| More Songs for Praise & Worship 4 - FINALE - Violin 1&2/Melody Word Music
Violin 1&2/melody SKU: WD.080689591877 Edited by Ken Barker. Arranged by ...(+)
Violin 1&2/melody SKU:
WD.080689591877
Edited by Ken Barker.
Arranged by Billy Payne,
Dave Williamson & David
Winkler, Mark Cole, and
Paul Nelson. Modern
Christian: Sacred. Violin
1&2/melody. Word Music
#080689591877. Published
by Word Music
(WD.080689591877).
UPC:
080689591877. More
Songs for Praise and
Worship 4 is a
best-selling selection
from the Songs for Praise
and Worship series that
represents the very best
praise and worship songs
that the body of Christ
is singing throughout
much of the world. Awash
in the inspiration of the
Holy Spirit, the
transforming power of
modern worship is
reaching across
traditional boundaries to
joyfully proclaim God's
glory. More Songs for
Praise and Worship 4
delivers a timeless
message of faith with a
dynamic collection
complete with 51 of the
latest praise and worship
songs selected to
energize your worship
programming.
Congregation-friendly
songs are sensibly
arranged at the
moderately difficult
level, and include chords
for guitar and piano
accompaniment. The
Piano/Guitar/Vocal
Edition from More Songs
for Praise & Worship 4 is
ideal to use for Bible
study groups, cell
groups, and other small
group worship settings,
enabling the vocalist and
instrumentalist to sing
the same songs and
arrangements used in
Sunday services. The
heavy-duty 9x 12
spiral-bound book
includes all 51 songs
with an easy piano
arrangement featuring the
melody in the right hand
with lyrics and guitar
chord symbols
included. $54.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Quintet Schott
Piano Quintet (Score & Parts) - difficult SKU: HL.49045531 For string ...(+)
Piano Quintet (Score &
Parts) - difficult
SKU: HL.49045531
For string quartet and
piano. Composed by
Pierre Jalbert. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 2017. 84 pages.
Duration 19'. Schott
Music #ED31291. Published
by Schott Music
(HL.49045531). ISBN
9781495094767. UPC:
888680685058.
9.0x12.0x0.401
inches. My Piano
Quintet consists of four
contrasting movements.
The first movement,
entitled Mannheim Rocket,
is a modern take on the
18th-century musical
technique in which a
rising figure speeds up
and grows louder. Marked
'Furioso', the movement
is gradually filled with
rising scalar figures
which build in volume and
finally 'launch' into
space with ethereal
string harmonics. At this
point, the music becomes
almost static, though the
inner rhythm
continues.The second
movement, entitled Kyrie,
is marked 'Still,
chant-like'. The
principal idea, stated
between first violin and
viola, is a chromatically
transformed chant-like
motive. It also features
a long, lyrical cello
line, made up exclusively
of natural harmonics,
emphasizing the
non-tempered ('out of
tune') 7th and 11th
partials.The third
movement is a scherzo in
which the strings and
piano sometimes alternate
and imitate each other,
reacting to each other's
gestures, and at other
times, combine and
synchronize to produce a
more blended sound. A
short Trio-like section
appears before the return
of the scherzo music.The
last movement, Pulse, is
made up of perpetually
moving 8th notes,
sometimes harmonically
static, but always
pushing forward. The work
is interrupted twice with
short, freer sections,
but always returns to its
pulse-oriented nature.-
Pierre Jalbert. $101.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Composers' Specials - Special Collector's Edition Video - Pas de partitions [DVD] Devine Entertainment Corporation
6-DVD Set. (DVD). Performance video. DVD . Published by Devine Entertainment Co...(+)
6-DVD Set. (DVD).
Performance video. DVD .
Published by Devine
Entertainment
Corporation.
$159.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Paganini Jazz: Variations on the Caprice No. 24 in the Style of Modern Jazz Schott
Score and Parts Chamber Ensemble (Score & Parts) SKU: HL.49046273 Viol...(+)
Score and Parts Chamber
Ensemble (Score & Parts)
SKU: HL.49046273
Violin, Piano,
Electric Bass or Double
Bass and Percussion
Score. Composed by
Fazil Say. Edited by
Andreas N. Tarkmann.
Edition Schott.
Classical, Jazz.
Softcover. 52 pages.
Duration 480 seconds.
Schott Music #ED22924.
Published by Schott Music
(HL.49046273). ISBN
9781540065278. UPC:
841886033863. 0.169
inches. The concert
piece Paganini Jazz by
Fazil Say, which was
inspired by classical,
modern and jazz styles,
is reminiscent of the
music of such greats as
Scott Joplin, Art Tatum,
Gershwin and Bernstein,
and was originally
designed as a charming
encore work (1988);
following the
appreciative response of
music lovers and, in
particular, that of music
critics, it was
transformed over a perion
of time into a more
substantial work for
piano. Briefly, the piece
was rewritten and
expanded a number of
times between 1988 and
1995. We can evaluate the
work as having taken its
inspiration from
Paganini's renowned 24th
Capriccio, transforming
it into variationson jazz
requiring virtuoso
rendition as well as
being a creation open to
the addition of
improvisations and a
variety of arrangements.
Throughout music history
a number of composers
have written various
works inspired by the
24th Capriccio. We can
count among them Liszt,
Brahms, Rachmaninov and
Lutoslavski. In Say's
work, however, a
different aspect must be
noted: the composer is
prepared to add various
developmental passages
and transitional
improvisations while
interpreting this work in
concert. Furthermore,
when the work is
considered as a short
encore piece, it is
abbreviated in a manner
deemed suitable by
Say. $33.00 - Voir plus => Acheter | | |
| The Wind Won't Listen Theodore Presser Co.
Bassoon, Viola, Violin 1, Violin 2, Violoncello SKU: PR.16400261S Compose...(+)
Bassoon, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.16400261S
Composed by Dan Welcher.
With Standard notation.
Duration 15 minutes.
Theodore Presser Company
#164-00261S. Published by
Theodore Presser Company
(PR.16400261S). UPC:
680160038411. Since
the bassoon is my own
instrument, many people
have asked me why I've
written so little for the
instrument. Beyond my
early Concerto Da Camera
for bassoon and small
orchestra, written for
Leonard Sharrow in 1975,
I've not written a single
piece that features the
bassoon as a solo vehicle
(though I have written
three woodwind quintets).
When I first began
composing seriously,
critics were quick to
point out that my
orchestral writing
revealed nothing of my
roots as a woodwind
player--and bassoonists
asked why my pieces
didn't have more bassoon
solos. Perhaps I was so
aware that people were
looking at me as a
bassoonist/composer that
I was determined to
remove that stigma. Now
that my transformation
from performer to
composer is complete,
however, it's time to
re-address my instrument.
I wanted this new piece
to be serious rather than
whimsical. The Wind Won't
Listen represents my
return to the bassoon as
the highly expressive,
poetic soul that it is.
As such, it
shouldn't come as a
surprise that the piece
is based on a poem, and
that the title of the
piece as well as both its
movement titles come from
lines in that poem. I
first read Beth Gylys'
poem Split at the
MacDowell Colony in the
summer of 2001, and it
made a big impression on
me. My personal life had
been ruptured by divorce
in the preceding year.
This poem, with its dry
insistence on observation
rather than feeling,
expressed the wrung-out
state of my emotions at
the time better than any
I had seen. I set it to
music, as a song,
immediately. In this
format, for voice and
piano, I was able to put
a musical note to every
word of the poem. The
first lines of the poem,
Everyone I know is
crying, or should be
crying, became a melody
that haunted me even
without the words.
The work for bassoon and
string quartet is an
outgrowth of the song.
The first movement is
labeled Romanza, and has
a loose formal arch
structure of A-B-C-B-A,
with B and C being fast
sections framed by the
lamenting A music. In
addition to hearing the
bassoon's first notes
attached to the lines
Everyone I know is
crying, there's a sense
of agitation, of loss, of
longing, and at times of
desperation in the music.
At one point, the opening
theme from Tristan even
appears in the strings.
The second
movement follows, without
a real pause--the
pizzicato final chords of
the first movement
becoming the increasingly
aggressive opening chords
of the second. The
recitative is actually a
foreshadowing of the
basic theme that will be
varied, again to the
words of the song: Life
makes itself without us.
Don't let me tell you how
it is. Go out. Look. The
recitative begins in an
anguished state, but
subsides into more gentle
singing by the end, when
it simply falls into an
ostinato 5/8-3/4 pattern
to begin the variations.
Marked Very steady tempo;
Dancing, this set of
variations consists of
three dances, each faster
than the previous. The
first, in the
aforementioned 5/8-3/4
meter, gives way to a 3/8
scherzo, which in turn
takes on a furious 2/4
scurrying motion. The
music becomes breathless,
almost pulse-less, and an
ethereal theme appears in
the violins while the
rushing music continues,
sotto voce in the
bassoon. This new theme
is also from the song:
Why do I do this? The
wind won't listen. The
bassoon re-states its
Everyone I know is crying
melody from the first
movement, and at length
the 5/8-3/4 music
returns, more subdued
this time. The piece ends
on a major-minor chord,
suspended. The
Wind Won't Listen is
dedicated to the man who
commissioned it,
bassoonist Steven
Dibner--who shares my
passion for poetry and
language. --Dan
Welcher. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Summer Songs Theodore Presser Co.
Chamber Music Clarinet in Bb, Narrator (optional), Piano, Violin, cello SKU: ...(+)
Chamber Music Clarinet in
Bb, Narrator (optional),
Piano, Violin, cello
SKU: PR.114414000
For Clarinet in Bb,
violin, Violoncello, and
Piano. Composed by
Carter Pann. Poems by
David Forest Hitchcock,
Mary Gardner, David C.
Manfredi, Rose Keady, and
Jeffrey Powell, Jr.
Premiered at Skaneatles
Music Festival in central
New York state by
festival players.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2009.
36+12+12+12 pages.
Duration 18 minutes.
Theodore Presser Company
#114-41400. Published by
Theodore Presser Company
(PR.114414000). UPC:
680160590315. Text: David
C. Manfredi; Rose Keady;
Powell, Jr., Jeffrey;
Mary Gardner; David
Forest Hitchcock. Mary
Gardner, Jeffrey Powell,
David Hitchcock, David
Manfredi, Rose Keady.
Poems by David Forest
Hitchcock, Mary Gardner,
David C. Manfredi, Rose
Keady, and Jeffrey
Powell, Jr. SUMMER
SONGS was written for the
30th anniversary of the
Skaneateles Music
Festival in central New
York state. It began as a
set of songs using poetry
by several writers in
that region to be
accompanied by a small
chamber group of
instruments. Eventually
the work transformed into
something more intriguing
to me: a suite of
instrumental movements
that
“comment†on
the individual poems
which are rst narrated,
but not sung. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Niels Rosing-Schow: Voix Interieures (Parts) Music Sales
Chamber Group, Clarinet, Violin, Cello, Piano Chamber SKU: HL.14027832 Mu...(+)
Chamber Group, Clarinet,
Violin, Cello, Piano
Chamber SKU:
HL.14027832 Music
Sales America. Classical.
Set of Parts. Music Sales
#KP00348. Published by
Music Sales
(HL.14027832). ISBN
9788759867167. Work
for Clarinet, Violin,
Cello and Piano. The
composer writes: VOIX
INTERIEURES (1990-92).
The title has a double
reference: to the 'inner
voices' of the mind,
expressing our (hardly
conscious) impulses,
feelings, dreams and to
the 'inner voices' of the
music in the sense of
internal parts and
relations. Thus the title
points to the obscure
reflections of the ones
in the others. During the
piece, there is a gradual
transformation of the
internal parts, such as
interval patterns,
sonorities and dynamics -
running alongside the
easily perceptible
expansion of register.
The music is so to say
'turned inside out'. $79.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Summer Songs [Conducteur] Theodore Presser Co.
Chamber Music Clarinet in Bb, Narrator (optional), Piano, Violin, cello SKU: ...(+)
Chamber Music Clarinet in
Bb, Narrator (optional),
Piano, Violin, cello
SKU: PR.11441400S
For Clarinet in Bb,
violin, Violoncello, and
Piano. Composed by
Carter Pann. Poems by
David Forest Hitchcock,
Mary Gardner, David C.
Manfredi, Rose Keady, and
Jeffrey Powell, Jr.
Premiered at Skaneatles
Music Festival in central
New York state by
festival players.
Contemporary. Score. With
Standard notation.
Composed 2009. 36 pages.
Duration 18 minutes.
Theodore Presser Company
#114-41400S. Published by
Theodore Presser Company
(PR.11441400S). UPC:
680160590322. Text:
Powell, Jr., Jeffrey;
Rose Keady; David C.
Manfredi; Mary Gardner;
David Forest Hitchcock.
Rose Keady, Mary Gardner,
Jeffrey Powell, Jr.,
David Manfredi, David
Hitchcock. Poems by David
Forest Hitchcock, Mary
Gardner, David C.
Manfredi, Rose Keady, and
Jeffrey Powell,
Jr. SUMMER SONGS
was written for the 30th
anniversary of the
Skaneateles Music
Festival in central New
York state. It began as a
set of songs using poetry
by several writers in
that region to be
accompanied by a small
chamber group of
instruments. Eventually
the work transformed into
something more intriguing
to me: a suite of
instrumental movements
that “comment” on the
individual poems which
are rst narrated, but not
sung. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Under The Sun's Gaze Theodore Presser Co.
Chamber Music SKU: PR.41641301L Concerto da Camera III. Composed b...(+)
Chamber Music SKU:
PR.41641301L
Concerto da Camera
III. Composed by
Shulamit Ran. Large
Score. With Standard
notation. Duration 19
minutes. Theodore Presser
Company #416-41301L.
Published by Theodore
Presser Company
(PR.41641301L). UPC:
680160619795. Under
the Sun's Gaze as a title
for a musical composition
conjures up many
possibilities. It is, in
fact, an imagined line
from an unwritten poem,
invented with the idea of
capturing something of
the visual aura the
sounds and energy of this
work invoke in its
composer' mind. An
omnipotent presence in
all of nature, a source
of life yet also capable
of its destruction, the
sun affects the light and
dark in our physical
existence as it defines
the daily and seasonal
life. The music of this
work, in three
interlocking parts, takes
turns being exuberant,
caressing, scorching,
receding, hazy, lazy,
blazing, dissolving into
darkness, blinding in its
intensity. Subtitled
Concerto da Camera III,
this work is written for
what has become known as
the standard Pierrot
instrumentation of flute,
clarinet, violin, cello,
piano plus percussion.
The difference here is
that the winds are
doubled - the two
flutists alternating with
piccolo and alto flute
and both clarinetists
also doubling on bass
clarinets. The ninth
member of the ensemble, a
soprano saxophone,
appears well into the
piece, its lyrical,
plaintively expressive
quality dominating the
musical terrain for a
while. While occasionally
joining the others for
some tutti outbursts, it
maintains its position as
something of a guest
throughout. Of the
various thematic ideas
that populate this work,
a six-note descending
line played by the
clarinet appearing right
at the work's opening
then arching back up
reveals itself, as the
music unfolds, to be the
principal melodic
building block of Under
the Sun's Gaze. Its
various transformations
include the plaintive
soprano saxophone melody
appearing in the middle
section. Just under 20
minutes in length, the
work in its totality can
be heard as being in a
loose arch form, its
ending receding into a
distant darkening horizon
which carries in it the
seed of the new dawn that
lies beyond. Under the
Sun's Gaze was
commissioned by the Serge
Koussevitzky Music
Foundation in the Library
of Congress for the San
Francisco Contemporary
Players, David Milnes,
conductor. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Under The Sun's Gaze [Conducteur] Theodore Presser Co.
Chamber Music SKU: PR.416413010 Concerto da Camera III. Composed b...(+)
Chamber Music SKU:
PR.416413010
Concerto da Camera
III. Composed by
Shulamit Ran. Full score.
With Standard notation.
Duration 19 minutes.
Theodore Presser Company
#416-41301. Published by
Theodore Presser Company
(PR.416413010). UPC:
680160605682. Under
the Sun's Gaze as a title
for a musical composition
conjures up many
possibilities. It is, in
fact, an imagined line
from an unwritten poem,
invented with the idea of
capturing something of
the visual aura the
sounds and energy of this
work invoke in its
composer' mind. An
omnipotent presence in
all of nature, a source
of life yet also capable
of its destruction, the
sun affects the light and
dark in our physical
existence as it defines
the daily and seasonal
life. The music of this
work, in three
interlocking parts, takes
turns being exuberant,
caressing, scorching,
receding, hazy, lazy,
blazing, dissolving into
darkness, blinding in its
intensity. Subtitled
Concerto da Camera III,
this work is written for
what has become known as
the standard Pierrot
instrumentation of flute,
clarinet, violin, cello,
piano plus percussion.
The difference here is
that the winds are
doubled - the two
flutists alternating with
piccolo and alto flute
and both clarinetists
also doubling on bass
clarinets. The ninth
member of the ensemble, a
soprano saxophone,
appears well into the
piece, its lyrical,
plaintively expressive
quality dominating the
musical terrain for a
while. While occasionally
joining the others for
some tutti outbursts, it
maintains its position as
something of a guest
throughout. Of the
various thematic ideas
that populate this work,
a six-note descending
line played by the
clarinet appearing right
at the work's opening
then arching back up
reveals itself, as the
music unfolds, to be the
principal melodic
building block of Under
the Sun's Gaze. Its
various transformations
include the plaintive
soprano saxophone melody
appearing in the middle
section. Just under 20
minutes in length, the
work in its totality can
be heard as being in a
loose arch form, its
ending receding into a
distant darkening horizon
which carries in it the
seed of the new dawn that
lies beyond. Under the
Sun's Gaze was
commissioned by the Serge
Koussevitzky Music
Foundation in the Library
of Congress for the San
Francisco Contemporary
Players, David Milnes,
conductor. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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