| Miniaturen Bote and Bock
Clarinet; String Quartet (Parts) SKU: HL.48025248 For Clarinet and Str...(+)
Clarinet; String Quartet
(Parts) SKU:
HL.48025248 For
Clarinet and String
Quartet Parts.
Composed by Iris ter
Schiphorst. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202534588.
Published by Bote & Bock
(HL.48025248). UPC:
196288142911. Note
by the composer:
“In my youth I was
a great Schumann fan,
works such as Carnaval,
Kreisleriana or also
Papillions were (and
still are!) among my
favourite pieces. One of
the things that
fascinated me was their
form, these short
expressive pieces strung
together, which belong
together after all. The
Miniatures are inspired
by this 'old love'. They
were commissioned by
Klangwerkstatt Kreuzberg
(Berlin) and were
originally written for
clarinet and accordion
for the duo Nancy Laufer
and Jürgen
Kupke.†- Iris ter
Schiphorst -. $48.00 - Voir plus => Acheter | | |
| X'seven Fennica Gehrman
Violoncello SKU: FG.55011-521-7 Composed by Olli Koskelin. Fennica Gehrma...(+)
Violoncello SKU:
FG.55011-521-7
Composed by Olli
Koskelin. Fennica Gehrman
#55011-521-7. Published
by Fennica Gehrman
(FG.55011-521-7). ISBN
9790550115217. X'se
ven (2010/18) is the
final piece of a solo
cello suite consisting of
seven compositions. Each
of the seven pieces can
be performed individually
or detached with another
X-composition. Different
works are yet to be
performed cronologically.
The X-works are composed
by using the same
material viewed at
different angles. Their
structure can be seen
like a film starting
several times from the
beginning and from the
same settings always
looked from a new
perspective. In the first
compositions of X-suite
seemingly random
fragments join together
piece by piece as the
work goes on combining
one into another
organically. The story,
tale or plot of the music
and the gestures and
figures of it transform
in a new context but
still remain
identifiable. Olli
Koskelin's (born 16 April
1955) compositional
output reflects a wide
range of interests. The
vast area covered by his
style encompasses the
neo-impressionism of the
piano work Courbures
(1989) to the
post-expressionist echoes
of his Music for String
Quartet (1981) as well as
the breakneck virtuosity
of his clarinet piece
Exalte (1985/1991) and
the rich romantic
textures of his
orchestral piece ... like
a planet silently
breathing... (1993). He
often uses the overtone
series like the French
spectral composers and
avoids dramatic
culmination. Soft
harmonics, tranquil
arching melodies, a
leisurely rhythmical
pulse and a coherence of
mood are in evidence in
his later works as in
Uurre (1997) for chamber
ensemble, Miniatures
(1997) for string quartet
and Circles within for 19
solo strings. $20.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| I Want To Break Free - Facile De Haske Publications
4-Part Flexible Band and Opt. Piano - Grade 2 SKU: BT.DHP-1185975-015 ...(+)
4-Part Flexible Band and
Opt. Piano - Grade 2
SKU:
BT.DHP-1185975-015
As Performed by
Queen. Composed by
John Deacon. Arranged by
Roland Kernen. De Haske
Flexible Series. Pop &
Rock. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185975-015. Published by
De Haske Publications
(BT.DHP-1185975-015).
‘I Want
to Break Free’ was
written by John Deacon
and appeared on
Queen’s 1984 album
The Works, and is still
frequently played on the
radio. This arrangement
for Flex-Band will appeal
to intermediate level
players.
I
Want to Break Free
werd geschreven door John
Deacon en stond op het
album ‚The
Works‘ van Queen,
dat verscheen in 1984.
Dit nummer is nog steeds
een van de populairste
nummers en wordt nog
regelmatig gespeeld op de
radio. Dit arrangement is
geschikt voor elke
combinatie van
houtblazers en
koperblazers en prima
speelbaar voor beginnende
muzikanten.
Der
Titel I Want to Break
Free aus dem Jahr
1984 ist heute noch einer
der meistgespielten
Radiohits. Kurz nach dem
40-jährigen
Bühnenjubiläum von
Queen sind die Hits
wieder besonders aktuell
wie wäre es mit einer
Interpretation im
variablen
Bläserquartett?
I Want to
Break Free est le
deuxième single
extrait de l’album
The Works de Queen, sorti
en 1984. Un grand
succès du groupe Queen
et un grand succès
pour votre ensemble vent!
La musica dei
Queen, ricca di intrecci
e sonorit del tutto
particolari, è ideale
per essere interpretata
da un quartetto d'archi.
Il brano 'I Want to Break
Free' è
particolarmente
ispirato. $90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Want To Break Free - Facile De Haske Publications
4-Part Flexible Band and Opt. Piano - Grade 2 SKU: BT.DHP-1185975-215 ...(+)
4-Part Flexible Band and
Opt. Piano - Grade 2
SKU:
BT.DHP-1185975-215
As Performed by
Queen. Composed by
John Deacon. Arranged by
Roland Kernen. De Haske
Flexible Series. Pop &
Rock. Score Only.
Composed 2018. 12 pages.
De Haske Publications
#DHP 1185975-215.
Published by De Haske
Publications
(BT.DHP-1185975-215).
‘I Want
to Break Free’ was
written by John Deacon
and appeared on
Queen’s 1984 album
The Works, and is still
frequently played on the
radio. This arrangement
for Flex-Band will appeal
to intermediate level
players.
I
Want to Break Free
werd geschreven door John
Deacon en stond op het
album ‚The
Works‘ van Queen,
dat verscheen in 1984.
Dit nummer is nog steeds
een van de populairste
nummers en wordt nog
regelmatig gespeeld op de
radio. Dit arrangement is
geschikt voor elke
combinatie van
houtblazers en
koperblazers en prima
speelbaar voor beginnende
muzikanten.
Der
Titel I Want to Break
Free aus dem Jahr
1984 ist heute noch einer
der meistgespielten
Radiohits. Kurz nach dem
40-jährigen
Bühnenjubiläum von
Queen sind die Hits
wieder besonders aktuell
wie wäre es mit einer
Interpretation im
variablen
Bläserquartett?
I Want to
Break Free est le
deuxième single
extrait de l’album
The Works de Queen, sorti
en 1984. Un grand
succès du groupe Queen
et un grand succès
pour votre ensemble vent!
La musica dei
Queen, ricca di intrecci
e sonorit del tutto
particolari, è ideale
per essere interpretata
da un quartetto d'archi.
Il brano 'I Want to Break
Free' è
particolarmente
ispirato. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Roads To Ixtlan Stemmer, Kopi Music Sales
Saxophone [Quartets] SKU: HL.14027483 Composed by Per Norgard. Music Sale...(+)
Saxophone [Quartets]
SKU: HL.14027483
Composed by Per Norgard.
Music Sales America.
Classical. Set of Parts.
Music Sales #KP00336.
Published by Music Sales
(HL.14027483). ISBN
9788759890752.
9.75x14.25x0.12 inches.
Danish. All roads
lead to Rome, as the
saying goes - but do all
roads also lead to
Ixtlan, perhaps at
another time? Ixtlan
being the city of the
highest aspirations of
the Mexican sorcerer, Don
Genaro (according to
Carlos Casteneda, the
anthropologist publishing
a series of books on Don
Juan, Don Genaro's
col-league). There was no
final outcome to Genaro's
journey, and there will
never be one. I will
never reach Ixtlan, he
said, so Genaro is still
on his way there.(Ixtlan
may perhaps be
interpreted as the inner
goal of your heart).In
any case: in these three
movements the three
points of departure are
utterly different: still
they unanimously move
towards just one melodic
outcome, akind of musical
centre of
gravitation. $39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Per Norgard: Roads To Ixtlan. Music Sales
Saxophone [Quartets] SKU: HL.14027482 Composed by Per Norgard. Music Sale...(+)
Saxophone [Quartets]
SKU: HL.14027482
Composed by Per Norgard.
Music Sales America.
Classical. Score. 14
pages. Music Sales
#KP00337. Published by
Music Sales
(HL.14027482). ISBN
9788759852286.
10.25x14.75x0.059 inches.
English-Danish. All
roads lead to Rome, as
the saying goes - but do
all roads also lead to
Ixtlan, perhaps at
another time? Ixtlan
being the city of the
highest aspirations of
the Mexican sorcerer, Don
Genaro (according to
Carlos Casteneda, the
anthropologist publishing
a series of books on Don
Juan, Don Genaro's
col-league). There was no
final outcome to Genaro's
journey, and there will
never be one. I will
never reach Ixtlan, he
said, so Genaro is still
on his way there.(Ixtlan
may perhaps be
interpreted as the inner
goal of your heart).In
any case: in these three
movements the three
points of departure are
utterly different; still
they unanimously move
towards just one melodic
outcome, a kind of
musical centre of
gravitation. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring Rounds Oxford University Press
Piano quartet (vln, va, cello, pno) SKU: OU.9780193557932 Composed by Mar...(+)
Piano quartet (vln, va,
cello, pno) SKU:
OU.9780193557932
Composed by Martin
Butler. Mixed Ensemble.
Score and parts. 24
pages. Duration 3'.
Oxford University Press
#9780193557932. Published
by Oxford University
Press (OU.9780193557932).
ISBN 9780193557932. 12
x 8 inches. Spring
Rounds is a companion
work to American Rounds,
which Butler wrote for
the Schubert Ensemble in
1998. It consists of the
same type of folky
material, organised
throughout in canonic
dialogue between the
instruments. Spring
Rounds was commissioned
for Chamber Music 2000.
The Chamber Music 2000
works were designed to be
technically easy, but
still retain the
composers own
individuality and musical
style. $22.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Andante e Polacca for Bassoon and Orchestra Ut Orpheus
Bassoon; Orchestra SKU: UT.HS-329R Composed by Simplicio Gualco. Edited b...(+)
Bassoon; Orchestra
SKU: UT.HS-329R
Composed by Simplicio
Gualco. Edited by Italo
Vescovo. Classical. Piano
Reduction. Ut Orpheus #HS
329R. Published by Ut
Orpheus (UT.HS-329R).
ISBN 9790215327962. 9
x 12 inches. P
erformance Material on
Hire
[S
olo: Bs - Picc.2.2.2.2 -
2.2.2.0 - Str]
In
the second half of the
19th century, in Italy,
melodrama was still the
most practised musical
genre, but space for
instrumental production
began to grow, especially
thanks to the Quartet
societies which tried to
reduce the gap remaining
compared to other
European countries,
offering it to the public
with an energy which was
certainly praiseworthy.
However, they were not
the only institutions
where instrumental music
was cultivated. In this
context it must be
remembered that music
conservatories also
played an important role,
especially through the
music recitals given by
the best students. In one
of these, which was held
at the Milan Conservatory
on 9 July 1884, the
concert piece Andante
e Polacca for bassoon
and orchestra by
Simplicio Gualco
(1861-1942) was
performed, a piece which
aroused a great deal of
interest as stated in the
‘Gazzetta Musicale
di Milano’ of 20
July of that year. After
the recital, the piece
ended up in the
Conservatory archives and
was never played again.
It was rediscovered
recently, thanks to the
research work on the
composer by the
musicologists Italo
Vescovo and Flavio
Menardi Noguera, both
connected to the
composer’s
hometown. $20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Duet Repertoire - Level 6 1 Piano, 4 mains Kjos Music Company
Edited by Dallas Weekley. Piano. Neil A. Kjos Piano Library. Level: Level 6. Mus...(+)
Edited by Dallas Weekley.
Piano. Neil A. Kjos Piano
Library. Level: Level 6.
Music Book. Published by
Neil A. Kjos Music
Company.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Orientale - Intermédiaire Carl Fischer
Orchestra String Sextet, Piano - Grade 4 SKU: CF.CAS63F Composed by Alexa...(+)
Orchestra String Sextet,
Piano - Grade 4 SKU:
CF.CAS63F Composed by
Alexander Glazunov.
Arranged by Deborah Baker
Monday. SWS. Carl Fischer
Concert String Orchestra
Series. Full score. With
Standard notation. 16
pages. Carl Fischer Music
#CAS63F. Published by
Carl Fischer Music
(CF.CAS63F). ISBN
9780825889394. UPC:
798408089399. 8.5 x 11
inches. Originally
written for string
quartet, this fantastic
characteristic piece from
Glazunov is a welcome
addition to the string
orchestra repertoire, as
arranged by Deborah Baker
Monday. Well-suited for
the more advanced
ensemble, it contains
excellent musical
opportunities and the
chance to play the music
of a prominent Russian
composer. Deborah's
setting stays very true
to the original, but
enhances it for use by
the full ensemble. Alert
your contest/festival
music committee to this
worthy new piece for high
school string
orchestras.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Long Night Merion Music
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 SKU: PR.11642160S ...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 SKU:
PR.11642160S Composed
by Elena Ruehr. Study
Score. 13 pages. Merion
Music #116-42160S.
Published by Merion Music
(PR.11642160S). UPC:
680160690954. In
March 2023 I heard a
concert by the Boston
Symphony Orchestra of
Gorecki’s
Sorrowful Songs, and it
reminded me of
Barber’s famous
Adagio for Strings. At
the time I was writing a
string quartet, and it
moved me to write a
string orchestra piece
inspired by these two
emotional and lyrical
works. Entitled Long
Night because the
pandemic felt like it was
finally coming to an end,
I was also thinking
forward to the many
challenges that still lie
ahead of us. $23.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Madrigal Pavane / Timburibá Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4287
Composed by Francisco
Braga. Arranged by
Luciano Lima. Score. Les
Productions d'OZ #DZ
4287. Published by Les
Productions d'OZ
(DZ.DZ-4287). ISBN
9782898522048. Ant
nio Francisco Braga
(1868-1945) belongs to
the generation of
Brazilian composers of
the first republican
period, aesthetically
tied to romanticism,
alongside Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914), and Barrozo
Neto (1881-1941). Born in
Rio de Janeiro, on April
15th, 1868, he began his
musical studies at the
Asilo dos Meninos
Desvalidos, in 1876. In
1883, he enrolled at the
Imperial Conservatório
de Música where he
studied harmony and
counterpoint with Carlos
de Mesquita – a former
student of César Franck,
Durand, and Massenet –
and clarinet with
Antônio Luís de Moura.
Braga's first
compositions date from
this period: Sonho de
Dante (1885), Dolce far
niente (1886), the first
Valse Romantique for
piano (1886), among
others. In 1887, he
premiered his first
symphonic work,
Fantasia-Abertura. In
1890, being one of the
finalists in a
competition to choose the
new Brazilian national
anthem, Braga was awarded
a scholarship to study in
Europe, where he took
classes with Jules
Massenet at the Paris
Conservatory. During this
period, he wrote some of
his most important
symphonic works, Paysage,
Cauchemar, Episódio
Sinfônico, and Marabá
(which was performed by
Richard Strauss and the
Vienna Philharmonic in
1920, in Brazil). His
opera Jupyra is
considered one of the
greatest Brazilian
compositions of that
genre. Back in Brazil,
he was appointed
professor of
counterpoint, fugue, and
composition at the
Instituto Nacional de
Música, in 1902. There,
some of the finest
Brazilian composers
studied with him, like
Glauco Velásquez and
Lorenzo
Fernândez. Braga
wrote operas, symphonic
works, songs, sacred
music, two Masses, music
for piano, different
chamber formations, band,
and choir. He is the
author of many patriotic
hymns, the most popular
of which is Hino à
Bandeira (with lyrics by
Olavo Bilac). He explored
Brazilian nationalist
elements in some of his
works, as in Variações
sobre um Tema Brasileiro
and in the Trio for
violin, cello and piano,
whose third movement is
based on a lundu (a
musical genre and dance
of Afro-Brazilian
origin). In addition
to being a composer,
Braga was one of the most
active conductors of his
time, having been ahead
of three orchestras in
Rio de Janeiro: Instituto
Nacional de Música,
Sociedade de Concertos
Sinfônicos, and Theatro
Municipal. Braga
conducted the Brazilian
premiere of major
symphonic works such as
La Mer (Debussy), Pacific
231 (Honegger) besides
other numerous Brazilian
compositions. In 1938,
he retired from Instituto
Nacional de Música. He
passed away on March
14th, 1945, in Rio de
Janeiro. Unfortunately
, Francisco Braga never
wrote for the guitar.
However, over a century
ago his music had already
been incorporated to its
repertoire. According to
information found in
newspapers of the time,
Spanish guitarist
Josefina Robledo included
transcriptions of pieces
by Braga in her programs
when she performed in
Brazil: Gavota e Minuete
(from the melodrama
Contratador de
Diamantes), in 1919, in
São Paulo, and the
waltz-caprice Corrupio,
in 1921, in Rio de
Janeiro. The piano
score of Madrigal Pavane
was dedicated to Alexina
Leitão and published by
Casa Vieira Machado, in
1901. According to the
composer’s catalogue,
there are two other
versions of this piece:
strings orchestra (1901)
and quartet (which is
still in manuscript).
Dedicated to Braga’s
childhood friend José de
Souza Rocha, Timburibá
(the name of a Brazilian
tree) is a tango for
piano from 1886,
published by Narciso &
Arthur
Napoleão.
Antôni
o Francisco Braga
(1868-1945) appartient à
la génération des
compositeurs brésiliens
de la première période
républicaine,
esthétiquement liés au
romantisme, aux côtés
de Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914) , et Barrozo
Neto (1881-1941). Né à
Rio de Janeiro, le 15
avril 1868, il commence
ses études musicales à
l'Asilo dos Meninos
Desvalidos, en 1876. En
1883, il s'inscrit au
Imperial Conservatório
de Música où il étudie
l'harmonie et le
contrepoint avec Carlos
de Mesquita – ancien
élève de César Franck,
Durand et Massenet – et
clarinette avec Antônio
Luís de Moura. De cette
période datent les
premières compositions
de Braga : « Sonho de
Dante » (1885), « Dolce
far niente » (1886), la
première « Valse
Romantique » pour piano
(1886), entre
autres. En 1887, il
crée sa première œuvre
symphonique, «
Fantasia-Abertura ». En
1890, étant l'un des
finalistes d'un concours
pour choisir le nouvel
hymne national
brésilien, Braga obtient
une bourse pour étudier
en Europe, où il suit
les cours de Jules
Massenet au Conservatoire
de Paris. Durant cette
période, il écrit
certaines de ses œuvres
symphoniques les plus
importantes, « Paysage
», « Cauchemar », «
Episódio Sinfônico »
et « Marabá »
(interprétée par
Richard Strauss et la
Philharmonie de Vienne en
1920, au Brésil). Son
opéra « Jupyra » est
considéré comme l'une
des plus grandes
compositions
brésiliennes de ce
genre. De retour au
Brésil, il fut nommé
professeur de
contrepoint, de fugue et
de composition à
l'Instituto Nacional de
Música, en 1902. Là,
certains des meilleurs
compositeurs brésiliens
étudièrent avec lui,
comme Glauco Velásquez
et Lorenzo
Fernândez. Braga a
écrit des opéras, des
œuvres symphoniques, des
chansons, de la musique
sacrée, deux messes, de
la musique pour piano,
différentes formations
de chambre, un orchestre
et une chorale. Il est
l'auteur de nombreux
hymnes patriotiques, dont
le plus populaire est «
Hino à Bandeira » (avec
des paroles d'Olavo
Bilac). Il a exploré des
éléments nationalistes
brésiliens dans
certaines de ses œuvres,
comme dans « Variações
sobre um Tema Brasileiro
» et dans le Trio pour
violon, violoncelle et
piano, dont le troisième
mouvement est basé sur
un « lundu » (un genre
musical et une danse
afro-américaine).
Origine
brésilienne). En plus
d'être compositeur,
Braga a été l'un des
chefs d'orchestre les
plus actifs de son
époque, ayant dirigé
trois orchestres à Rio
de Janeiro : « Instituto
Nacional de Música »,
« Sociedade de Concertos
Sinfônicos » et «
Theatro Municipal ».
Braga a dirigé la
première brésilienne
d'œuvres symphoniques
majeures telles que « La
Mer » (Debussy), «
Pacific 231 » (Honegger)
ainsi que de nombreuses
autres compositions
brésiliennes. En
1938, il prend sa
retraite de l'Instituto
Nacional de Música. Il
est décédé le 14 mars
1945 à Rio de
Janeiro. Malheureuseme
nt, Francisco Braga n’a
jamais écrit pour la
guitare. Cependant, il y
a plus d'un siècle, sa
musique était déjà
incorporée à son
répertoire. Selon des
informations trouvées
dans les journaux de
l'époque, la guitariste
espagnole Josefina
Robledo incluait des
transcriptions de pièces
de Braga dans ses
programmes lorsqu'elle se
produisait au Brésil :
« Gavota e Minuete »
(du mélodrame «
Contratador de Diamantes
»), en 1919, à São
Paulo, et la
valse-caprice « Corrupio
», en 1921, à Rio de
Janeiro. La partition
pour piano de « Madrigal
Pavane » a été
dédiée à Alexina
Leitão et publiée par
« Casa Vieira Machado
», en 1901. Selon le
catalogue du compositeur,
il existe deux autres
versions de cette pièce
: orchestre à cordes
(1901) et quatuor (qui
est encore manuscrit).
Dédié à José de Souza
Rocha, ami d'enfance de
Braga, « Timburibá »
(nom d'un arbre
brésilien) est un tango
pour piano de 1886,
publié par « Narciso &
Arthur Napoleão
». Envoyer des
commentaires Panneaux
latéraux HistoriqueEnregistrées. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas in the Western World Peermusic Classical
Mixed Choir, String Orchestra and Piano SKU: BT.PMC2595 Mixed chorus, ...(+)
Mixed Choir, String
Orchestra and Piano
SKU: BT.PMC2595
Mixed chorus, string
orchestra and piano,
Piano part and 4 string
parts (quartet).
Composed by William Grant
Still. Score Only.
Peermusic Classical
#PMC2595. Published by
Peermusic Classical
(BT.PMC2595).
$15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Quintet Piano et Orchestre EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and
Piano SKU:
BT.EMBZ6338 Composed
by Bela Bartok. Set
(Score & Parts). Composed
1970. 304 pages. Editio
Musica Budapest
#EMBZ6338. Published by
Editio Musica Budapest
(BT.EMBZ6338).
Béla
Bartók composed his
Piano Quintet while at
grammar school in Pozsony
(Pressburg, now
Bratislava), and it still
shows the influence of
Brahms in its melody and
harmony. The work was
always resoundingly
successful at his
youthful concerts. When
on 7 January 1921 the
Waldbauer Quartet wanted
to repeat the programme
of a concert given ten
years previously,
Bartók was displeased
that this early work of
his should be performed
once again. Finally he
consented to the
performance, and played
the piano part himself.
The quintet was greeted
with tumults of applause,
unlike the other pieces
on the programme, which
were written later.
According to a
communication by Márta
Ziegler,Bartók threw
away the score in anger,
and for many years it was
believed to have been
destroyed. In 1963, the
editor Denijs Dille
received a package inside
which were the score and
parts, which had been
thought lost. Denijs
Dille wrote: 'In
preparing the text of
this edition for
practical purposes, I
used the autograph score,
and Bartók's own
handwritten parts for the
first and second violins,
viola, and cello. [...]
Bartók made so many
deletions and significant
changes in the score that
the resulting version was
somewhat different from
the original. In this
edition we give the last
version, supplemented
with the minor changes
and signs that can be
found in the string
parts.'. $113.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wynwood Walls Doberman
Guitar and string quartet - Advanced SKU: DY.DO-1526 Composed by Stephen ...(+)
Guitar and string quartet
- Advanced SKU:
DY.DO-1526 Composed
by Stephen Goss. Score
and parts. Les Editions
Doberman-Yppan #DO 1526.
Published by Les Editions
Doberman-Yppan
(DY.DO-1526). ISBN
9782897963064. Wynw
ood Walls draws on 9
artworks which lend their
titles to the 9 connected
sections of the quintet.
The music reflects and
amplifies my own
subjective responses to
the artworks.
The
movements are organised
in pairs, circling out
from a still centre –
No Woman, No Cry. The
title for this
centrepiece comes from
Chris Ofili’s moving
portrait of Doreen
Lawrence, the mother of a
teenager murdered in an
unprovoked racist attack.
As well as this specific
reference, the artist
intended the painting to
be read as a universal
portrayal of melancholy,
solace, and grief. The
two segments flanking No
Woman, No Cry complete
the central triptych.
Edward Hopper’s
Nighthawks explores
loneliness and isolation,
while Grayson Perry’s
#Lamentation is a
meditation on remembrance
and the transience of
life. In contrast to the
rest of Wynwood Walls,
the music here is dark
and
introspective.
I
want my time with you is
a giant neon sign
designed by Tracey Emin
for St. Pancras Station,
London. Selfie with
Sunflowers is an essay
written by Julian Barnes
about our
over-familiarisation with
Van Gogh’s iconic
sunflower paintings. The
music is sentimental,
bordering on schmaltz and
kitsch. Sunflower Seeds
and Infinity Room are a
pair of moto perpetuo
scherzos inspired by the
minimalist installations
of Ai Weiwei and Yayoi
Kusama respectively. The
opening section, Bathers
at Asnières, suggests
Seurat’s iconic
painting, while the
finale, Seurat’s
Bathers, evokes Howard
Hodgkin’s reworking of
the Seurat using a blaze
of vivid
colours.
The title
of the quintet is
borrowed from the Wynwood
art district of Miami –
an area characterised by
the hundreds of colourful
street murals which
decorate the walls of old
warehouses in the
neighbourhood. In
performance, the artworks
can be projected onto a
screen behind the
ensemble.
Wynwood
Walls s'appuient sur 9
œuvres d'art dont les
titres prêtent leurs
noms aux 9 sections
connectées du quintette.
La musique reflète et
amplifie mes propres
réponses subjectives aux
œuvres d'art.
Les
mouvements sont
organisés par paires,
émergeant d'un centre
immobile - No Woman, No
Cry. Le titre de cette
pièce maîtresse
provient du portrait
émouvant de Chris Ofili
de Doreen Lawrence, la
mère d'un adolescent
assassiné lors d'une
attaque raciste gratuite.
En plus de cette
référence spécifique,
l'artiste a voulu que le
tableau soit perçu comme
une représentation
universelle de la
mélancolie, du
réconfort et du chagrin.
Les deux segments
flanquant No Woman, No
Cry complètent le
triptyque central.
Nighthawks d'Edward
Hopper explore la
solitude et l'isolement,
tandis que #Lamentation
de Grayson Perry est une
méditation sur le
souvenir et la fugacité
de la vie. Contrairement
au reste des Wynwood
Walls, la musique ici est
sombre et
introspective.
I
want my time with you est
un immense panneau néon
conçu par Tracey Emin
pour la gare de St.
Pancras, à Londres.
Selfie with Sunflowers
est un essai écrit par
Julian Barnes sur notre
sur-familiarisation avec
les peintures
emblématiques de
tournesols de Van Gogh.
La musique est
sentimentale, frôlant le
kitsch et le
sentimentalisme.
Sunflower Seeds et
Infinity Room sont une
paire de scherzos moto
perpetuo inspirés des
installations
minimalistes d'Ai Weiwei
et de Yayoi Kusama
respectivement. La
section d'ouverture,
Bathers at Asnières,
suggère le tableau
emblématique de Seurat,
tandis que le finale,
Seurat’s Bathers,
évoque la
réinterprétation de
Seurat par Howard Hodgkin
en utilisant une
explosion de couleurs
vives.
Le titre du
quintette est emprunté
au quartier artistique de
Wynwood à Miami - une
zone caractérisée par
les centaines de fresques
murales colorées qui
ornent les murs des vieux
entrepôts du quartier.
En performance, les
œuvres d'art peuvent
être projetées sur un
écran derrière
l'ensemble. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Long Night Merion Music
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 SKU: PR.11642160L ...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 SKU:
PR.11642160L Composed
by Elena Ruehr. Large
Score. 13 pages. Merion
Music #116-42160L.
Published by Merion Music
(PR.11642160L). UPC:
680160690961. In
March 2023 I heard a
concert by the Boston
Symphony Orchestra of
Gorecki’s
Sorrowful Songs, and it
reminded me of
Barber’s famous
Adagio for Strings. At
the time I was writing a
string quartet, and it
moved me to write a
string orchestra piece
inspired by these two
emotional and lyrical
works. Entitled Long
Night because the
pandemic felt like it was
finally coming to an end,
I was also thinking
forward to the many
challenges that still lie
ahead of us. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flowersongs Version 2012 For Flute, Oboe And Clarinet Score Wilhelm Hansen
Flute, Clarinet and Oboe SKU: HL.14043012 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe
SKU: HL.14043012
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31940. Published by
Edition Wilhelm Hansen
(HL.14043012). ISBN
9788759829271. Hans
Abrahamsen 's Flowersongs
(2012 version) for Flute,
Oboe and Clarinet. Score.
'I wrote Flowersongs for
three Flutes in the
spring of 1973, when I
was 20 years old. Looking
back now, 40 years begins
to feel like a really
long time and sometimes I
think that it is as if
someone in 1973 is
talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of thenew simplicity,
minimalism and the
possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word, but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen. $38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Arlecchino Op. 50 K 270 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: Sp MezT2BarB - 2(picc).2(cor ang).2(Bkl...(+)
Chorus (with soloists)
and piano (solos: Sp
MezT2BarB - 2(picc).2(cor
ang).2(Bkl).2(dble bsn) -
3.2.3.0 - timp.perc.(2) -
Cel - str - stage music:
2trp.timp.perc) SKU:
BR.EB-9433 A
Theatrical Caprice in One
Act. Composed by
Ferruccio Busoni. Choir;
Softbound. Edition
Breitkopf. Opera; Music
theatre; Early modern;
Late-romantic.
Piano/Vocal Score.
Duration 60'. Breitkopf
and Haertel #EB 9433.
Published by Breitkopf
and Haertel (BR.EB-9433).
ISBN 9790004189108. 9
x 12 inches.
German. Text by the
composerTranslation:
engl. (E. J. Dent), ital.
(V. Levi), port. (G. de
Medeiros)Place and time:
Bergamo, around the 18th
century.Characters: Ser
Matteo del Sarto, master
tailor (baritone) -
Abbate Cospicuo
(baritone) - Dottore
Bombasto (bass) -
Leandro, Cavaliere
(tenor) - Arlecchino
(speaking part) -
Colombina, Arlecchino's
wife (mezzo-soprano) -
Annunziata, Matteo's wife
- Zwei Sbirren - Ein
Karrner - a Donkey -
People at the windows
(silent parts)The idea
behind this work was to
combine a major speaking
role with a part for a
female singer and
orchestra in the spirit
of the opera buffa. The
overall tone is
pacifistic and
anti-bourgeois. Busoni's
inspiration was that of
an opera-play in the
style of Italian
improvised comedy; he
wanted types and
characters on stage whose
varying typology would
provide the source of
conflict ... The title
hero absconds with the
young wife of the
Dante-reading tailor
Matteo. He returns as a
false barbarian
commander, as a husband
who engages in a duel
with the suitor Count
Leandro, and as a
conqueror who announces
the moral of the story in
the epilogue: how to be
able to bow in rags and
still retain one's
dignity and rights. The
piece takes a turn for
the absurd when the
Abbate, at the sight of
Leandro, who is presumed
dead, begins to sing a
chorale-like song of
praise to the donkey of
Providence who comes
trotting in at that
moment. This introduces
the most musically
refined number in the
piece, the quartet, in
which Leandro's love aria
and his duet with
Columbina satirize the
attitudes prevalent in
Italian opera from
Scarlatti to Verdi.
Musically, Busoni uses
throughout the entire
work an idiom of
dance-like, blissfully
transparent comedy and
hides harmonic audacities
behind touches of
lightness. The orchestral
sound radiates an
incomparable brightness
and buoyant elegance.
(Hans Heinz
Stuckenschmidt,
1967)
In the
appendix, EB 9433
contains the later
composed aria Wer siegt?
Wer fallt?.. $57.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Danzas de Panama Violoncelle [Conducteur d'étude / Miniature] Peermusic Classical
(String Quartet Study Score). By William Grant Still (1895-1978). Score. Peermus...(+)
(String Quartet Study
Score). By William Grant
Still (1895-1978). Score.
Peermusic Classical.
Softcover. 28 pages.
Peermusic #60300-757.
Published by Peermusic
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Quintet Schott
Piano Quintet (Score & Parts) - difficult SKU: HL.49045531 For string ...(+)
Piano Quintet (Score &
Parts) - difficult
SKU: HL.49045531
For string quartet and
piano. Composed by
Pierre Jalbert. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2017. 84 pages.
Duration 19'. Schott
Music #ED31291. Published
by Schott Music
(HL.49045531). ISBN
9781495094767. UPC:
888680685058.
9.0x12.0x0.401
inches. My Piano
Quintet consists of four
contrasting movements.
The first movement,
entitled Mannheim Rocket,
is a modern take on the
18th-century musical
technique in which a
rising figure speeds up
and grows louder. Marked
'Furioso', the movement
is gradually filled with
rising scalar figures
which build in volume and
finally 'launch' into
space with ethereal
string harmonics. At this
point, the music becomes
almost static, though the
inner rhythm
continues.The second
movement, entitled Kyrie,
is marked 'Still,
chant-like'. The
principal idea, stated
between first violin and
viola, is a chromatically
transformed chant-like
motive. It also features
a long, lyrical cello
line, made up exclusively
of natural harmonics,
emphasizing the
non-tempered ('out of
tune') 7th and 11th
partials.The third
movement is a scherzo in
which the strings and
piano sometimes alternate
and imitate each other,
reacting to each other's
gestures, and at other
times, combine and
synchronize to produce a
more blended sound. A
short Trio-like section
appears before the return
of the scherzo music.The
last movement, Pulse, is
made up of perpetually
moving 8th notes,
sometimes harmonically
static, but always
pushing forward. The work
is interrupted twice with
short, freer sections,
but always returns to its
pulse-oriented nature.-
Pierre Jalbert. $101.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Divertimento Orchestre d'harmonie - Intermédiaire Latham Music Enterprises
Concert Band Clarinet or Violin, Viola, Cello and Piano - Grade 3.5 SKU: AP.3...(+)
Concert Band Clarinet or
Violin, Viola, Cello and
Piano - Grade 3.5 SKU:
AP.36-52784001 For
Violin or Clarinet,
Viola, Cello and
Piano. Composed by
Anna Amalia. Arranged by
Lynne Latham. This
edition: Latham Music.
String Ensemble - Mixed.
LudwigMasters - Latham
Music. Score and Part(s).
Latham Music Enterprises
#36-52784001. Published
by Latham Music
Enterprises
(AP.36-52784001).
English. Anna
Amalia of Prussia held
various titles during her
lifetime, including
Princess and Abbess of
Quedlinburg. Born in
Berlin, she was one of
ten surviving children of
the royal family of King
Frederick William I of
Prussia. Princess Anna
Amalia studied
harpsichord, piano and
counterpoint. Princess
Anna also founded a music
library collection, which
included autographed
scores of J.S. Bach and
other composers. This
collection still exists
today (Amalien
Bibliothek). This
two-movement Divertimento
in Bb Major has something
for everyone. The melodic
and secondary parts are
passed equally between
the instruments. The
piano part is quite
playable for a high
school student. It has
the character of a
conversation between
friends gathering for a
friendly afternoon tea.
This arrangement is
scored for piano quartet,
with a substitue clarinet
part in place of
violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $14.95 - Voir plus => Acheter | | |
| Danzas de Panama Violoncelle Peermusic Classical
(String Quartet Parts). By William Grant Still (1895-1978). Parts. Peermusic Cla...(+)
(String Quartet Parts).
By William Grant Still
(1895-1978). Parts.
Peermusic Classical.
Softcover. 32 pages.
Peermusic #60303-758.
Published by Peermusic
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flowersongs Version 2012 For Flute, Oboe And Clarinet Parts Wilhelm Hansen
Flute, Clarinet and Oboe SKU: HL.14043011 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe
SKU: HL.14043011
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31940A. Published by
Edition Wilhelm Hansen
(HL.14043011). ISBN
9788759829288.
9.7x14.0x0.079
inches. Hans
Abrahamsen 's Flowersongs
(2012 version) for Flute,
Oboe and Clarinet. Parts.
'I wrote Flowersongs for
three Flutes in the
spring of 1973, when I
was 20 years old. Looking
back now, 40 years begins
to feel like a really
long time and sometimes I
think that it is as if
someone in 1973 is
talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of thenew simplicity,
minimalism and the
possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word, but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Solitary Wish Orchestre d'harmonie - Intermédiaire FJH
Concert Band Concert Band - Grade 2.5; Grade 3 SKU: FJ.B1737 Composed by ...(+)
Concert Band Concert Band
- Grade 2.5; Grade 3
SKU: FJ.B1737
Composed by Brian
Balmages. Concert Band;
MakeMusic Cloud. FJH
Young Band. Christmas;
Holiday Pops. Score and
Part(s). Duration 5:00.
The FJH Music Company Inc
#98-B1737. Published by
The FJH Music Company Inc
(FJ.B1737). UPC:
241444392362.
English. This
emotional and reflective
work paints a stunning
picture of the holiday
season as seen through
the eyes of a homeless
person on a street
corner. The music relies
heavily on a
juxtaposition of the
Ukrainian Bell Carol and
Greensleeves, painting a
picture of a lonely
person who is eventually
joined by others.
Ultimately, a quartet
performs in dramatic
fashion before switching
to a final duet, leaving
the homeless person with
a granted wish - company.
A stunning and unique
work that brings
incredible awareness to
the holidays and the true
spirit of giving.
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas in the Western World Chorale Peermusic Classical
(Piano, String Quartet Parts). Composed by William Grant Still (1895-1978). For ...(+)
(Piano, String Quartet
Parts). Composed by
William Grant Still
(1895-1978). For Choral
(Parts). Peermusic
Classical. Softcover.
Peermusic #60174-167.
Published by Peermusic
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas in the Western World Peermusic Classical
Mixed Choir, String Orchestra and Piano SKU: BT.PMC2593 Mixed chorus, ...(+)
Mixed Choir, String
Orchestra and Piano
SKU: BT.PMC2593
Mixed chorus, string
orchestra and piano.
Composed by William Grant
Still. Score Only. 36
pages. Peermusic
Classical #PMC2593.
Published by Peermusic
Classical (BT.PMC2593).
SATB Chorus,
Piano and String Quartet
or String Orchestra. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Flowersongs Partitur, Kopi Music Sales
Flute [Trio-] SKU: HL.14011531 Composed by Hans Abrahamsen. Music Sales A...(+)
Flute [Trio-] SKU:
HL.14011531 Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. 20 pages. Music
Sales #KP00379. Published
by Music Sales
(HL.14011531). ISBN
9788759877104.
10.25x14.25x0.44 inches.
Danish. Hans
Abrahamsen 's Flowersongs
(1973) for three Flutes.
Score. 'I wrote
Flowersongs for three
Flutes in the spring of
1973, when I was 20 years
old. Looking back now, 40
years begins to feel like
a really long time and
sometimes I think that it
is as if someone in 1973
is talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of the new
simplicity,minimalism and
the possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word: but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La gora di mulino Oxford University Press
Piano quartet (vln, vla, cello, pno) SKU: OU.9780193588493 Composed by Ho...(+)
Piano quartet (vln, vla,
cello, pno) SKU:
OU.9780193588493
Composed by Howard
Skempton. Mixed Ensemble.
Score and parts. 12
pages. Duration 2'.
Oxford University Press
#9780193588493. Published
by Oxford University
Press (OU.9780193588493).
ISBN 9780193588493. 12
x 8 inches. La gora
di mulino was
commissioned for Chamber
Music 2000. The Chamber
Music 2000 works were
designed to be
technically easy, but
still retain the
composers own
individuality and musical
style. La gora di mulino
means 'the mill-pond' and
the mood of the piece is
appropriately ruminative.
The middle string part
may be played by a second
violin or a viola. $22.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| A Solitary Wish Orchestre d'harmonie - Intermédiaire FJH
Concert Band Concert Band - Grade 2.5; Grade 3 SKU: FJ.B1737S Score On...(+)
Concert Band Concert Band
- Grade 2.5; Grade 3
SKU: FJ.B1737S
Score Only.
Composed by Brian
Balmages. Concert Band.
FJH Young Band.
Christmas; Holiday Pops.
Score. Duration 5:00. The
FJH Music Company Inc
#98-B1737S. Published by
The FJH Music Company Inc
(FJ.B1737S).
English. This
emotional and reflective
work paints a stunning
picture of the holiday
season as seen through
the eyes of a homeless
person on a street
corner. The music relies
heavily on a
juxtaposition of the
Ukrainian Bell Carol and
Greensleeves, painting a
picture of a lonely
person who is eventually
joined by others.
Ultimately, a quartet
performs in dramatic
fashion before switching
to a final duet, leaving
the homeless person with
a granted wish - company.
A stunning and unique
work that brings
incredible awareness to
the holidays and the true
spirit of giving.
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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