Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS.
Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano.
The Oregano Suite Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094711-070 Composed by Jos V...(+)
String Orchestra -
intermediate
SKU:
BT.DHP-1094711-070
Composed by Jos Van Den
Dungen. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 32 pages. De Haske
Publications #DHP
1094711-070. Published by
De Haske Publications
(BT.DHP-1094711-070).
ISBN 9789043131872. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The Oregano Suite
is a flavoursome mix of
delightful Italianate
music.
De De
Haske String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Jos
van den Dongen liet zich
door Italië inspireren
toen hij deze vierdelige
suite
schreef.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
The Oregano Suite
ist eine originale,
italienisch inspirierte
Suite in vier
Sätzen.
De Haske String
Orchestra Series è una
nuova raccolta pensata
per i suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Spaghetti Blues2. Italian
Bossa3. Tango Verona4.
Sicilienne TarantellaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Trumpet and piano SKU: DM.DMP-110095 Composed by Nadine de la Croix. Digi...(+)
Trumpet and piano
SKU:
DM.DMP-110095
Composed by Nadine de la
Croix. Digital Music
Print #DMP 110095.
Published by Digital
Music Print
(DM.DMP-110095).
ISBN
9790365313402.
Comp
osed by one of the finest
Belgium female composers.
A slow introduction
followed by a virtuose
tarantella, but the
tarantella has seven
beats (hepta), then
followed by a free
cadenza, finishing with
the tarantella. A
challenge to play.
Tarantella Chorale TTBB TTBB, Piano [Octavo] Carl Fischer
(Jubilate Agno). Composed by Z. Randall Stroope. For TTBB choir, piano, optional...(+)
(Jubilate Agno). Composed
by Z. Randall Stroope.
For TTBB choir, piano,
optional string quartet
accompaniment. Octavo. 16
pages. Duration 3
minutes, 5 seconds.
Published by Carl Fischer
Alto Saxophone and Piano SKU: BT.DMP110097 Composed by Nadine de la Croix...(+)
Alto Saxophone and Piano
SKU: BT.DMP110097
Composed by Nadine de la
Croix. Book Only. Digital
Music Print #DMP110097.
Published by Digital
Music Print
(BT.DMP110097).
Composed by one
of the finest Belgium
female composers. A slow
introduction followed by
a virtuose tarantella,
but the tarantella has
seven beats (hepta), then
followed by a free
cadenza, finishing with
the tarantella. A
challenge to play.
Flute and piano SKU: DM.DMP-109125 Composed by Nadine de la Croix. Digita...(+)
Flute and piano
SKU:
DM.DMP-109125
Composed by Nadine de la
Croix. Digital Music
Print #DMP 109125.
Published by Digital
Music Print
(DM.DMP-109125).
ISBN
9790365312436.
Comp
osed by one of the finest
Belgium female composers.
A slow introduction
followed by a virtuose
tarantella, but the
tarantella has seven
beats (hepta), then
followed by a free
cadenza, finishing with
the tarantella. A
challenge to play.
Composers : for piano : volume 4, Feigin, M., ed, Tarantella, soch. 18 / G. Koni...(+)
Composers : for piano :
volume 4, Feigin, M., ed,
Tarantella, soch. 18 / G.
Konius, Malen'kii etiud,
soch. 23 / G.
Pakhul'skii, Bagatel' /
A. Tcherepnin,
Preliudiia, soch. 59 / A.
Gedike, Dozhd', soch. 27
/ E. Golubev, Etiud,
soch. 33 / An.
Aleksandrov, Tarantella /
N. Rakov
Tarantella Orchestre d'harmonie [Conducteur] - Intermédiaire Claude T. Smith Publications
Grade 4 SKU: CL.CTS-8030-01 From Incidental Suite. Composed by Cla...(+)
Grade 4
SKU:
CL.CTS-8030-01
From Incidental
Suite. Composed by
Claude T. Smith. Arranged
by Earp. Concert Band.
Extra full score.
Composed 2022. Claude T.
Smith Publications
#CTS-8030-01. Published
by Claude T. Smith
Publications
(CL.CTS-8030-01).
Tarantella from
Incidental Suite is the
first movement of this
suite originally scored
for concert band. Claude
T. Smith has elevated the
basic meaning of
tarantella creating
engaging rhythmic
interest throughout the
duration of the movement.
This flexible arrangement
allows ensembles to
perform the work with as
few as fourteen musicians
providing accessibility
and flexibility for
numerous instrumentation
needs, while still
allowing a full ensemble
sound. *The posted
recording is based on the
full band scoring but
aligns with the suggested
preferences for either
woodwinds/strings or
brass suggested in the
score.
By Robert D. Vandall. For Piano. Piano Solo. Sheet. 4 pages. Published by Alfred...(+)
By Robert D. Vandall. For
Piano. Piano Solo. Sheet.
4 pages. Published by
Alfred Publishing.
SMP Level 3 (Early
Intermediate); NFMC
Level: Elementary Class
1.
For Clarinet in B-flat and Piano - Schott Student Edition Level 3. Compos...(+)
For Clarinet in B-flat
and Piano - Schott
Student Edition Level
3. Composed by Sir
Edward German
(1862-1936). Edited by
Rudolf Mauz. This
edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
1014. 24 pages. Schott
Music #SE1014. Published
by Schott Music
(HL.49045547).
Tarantella Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Claude T. Smith Publications
Grade 4 SKU: CL.CTS-8030-00 From Incidental Suite. Composed by Cla...(+)
Grade 4
SKU:
CL.CTS-8030-00
From Incidental
Suite. Composed by
Claude T. Smith. Arranged
by Earp. Concert Band.
Score and set of parts.
Composed 2022. Claude T.
Smith Publications
#CTS-8030-00. Published
by Claude T. Smith
Publications
(CL.CTS-8030-00).
Tarantella from
Incidental Suite is the
first movement of this
suite originally scored
for concert band. Claude
T. Smith has elevated the
basic meaning of
tarantella creating
engaging rhythmic
interest throughout the
duration of the movement.
This flexible arrangement
allows ensembles to
perform the work with as
few as fourteen musicians
providing accessibility
and flexibility for
numerous instrumentation
needs, while still
allowing a full ensemble
sound. *The posted
recording is based on the
full band scoring but
aligns with the suggested
preferences for either
woodwinds/strings or
brass suggested in the
score.
Tarantella [Conducteur et Parties séparées] Forton Music
2 Flutes, String Orch and Percussion - Intermediate-Advanced SKU: FT.FM279(+)
2 Flutes, String Orch and
Percussion -
Intermediate-Advanced
SKU: FT.FM279
Composed by Eugene
Magalif. Score and Parts.
Forton Music #FM279.
Published by Forton Music
(FT.FM279).
ISBN
9790570481781.
Two
flutes, string orchestra
and percussion.
Tarantella was inspired
by an old movie seen by
the composer his
childhood and by the
dance from one of the
Russian ballets. Fast and
furious, this lively
piece is a great concert
item.
20 Vortragsstücke
für Violoncello (1.-4.
Lage). Composed by
Andrea Holzer-Rhomberg.
Sheet music. 64 pages.
Holzschuh Musikverlag
#VHR 3870. Published by
Holzschuh Musikverlag
(M7.VHR-3870).
ISBN
9783864340710.
FÃ
r das aktive gemeinsame
Musizieren im
Musikunterricht oder zu
Hause mit Eltern und
Geschwistern ist zu jedem
Band eine Ausgabe mit
sämtlichen
Klavierbegleitungen
erhältlich. Diese sind
vom Schwierigkeitsgrad
her so konzipiert, dass
sie auch von
Klavierschülern
mühelos bewältigt
werden können.In Band
4 begeben wir uns auf
einen Streifzug durch
ferne Länder! In
Marokko besuchen wir
einen Markt, in Spanien
feiern wir eine Fiesta
Andaluza, in Italien
tanzen wir eine
Tarantella für
Marcella und in Paris
treffen wir La petite
Marguerite. Auch eine
verflixte 7, ein Harlekin
und nicht zuletzt der
Schorschi mit seinem
Schräg-Räg
entfachen ein Feuerwerk
an musikalischen Farben!
Spielfreude
garantiert!
5.
Tarantella siziliana
Signorina aus
Messina. Composed by
Ernst Fischer. This
edition: Folding. Sheet
music. Schott Chorverlag
(Choral Music).
Classical. Choral Score.
4 pages. Duration 3'.
Schott Music #C 40131.
Published by Schott Music
(HL.49001136).
ISBN
9790001009577. UPC:
073999288162.
6.5x10.25x0.012 inches.
German.
Baritone Voice and Piano SKU: HL.14019678 For Baritone and Piano. ...(+)
Baritone Voice and Piano
SKU: HL.14019678
For Baritone and
Piano. Composed by
Witold Lutoslawski. Music
Sales America. Classical.
Book [Softcover].
Composed 1999. 8 pages.
Chester Music #CH60860.
Published by Chester
Music (HL.14019678).
ISBN 9780711932906.
9.0x12.0x0.069
inches.
Setting of
a poem by Hilaire Belloc.
Written at the request of
CRUSAID and first
performed in London in
May 1990 by David
Wilson-Johnson and David
Owen Norris.
Tarantella [Conducteur et Parties séparées] Forton Music
2picc. Pft - Intermediate-Advanced SKU: FT.FM383 Composed by Eugene Magal...(+)
2picc. Pft -
Intermediate-Advanced
SKU: FT.FM383
Composed by Eugene
Magalif. Two Piccolos and
Piano. Score and Parts.
Forton Music #FM383.
Published by Forton Music
(FT.FM383).
ISBN
9790570482825.
Two
Piccolos and Piano -
Tarantella was inspired
by an old movie seen by
the composer his
childhood and by the
dance from one of the
Russian ballets. Fast and
furious, this lively
piece is a great concert
item.
Viola and Piano SKU: BT.MUSVWP000046 Composed by Henri Wieniawski. Arrang...(+)
Viola and Piano
SKU:
BT.MUSVWP000046
Composed by Henri
Wieniawski. Arranged by
Alan H. Arnold_Alan H.
Arnold. Viola World. Book
Only. 20 pages. Viola
World #MUSVWP000046.
Published by Viola World
(BT.MUSVWP000046).
UPC:
890346001478.
Henry
k Wieniawski's Scherzo
Tarantella for viola
and piano, transcribed by
Alan Arnold.
Edited by Lynn Freeman Olson. Pieczonka, Albert. For Piano. Piano Solo. Masterwo...(+)
Edited by Lynn Freeman
Olson. Pieczonka, Albert.
For Piano. Piano Solo.
Masterwork. Level:
Intermediate (grade 4/5).
12 pages. Published by
Alfred Publishing.
Brass Quintet (Chamber Orchestra) SKU: HL.14021243 Just Brass No. 16(+)
Brass Quintet (Chamber
Orchestra)
SKU:
HL.14021243
Just
Brass No. 16.
Composed by Felix
Bartholdy Mendelssohn.
Music Sales America.
Classical. Set. Composed
2005. Chester Music
#CH55030. Published by
Chester Music
(HL.14021243).
ISBN
9780711928770.
8.25x11.75x0.116
inches.
Edited by
Philip Jones and Elgar
Howarth. The Just Brass
series is regarded by
brass players worldwide
as the most important
brass ensemble series
available. There are more
than 100 titles
subdivided into Just
Brass (mainstream),
Junior Just Brass, Just
Brass Lollipops and Giant
Just Brass. Supplied as
score and parts
together.
Hal Leonard Student Piano Library Showcase Solo Level 4/Early Intermediate. By J...(+)
Hal Leonard Student Piano
Library Showcase Solo
Level 4/Early
Intermediate. By Jennifer
Linn. Educational Piano
Library. Size 9x12
inches. 4 pages.
Published by Hal Leonard.