SKU: ST.MB100

Composed by Thomas Augustine Arne. Edited by Peter Lynan and Simon McVeigh. Library Volumes. Edited by Simon McVeigh & Peter Lynan. First published in 2016. Pages: 304. Format: Hardback. Dimensions (mm): 330 x 254 x 32. Full Score. Stainer & Bell Ltd. #MB100. Published by Stainer & Bell Ltd. (ST.MB100).

ISBN 9790220224881.

Alth ough Arne's Judith of 1761 was commended by Charles Dibdin as an oratorio 'that does honour to the English genius', and was long recognised as an important adjunct of the Handelian form and perhaps the finest such work by a native composer before Elgar, the difficulty of establishing an authoritative performing version of the composer's only surviving work in the genre has undoubtedly contributed to its neglect. Here published in a complete, critical edition for the first time, it seems entirely fitting that this true cultural monument of 18th-century Britain should be celebrated with the hundredth volume of Musica Britannica.

Performing material to accompany this volume is now available (Ref. HL434).

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1023146-010

Arranged by Lorenzo Bocci. Applause Series. Original Light Music. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023146-010. Published by De Haske Publications (BT.DHP-1023146-010).

Canta Napule is a medley of Funiculì, Funicul , O sole mio, Come facette mammeta and O surdato ‘nnamurato - unforgettable melodies that have made the Neapolitan song famous all over the world. The music reflects street musicians, organs, comedians and small cafes, a lively picture of old Naples. Your audience will love to go back in time to this spirited, typically Italian city!

Canta Napule ist ein Medley aus den Stücken Funiculì, Funicul , O sole mio, Come facette mammeta und O surdato ‘nnamurato - den unvergessenen Melodien, die das neapolitanische Lied in die ganze Welt hinaus getragen haben. Die Musik erzählt von Straßenmusikanten, Drehorgeln, Komödianten, Caféhäusern u.v.m. und malt so ein äußerst lebendiges Bild des alten Neapel. Kommen Sie mit auf eine Zeitreise in diese temperamentvolle, typisch italienische Stadt!

SKU: BT.VOLMB626

Composed by Mauro Montanari. Book Only. 172 pages. Volonte e Co #VOLMB626. Published by Volonte e Co (BT.VOLMB626).

ISBN 9788863886269. Italian.

Cosè lattitudine musicale? Perché un allievo ha facilit ad imparare e un altro no? Come intervenire nei disturbi specifici di apprendimento (DSA) per una didattica veramente inclusiva ed efficace? Domande importanti che un insegnante deve porsiprima o durante il percorso educativo di un bambino: la padronanza dei comportamenti di questultimo e il loro successo non sono scontati o fortuiti, ma possono essere guidati con unadeguata conoscenza dei processi che li generano o li ostacolano.La Musicopedia si pone quindi come strumento inedito, abilitativo e di potenziamento delle doti necessarie alla gestione dei parametri del linguaggio musicale: il suono e il ritmo. Per avviare lallievo a una maggior sicurezza e fiducianellapproccio con lascolto e la pratica musicale. Il testo illustra le dinamiche di apprendimento relative alla musica, correlate a una compiuta batteria di esercizi, divisa in sezioni chiare e di immediata fruizione.

Composed by Z. Randall Stroope. Walton. Music Education. Octavo. 16 pages. Walton Music #WW1596. Published by Walton Music (GI.WW1596).

Piano solo - Easy

SKU: YM.GTL01094272

Composed by Yuzu. Guitar_bass_drums.json. Book. Yamaha Music Media #GTL01094272. Published by Yamaha Music Media (YM.GTL01094272).

ISBN 9784636942729.

15 Arrangements planned for the guitarists with short fingers and small plam

1. Nausicaa Requiem; 2. Carrying You; 3. My Neighbor Totoro; 4. Rouge no Dengon; 5. Yasashisani Tsutsumaretanara; 6. A Town with an Ocean View; 7. Princess Mononoke; 8. The Legend of Asitaka; 9. Always with Me; 10. Kaze ni Naru; 11. Merry-Go-Round of Life; 12. The Promise of the World; 13. Therru's Song; 14. Ponyo on the Cliff by the Sea; 15. Hikoukigumo
1. Nuo Wu Xi Qia An Hun Qu ; 2. Ban Sui Zhao Ni ; 3. Lin Jia De Long Mao ; 4. Wo Men Zheng Nian Qing ; 5. Ru Guo Yi Shan Liang Bao Guo ; 6. Neng Kan Jian Hai De Jie Dao ; 7. You Ling Gong Zhu ; 8. A Xi Da Qia Chuan Qi ; 9. Yong Yuan Chang Zai ; 10. Cheng Wei Feng ; 11. Sheng Ming De Xuan Zhuan Mu Ma ; 12. Shi Jie De Yue Ding ; 13. Se Lu Zhi Ge ; 14. Xuan Ya Shang De Jin Yu Ji ; 15. Fei Ji Yun.

Solo voices, orchestra (4 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Bass Voice Solo, Fl, 2 Ob, bassoon, 2 Hn, 2 Trp, Str, Continuo)

SKU: BA.BA04066

Opera seria in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 9,2. 2nd version. Complete edition, Score. HWV 12. Duration 3 minutes. Baerenreiter Verlag #BA04066_00. Published by Baerenreiter Verlag (BA.BA04066).

ISBN 9790006495832. 33 x 26 cm inches. Text Language: Italian. Nicola Francesco Haym.

This volume of the “Halle Handel Edition” presents the music of the second version of the opera which was premiered on 28 December 1720 at the King's Theatre, Haymarket, London as well as the amendments made for November 1721 revival. The appendix includes the amendments for the January/February 1728 version.

The first season of the Royal Academy ended on 25 June 1720. The new vocal soloists arrived in London in September. As the first version of “Radamisto” had been a great success during the first season, Handel revised the opera for the oncoming season to accommodate it to his new more proficient cast.

The revision was extensive. It included:
1) Changes to the vocal range of Radamisto (soprano to alto for the singer Senesino), Zenobia (alto to soprano for the female singer Durastanti) and Tiridate (tenor to bass for the singer Boschi),
2) compositions of new arias and ensembles,
3) significant changes to the plot consisting of the reduction of Fraartes’ role from brother to servant Tiridates and the omission of his not so original love affair to Zenobia.

For most of Handel's operas it can be said that the first version is the best version. This is due to the fact that when a work was performed again in later seasons, Handel was often forced to make changes due to casting constraints which often affected the equilibrium and the dramatic context of the work. “Radamisto” is an exception to this rule – the December 1720 adaptation is a much more superior composition than the version performed in April of the same year.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(4Sg-S-solo,2Sg-T-solo,2S g-Bar-solo,3Sg-B-solo,Mix edCh-SATB,Tz-Bal,Orch)

SKU: BA.BA05844-90

Tragedia per musica in three acts. Composed by Christoph Willibald Von Gluck. Edited by Gerhard Croll. Arranged by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Vienna version 1767. Vocal Score. Baerenreiter Verlag #BA05844_90. Published by Baerenreiter Verlag (BA.BA05844-90).

ISBN 9790006558728. 27 x 19 cm inches. Text Language: Italian, German. Translation: Walther Durr. Text: Ranieri de' Calzabigi.

With the premiere of Gluck'sAlceste, theBurgtheaterVienna reopened its doors, concluding a period of mourning that had been decreed following the death of Archduchess Maria Josepha.

Calzabigi 's inspiration for the libretto, which, despite including an element of wonder, focuses entirely on death and the afterworld, most likely stemmed from the death of Empress Maria Theresia's husband. In Euripides'Alkestis, the librettist might have recognized a sufferer akin to the imperial widow, who was highly regarded by her people. Following in the Greek tragedy tradition, Gluck once more sought to emphasize the unity of the work as a whole and the interplay of all elements involved, including costumes and stage design. He placed great importance on integrating the chorus into the happenings on stage.

Barenreiter now presents a newly engraved vocal score which has been meticulously revised, corrected and adapted to meet current Barenreiter standards.

Vocal, Piano Accompaniment (Vocal Score) - intermediate

SKU: HL.50601634

Vocal Score based on the Critical Edition by Fabrizio Della Seta. Composed by Gioachino Rossini. Edited by Fabrizio Della Seta. Vocal Score. Classical, Opera. Softcover. Composed 2018. 173 pages. Ricordi #CP13825900. Published by Ricordi (HL.50601634).

ISBN 9788881920457. UPC: 888680932381. 8x11 inches. Italian-English. - Rossini -.

Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition.

(TB BR)

SKU: HL.49041681

Textbuch (Italienisch-Deutsch) . Composed by Giuseppe Verdi. Edited by Kurt Pahlen. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Giuseppe Verdis Oper Rigoletto, die tragische Geschichte des gleichnamigen buckligen Hofnarren, liegt hier im vollstandigen italienischen Textbuch nebst der an den meisten deutschen Opernhausern verwendeten Ubertragung mit zahlreichen Notenbeispielen vor. Text book/libretto. 238 pages. Duration 120'. Schott Music #SEM 8025. Published by Schott Music (HL.49041681).

ISBN 9783254080257. 4.75x7.5x0.416 inches. Italian - German.

Giuseppe Verdi's opera 'Rigoletto', the tragic story of the eponymous hunchbacked court jester, is now published with the complete Italian libretto as well as the translation used by most German opera-houses, including numerous music examples. Kurt Pahlen comments on the work with music-related references as well explanations on the external and internal action. A summary of the plot and a brief outline of the genesis bring 'Rigoletto' into relation with the composer's entire oeuvre and his life, thus providing comprehensive, richly illustrated information on this opera.

2 guitars

SKU: M7.BBA-4024

En forma de concierto italiano. Composed by Domenico Cimarosa. Sheet music. Performance score. MDS (Music Distribution Services) #BBA 4024. Published by MDS (Music Distribution Services) (M7.BBA-4024).

The Cimarosa Sonatas represent a chest of melodic ideas in which the Neapolitan universe of contrasts takes shape, where freshness sometimes alternates tender melancholy and heartfelt sadness that have always been the counterpart in the culture of that city. Domenico Cimarosa was one of the most prominent opera composers of the late 18th century. He is a transitional figure between the generation of classical operas of the second half of the 18th century (e.g., Gluck and Mozart), and the later generation of early 19th century Italian composers such as Rossini and Donizetti. The work of Jorge Martínez Zárate as a composer and transcriber is vast, he has written original works for one and two guitars and has made more than a thousand transcriptions, a large number of them have been published in Argentina and also in the United States, France and Italy.

Band concert band - Grade 4

SKU: KJ.E1456F

Composed by Barry Toombs. Solos/ensembles. Conservatory Editions. Sacred. Score. Neil A. Kjos Music Company #E1456F. Published by Neil A. Kjos Music Company (KJ.E1456F).

Psalm XIX: The Heavens Declare was written by the Italian composer, writer, and theorist Benedetto Marcello (1686-1739). By profession Marcello served as a governor and chamber-lain in Italy, although he is well-known for his harsh satires of contemporary coposers, such as Vivaldi and Lotti, As a composer, Marcello was ingenious and imaginative; his works include opera librettos, concertos, vocal music, and psalm settings in cantana style. This particular psalm setting has become popular for organ, and, thanks to the talent of arranger Barry Toombs, is part of the repertoire of the Westwind Brass. Mr. Toombs's brass quintet arrangement of The Heavens Declare calls for the optional B Piccolo Trumpet in the 1st Trumpet part. It is preferred that the 1st trumpet player use a piccolo trumpet. However, if one is not available, B trumpet may be uses as a substitute.

4-Part Flexible Ensemble and Percussion - early intermediate

SKU: BT.DHP-1135421-070

Four part variable wind ensemble (with percussion). Composed by Robert van Beringen. Music Box. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135421-070. Published by De Haske Publications (BT.DHP-1135421-070).

9x12 inches.

This simple Italian overture, scored for a variable four-part instrumentation, is based on the well-known Neapolitan folksong Santa Lucia. Part 1 Fl Ob Kl B/Es S-Sax A-Sax TrpPart 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp HrnPart 3 Kl B A-Kl B-Kl T-Sax Fg Pos Euph HrnPart 4 B-Sax B-Kl Fg Pos Euph Tuba Kbopt. Gl.sp. Drum Perc

Deze eenvoudige Italiaanse ouverture in een instrumentatie voor vierstemmige variabele blazersbezetting is gebaseerd op het bekende Napolitaanse volksliedje ‘Santa Lucia’. Part 1 fluit hobo kl B b kl E b s-sax a-sax trpPart 2 fluit althobo kl B b alt-kl a-sax trp hrnPart 3 kl B b alt-kl bas-kl t-sax fagot tromb euph hrnPart 4 b-sax bas-kl fagot tromb euph tuba con basOpt. kl. sp. drum perc

Diese einfache italienische, für eine vierstimmig variable Bläserbesetzung gesetzte Ouvertüre basiert auf dem bekannten neapolitanischen Volkslied Santa Lucia. Besetzungsmöglichkeite n:Part 1 Fl Ob Kl B/Es S-Sax A-Sax TrpPart 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp HrnPart 3 Kl B A-Kl B-Kl T-Sax Fg Pos Euph HrnPart 4 B-Sax B-Kl Fg Pos Euph Tuba Kbopt. Gl.sp. Drum Perc

Cette simple ouverture italienne, écrite pour une instrumentation variable quatre voix, s’inspire d’une chanson populaire napolitaine bien connue, Santa Lucia. Voix 1 Fl Htb Cl. Si b/Mi b Sax. s. TrpVoix 2 Fl Cor Angl. Cl. Si b Cl. Alto Sax. A. Trp CorVoix 3 Cl. Mi b Sax. T. Basson Cor Trb Euph.Voix 4 Cl. Si b Sax. B. Basson Trb Euph. Tuba C. CordesOpt. GlockenspielPerc 1 Perc 2 Percu 3

Questa semplice, ma bella melodia si basa sull’ouverture della canzone Santa Lucia. Voce 1 Flauto Oboe Cl. Si b/Mi b Sax S. Sax A. TrombaVoce 2 Flauto Cor. Ing Cl. Si b Cl. Alto Sax A. Tromba CornoVoce 3 Cl. Si b Cl. alto Cl. Bas Sax T. Fg Tbn Euf. CornoVoce 4 Sax B. Cl. Bas Fg Tbn Euf. Tuba St. BassOpt. Mallets Batt. Perc.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1186064-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2018. 19 pages. De Haske Publications #DHP 1186064-140. Published by De Haske Publications (BT.DHP-1186064-140).

English-German-French- Dutch.

Filadelfia is a small town in the province of Vibo Valentia in the southern Italian region of Calabria. In 1783 the town suffered a devastating earthquake. This work depicts the events before and after the disaster, and starts peacefully, with dance-like music sounding in the streets. After this the earthquake destroys everything, causing deep despair. In the end, the town is being rebuilt, which calls for a festive celebration!

Filadelfia is een klein stadje in de provincie Vibo Valentia in de Zuid-Italiaanse regio Calabrië. In 1783 vond hier een verwoestende aardbeving plaats. Dit werk beschrijft de situatie voor en na deze ramp: eerst horen we dansrijke melodieën in de straten, maar daarna vaagt de aardbeving alles weg en klinkt er wanhoop door in de muziek. Uiteindelijk wordt het plaatsje herbouwd en dat is dan weer reden voor feestelijke klanken!

Filadelfia ist eine kleine Stadt in der Provinz Vibo Valentia in der süditalienischen Region Kalabrien. 1783 gab es in der Stadt ein verheerendes Erdbeben. Das Werk beschreibt die Ereignisse vor und nach der Katastrophe. Es beginnt mit einer tanzartigen Musik, die in den Straßen dieses friedlichen Ortes erklingen. Das Erdbeben zerstört alles und verursacht eine große Verzweiflung. Schließlich wird die Stadt wiederaufgebaut und feiert ein fröhliches Fest!

Filadelfia est une petite ville dans la province de Vibo Valentia dans la région de Calabre en Italie méridionale. En 1783 un séisme dévastateur frappe la ville. Cette œuvre met en musique les différences de la ville avant et après le désastre, en commençant par une musique dansante que l’on entendait dans les rues de cet endroit paisible, suivi du tremblement de terre destructif qui entraîne un sentiment de désespoir. Pour finir, la reconstruction de la ville donne une raison pour célébrer !

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1186064-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1186064-010. Published by De Haske Publications (BT.DHP-1186064-010).

English-German-French- Dutch.

Filadelfia is a small town in the province of Vibo Valentia in the southern Italian region of Calabria. In 1783 the town suffered a devastating earthquake. This work depicts the events before and after the disaster, and starts peacefully, with dance-like music sounding in the streets. After this the earthquake destroys everything, causing deep despair. In the end, the town is being rebuilt, which calls for a festive celebration!

Filadelfia is een klein stadje in de provincie Vibo Valentia in de Zuid-Italiaanse regio Calabrië. In 1783 vond hier een verwoestende aardbeving plaats. Dit werk beschrijft de situatie voor en na deze ramp: eerst horen we dansrijke melodieën in de straten, maar daarna vaagt de aardbeving alles weg en klinkt er wanhoop door in de muziek. Uiteindelijk wordt het plaatsje herbouwd en dat is dan weer reden voor feestelijke klanken!

Filadelfia ist eine kleine Stadt in der Provinz Vibo Valentia in der süditalienischen Region Kalabrien. 1783 gab es in der Stadt ein verheerendes Erdbeben. Das Werk beschreibt die Ereignisse vor und nach der Katastrophe. Es beginnt mit einer tanzartigen Musik, die in den Straßen dieses friedlichen Ortes erklingen. Das Erdbeben zerstört alles und verursacht eine große Verzweiflung. Schließlich wird die Stadt wiederaufgebaut und feiert ein fröhliches Fest!

Filadelfia est une petite ville dans la province de Vibo Valentia dans la région de Calabre en Italie méridionale. En 1783 un séisme dévastateur frappe la ville. Cette œuvre met en musique les différences de la ville avant et après le désastre, en commençant par une musique dansante que l’on entendait dans les rues de cet endroit paisible, suivi du tremblement de terre destructif qui entraîne un sentiment de désespoir. Pour finir, la reconstruction de la ville donne une raison pour célébrer !

Trumpet and orchestra

SKU: BR.MR-2239B

Set of parts. Composed by Giacomo Antonio Perti. Edited by Keith Wright and Mark Latham. Orchestra; stapled. Musica Rara. Symphony; Baroque. Score and parts. 28 pages. Breitkopf and Haertel #MR 2239b. Published by Breitkopf and Haertel (BR.MR-2239B).

ISBN 9790004488478. 9 x 12 inches.

There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.

Trumpet, piano

SKU: BR.MR-2239A

Piano reduction. Composed by Giacomo Antonio Perti. Edited by Mark Latham. Arranged by Mark Latham. Solo instruments; Softcover. Musica Rara. Symphony; Baroque. Piano reduction. 8 pages. Breitkopf and Haertel #MR 2239a. Published by Breitkopf and Haertel (BR.MR-2239A).

ISBN 9790004487877. 9 x 12 inches.

There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.

Guitar and chamber ensemble

SKU: BT.VOLMB612

Composed by Ron Miller. Jazz. Book Only. 192 pages. Volonte e Co #VOLMB612. Published by Volonte e Co (BT.VOLMB612).

ISBN 9788863886122. Italian.

Un’ opera fondamentale che non può mancare negli scaffali di chi studia, pratica e compone musica oggi. Si tratta probabilmente a oggi del più riuscito sforzo di organizzare il linguaggio armonico modale, fornendo un metodo rigoroso e libertario allostesso tempo, che seguito con attenzione può dare risultati eccellenti a musicisti con vari livelli di preparazione.Ricco di esempi dalle convincenti sonorit , con passi propedeutici che portano il lettore a ottimi risultati, contestualizzati di volta in volta attraverso il collegamento a esempi tratti da opere pubblicate (anche dalla musica classica del primoNovecento). Nella sapiente traduzione di Roberto Spadoni la fondamentale opera di Miller diviene finalmente accessibile per svelare i molteplici universi dell’armonia modale.

Orchestra (Study Score)

SKU: HL.132243

Chopin National Edition. Composed by Frederic Chopin. Edited by Jan Ekier and Pawel Kaminski. PWM. Classical. Study Score. Polskie Wydawnictwo Muzyczne #51600913. Published by Polskie Wydawnictwo Muzyczne (HL.132243).

UPC: 884088970772.

Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time - a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form.

Advanced

SKU: LM.JJ2299

Glockenspiel et vibraphone. Composed by Dominique Lemaitre. Instrumental Music. Score. Editions Henry Lemoine #JJ2299. Published by Editions Henry Lemoine (LM.JJ2299).

ISBN 9790230822992. 9 x 12 inches. Francais.

Dans la mesure ou il possede a la fois un nombre fini d'elements dans un espace clos et ou il autorise pourtant un nombre indefini de combinaisons, le kaleidoscope donne une illustration, concrete et symbolique a la fois, de la facon dont on peut creer quelque chose de nouveau par un simple reagencement de ce qui existait deja auparavant. Il donne ainsi une figure reconciliant les termes apparemment opposes de la permanence et du changement, de l'identite et de la difference. Ce ne sont pas les elements qui font le tout, mais la forme que prend leur combinaison. Cette piece est constituee de six sections enchainees, comme six images kaleidoscopiques. Dominique Lemaitre.

Piano (Study Score)

SKU: HL.132293

Version for One Piano. Composed by Frederic Chopin. Edited by Jan Ekier and Pawel Kaminski. PWM. Classical. Study Score. Polskie Wydawnictwo Muzyczne #51600915. Published by Polskie Wydawnictwo Muzyczne (HL.132293).

UPC: 884088971274.

Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time - a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form. The historical version of the score of the Concerto, based on the semi-autograph and parts from the first editions, forms volume 21 A XVe, and the concert version of the score, recreated by taking into consideration also other sources which present Chopin's intention, constitutes volume 34 B VIIIb.

2 alto voice solos, 2 soprano voice solos, 2 bass voice solos, orchestra (2 Alto Voice Solos, 2 soprano voice solos, 2 bass voice solos, Orchestra)

SKU: BA.BA04081

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II Band 20. Complete edition, Score. HWV 23. Duration 3 hours. Baerenreiter Verlag #BA04081_00. Published by Baerenreiter Verlag (BA.BA04081).

ISBN 9790006497782. 33 x 25.8 cm inches.

In his libretto for “ Riccardo primo”, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno ” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro” and “ Admeto ” for them. He began composing “ Riccardo ” in spring 1727, completing the first version on 16 May.
However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears.
From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy.

The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion†¹â€™ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina .

The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

With a Guide Book for the Artist Percussionist -- Covering All of the Instruments of the Percussion Family. Composed by Morris Goldenberg. Edited by musical interpretations and editing by Anthony J. Cirone. Method/Instruction; Percussion - Snare Drum Method. Morris Goldenberg Classics. Book. 184 pages. Alfred Music #00-0714B. Published by Alfred Music

Violin & basso continuo

SKU: HH.HH556-FSP

Composed by Michele Mascitti. Edited by Michael Talbot. Full score and parts. Edition HH Music Publishers #HH556-FSP. Published by Edition HH Music Publishers (HH.HH556-FSP).

ISBN 9790708185710.

The ‘divertissementâ� �™ Psiché, a ten-movement suite for violin and basso continuo by Michele Mascitti (1663/4–1760), the Neapolitan violinist who did more than anyone else to acclimatize the Italian sonata to a French setting, is unique among his works in having a programmatic basis. It depicts episodes from the famous romantic story of Psyche and Cupid as related in the Latin novel generally known by the name The Golden Ass by the second-century author Apuleius. At the same time, this is Mascitti’s most overt homage to his adoptive country, since several movements in it go further in the direction of the French style than anything else from his pen. It expresses among other things Cupid’s rage at Psyche’s discovery of his identity, her airborne travel powered by the winds and the tenderness between the two lovers after their reconciliation. This is a very original and immediately attractive work.