For String Orchestra. String Orchestra. Highland String Orchestra. Patriotic. Level: 3 (grade 3). Score. 16 pages. Published by Alfred Publishing.

Arranged by Andrew H. Dabczynski. For String Orchestra. String Orchestra. Highland String Orchestra. Patriotic. Level: 3 (grade 3). Conductor Score & Parts. 124 pages. Published by Alfred Publishing.

By Anne Mcginty; John Edmondson. Orchestra. For violin 1. Queenwood Beginning String Orchestra. Queenwood Orchestra. Elementary. String orchestra method

For String Orchestra. Composed by Ulysses Kay. Score. 16 pages. Carl Fischer Music #BE26. Published by Carl Fischer Music

By Robert Woods. String Orchestra. Grade 1. Score with CD. Published by Heritage Music Press

By Robert Woods. String Orchestra. For Cello. Grade 1. Book. Published by Heritage Music Press

By Nancy Galbraith (1951-). For String Quartet. Score and Part(s). Composed 2000. Duration 9'. Published by Subito Music Corporation . Score and Part(s).

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for double bass. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for viola. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for violin. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.

(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for cello. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.

(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium Easy/Medium. Score and Parts. Standard notation. 16 pages. Published by Carl Fischer . Score and Parts. classical.

By Alan Lee Silva. For string orchestra. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and parts. Published by Carl Fischer

By Richard Meyer. Orchestra. String Orchestra. Highland String Orchestra. Contemporary; Folk; World. Grade 3. Conductor Score. 24 pages. Published by Alfred Music Publishing

Chamber Music String Quartet

SKU: PR.14440265S

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S).

UPC: 680160027910.

The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed.  Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force.  A five-note motive, usually very deliberate, also keeps recurring like an insistent caller.  All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms.  The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda.  The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response. ’  It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani.  The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition.  For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.

By Richard Meyer. Orchestra. String Orchestra. Highland String Orchestra. Contemporary; Folk; World. Grade 3. Conductor Score and Parts. 124 pages. Published by Alfred Music Publishing

By Alan Lee Silva. For string orchestra. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Study score (full score). Published by Carl Fischer

By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Mark Weston, scored by Douglas E. Wagner. Orchestra. For strings w/ vln 3. Masterworks; Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Christmas; Light Concert; Masterwork Arrangement; Novelty; Romantic; Winter. Grade 2.5. 144 pages. Published by Belwin Publishing