| Tuba Excerpts, Volume 2 Tuba Wiltshire Music/Cor Publishing Co.
Composed by Walter Sear. Arranged by Walter Sear and Lewis Waldeck. For tuba. Pu...(+)
Composed by Walter Sear.
Arranged by Walter Sear
and Lewis Waldeck. For
tuba. Published by
Wiltshire Music/Cor
Publishing Co.
$12.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pater Noster 2 Euphoniums et 2 Tubas [Conducteur et Parties séparées] Tuba-Euphonium Press
Tuba quartet (EETT) SKU: TE.TEP10556 Composed by Franz Liszt. Arranged by...(+)
Tuba quartet (EETT)
SKU: TE.TEP10556
Composed by Franz Liszt.
Arranged by Angelo Manzo.
Score and parts.
Published by
Tuba-Euphonium Press
(TE.TEP10556).
$17.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave Maria 2 Euphoniums et 2 Tubas [Conducteur et Parties séparées] Tuba-Euphonium Press
Tuba quartet (EETT) SKU: TE.TEP10555 Composed by Franz Liszt. Arranged by...(+)
Tuba quartet (EETT)
SKU: TE.TEP10555
Composed by Franz Liszt.
Arranged by Angelo Manzo.
Score and parts.
Published by
Tuba-Euphonium Press
(TE.TEP10555).
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Traits Difficiles Vol.2 (tuba Solo) Tuba Leduc, Alphonse
Tuba SKU: HL.48181422 Leduc. Classical. Softcover. 4 pages. Alphonse Ledu...(+)
Tuba SKU:
HL.48181422 Leduc.
Classical. Softcover. 4
pages. Alphonse Leduc
#AL20946. Published by
Alphonse Leduc
(HL.48181422). UPC:
888680855208. 10.25x13.25
inches. “From
Works by: Delvincourt,
Liszt, Strauss, Wagner,
Respighi, Donizetti,
Bachelet, Verdi and
Mussorgsky&rdquo. $19.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christ is Born S. 32/3 3 Tubas (trio) [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music, Trio Tuba Trio: 3 Tubas - Grade 2 SKU: FL.FX074385 Compose...(+)
Chamber Music, Trio Tuba
Trio: 3 Tubas - Grade 2
SKU: FL.FX074385
Composed by Franz Liszt.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074385.
Published by FLEX
Editions (FL.FX074385).
Instruments:Tub
a Trio: 3 Tubas;
Difficuly Level: Grade 2;
Duration: 0 mn 35 s;
Musical Style: Classical;
Category: Arrangement;
Composer: Franz LISZT;
Arranger: Eric
VIRETON. $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hungarian Rhapsody No. 2 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur] Cherry Classics
By Franz Liszt. Arranged by Geoffrey Bergler. Brass Quintet. For 2 Trumpets, Hor...(+)
By Franz Liszt. Arranged
by Geoffrey Bergler.
Brass Quintet. For 2
Trumpets, Horn in F,
Trombone, Tuba. Romantic
Orchestra Transcription.
Level: advanced. Full
score and parts.
Published by Cherry
Classics.
$32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Romance oubliee (Forgotten Romance) for Tuba or Bass Trombone & Piano - Avancé Cherry Classics
Tuba or bass trombone and piano - advanced SKU: CY.CC2895 Composed by Fra...(+)
Tuba or bass trombone and
piano - advanced SKU:
CY.CC2895 Composed by
Franz Liszt. Arranged by
Ralph Sauer. Romantic.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2895).
Liszt composed
the Romance oubliee
around 1844 for Piano. It
was forgotten until he
heard Violist Hermann
Ritter at the first
performance of Wagner's
Der Ring des Nibelungen
at Bayreuth. He fashioned
for Ritter a
transcription of the work
for Viola and Piano as
well as ones for the
Piano, Violin and
Violoncello. In this
short work, the listener
hears the agonies of a
troubled soul, beginning
with a rhapsodic passage,
continuing with a
cadenza-like section,
then a section with
arpeggiated figures,
finally settling into a
peaceful ending. This
4 minute work is
appropriate for advanced
performers. With Mr.
Sauer's arrangement we
now have this lovely
version for Tuba or Bass
Trombone and Piano. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Romantic Tuba Potenza Music
Tuba and piano SKU: P2.90126 Composed by Various. Arranged by Joe Caldari...(+)
Tuba and piano SKU:
P2.90126 Composed by
Various. Arranged by Joe
Caldarise. Published by
Potenza Music (P2.90126).
Melodie - Taken
from Tchaikovsky's
Souvenir d'un lieu cher,
this popular violin work
fits in quite well with
thick melodic low voice
of the tuba. The original
work began life as the
second movement of the
famous Violin Concerto,
however the composer
chose to discard and
recast it in a more
intimate setting for
violin and piano. The
lyrical melodic line,
characteristic of
Tchaikovsky, gives the
performer a great
opportunity to
demonstrate how the
tuba's power and flow can
be applied to truly sing
on the instrument. And
the more technical
moments allow the player
to show off just how deft
and nuanced the
instrument can be as
well. Allerseelen -
Strauss composed this All
Soul's Day song to fit
the poetry of the
Austrian Hermann von
Gilm. This popular art
song has since been
arranged for various
settings, from orchestras
to brass bands, but suits
the tuba's voice just
beautifully. The held
notes give time for the
tuba's sound to fill the
room while the harmonies
shift in that gorgeous
late-Romantic style. And
the climax provides the
instrument with the great
operatic moment that it
so deserves.
Zueignung -
Originating from the same
Strauss song set as
Allerseelen, this song
takes a much more
operatic turn. The
opening rolling triplets
give the piece a strong
sense of forward
momentum, carrying it as
a performer might
traverse across the
stage. History has proven
this to be one of
Strauss' best-known
songs, and the climactic
statement in the final
measures certainly gives
the tuba a great moment
to take center-stage.
Abendlied - The
ever-moody Schumann
originally composed this
piece for violin and
piano. Its slow and
halting accompaniment
allows the soloist to
demonstrate their skills
with rubato and nuanced
phrasing. As with most
Romantic music, care
should be taken to bring
out the accidentals, so
as to heighten the
dramatic tension-release
of this seemingly simple
piece. Liebestraume
- As one of Liszt's most
popular pieces of all
time, this piece is
quintessential Romantic
love song. No aspect of
the tuba or tubist is
left unexplored here. It
begins with a simple, yet
confined melody, taking
advantage here of the
tuba's warm middle-low
register. The brief quasi
cadenza section gives the
player a sparkling moment
to give the listener a
glimpse of the tuba's
technical capabilities.
The accompaniment then
gradually grows in
intensity while the tuba
elaborates on the main
theme while ramping up
the passion and strength
of the instrument's
voice. By mm. 41 and 54,
the player should be
commanding the room with
the full power of the
instrument, poured into a
sweeping melodic phrase.
After a dazzling display
of technical fluency with
the cadenza, the piece
shrinks back to its most
intimate form. The final
bars of the solo part
afford the player the
chance to display the
instrument's most
delicate and poignant
voice, before sliding
back down into the lower
register for final tonic
note. - Joe
Caldarise. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Traits Difficiles Vol.1 (tuba Solo) Leduc, Alphonse
Tuba (Tuba) SKU: HL.48181240 Leduc. Classical. Softcover. Alphonse Leduc ...(+)
Tuba (Tuba) SKU:
HL.48181240 Leduc.
Classical. Softcover.
Alphonse Leduc #AL20576.
Published by Alphonse
Leduc (HL.48181240).
From Works by:
Delvincourt, Wagner,
Roussel, Stravinsky,
Halevy, Liszt, Berlioz,
Saint-Saens, Thomas,
d'Indy, Chabrier,
Mascagni, Schmitt and
Glazunov. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Oh, Quand je Dors [Conducteur] Tuba-Euphonium Press
Euphonium solo with piano SKU: TE.TEP10554 Composed by Franz Liszt. Arran...(+)
Euphonium solo with piano
SKU: TE.TEP10554
Composed by Franz Liszt.
Arranged by Dan
Bachelder. Score.
Published by
Tuba-Euphonium Press
(TE.TEP10554).
$17.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Duets for All [Partition] Alfred Publishing
By Albert Stoutamire and Kenneth Henderson. For Tuba. Mixed Instruments - Flexib...(+)
By Albert Stoutamire and
Kenneth Henderson. For
Tuba. Mixed Instruments -
Flexible Instrumentation.
24 pages. Published by
Alfred Publishing.
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christ is Born S. 32/3 [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music, Quatuor Tuba Quartet: 4 Tubas - Grade 2 SKU: FL.FX074412 C...(+)
Chamber Music, Quatuor
Tuba Quartet: 4 Tubas -
Grade 2 SKU:
FL.FX074412 Composed
by Franz Liszt. Arranged
by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074412.
Published by FLEX
Editions (FL.FX074412).
Instruments:Tub
a Quartet: 4 Tubas;
Difficuly Level: Grade 2;
Duration: 0 mn 35 s;
Musical Style: Classical;
Category: Arrangement;
Composer: Franz LISZT;
Arranger: Eric
VIRETON. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Christ is Born S. 32/3 [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music, Quatuor Brass Quartet: 1 Bb Trumpet 1 F Horn 1 Trombone 1 Tuba - ...(+)
Chamber Music, Quatuor
Brass Quartet: 1 Bb
Trumpet 1 F Horn 1
Trombone 1 Tuba - Grade 2
SKU: FL.FX074407
Composed by Franz Liszt.
Arranged by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074407.
Published by FLEX
Editions (FL.FX074407).
Instruments:Bra
ss Quartet: 1 Bb Trumpet
1 F Horn 1 Trombone 1
Tuba; Difficuly Level:
Grade 2; Duration: 0 mn
35 s; Musical Style:
Classical; Category:
Arrangement; Composer:
Franz LISZT; Arranger:
Eric VIRETON. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Orgue - Facile Carus Verlag
SSATTBB (TTBB) choir, 2 trumpets, 3 trombones, tuba, timpani, organ - Level 2 (+)
SSATTBB (TTBB) choir, 2
trumpets, 3 trombones,
tuba, timpani, organ -
Level 2 SKU:
CA.4009309 Composed
by Franz Liszt and Johann
Cruger. Edited by Michael
von Hintzenstern. 1x
40.093/31 trumpet 1, 1x
40.093/32 trumpet 2, 1x
40.093/33 trombone 1, 1x
40.093/34 trombone 2, 1x
40.093/35 trombone 3, 1x
40.093/36 tuba, 1x
40.093/41 timpani. German
title: Nun danket alle
Gott 7. Sacred vocal
music, Hymn settings,
Praise and thanks. Set of
Orchestra Parts. S 61. 14
pages. Duration 10
minutes. Carus Verlag #CV
40.093/09. Published by
Carus Verlag
(CA.4009309). ISBN
9790007061401. Key: F
major. Language:
German. Score
available separately -
see item CA.4009300. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Baritone ABC EMB (Editio Musica Budapest)
Baritone (Baritone/Bass) SKU: HL.50606642 Student Book. Composed b...(+)
Baritone (Baritone/Bass)
SKU: HL.50606642
Student Book.
Composed by Ferenc
Steiner. EMB. Classical,
Educational, Instruction.
Softcover. Editio Musica
Budapest #Z14284.
Published by Editio
Musica Budapest
(HL.50606642). ISBN
9781705198544. UPC:
196288151180. The
baritone (euphonium) is
an important basic
instrument in brass
ensembles. The blowing
technique is similar to
that for the trombone and
tuba, but the grip and
handling technique are
easier, thus it can be
learnt as a preparatory
instrument for them, from
the age of 8 or 10. From
the initial steps, first
with breathing exercises,
lip and mouthpiece
exercises, then in
ascending order
ofdifficulty and
gradually increasing the
range of notes used, this
volume provides daily
exercises, scales,
etudes, folk tunes and
performance pieces,
initiating the learner in
the art of playing the
baritone. The textual
instructions are supplied
in three languages:
German, English and
Hungarian. The trombonist
Ferenc Steiner was born
in 1931. From 1960 to
1991 he was a member of
the Hungarian State Opera
and the Philharmonic
Society as well as the
Hungarian Brass Ensemble.
Education played a major
role in the life of
Ferenc Steiner as an
author and editor of
numerous pedagogical
editions. He began
teaching at the School of
Music in Pécs, then
moved on to the College
for Officers of the
Hungarian Defense Forces
and later continued his
teaching activity at the
Liszt Academy in Budapest
until 2001. He has passed
away on the 25th of March
in 2011. The piano
accompaniment to this
volume is published
separately (14284P). $34.95 - Voir plus => Acheter | | |
| Psallite (Altes Weihnachtslied) [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Franz Liszt (1811-1886). Arranged by Jerome Naulais. For 4 Trumpets, Horn, 3 ...(+)
By Franz Liszt
(1811-1886). Arranged by
Jerome Naulais. For 4
Trumpets, Horn, 3
Trombones & Tuba. Swiss
import. Original
Composition. Grade 3.
Score and parts.
Published by Editions
Marc Reift
$25.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Orgue - Facile Carus Verlag
SSATTBB (TTBB) choir, 2 trumpets, 3 trombones, tuba, timpani, organ - Level 2 (+)
SSATTBB (TTBB) choir, 2
trumpets, 3 trombones,
tuba, timpani, organ -
Level 2 SKU:
CA.4009305 Composed
by Franz Liszt and Johann
Cruger. Edited by Michael
von Hintzenstern. German
title: Nun danket alle
Gott. Sacred vocal music,
Hymn settings, Praise and
thanks. Choral Score. S
61. 4 pages. Duration 10
minutes. Carus Verlag #CV
40.093/05. Published by
Carus Verlag
(CA.4009305). ISBN
9790007061395. Key: F
major. Language:
German. Score
available separately -
see item CA.4009300. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nun danket alle Gott (Now thank we all our God) Chorale TTBB [Conducteur] Carus Verlag
By Franz Liszt / Johann Cruger. Edited by Michael von Hintzenstern. For SSATTBB ...(+)
By Franz Liszt / Johann
Cruger. Edited by Michael
von Hintzenstern. For
SSATTBB (TTBB) Choir, 2
Trumpets, 3 Trombones,
Tuba, Timpani, Organ.
This edition: paperbound.
S 61. Genres: Hymn
settings; Use / Occasion:
Praise and thanks. Level
2. Score. Language:
German. 12 pages.
Duration 10 min.
Published by Carus Verlag
$7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ungarische Rhapsodie Nr. 2 cis-Moll Handelsware
Brass quintet (Horn, Trombone, Trumpet in Bb 1, Trumpet in Bb 2, Tuba) SKU: P...(+)
Brass quintet (Horn,
Trombone, Trumpet in Bb
1, Trumpet in Bb 2, Tuba)
SKU: PR.ECF019
Composed by Franz Liszt.
With Standard notation.
Handelsware #ECF019.
Published by Handelsware
(PR.ECF019).
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Barenreiter
3 flute (1 flute-picc), 2 oboes, English horn, 2 clarinets, clarinet-B, 2 bassoo...(+)
3 flute (1 flute-picc), 2
oboes, English horn, 2
clarinets, clarinet-B, 2
bassoons, bassoon-Co, 4
horn, 3 trumpets, 3
trombones, trombone,
percussion, piano (Flutes
(3) (Piccolo flute (1)),
Oboes (2), Cor anglais,
Clarinets (2), Bass
clarinet, Bassoons (2),
Contrabassoon, Horns (4),
Trumpets (3), Trombones
(3), Tuba, Drums, Piano)
SKU: BA.BA07896-65
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. Opus 78.
14/12/10/12/12/10/12/11/7
/12/10/4/7/8/8/8/8/8/7
pages. Baerenreiter
Verlag #BA07896_65.
Published by Baerenreiter
Verlag (BA.BA07896-65).
ISBN 9790006563418.
32.5 x 25.5 cm inches.
Key: C minor. In
this work I gave
everything I had to give.
[...] What I did here I
will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
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