| Ultimate 60s Songs! Music Sales
| | |
| The Little Black Songbook: Acoustic Hits Music Sales
| | |
| Nat "King" Cole: Nat "King" Cole - Unforgettable
Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
Performed by Nat "King" Cole. Songbook for voice, piano and guitar chords. 100 p...(+)
Performed by Nat "King"
Cole. Songbook for voice,
piano and guitar chords.
100 pages. Published by
Alfred Publishing.
(14)$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Guitar Chord Songbook: More Sixties Hits Music Sales
| | |
| Sierra Music - Demo CD 105 [CD d'écoute] Sierra Music
| | |
| Big Band Favorites Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 232 pages.
Published by Hal Leonard.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Quartet Repertoire For Horn - 2nd Hal Leonard
| | |
| The Real Little New Broadway Fake Book Instruments en Do [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway.
Softcover.
696 pages. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Most Beautiful Songs Ever Orgue [Partition] Hal Leonard
70 All-Time Favorites Arranged for Organ. Composed by Various. Organ. Sof...(+)
70 All-Time Favorites
Arranged for Organ.
Composed by Various.
Organ. Softcover. 208
pages. Published by Hal
Leonard (HL.144638).
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Sheldon Harnick Songbook Piano, Voix [Partition] Hal Leonard
By Sheldon Harnick. Piano/Vocal/Chords Composer Collection (Arrangements for pi...(+)
By Sheldon Harnick.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Softcover. 158
pages. Published by Hal
Leonard.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Not Just Another Jazz Book, Book 2 Piano seul [Partition + CD] - Intermédiaire Alfred Publishing
(10 Original Piano Solos With Optional CD Accompaniments). Arranged by Mike Spri...(+)
(10 Original Piano Solos
With Optional CD
Accompaniments). Arranged
by Mike Springer. For
Piano. Book; CD; Piano
Collection; Piano
Supplemental. Not Just
Another. Jazz; Recital.
Intermediate. 24 pages.
Published by Alfred Music
Publishing (
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Vocal Book - Volume III Voix haute [Fake Book] Hal Leonard
(High Voice). By Various. For Vocal. Fake Book. 438 pages. Published by Hal Leon...(+)
(High Voice). By Various.
For Vocal. Fake Book. 438
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| David Lanz - Norwegian Rain Piano seul Hal Leonard
By David Lanz. Piano Solo Personality. Softcover. 74 pages. Published by Hal ...(+)
By David Lanz. Piano Solo
Personality. Softcover.
74
pages. Published by Hal
Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scott the Piano Guy's Favorite Piano Fake Book - Volume 2
Fake Book [Fake Book] Hal Leonard
Arranged by Scott Houston. Fake Book (Includes melody line and chords). Softcove...(+)
Arranged by Scott
Houston. Fake Book
(Includes melody line and
chords). Softcover. 240
pages. Published by Hal
Leonard.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Guitar Big Book of Hits -- British Rock Guitare notes et tablatures Alfred Publishing
(52 Favorites from the U.K. (Guitar TAB)). For Guitar. Book; Guitar Mixed Fo...(+)
(52 Favorites from the
U.K.
(Guitar TAB)). For
Guitar.
Book; Guitar Mixed Folio;
Guitar TAB. The New
Guitar TAB
Big Book. Rock. 272
pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beautiful Piano Solos for Dummies Piano seul Hal Leonard
By Various. For Piano. Piano Solo Songbook. Softcover. 176 pages. Published by...(+)
By Various. For Piano.
Piano
Solo Songbook. Softcover.
176 pages. Published by
Hal
Leonard
$19.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Quartet Repertoire For Horn - 4th Hal Leonard
| | |
| Great Smoky Mountains Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500102F
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F). ISBN
9781491131749. UPC:
680160680276. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Boosey Woodwind Method Boosey and Hawkes
Saxophone Repertoire Book A. By Various. Arranged by Chris Morgan. (Saxophone)....(+)
Saxophone Repertoire Book
A. By Various. Arranged
by Chris Morgan.
(Saxophone). Boosey and
Hawkes Concert Band. 20
pages. Published by
Boosey & Hawkes.
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best Traditional Japanese Songs for All Time Piano seul Yamaha
Piano Solo SKU: YM.GTP01100465 Piano Solo with Beautiful Piano Sounds ...(+)
Piano Solo SKU:
YM.GTP01100465
Piano Solo with
Beautiful Piano Sounds
Series. Composed by
Various. Traditional
Japanese Song. J-Pop,
Traditional Japanese
Song, Kayo, Enka. Score.
Yamaha Music Media
#GTP01100465. Published
by Yamaha Music Media
(YM.GTP01100465). ISBN
9784636103168. 8.5 x 12
inches. 15
arrangements of best
traditional Japanese
songs for piano solo. The
series does not limit
itself to the scale or
key of the original
pieces; it is arranged
withthe concept of
sounding gorgeous and
beautiful, appealing to
the listeners, and
keepingthe
fingeringeasier to play
for performers. The
arrangement focuses on
arpeggios toenjoy the
rich sound of the piano.
Perfect for public
performances as well! If
you have awish like Let's
play the songsthat
everyone knows in a cool
and stylish way!, this is
it! $12.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 101 Songs For Easy Guitar: Book 5 Music Sales
| | |
| Edvard Grieg: Samtliche Lieder - Band I, Op. 2-49 (Complete Songs - Vol. 1) Piano, Voix [Partition] Peters
Composed by Edvard Grieg (1843-1907), edited by Dan Fog, Nils Grinde. Collection...(+)
Composed by Edvard Grieg
(1843-1907), edited by
Dan Fog, Nils Grinde.
Collection for voice solo
and piano accompaniment.
Urtext Edition. Text
language English, German
and Norwiegan. 304 pages.
Published by C.F. Peters.
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Norman Gimbel Songbook Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
50 of the Lyricist's Finest. By Norman Gimbel. Piano/Vocal/Chords Composer Colle...(+)
50 of the Lyricist's
Finest. By Norman Gimbel.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Size 9x12
inches. 202 pages.
Published by Hal Leonard.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Everglades (River of Grass) Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500101F
Mvt. 1 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00101F. Published by
Theodore Presser Company
(PR.16500101F). ISBN
9781491131725. UPC:
680160680252. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Big Band Era Piano, Voix et Guitare [Partition] Hal Leonard
(90 Standards) Songbook for voice, piano and guitar chords. 304 pages. Published...(+)
(90 Standards) Songbook
for voice, piano and
guitar chords. 304 pages.
Published by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Little Black Songbook: Classic Songs (ukulele) Music Sales
| | |
| Little Suite for Piano Piano seul Edward B. Marks Music Company
Piano SKU: HL.220315 The Seasons. Composed by Evan Hause. E.B. Mar...(+)
Piano SKU:
HL.220315 The
Seasons. Composed by
Evan Hause. E.B. Marks.
Classical. Softcover. 12
pages. Edward B. Marks
Music #EBM220315.
Published by Edward B.
Marks Music (HL.220315).
ISBN 9781423489405.
UPC: 884088469115. 9x12
inches. Four
intermediate level piano
works inspired by the
seasons. Contents: Lake
Reflections (Summer)
• Melancholy Waltz
(Fall) • Frozen
Sunset (Winter) •
Wedding Music
(Spring). $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 31 Page suivante 61 91 |