| Strings Meet the Masters Orchestre d'harmonie [Conducteur] Carl Fischer
Symphony No. 5 by Beethoven, New World Symphony by Dvorak, 1812 Overture by Tcha...(+)
Symphony No. 5 by
Beethoven, New World
Symphony by Dvorak, 1812
Overture by Tchaikovsky -
Full Score. By Various.
Arranged by Joseph
Compello. Concert
band/stage band. For
Violin I, Violin II,
Viola (Treble Clef),
Viola, Cello, Double
Bass, Piano. Carl Fischer
First Plus String
Orchestra Performance
Series: Very Easy. Full
Score - Large. 8 pages.
Published by Carl
Fischer.
$7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shadow of Fate (reimagined from Beethoven's 5th Symphony) - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS215 Arranged by
Jeffrey Turner. Carl
Fischer Young String
Orchestra Series. Set of
Score and Parts.
8+8+2+5+5+5+8 pages. Carl
Fischer Music #YAS215.
Published by Carl Fischer
Music (CF.YAS215).
ISBN 9781491160497.
UPC:
680160919086. Beeth
oven's 5th Symphony is
one of the best-known
musical compositions of
the Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion. Beethovenâ
™s 5th Symphony is one
of the best-known musical
compositions of the
Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shadow of Fate (reimagined from Beethoven's 5th Symphony) [Conducteur] - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS215F Arranged
by Jeffrey Turner. Carl
Fischer Young String
Orchestra Series. Full
score. 8 pages. Carl
Fischer Music #YAS215F.
Published by Carl Fischer
Music (CF.YAS215F).
ISBN 9781491160756.
UPC:
680160919352. Beeth
oven's 5th Symphony is
one of the best-known
musical compositions of
the Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion. Beethovenâ
™s 5th Symphony is one
of the best-known musical
compositions of the
Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No2 (undercurrent) For Orchestra Orchestre Schott
Orchestra (Piccolo, 2 Flutes, 3 Oboes, 3 Clarintes in Bb, 2 Bassoons, 4 Horns in...(+)
Orchestra (Piccolo, 2
Flutes, 3 Oboes, 3
Clarintes in Bb, 2
Bassoons, 4 Horns in F, 3
Trumpets in C, 2
Trombones, Bass Trombone,
Piano (also Celesta), 3
Percussion, 14-12-10-8-6
Strings) SKU:
HL.49015696 Composed
by Toshi Ichiyanagi. This
edition: Saddle
stitching. Sheet music.
Orchestra. Study score.
Composed 1993. 44 pages.
Duration 20'. Schott
Music #SJ 1153. Published
by Schott Music
(HL.49015696). ISBN
9784890664535. UPC:
884088138394.
10.0x14.25x0.156
inches. $52.95 - Voir plus => Acheter | | |
| Downshifting Theodore Presser Co.
Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Eup...(+)
Band Bass Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Euphonium,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4, Percussion
5, Piccolo, String Bass
and more. SKU:
PR.165000970 For
Band. Composed by Dan
Welcher. Folder.
Premiered by the
University of Texas
Symphony Band, Scott S.
Hanna, conductor, at
Butler School of Music,
UT/Austin, Austin, Texas.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 14-Sep. 40
pages. Duration 7
minutes. Theodore Presser
Company #165-00097.
Published by Theodore
Presser Company
(PR.165000970). ISBN
9781491100462. UPC:
680160626717. 9x12
inches. Commissione
d by a consortium of 20
high school and
university bands
coordinated by Scott
Hanna of the University
of Texas at Austin,
Downshifting is inspired
by Welcher’s joy
of bicycle riding.
Welcher explains in the
program note: When I
decided to write a piece
for band that was
basically entertaining
and uplifting, it made
perfect sense to call it
Downshifting... With
three gears on the front
sprocket and seven on the
rear, it’s
possible to keep
one’s legs going
at a constant speed (for
me, q = 126) while the
bike itself may be moving
very slowly or very
quickly. I determined to
capitalize on this in
writing Downshifting,
which keeps the same
mathematical inner pulse,
‘shifting’
(with a ratchet) as the
terrain changes.. One
of the joys of life for
me is riding my 21-speed
bicycle. As a
basically non-athletic
person who nonetheless
likes to stay in shape, I
have found that riding my
bike provides just the
exercise I need. The
workout is strenuous, but
pleasant—and the
infinite variety of
scenery I pass keeps me
alert and wide awake.Â
When I decided to write a
piece for band that was
basically entertaining
and uplifting, it made
perfect sense to call it
Downshifting.With three
gears on the front
sprocket and seven on the
rear, it’s
possible to keep ones
legs going at a constant
speed (for me,
that’s 126 to the
quarter note) while the
bike itself may be moving
very slowly or very
quickly. I determined
to capitalize on this in
writing the music, which
manages to keep the same
mathematical inner pulse,
“shiftingâ€
(with a ratchet) as the
terrain changes. So
Downshifting begins with
that steady pulse, on a
grid of eighth notes in
2/4 to propel the little
vehicle forward.Â
There’s a joyous
little tune in our heads
as we begin our ride.Â
As the initial thrill of
riding on the flat gives
way to monotony, we stay
in that pulse for the
first minute or so of the
ride. Then, as the
first hill becomes
visible, we shift the
bike down: even though
the eighths are equal,
the pulse feels slower
(and we’re now in
6/8 time). Ultimately
the compound meter shifts
again as the climb
begins, and we’re
now plodding doggedly up
the hill. (The music
reflects all of these
changes, with subtitles
such as “Working
harder—Seeing the
climb, aheadâ€,
“Steady and
committed…the climb
begins!â€,
“Straining against
the gradeâ€,
etc.).There are two
hills, and two long
climbs (but in different
keys, reflecting the
change in scenery).Â
When at last the summit
of the second hill is
reached (“Flying,
Over the Topâ€), we
coast at last down the
other side at breakneck
speed. The initial
joyous melody returns,
but now in a spread-out
coasting pulse. At
the end of the ride, we
slow to a
stop—then take one
last sprint (shifting
five times in the
process) in order to end
on a biker’s
high.Downshifting was
commissioned by a
consortium of fourteen
high school and college
bands, overseen by my
longtime colleague at the
University of Texas,
Scott Hanna. The
piece is dedicated to him
(and to all bicycle
enthusiasts). $175.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphonie Nr. 8 in F-Dur - Symphony No. 8 in F major Orchestre Symphonique [Conducteur d'étude / Miniature] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Flute (2), Oboe (2), Cl...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Flute (2), Oboe
(2), Clarinet (b flat)
(2), Bassoon (2), Horn
(2), Trumpet (2),
Kettledrum, Strings.
Baerenreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). Op. 93.
Duration 26. Published by
Baerenreiter-Taschenparti
turen (German import).
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rondeau No. 3 [Conducteur] - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS222F Composed
by Joseph Bologne.
Arranged by Robert
Debbaut. Full score. 8
pages. Duration 2
minutes. Carl Fischer
Music #YAS222F. Published
by Carl Fischer Music
(CF.YAS222F). ISBN
9781491163047. UPC:
680160921799. Key: G
major. As a
composer, Joseph Bologne
was quite prolific,
composing six operas,
fourteen violin
concertos, four
symphonies concertantes,
and numerous chamber
works and songs. His Six
String Quartets, Op. 1,
Nos. 1-6 date from
1770-1771 and are
dedicated to Anne Louis
Alexandre de Montmorency
(1724-1812), 7th Prince
of Robeck and Grand Duke
of Spain. All of his
quartets feature a
prominent first violin
part and the Opus 1
quartets all display a
similarity to the Italian
opera overtures from
earlier in the century in
A-B-A form with the
‘A’ sections
being robust allegros and
all ‘B’
sections marked
rondo.This lively Rondeau
from Bologne's Six String
Quartets, Op. 1Â is a
classic seven-part rondo
with an ABACAB’A
formula. The
‘A’ sections
are set in G Major,
‘B’ in D
Major, and
‘C’ in G
Minor. As was typical of
the Classical style, the
primary melody is heard
mainly in first violin,
while other sections
provide supporting
harmonic and rhythmic
roles. The essence of the
string quartet scoring is
retained by having the
bass double the cello
part. This makes more of
this significant
composer’s music
accessible to school
ensembles, resulting in a
charming concert
selection appropriate for
concert or festival.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sinfonia III in E minor MWV N 3 Deutscher Verlag für Musik
Basso (cello/double bass) SKU: BR.DV-2763-26 Urtext based on the Leipz...(+)
Basso (cello/double bass)
SKU: BR.DV-2763-26
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hellmuth Chr.
Wolff. Orchestra;
stapled. Deutscher
Verlag. Symphony;
Romantic. Part. 8 pages.
Duration 8'. Deutscher
Verlag fur Musik #DV
2763-26. Published by
Deutscher Verlag fur
Musik (BR.DV-2763-26).
ISBN 9790200420401. 9
x 12
inches. Mendelss
ohns 12 juvenile
symphonies are more than
the scholastic exercises
of a compositionally
precocious
twelve-year-old.
Mendelssohn assimilates
some vastly different
influences (Bach, Mozart,
Dittersdorf, etc. ) and
attains an amazing
originality in certain
movements. The
source-critical scores of
the string symphonies
were issued a fairly long
time ago as part of the
Leipzig Mendelssohn
Edition (LMA). $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Romance in C, Op. 42 for Tuba or Bass Trombone and Piano [Conducteur et Parties séparées] - Avancé Cherry Classics
Tuba or Bass Trombone and Piano - Advanced SKU: CY.CC3082 Composed by Jea...(+)
Tuba or Bass Trombone and
Piano - Advanced SKU:
CY.CC3082 Composed by
Jean Sibelius. Arranged
by Ralph Sauer.
Classical. Score and
Parts. Cherry Classics
#CC3082. Published by
Cherry Classics
(CY.CC3082). ISBN
9790530110591. 8.5 x 11
in inches. Sibelius
wrote the five-minute
Romance in 1903 for
string orchestra,
originally titling it
Andante. However he was
persuaded to change the
name about five years
later by a critic's
review. In 1903, Sibelius
was still composing in a
Romantic style, not the
austere sounds heard
later-on after he
composed the 4th
Symphony. Romance is made
up of three sections; a
slow Andante, a faster
middle section and a slow
third section. Mr. Sauer
has distilled the music
down to a lovely solo for
Tuba or Bass Trombone and
Piano. This crowd-pleaser
will work well for
advanced performers. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Klezmer Dance Suite [Conducteur et Parties séparées] OR-TAV Music Publications
Clarinet, String quartet, percussion, tuba SKU: OT.37019SET Composed by L...(+)
Clarinet, String quartet,
percussion, tuba SKU:
OT.37019SET Composed
by Lev Kogan. Arranged by
Alan Kaufman. For
clarinet, strings,
percussion, and tuba.
Klezmer. Score and Parts.
OR-TAV Music Publications
#37019SET. Published by
OR-TAV Music Publications
(OT.37019SET). 8.27 x
11.69 inches. Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Score and
one copy each part I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey. $43.75 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Festival March Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78 Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major. Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Klezmer Dance Suite [Conducteur] OR-TAV Music Publications
Clarinet, Strings, percussion, tuba SKU: OT.37019 Composed by Lev Kogan. ...(+)
Clarinet, Strings,
percussion, tuba SKU:
OT.37019 Composed by
Lev Kogan. Arranged by
Alan Kaufman. For
clarinet, strings,
percussion, and tuba.
Klezmer. Score. OR-TAV
Music Publications
#37019. Published by
OR-TAV Music Publications
(OT.37019). ISBN
9789655050851. 8.27 x
11.69 inches. Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Score. A
set of parts may be
ordered
separately. There is
also an edition for small
ensemble including a
score and one copy each
part, SKU 37019set I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey. $24.94 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Klezmer Dance Suite (parts) OR-TAV Music Publications
Clarinet, Strings, percussion, tuba SKU: OT.37019PARTS Composed by Lev Ko...(+)
Clarinet, Strings,
percussion, tuba SKU:
OT.37019PARTS
Composed by Lev Kogan.
Arranged by Alan Kaufman.
For clarinet, strings,
percussion, and tuba.
Klezmer. Set of parts.
OR-TAV Music Publications
#37019PARTS. Published by
OR-TAV Music Publications
(OT.37019PARTS). 8.27
x 11.69 inches. Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Set of
parts There is also an
edition for small
ensemble including a
score and one copy each
part, SKU 37019set I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey. $57.44 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Thumbelina (Ballet Suite) Orchestre Subito Music
Orchestra SKU: SU.28120010 For Orchestra. Composed by Alla Pavlova...(+)
Orchestra SKU:
SU.28120010 For
Orchestra. Composed
by Alla Pavlova.
Orchestra. Study Score.
Subito Music Corporation
#28120010. Published by
Subito Music Corporation
(SU.28120010).
Ballet Suite in
5 movements (revised
version)3222; 4331; timp,
perc, hp, pno; stgs
Duration: 24' Composed:
2008 Published by: Alla
Pavlova Music Although it
maintains the charm of
the original Hans
Christian Andersen tale,
Alla Pavlova's Thumbelina
is a considerable
musical, visual and
narrative expansion of
the story to make it
suitable as a full-length
ballet and
family-programming
alternative to The
Nutcracker. Musically, it
is scored for full
symphony orchestra
([3,2,2,2]-[4,3,3,1]-[tim
p.,perc.]-[Hp]-[Strings],
Percussion: Bass dr.,
Snare dr., Wooden Block,
Tambourine, Triangle,
Glock., Vibraphone,
Celesta) and contains not
only many beautiful,
lyrical and moving
waltzes and other
classical themes, but
also rhythms such as
tango, boogie-woogie and
ragtime. Narratively, the
story has been adapted to
include a varied and
colorful cast of
characters. The
Thumbelina Suite (which
has been recorded by the
Tchaikovsky Symphony
Orchestra for Naxos) can
be heard at
http://www.allapavlova.co
m/listen.html or by
clicking on the image
below. She has created a
synopsis of the ballet,
which is of course based
on the Andersen fairy
tale. We’ll gladly
send this synopsis on
request. Recording: 21st
Century Classics –
Naxos 8.579003
Performance materials
available on rental
only:. $43.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Orientale - Intermédiaire Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 4 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 4 SKU:
CF.CAS63 From
Novelettes, Op. 15.
Composed by Alexander
Glazunov. Arranged by
Deborah Baker Monday. SWS
FS. Concert String
Orchestra. Set of Score
and Parts. With Standard
notation.
24+24+6+15+15+10+16
pages. Carl Fischer Music
#CAS63. Published by Carl
Fischer Music (CF.CAS63).
ISBN 9780825889387.
UPC: 798408089382. 8.5 x
11 inches. Key: D
major. Originally
written for string
quartet, this fantastic
characteristic piece from
Glazunov is a welcome
addition to the string
orchestra repertoire, as
arranged by Deborah Baker
Monday. Well-suited for
the more advanced
ensemble, it contains
excellent musical
opportunities and the
chance to play the music
of a prominent Russian
composer. Deborah's
setting stays very true
to the original, but
enhances it for use by
the full ensemble. Alert
your contest/festival
music committee to this
worthy new piece for high
school string
orchestras. Alexander
Glazunov
(1865–1936) lived
during a very
transitional period of
Russian music history,
active as a composer,
conductor, and teacher.
He was a part of the
Romantic school of
Russian music following
in the tradition of
Tchaikovsky, like his
fellow composers Borodin
and
Rimsky-Korsakov.During
his years at the
conservatory he
instructed many students
who chose to pursue the
modern trends set forth
by Debussy. Stravinsky,
Shostakovich, and even
Prokofiev took
instruction from
Glazunov. Although they
considered him
old-fashioned, he was
remembered as a
stabilizing influence
during transitional
times.Glazunov’s
music stayed within the
category of Russian
Romanticsm: nationalistic
with classical formality.
His list of works
includes numerous
symphonies, concertos,
piano and vocal works,
and chamber works
including seven string
quartets.Op. 15 was first
given the title
“Suite†(a
collection of dances),
and after a
friend’s
recommendation he changed
the name to
“Novelettesâ€.
The five movements are of
contrasting style, but
beautifully reminiscent
of their particular
themes:I. Alla
SpagnuolaII.
OrientaleIII. Interludium
in modo anticoIV. ValseV.
All’ UnghereseThis
movement is very well
adaptable for string
orchestra. The original
string quartet moodis
light, using harmonics
and pizzicato, but there
are forceful sections
which allow for strong
sectional playing
(especially with the
cello and bass orchestral
sound). There is very
much interesting melodic
material offered for all
instruments which lends
itself to a fantastic
string orchestra
arrangement. Conductors
will find material in all
sections which provide
greatopportunities for
rehearsal.The form is a
large ABA with a D.C. al
fine, but the sections
are not square by any
means.There is lots of
energy and momentum in
the material of both
sections, as well as a
modalcharacter which
gives the music an exotic
sound. Bowing patterns
abound in all sections
formore great teaching
opportunities.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Calm Sea and Prosperous Voyage Carus Verlag
Orchestra Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, C...(+)
Orchestra Coro SATB, 2
Fl, 2 Ob, 2 Clt, 2 Fg, 4
Cor, 2 Tr, Timp, 2 Vl,
Va, Vc, Cb SKU:
CA.1039515 Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Double bass. Secular
choral music. Single
Part, Double Bass. Op.
112. 4 pages. Duration 8
minutes. Carus Verlag #CV
10.395/15. Published by
Carus Verlag
(CA.1039515). ISBN
9790007245375. Language:
German. Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Carnival of the Animals (Le Carnaval des Animaux) LudwigMasters Publications
Orchestra 1(dPicc).0.1.0: 0.0.0.0: Xylo.Harmonium(Glock): Solo Pnos(2): Str (9-8...(+)
Orchestra 1(dPicc).0.1.0:
0.0.0.0:
Xylo.Harmonium(Glock):
Solo Pnos(2): Str
(9-8-7-6-5 in set)
SKU: AP.36-A829902
Composed by Camille Saint
Saens and ed. Clinton
Nieweg/ Nancy Bradburd.
Arranged by Clinton
Nieweg and Nancy
Bradburn. String
Orchestra. Nieweg
Performance Editions.
Masterwork Arrangement;
Programmatic. Score and
Part(s). LudwigMasters
Publications #36-A829902.
Published by
LudwigMasters
Publications
(AP.36-A829902). UPC:
654690647641.
English. Following
a disastrous concert tour
of Germany in 1885-86,
Saint-Saëns withdrew
to a small Austrian
village, where he
composed The Carnival of
the Animals in February
1886. It is scored for
two pianos, two violins,
viola, cello, double
bass, flute (and
piccolo), clarinet (C and
B?), glass harmonica, and
xylophone. From the
beginning, the composer
regarded the work as a
piece of fun. He wrote to
his publishers Durand in
Paris that he was
composing a work for the
coming Shrove Tuesday,
and confessing that he
knew he should be working
on his Third Symphony,
but that this work was
such fun (... mais c'est
si amusant!). He had
apparently intended to
write the work for his
students at the École
Niedermeyer, but it was
first performed at a
private concert given by
the cellist Charles
Lebouc on Shrove Tuesday,
9 March 1886.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $80.00 - Voir plus => Acheter | | |
| Calm Sea and Prosperous Voyage [Conducteur et Parties séparées] Carus Verlag
Orchestra Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, C...(+)
Orchestra Coro SATB, 2
Fl, 2 Ob, 2 Clt, 2 Fg, 4
Cor, 2 Tr, Timp, 2 Vl,
Va, Vc, Cb SKU:
CA.1039509 Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke. 1x
10.395/21 flute 1, 1x
10.395/22 flute 2, 1x
10.395/23 oboe 1, 1x
10.395/24 oboe 2, 1x
10.395/25 clarinet 1, 1x
10.395/26 clarinet 2, 1x
10.395/27 bassoon 1, 1x
10.395/28 bassoon 2, 1x
10.395/31 horn 1, 1x
10.395/32 horn 2, 1x
10.395/33 horn 3, 1x
10.39. Harmony parts.
Secular choral music. Set
of Orchestra Parts. Op.
112. Duration 8 minutes.
Carus Verlag #CV
10.395/09. Published by
Carus Verlag
(CA.1039509). ISBN
9790007245320. Language:
German. Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500. $57.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Arlington Sons Bill Holab Music
Boy soprano voice, bass-baritone voice and orchestra (2.2.2.2-4.2.0.0-percussi o...(+)
Boy soprano voice,
bass-baritone voice and
orchestra
(2.2.2.2-4.2.0.0-percussi
on(1)-harp-strings)
SKU: B9.679-SS
Orchestral
version. Composed by
Scott Eyerly. This
edition: coil bound.
Study score. Duration 12
minutes. Bill Holab Music
#679-ss. Published by
Bill Holab Music
(B9.679-SS). 8.5 x 14
inches. The world
premiere was given by the
Pittsburgh Symphony,
David Pittsinger, bass,
Richard Pittsinger, boy
soprano, Leonard Slatkin,
conductor, October
2012. $60.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bright Wings [Conducteur] Theodore Presser Co.
Orchestra *Perc, 2 Bassoons, 2 Flutes (2d doubling Piccolo 2), 2 Oboes, 3 Clarin...(+)
Orchestra *Perc, 2
Bassoons, 2 Flutes (2d
doubling Piccolo 2), 2
Oboes, 3 Clarinets (3d
doubling Bass Clarinet),
3 Trombones, 4 Horns, 4
Percussion*, 4 Trumpets,
Contrabassoon, English
Horn (doubling Oboe 3),
Harp, Piano and Celesta,
Piccolo, Strings,
Timpani, Tuba SKU:
PR.466000630
Valediction for Large
Orchestra. Composed
by Dan Welcher. Premiere:
Dallas Symphony
Orchestra, Andrew Litton,
Music Director; Eugene
McDermott Concert Hall,
Dallas, TX. Contemporary.
Full score. With Standard
notation. Composed July 4
1996. 61 pages. Duration
14 minutes. Theodore
Presser Company
#466-00063. Published by
Theodore Presser Company
(PR.466000630). UPC:
680160599165. 8.5 x 11
inches. $42.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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