitous on
account of its impact,
variety and consistent
inventiveness, and also
for the care he took in
matching the music to the
drama.
The
brilliant combination of
different styles and
forms, the attention to
dramatic
characterisation, and the
power of invention
displayed by Jommelli in
Betulia liberata make him
the foremost Italian
composer of the
mid-eighteenth century,
pre-eminence recognised
by the music critics and
historians of his
age.
The Ecstasies Above Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Novello & Co Ltd.
(SATB, Solo Octet, and String Quartet). By Tarik O'Regan. Full Score. Music Sale...(+)
(SATB, Solo Octet, and
String Quartet). By Tarik
O'Regan. Full Score.
Music Sales America. 76
pages. Novello and Co
Ltd. #NOV200497.
Published by Novello and
Co Ltd.
Choir - Moderately Easy SKU: WD.080689470233 Composed by J. Daniel Smith....(+)
Choir - Moderately Easy
SKU:
WD.080689470233
Composed by J. Daniel
Smith. Arranged by J.
Daniel Smith. Choral.
Sacred Anthem. Octavo.
Word Music #080689470233.
Published by Word Music
(WD.080689470233).
UPC:
080689470233.
Cast
your mind to Calvary and
praise the Name of the
Lord our God forever! New
from arranger-worship
pastor J. Daniel Smith,
Hillsong’s O
Praise the Name
(Anástasis)
invites you to join in a
spirit-filled presence of
worship and devotion.
With thoughtful,
beautifully-crafted
lyrics of Jesus’s
sacrifice, love and
triumph, this heartfelt
anthem gives thanks and
praises to the Lord our
God for His abundant
Grace, given to us
through the gift of His
Son Jesus Christ!
The Art of Rasgueado Guitare notes et tablatures Guitare classique [Partition] - Intermédiaire Mel Bay
By Ioannis Anastassakis, MA. For Guitar (Classical). Technique. Flamenco. Level:...(+)
By Ioannis Anastassakis,
MA. For Guitar
(Classical). Technique.
Flamenco. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 80
pages. Published by Mel
Bay Publications, Inc.
Voice and piano SKU: VD.ED28822 Unterschiedliche Vertonungen eines Tex...(+)
Voice and piano
SKU:
VD.ED28822
Unterschiedliche
Vertonungen eines Textes
von Pietro Metastasio fur
Singstimme und Klavier
(Zweiter Band).
Composed by Gioachino
Rossini. Edited by Guido
Johannes Joerg.
Classical. Score. 66 S.
pages. Verlag Dohr
#ED28822. Published by
Verlag Dohr (VD.ED28822).
Chamber Music Organ, Trumpet SKU: PR.114418240 An Essay for Trumpet an...(+)
Chamber Music Organ,
Trumpet
SKU:
PR.114418240
An
Essay for Trumpet and
Organ. Composed by
Samuel Adler. Set of
Score and Parts. With
Standard notation. 20+8
pages. Duration 8
minutes. Theodore Presser
Company #114-41824.
Published by Theodore
Presser Company
(PR.114418240).
UPC:
680160640942. 9 x 12
inches.
Life Is an
Ecstasy is Adler's second
commission from the
Clarion Duo, Keith
Benjamin (trumpet) and
Melody Turnquist-Steed
(organ), and will appear
on the Duo's third album.
The intricate duo
features both performers
separately and together
with a harmonic line
woven between the two.
For advanced
performers.
(Subscriber price within a subscription to the series: $184.00). Composed by Joh...(+)
(Subscriber price within
a subscription to the
series: $184.00).
Composed by Johann Adolf
Hasse (1699-1783) and
Pietro Metastasio. Edited
by Francesca
Menchelli-Buttini and
Reinhard Strohm. CRITICAL
EDITIONS. Hardcover.
Ricordi #NR141067.
Published by Ricordi
Daily tone and articulation studies from the flutistas repertoire. Arranged by...(+)
Daily tone and
articulation
studies from the
flutistas
repertoire. Arranged by
Daniel Dorff. Sws.
Theodore
Presser Company
#114-41983.
Published by Theodore
Presser Company
Vistas. Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation. 42 +
112 pages. Duration 25
minutes. Theodore Presser
Company #114-40698.
Published by Theodore
Presser Company
(PR.114406980).
UPC:
680160010806.
Shula
mit Ran’s second
string quartet, subtitled
“Vistas,â€
occupies a large canvas
that is cast in a
traditional fourmovement
mold, where the outer
movements present,
explore, and later return
to the work’s
principal musical
materials, surrounding a
slow movement and
scherzo-type third
movement with a trio. In
addition to tempo-based
titles, the individual
movements have subtitles
that are evocative of
each movement’s
character, as follows: I.
Concentric: from the
inside out II. Stasis
III. Flashes IV.
Vistas. My second
string quartet,
“Vistasâ€, is
a work cast in a
traditional four-movement
formal mold, with the
outer movements,
presenting and later
returning to the
work’s principal
musical materials,
surrounding a slow
movement and a
scherzo-type third
movement.While the four
movements’
“properâ€
names -- Maestoso con
forza, Lento, Scherzo
impetuoso, and
Introduzione; Maestoso e
grande – give some
indication of the general
character of the
individual movements, I
have also subtitled, less
formally, each movement
as follows:Â 1)
Concentric:Â from the
inside out 2)Â
Stasis 3) FlashesÂ
4) Vista. The images
evoked by these titles
tell one, I think, a bit
more about the inner
workings of the
quartet.In the first
movement, a prominently
presented opening pitch
(E) reveals itself, as
the movement unfolds, to
be a center of gravity
from which ever-growing
cycles of activity
gradually evolve.Â
While various important
themes come into being as
the movement progresses,
their impact on the
listener has, I believe,
a great deal to do with
their juxtaposition and
relationship to the
initial central point of
gravity.Stasis is, as the
name implies, a movement
where activity seems, at
times, almost
suspended. Being
also, as Webster’s
Dictionary reminds us,
“a state of static
balance and equilibrium
among opposing tendencies
or forces,†it
develops various
materials, including ones
from the first movement,
without bringing them to
points of
resolution.Flashes is
short and very fast,
evoking in my mind the
quick shimmer of
fireflies, a
“sudden burst of
lightâ€, but also a
“brief
timeâ€. Perhaps,
even, a
“smile�Final
ly, the last movement,
Vista, is not only
“a view or
outlookâ€, but also
“a comprehensive
mental view of a series
of remembered or
anticipated
events.â€Â After
a brief recall of the
opening of the second
movement, this movement
brings back all the
important themes of the
first movement in their
original order. But
just as going back can
never really mean going
back in time, the
movement is much more
than recapitulatory.Â
By cutting through
previously transitory
passages and presenting
the main ideas in a
fashion more direct yet
more evolved, it also
sheds new light on
earlier events, offering
a retrospective, synoptic
view of the first
movement as it brings to
culmination the work as a
whole. “Vistasâ
€ was commissioned by
C. Geraldine Freund for
the Taneyev String
Quartet of what was then
Leningrad. It was the
first commission given in
this country to a Soviet
chamber ensemble since
the 1985 cultural
exchange accord between
the Soviet Union and the
United States.