| Six concertos a sept parties (flute, 3 violins, viola, bassoon, continuo bass). c. 1737 [Conducteur] Anne Fuzeau Productions
Various instruments and continuo (Instrumental ensemble) SKU: FZ.50500 Co...(+)
Various instruments and
continuo (Instrumental
ensemble) SKU:
FZ.50500 Composed by
Jacques Christophe
Naudot. Edited by Les
Etudiants du
C.E.F.E.D.E.M - Ile de
France. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score.
Published by Anne Fuzeau
Productions - France
(FZ.50500). ISBN
9790049505000. 21.00 x
29.70 cm
inches. This
facsimile of an original
by Jacques Christophe
Naudot is part of our
French classical music
collection. Oeuvre XI.
Edition : L'Auteur,
Boivin, Le Clerc, s. d.
(= c. 1737). These were
the first flute concertos
to be published in
France. A particular
advantage of this fine
music of Italian
inspiration is that it
requires only seven
musicians. The solo flute
has a true soloist part.
The first violin part is
also interesting.
Presentation by Mi-Sung
Kim and Emilie Stahl
(CeFEdeM ile-de-France) :
Vie et oeuvre de Naudot.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Nationale Library of
Paris (France). Anne
Fuzeau Classique propose
period copies of
classical music
scores. $55.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Eskimo Dance Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Traditional. Arranged by Michael Story and Robert W. Smith. Concert ...(+)
Composed by Traditional.
Arranged by Michael Story
and Robert W. Smith.
Concert Band. Concert
Band Method; SmartMusic.
Band Expressions Book 2.
Folk. Grade 2. Conductor
Score and Parts.
Published by Alfred Music
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train - Intermédiaire Yamaha
Piano, voice - various SKU: YM.GTP01098098 Composed by Yuki Kajiura. Arra...(+)
Piano, voice - various
SKU:
YM.GTP01098098
Composed by Yuki Kajiura.
Arranged by Nami Suzuki.
Animation Songs. Book. 24
pages. Published by
Yamaha Music Media
(YM.GTP01098098). ISBN
9784636980981 . LiSA;
Yuki
Kajiura. Includes
three different
arrangements of Homura,
the theme song of Demon
Slayer -Kimetsu no Yaiba-
The Movie: Mugen Train,
sung by the singer LiSA.
The intermediate
arrangement closely
replicates the atmosphere
of the original song, the
easy arrangement is
suitable for those who
are not good at reading
music, and the vocal and
piano arrangement allows
players to enjoy the song
with piano accompaniment.
Includes 8 bonus pages in
color. Piano mini album
series
1. Homura:
Piano Solo - Intermediate
2. Homura: Piano Solo
- Easy 3. Homura:
Vocal and Piano -
Intermediate. $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Chinese Rap Violon [Conducteur] Theodore Presser Co.
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 ...(+)
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.416415110
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Full score. With Standard
Notation. Duration 10
minutes. Theodore Presser
Company #416-41511.
Published by Theodore
Presser Company
(PR.416415110). UPC:
680160621286. Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. $45.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chinese Rap Violon Theodore Presser Co.
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 ...(+)
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.41641511L
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Large Score. With
Standard Notation.
Duration 10 minutes.
Theodore Presser Company
#416-41511L. Published by
Theodore Presser Company
(PR.41641511L). UPC:
680160621293. Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rinaldo HWV 7a Barenreiter
Solo voices, orchestra (5 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto V...(+)
Solo voices, orchestra (5
Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, Fl-Picc, 2 Fl, 2
Ob, 4Trp, timpani,
harpisc., Str, Continuo)
SKU: BA.BA04033
Opera in three
acts. Composed by
George Frideric Handel.
Edited by David R. B.
Kimbell. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series II, Volume 4, No.
1. Version of 1711. Oper,
Barock (Opera, Baroque).
Complete edition, Score.
HWV 7A. Duration 1 hour,
39 minutes, 59 seconds.
Baerenreiter Verlag
#BA04033_00. Published by
Baerenreiter Verlag
(BA.BA04033). ISBN
9790006443406. 33.1 x 26
cm inches. Text Language:
Italian. Giacomo
Rossi. This was
Handel’s first
opera for London, first
performed at the theatre
in the Haymarket in
February 1711. It was
strong in both music
(including recomposed
versions of some
movements that Handel had
previously written for
his operas in Italy) and
staging: a contemporary
described the opera as
‘filled with
Thunder and Lightening,
Illuminations and
Fireworks’.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$409.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eja Mater Boosey and Hawkes
SSAATTBB a cappella Mixed Choir (Choral) SKU: HL.48025268 Adapted from...(+)
SSAATTBB a cappella Mixed
Choir (Choral) SKU:
HL.48025268
Adapted from
“Stabat
Mater†SSAATTBB (a
cappella version)
(Piano. Composed by
Kim André Arnesen.
Boosey & Hawkes Sacred
Choral. Choral, General
Worship, Sacred. Octavo.
20 pages. Duration 240
seconds. Boosey & Hawkes
#M060140464. Published by
Boosey & Hawkes
(HL.48025268). UPC:
196288152279. Eja
Mater is a prayer for
comfort to all parents
who have lost their own
child, but also expresses
love from parents to
their children.
Originally written for
choir and orchestra as
part of Kim André
ArnesenÂ’s Stabat
Mater, this stand-alone
version, adapted for a
cappella choir, has a
symphonic feel. This
heartfelt and ethereal
setting has a persistent
flow throughout, with
melodic lines
effortlessly passing
between voices. Breath
marks and rests are
carefully notated for
this reason, and this
also enables the piece to
be sung by only eight
voices, though it is
equally appropriate for
larger choirs accustomed
to singing in eight
parts. $5.95 - Voir plus => Acheter | | |
| Blue Green Hills of Earth Chorale SATB SATB, Clavier [Octavo] Carl Fischer
Blue Green Hills of Earth (SATB Voices and Descant with Keyboard). By Kim Oler. ...(+)
Blue Green Hills of Earth
(SATB Voices and Descant
with Keyboard). By Kim
Oler. Arranged by Carl
Strommen. SATB chorus.
For Voice Solo, SATB,
Keyboard. Composed for
the Paul Winter Consort's
Missa Gaia (Mass for
Mother Earth). It was
chosen to be sung by the
Gostelradio Youth Chorus
in Moscow and the San
Francisco Boys' Choir in
San Francisco,
simultaneously via
satellite. Choral. Piano
reduction/vocal score.
Standard notation. 7
pages. Published by Carl
Fischer
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rufus and Rita [Conducteur] Theodore Presser Co.
Opera Piano, solo Voices SKU: PR.441410300 Composed by Lauren Bernofsky. ...(+)
Opera Piano, solo Voices
SKU: PR.441410300
Composed by Lauren
Bernofsky. Score. With
Standard notation. 56
pages. Duration 30
minutes. Theodore Presser
Company #441-41030.
Published by Theodore
Presser Company
(PR.441410300). ISBN
9781491111512. UPC:
680160667543. 9 x 12
inches. Lauren
Bernofsky. RUFUS
AND RITA is an adorable,
light-hearted opera about
a girl and her zany dog,
commissionedby
Reimagining Opera for
Kids for in-school
performances. The
libretto features several
forks in theroad where
the audience votes on
what should happen next.
The opera is scored for
four singersof any voice
range, plus piano; there
is also an expanded
version for chamber
ensemble. RUFUS AND
RITA is a light-hearted
opera for young
audiences, scored for
fouradult singers of any
voice type. Singers may
adjust octaves as
necessary, soany part may
be sung by a male or
female voice.A chamber
version of the
accompaniment is also
available from
TheodorePresser Company
(441-41031), scored for a
flexible-instrumentation
ensembleof piano with any
two treble instruments
and one bass instrument.*
* *RUFUS AND RITA
contains many improvised
elements, from spoken
dialogueto improvised
vocal parts. Instructions
are given throughout the
score. Theduration is
approximately 30 minutes,
depending on the length
of theimprovised
sections.The libretto is
flexible – at
several points in the
show, the audience votes
onwhat happens next, from
choices given by a
narrator. Some musical
numbers,as well as props
and set accessories, are
determined by the choice.
Forinstance, if the
audience votes for Rufus
to have found a dog
biscuit, then 2a.The Dog
Treat is performed (and
2b. Fido's Lament is
omitted.) The pianistmay
serve as the narrator,
who announces what is
being voted on and
talliesthe vote by
observing a show of
hands.* * *Thanks to Mary
Alice Cox, D.V.M., for
her expertise regarding
the medical careof Rufus
in “The Cureâ€
and to Susan Archibald
for her editorial
comments.Thanks, also, to
Felissa Elfenbein for
permission to use her
zucchini dog
treatrecipe.My
everlasting thanks to my
editor, Daniel Dorff, for
his faith in my
music.Finally, my deepest
gratitude to Kim Carballo
and the cast of
ReimaginingOpera for
Kids, who helped me
develop the opera into
its final version. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lovely is the dark blue sky (from Nordic Christmas) Boosey and Hawkes
(SSAATTBB choir) SKU: HL.48024961 SATB divisi a cappella. Composed...(+)
(SSAATTBB choir) SKU:
HL.48024961 SATB
divisi a cappella.
Composed by Arnesen and
Kim André. Boosey &
Hawkes Sacred Choral.
Octavo. Boosey & Hawkes
#M060137129. Published by
Boosey & Hawkes
(HL.48024961). UPC:
840126950366. Compo
ser's note: My approach
to arranging this carol,
as well as the other
carols in Nordic
Christmas, was to look at
the text (originally in
Danish by Nikolai
Grundtvig, 1783-1872) and
its background to see if
there are new meanings
hidden in the material.
Perhaps there are
circumstances around its
creation or messages the
original authors were
trying to say that
somehow get lost in the
way they are interpreted
today. Lovely is the dark
blue sky is usually
performed as a lustrous
up-tempo carol, but
thinking of Grundtvig's
story and life, writing
this text between
episodes of severe mental
illness, and his vision
of a child looking at the
dark blue sky at night, I
made the atmosphere of
this arrangement more
dreamy, still and full of
wonder. I still wanted to
keep it childlike, with
the choir singing
tenderly and the soprano
solo is ideally sung by a
child. The melody was
written 'by an old man
who had never before
composed any music', as
stated in the 1853
hymnbook in which this
melody first appeared. It
is the only known
composition of its
writer, the
Norwegian-Danish Jacob
Gerhard Meidell
(1778-1857), who was a
captain in the Danish
Army and later a customs
inspector in Copenhagen.
The text was written by
one of the great Danish
hymn writers, N F S
Grundtvig in 1810. It was
written between a manic
and a depressive episode.
During a time of being
well, he wanted to write
about Christmas through
the eyes of a child. The
message is simple, as a
children's song with
storybook elements. $4.50 - Voir plus => Acheter | | |
| Five Yu'pik Dances Harpe Chester
Harp SKU: HL.234540 Harp Solo. Composed by John Luther Adams. Musi...(+)
Harp SKU:
HL.234540 Harp
Solo. Composed by
John Luther Adams. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Chester Music
#CH86295. Published by
Chester Music
(HL.234540).
9.0x12.0x0.09 inches.
English. 'This set
of miniatures is based on
traditional dance songs
of the Yupik Eskimo
people of Western Alaska.
In their original forms,
these melodies would be
sung in unison. The
first, third and fifth
songs would be
accompanied by frame
drums. The second and
fourth are game songs,
for jumping rope and
juggling pebbles. Aside
from the obvious
difference in
instrumentation, my
settings of these songs
differ from the Yup'ik
originals in other
respects. I have extended
and varied the melodies,
and added
countermelodies, ostinato
figurations,
introductions, interludes
and codas. The first four
melodies are drawn from
the collection Yup'ik
Eskimo songs, compiled by
Thomas F. Johnston, and
Tupou L. Pulu, and
published by the
University Of Alaska. The
fifth was 'loaned' to me
by Yup'ik singer and
dancer Chuna McIntyre,
who learned it in his
village of Eek, Alaska.
The poems preceding each
piece are rough
translations of the words
to the songs. These
verses are often cryptic
and enigmatic. Their
obscurity is increased
because some of the words
or their meanings have
been lost, over time.' -
John Luther Adams. $8.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. ...(+)
(Full Size Edition).
Composed by Various. For
Ukulele. Ukulele.
Softcover.
688 pages. Published by
Hal
Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto For Oboe And Orchestra [Conducteur] Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S). UPC:
680160680344. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Daily Ukulele - Baritone Edition Ukulele Baryton Hal Leonard
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcove...(+)
Arranged by Jim Beloff
and Liz Beloff. For
Baritone Ukulele. Fake
Book. Softcover. 336
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| LiSA - Akeboshi Piano seul [Conducteur] Yamaha
Piano - Easy, Intermediate, Advanced SKU: YM.GTP01096640 Piano Solo Bo...(+)
Piano - Easy,
Intermediate, Advanced
SKU:
YM.GTP01096640
Piano Solo Book in 3
Difficulty Levels.
Keyboard. J-POP; Japanese
Anime. Score. Yamaha
Music Media #GTP01096640.
Published by Yamaha Music
Media (YM.GTP01096640).
ISBN
9784636966404. Akeb
oshi, the opening theme
of TV Anime series Demon
Slayer (Kimetsu No
Yaiba): Mugen Train
(Season 2), sung by LiSA,
is now available in one
book with three
difficulty levels:
beginner, intermediate
and advanced!
Composer: Yuki
Kajiura. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Revival - Music Collection GIA Publications
SKU: GI.G-9405 Traditional Hymns for Contemporary Ensembles. Compo...(+)
SKU: GI.G-9405
Traditional Hymns for
Contemporary
Ensembles. Composed
by Tony Alonso S.J.
Sacred. Collection. GIA
Publications #9405.
Published by GIA
Publications (GI.G-9405).
UPC: 785147940531.
English. Our
best-selling resource at
NPM 2017! Revival is a
long overdue resource
that provides fresh
accessible arrangements
of classic hymns for
contemporary ensembles.
Each arrangement is
scored for SAB choir,
piano, guitar, and
optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago. $27.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Revival, Spiral edition - Instrument edition GIA Publications
Guitar, C instrument 1, C instrument 2, flute, violin, cello, trumpet in C, trum...(+)
Guitar, C instrument 1, C
instrument 2, flute,
violin, cello, trumpet in
C, trumpet in B-flat
SKU: GI.G-9538INST
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Chris De Silva. This
edition: Instrument
edition. Sacred.
Instrumental part(s). 76
pages. GIA Publications
#9538INST. Published by
GIA Publications
(GI.G-9538INST). UPC:
785147953890. Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Â
Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago. $21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Slave Songs of the United States Dover Publications
Voice SKU: AP.6-285731 The Classic 1867 Anthology. Edited by Charl...(+)
Voice SKU:
AP.6-285731 The
Classic 1867
Anthology. Edited by
Charles Pickard Ware,
Lucy McKim Garrison, and
William Francis Allen.
Series; Vocal Collection.
Dover Edition. Spiritual.
Book. Dover Publications
#06-285731. Published by
Dover Publications
(AP.6-285731). ISBN
9780486285733.
English. This 1867
landmark book represents
the first systematic
effort to collect and
preserve the songs sung
by the plantation slaves
of the Old South. Most of
the 130 songs, arranged
by geographic area, were
recorded directly from
the singers themselves.
Includes the melody line
and all known verses to
each song. $11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L). UPC:
680160680337. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
By Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard...(+)
By Various. For Ukulele.
Ukulele. Softcover. 688
pages. Published by Hal
Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Daily Ukulele
Ukulele [Partition] Hal Leonard
(365 Songs for Better Living). Arranged by Jim Beloff and Liz Beloff. Ukulele. S...(+)
(365 Songs for Better
Living). Arranged by Jim
Beloff and Liz Beloff.
Ukulele. Softcover. 336
pages. Published by Hal
Leonard
(5)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Daily Ukulele: To Go! Ukulele Hal Leonard
Portable Edition. Arranged by Jim Beloff and Liz Beloff. Fake Book. Softco...(+)
Portable Edition.
Arranged
by Jim Beloff and Liz
Beloff. Fake Book.
Softcover. 464 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Revival, Spiral edition - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G). UPC:
785147953876. Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago. $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Playing Keyboard My Hobby +cd - Débutant Schott
Keyboard (NOTEN+CD) - very easy to intermediate SKU: HL.49033180 The m...(+)
Keyboard (NOTEN+CD) -
very easy to intermediate
SKU: HL.49033180
The modern
Keyboardschool.
Composed by Bye. This
edition: Ring/Spiral
binding. Sheet music with
CD. Edition Schott.
Edition with CD. 104
pages. Schott Music #ED
9591. Published by Schott
Music (HL.49033180).
ISBN 9783795756352.
German. Diese
Keyboardschule richtet
sich an alle Lehrer und
Schuler, die das Keyboard
mit Begleitautomatik als
vollwertiges Instrument
spielen lernen mochten.
Die Lerninhalte sind
textlich und grafisch
ubersichtlich
aufbereitet, und die
zahlreichen beliebten
Stucke motivieren zum
Spielen und Uben. Die
Vorteile dieser Schule:
Fingered-Chord-Methode:
Die linke Hand wird
konsequent fur die
Begleitung eingesetzt.
Sounds, Style,
Sync-Start, Intro,
Fill-In, Ending usw:
Diese Schule stellt
endlich auch
Keyboard-Techniken
heraus. Die Spielstucke
sind fur den
Gruppenunterricht
geeignet. Leicht
verstandliche Erklarungen
von Musiktheorie und
musikalischem Grundwissen
Test zur Lernkontrolle am
Ende eines jeden
KapitelsNeu:
vergrossertes Rastral zur
besseren LesbarkeitMit
neuen, didaktisch
aufbereiteten
InfoboxenMehr Praxis geht
nicht! $33.00 - Voir plus => Acheter | | |
| Spiel Und Spass Sop. Buch 1 Method - Débutant Schott
Descant recorder (S) - very easy SKU: HL.49007510 Tutor book for desca...(+)
Descant recorder (S) -
very easy SKU:
HL.49007510 Tutor
book for descant
[soprano] recorder (with
baroque fingering
style). Composed by
Gerhard Engel, Gudrun
Heyens, Hans-Martin
Linde, and Konrad
Huenteler. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Tonumfang von c1 - d2,
ohne chromatische
Halbtone. Konsequente
Arbeit an Atmung und
Tonbildung. Entwicklung
von rhythmischer
Sicherheit mit den
Notenwerten (viertel,
halbe, punktierte halbe,
ganze, achtel).
Classical. Student book.
80 pages. Schott Music
#ED 7770. Published by
Schott Music
(HL.49007510). ISBN
9783795750664.
9.0x12.0x0.171 inches.
German. Christa
Estenfeld-Kropp. Th
is successful tutorial
book for descant
[soprano] recorder is now
available in a revised
new edition. The German
text has been revised in
the light of recent
spelling reforms and the
layout in four colours is
now even clearer. For
many of the songs
harmonic symbols have
been added to facilitate
accompaniment on the
guitar or piano. The
first volume places
emphasis on correct and
musical breathing and
tonguing technique.
Plenty of space is given
to ideas for little
improvisations and a
selection of well-known
songs and pieces
encourage motivation and
enjoyment as children
learn. This
child-friendly,
practically tested
introduction to the
recorder is suitable for
children from the age of
about 5. $14.95 - Voir plus => Acheter | | |
| Toennes R Gitarre Spielen-mein Hobby - Débutant Schott
Guitar (NOTEN+CD) - very easy to intermediate SKU: HL.49033110 Die mod...(+)
Guitar (NOTEN+CD) - very
easy to intermediate
SKU: HL.49033110
Die moderne
Gitarrenschule fur
Jugendliche und
Erwachsene. Composed
by Toennes. This edition:
Ring/Spiral binding.
Sheet music with CD.
Edition Schott. Die
moderne Gitarrenschule
fur Jugendliche und
Erwachsene bietet das
Erfolgsrezept fur
Melodiespiel, Picking und
Akkordbegleitung an.
Dabei ist es egal, ob Sie
Neueinsteiger sind oder
vor langerer Zeit einmal
ein paar Griffe gelernt
haben. Edition with CD.
96 pages. Schott Music
#ED 9475. Published by
Schott Music
(HL.49033110). ISBN
9783795755980.
German. The modern
guitar method for young
people and adults offers
the recipe for success
when it comes to melody
playing, picking and
chord accompaniment. It
does not make a
difference if you are an
absolute beginner or if
you already know a few
chords. For with the
pieces that you have
always wanted to play,
you also learn to play
the guitar: plucking,
melody and song
accompaniment, and the
major chords and rhythms
with which you can play
the best 50 folk and pop
songs. The CD as a
training partner
guarantees a lot of fun
and success: You can
listen to the songs as
they are supposed to
sound. Fade out one of
the channels! You then
have 3 possibilities to
play along: melody,
picking or rhythm. $32.00 - Voir plus => Acheter | | |
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