STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119413

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/13. Published by Carus Verlag (CA.3119413).

ISBN 9790007210335. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119411

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/11. Published by Carus Verlag (CA.3119411).

ISBN 9790007210311. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119412

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/12. Published by Carus Verlag (CA.3119412).

ISBN 9790007210328. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

Orchestra (flute-oboe-strings)

SKU: GH.CG-3941P

Svit. Composed by Edvin Kallstenius. A Venetian Serenade - Suite. Score. Duration 11 minutes. Gehrmans Musikforlag #CG 3941P. Published by Gehrmans Musikforlag (GH.CG-3941P).

For flute, oboe and strings.

Euphonium and Piano. By James Curnow. (EUPHONIUM). Curnow Concert Band Full Set. Published by Curnow Music.

SATB choir divisi, narrator, & orchestra (flute-oboe-clarinet-bass oon-horn/bassoon-organ/pi ano-chimes ad lib-cello-double bass)

SKU: GH.GE-11453

Gemischter Chor und Orchester. Composed by Anders Ohrwall. Score. With Language: German. 60 pages. Gehrmans Musikforlag #GE 11453. Published by Gehrmans Musikforlag (GH.GE-11453).

ISBN 979-0-070-11453-0. A4 inches. Text: Carmen Becker (German).

Epiphany music for reciter, mixed chorus and instrumentalists. The lyrics are taken from a book by the Swedish bishop Olofsson from 1635, older Swedish traditional Christmas texts, a Danish folk tune and Piae Cantiones. The suite ca also be performed with only organ or piano according to the Swedish vocal score (Trettondagsmusik SK 582). Parts refer to the Swedish version (SK 584).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Percussion 2, Percussion 3, Snare Drum, Tambourine, Timpani, Triangle, Trombone 1 and more. - Grade 3.5

SKU: CF.CPS129

Arranged by Joseph Compello. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 12+12+8+8+2+2+12+12+12+6+ 4+6+6+6+6+8+12+12+6+6+9+9 +6+9+12+2+4+6+36 pages. Duration 5 minutes, 9 seconds. Carl Fischer Music #CPS129. Published by Carl Fischer Music (CF.CPS129).

ISBN 9780825888304. UPC: 798408088309. 9x12 inches.

Arranger Joseph Compello works his magic with this familiar Grieg piece from the famous Peer Gynt Suite No. 2. A faithful transcription for band that keep the flavor of the original intact, there is no better way to introduce students to the wonderful music of Grieg!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Percussion 2, Percussion 3, Snare Drum, Tambourine, Timpani, Triangle, Trombone 1 and more. - Grade 3

SKU: CF.CPS129F

Arranged by Joseph Compello. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 36 pages. Duration 5 minutes, 9 seconds. Carl Fischer Music #CPS129F. Published by Carl Fischer Music (CF.CPS129F).

ISBN 9780825888311. UPC: 798408088316. 9x12 inches.

Arranger Joseph Compello works his magic with this familiar Grieg piece from the famous Peer Gynt Suite No. 2. A faithful transcription for band that keep the flavor of the original intact, there is no better way to introduce students to the wonderful music of Grieg!

Vocal soli, choir, 2 flutes, 2 oboes, 2 horns, 2 trombones, 2 violins, viola, basso continuo

SKU: CA.5070400

Opera in three acts. Composed by Johann Adolf Hasse. Edited by Zenon Mojzysz. This edition: Complete edition, linen cover. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. German title: Cleofide. Opera, singspiel. Full score (complete edition / selected edition). Composed 1731. 432 pages. Duration 240 minutes. Carus Verlag #CV 50.704/00. Published by Carus Verlag (CA.5070400).

ISBN 9790007092283. Language: Italian. Text: Boccardi, Michelangelo / Metastasio, Pietro. Text: Michelangelo Boccartdi, Pietro Metastasio.

Hasse's Cleofide of 1731 can be regarded as the zenith of his creative output - not least of all because he integrated several of his greatest arias from earlier works into this opera. The theme from antiquity Alexander's conquests in India was perfectly suited to flatter August the Strong, a rather unsuccessful commander-in-chief, who at that moment was occupied with the reorganization of his armies. For performance at the Court of Dresden, Metastasio's original libretto was reworked by Michelangelo Boccardi. As a result, the title of the opera was changed from Alessandro nell' Indie to Cleofide and Faustina Bordoni, the prima donna and wife of Johann Adolf Hasse, became the protagonist of the story. Musically, the opera reflected the style of the time. Hasse's expressive and natural style was admired and appreciated by the public professional musicians alike. The vocal parts were tailor-made for the singers and in performing this work the outstanding soloists and the orchestra could shine. Hasse always tried to get the utmost from his musicians and in the case of Cleofide he achieved a 100% success. The Carus edition of Cleofide, which has been published as a part of the Hasse-Werkausgabe, is the very first printed edition of this work. It is based primarily on the original parts used for the first performance in 1731 and presents both an accurate musicological rendering of the sources as well as a practical performance edition.

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

Orchestra Bassoon, Clarinet, Contrabass, Flute, Horn, Oboe, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416414090

Suite After Three Paintings By Helen Frankenthaler (for Chamber Orchestra Or Chamber Ensemble). Composed by Kenneth Fuchs. This edition: version for chamber orchestra. Premiere: Denver Chamber Orchestra, JoAnn Falletta conducting, Trinity United Methodist Church, Denver, CO. Contemporary. Full score. With Standard notation. Composed 1986. 28 pages. Duration 15 minutes. Theodore Presser Company #416-41409. Published by Theodore Presser Company (PR.416414090).

UPC: 680160601523. 8.5 x 11 inches.

Orchestra Bassoon, Clarinet, Contrabass, Flute, Horn, Oboe, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.41641409L

Suite After Three Paintings By Helen Frankenthaler (for Chamber Orchestra Or Chamber Ensemble). Composed by Kenneth Fuchs. This edition: version for chamber orchestra. Premiere: Denver Chamber Orchestra, JoAnn Falletta conducting, Trinity United Methodist Church, Denver, CO. Contemporary. Large Score. With Standard notation. Composed 1986. 28 pages. Duration 15 minutes. Theodore Presser Company #416-41409L. Published by Theodore Presser Company (PR.41641409L).

UPC: 680160601530. 11 x 14 inches.

Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Clarinet 5, Clarinet 6, Contrabassoon, Crotales, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Harp, Horn 1, Horn 2 and more.

SKU: PR.11540240L

II. from Mythology Suite. Composed by Stacy Garrop. Large Score. Duration 5 minutes, 50 seconds. Theodore Presser Company #115-40240L. Published by Theodore Presser Company (PR.11540240L).

UPC: 680160680207.

This quiet piece represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches.

Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Clarinet 5, Clarinet 6, Contrabassoon, Crotales, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Harp, Horn 1, Horn 2 and more.

SKU: PR.11540240S

II. from Mythology Suite. Composed by Stacy Garrop. Study Score. Duration 5 minutes, 50 seconds. Theodore Presser Company #115-40240S. Published by Theodore Presser Company (PR.11540240S).

UPC: 680160680191.

This quiet piece represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches.

(Suite francaise). Composed by Byron Adams. For flute, oboe, cello and harpsichord. Contemporary. 4-5. Score & parts. Composed 2006. Duration 18'30. Published by Editions BIM

By Lefebvre, Charles (1843-1917). Woodwind ensembles. Published by International Music Co.

Saxophone

SKU: HL.48184070

Composed by Jacques-Francois Ibert. Leduc. Classical. Softcover. 44 pages. Alphonse Leduc #AL26931. Published by Alphonse Leduc (HL.48184070).

UPC: 888680830625. 6.25x8.25x0.232 inches.

“Conc ertino Da Camera, written in 1935 by Jacques Ibert (1890-1962) is a small concerto for Alto Saxophone and eleven instruments: Flute, Bassoon, Oboe, Horn, Trumpet and Strings. This concertino in two movements, Allegro con moto and Larghetto ? Animato Molto, is dedicated to the saxophonist Sigurd Rascher and stands out for its large use of the Alto Saxophone. It can be technically challenging and has a strong lyrical part. This volume is the pocket version of the score. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with is Flute Concerto (1934), also published by Alphonse Leduc.”.

(6 Suites). Composed by Jacques-Christophe Naudot (1690-1762). Edited by Bernhard Pauler. For 2 treble recorders (flutes, oboes, violins). Performance score. Published by Amadeus Verlag

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.