By Johannes Brahms. Arranged by Richard Meyer. Music by Johannes Brahms / arr. Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmonic. Level: 2 (grade 2). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

Orchestra (Score)

SKU: HL.14028017

Composed by Poul Ruders. Music Sales America. Classical, Symphony. Score. Composed 2002. 138 pages. Edition Wilhelm Hansen #WH30137. Published by Edition Wilhelm Hansen (HL.14028017).

ISBN 9788759805619.

The full score of Ruders' first Symphony, subtitled Himmelhoch jauchzend - zum Tode betrubt. Written for large orchestra.

By Johannes Brahms. For Orchestra Scores. (Study Scores). CD Sheet Music (Version 2.0). PDF file on CD. 750 pages. Published by Subito Music.

Arranged by Joel Raney. For Organ, Piano. Organ and Piano Duets. Raney Piano/Organ Duets Series. General, Introit, Sacred. Piano and Organ Scores. Published by Hope Publishing Company

Grade 1 - Score Only. Arranged by James Curnow. Curnow Music Concert Band. Classical. Curnow Music #12697140. Published by Curnow Music

Score and Parts. By Johan De Meij. Arranged by Paul Lavender. Amstel Concert Bands. Size 9x12 inches. Published by Amstel Music.

Piano/harpsichord and orchestra (solo: pno - 2.0.2.0. - 4.2.2.0. - timp.perc - str)

SKU: BR.PB-5568

Composed by Einojuhani Rautavaara. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere: Helsinki, May 29, 1970EB 6659 is printed in score form; two copies are needed for performance.

Solo concerto; Music post-1945. Full score. 72 pages. Duration 20'. Breitkopf and Haertel #PB 5568. Published by Breitkopf and Haertel (BR.PB-5568).

ISBN 9790004213780. 10 x 12.5 inches.

CDs: Laura Mikkola (piano), Royal Scottish National Orchestra, cond. Hannu Lintu CD Naxos 8.554147 Ralf Gothoni (piano), Leizig Radio Symphony Orchestra, cond. Max Pommer ODE 757-2

World premiere: Helsinki, May 29, 1970.

Piano - Level 1

SKU: LM.27340

Classical. Score. Editions Henry Lemoine #27340. Published by Editions Henry Lemoine (LM.27340).

ISBN 9790230973403.

BRAH MS : Valse Op.39 n. 15 - HAYDN : Symphonie n. 94 La Surprise - MENDELSSOHN : Chanson de printemps - MOZART : Andante grazioso - Rondo KV 485 - PARLOW : Enclume Polka - RUBINSTEIN : Melodie en Fa Op.3 n. 1 - SCHUBERT : Marche militaire Op.51 n. 1 - Le Tilleul - SOUSA : The Stars and Stripes forever - STRAUSS (fils) : Le Sang viennois - TCHAIKOVSKI : Le Lac des cygnes - TRADITIONNEL : My Bonnie is over the Ocean - Stenka Rasin.

By Johannes Brahms. (Study Score). Schott. Size 5.25x7.5 inches. 176 pages. Published by Eulenburg London (Schott).

Study Score. By Peter Ilyich Tchaikovsky. Schott. Size 5.25x7.5 inches. 146 pages. Published by Eulenburg.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Composed by Jake Heggie (1961-). Vocal score. Bent Pen Music Inc #1278. Published by Bent Pen Music Inc

For Wind Orchestra. By Richard L. Saucedo. (Score and Parts). MusicWorks Grade 5. Concert Band. Score and full set of parts. Published by Hal Leonard.

By William Boyce. Arranged by Brian Folus. Music by William Boyce / arr. Brian Folus. For string orchestra. String Orchestra. String Orchestra. Level: Grade 3. Conductor Score & Parts. Published by Alfred Publishing.

((Revised Edition)). Composed by Vasily Kalinnikov. Edited by Christopher Heidenreich. Arranged by Glenn Cliffe Bainum. For Concert Band (Score and Parts). MusicWorks Grade 5. Grade 5. Score and parts. Published by Hal Leonard

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025018

Composed by Leokadiya Kashperova. Boosey & Hawkes Chamber Music. Classical. Softcover. 84 pages. Boosey & Hawkes #M060135033. Published by Boosey & Hawkes (HL.48025018).

ISBN 9781784544324.

Leok adiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Mily Alexayevich Balakirev and Leopold von Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. These new editions of the Cello Sonatas 1 & 2 have been broadcast and recorded, whilst new editions of her Symphony and hitherto unpublished Piano Concerto have recently been issued.

Full Score. By John Corigliano. (score). Study Score. Size 11x14 inches. 136 pages. Published by G. Schirmer, Inc.

String Quartet or String Orchestra - easy

SKU: BT.DHP-1135315-070

Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070).

ISBN 9789043146814. 9x12 inches. English-German-French-Dut ch.

More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!

More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!

More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.

More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert !

Composed by Nancy Galbraith (1951-). For Concert Band (2 flutes, 2 oboes, Eb clarinet, 3 clarinets*, bass clarinet, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 4 trumpets, 3 trombones, euphonium, 2 tubas; timpani, 4 percussion, piano/synthesizer, string-bass (*at least 2 per p). Study Score. Composed 1996. Duration 17'. Published by Subito Music Corporation

By Jay Bocook. MusicWorks Grade 2. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

By Claude T. Smith. Score and full set of parts. Symphonic/Concert Band Series. Published by Hal Leonard.