2 Pièces. Par GLIERE REINHOLD. Intermezzo and Tarantella for Double Bass and Piano by the Russian composer Reinhold M. Glière, whose musical style represents a crucial link between Late Romanticism (Tchaikovsky) and Modernism (Prokofiev). / Niveau : Avancé / Répertoire / Contrebasse et Piano

Henryk Wieniawski était non seulement l'un des plus grands violonistes virtuoses du XIXe siècle, mais il composa également des pièces de salon taillées sur mesure pour son instrument - offrant ainsi aux violonistes du monde entier de brillantes contributions à leur répertoire. Comme si, dans sa pièce Scherzo-Tarantella, il n'avait pu se décider entre un Scherzo de facture plutôt classique et la danse populaire italienne débridée, il choisit un titre composé correspondant parfaitement au caractère unique de ce ravissant morceau. Notre édition reproduit les nombreux coups d'archet et les doigtés originaux de la 1re édition, par endroits complétés par notre éditeur Ray Iwazumi, un grand connaisseur de ce répertoire. / Violon Et Piano

Brouwer (Danza del altiplano. Dos temas populares cubanos. Estudios sencillos 1-5) - Castelnuovo-Tedesco (Tarantella) - Duarte (Petite Suite française, opus 60) - Fabini (Mozartiana) - De Falla (Homenaje pour le Tombeau de Debussy) - Halffter-Escriche (Giga) - Kováts (Petite Suite) - Krieger (Ritmata) - Mignone (Lenda sertaneja) - Mompou (Canción. Extraits de la Suite compostelana) - Poulenc (Sarabande) - Pujol (Pequena romanza. Trois Morceaux espagnols - Rodrogo (Pastorale) Ruiz-Pipò (Hommage à Antonio de Cabezón) - Tansman (Prélude #1. Extraits de la Suite in modo polonico) - Villa-Lobos (Chôros #1. Mazurka-Chôro #1. Prélude #1). / Guitare

17 favourite Italian standards arranged for accordion, including: Carnival of Venice; Ciribiribin; Come Back to Sorrento; Funiculi, Funicula; La donna Š mobile; La Spagnola; 'O Sole Mio; Santa Lucia; Tarantella and more. 17 favourite Italian standards arranged for accordion, including: Carnival of Venice; Ciribiribin; Come Back to Sorrento; Funiculi, Funicula; La donna è mobile; La Spagnola; 'O Sole Mio; Santa Lucia; Tarantella and more./ Recueil / Accordéon

Par STRAVINSKY IGOR. Drawing on the composer’s transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky’s Pulcinella Suite differs between those for violin and cello - Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music./ Répertoire / Alto et Piano

Par COHEN MARY. Violinists, play your way across Europe, with a lively Italian Tarantella and Saltarello, perky Polish Polka and wistful Viennese Waltz.Then it?s off to sunny Cuba where the Rumba has a great rhythmic twist, and America, where Ragtime is cool and sophisticated ? but you can really party at a Hoedown! Dance Duets can be enjoyed by violinists of about grade 2?3 upwards. It is excellent concert material, and offers a wide range of techniques including (easy) fast finger work, extensive pizzicato, leggiero bowing, long legato lines, double stopping ? and even the occasional chance to stamp! Both violin parts are of equal interest, so grab a friend and get duetting! / Ensemble Music, Instrumental Music / Recueil / 2 Violons

Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-scale composition by Igor Stravinsky to enter the double bass solo repertoire. Brian Powell, Associate Professor of Double Bass at the Frost School of Music, University of Miami, has adapted the versions of Suite italienne for violin and for cello as best suits the double bass. Moreover, he has widened the selection of movements, thus continuing a practice Stravinsky established with his instrumental collaborators (Dushkin and Piatigorsky) of allowing the performers to select material from the ballet Pulcinella. In this case the movements comprise Introduzione, Serenata, Aria, Vivo, Tarantella, Gavotta con due variazione, Scherzino and Minuetto e Finale. The Vivo movement is derived directly from the orchestral Pulcinella Suite: widely recognised by classical bassists as one of the most significant solos in the orchestral repertoire, the bass part is faithfully reproduced as in the original score. Suite italienne has music that will appeal to bassists of various performance levels – solo, chamber and orchestral bassists alike will appreciate different aspects of this music. The suite also possesses an abundance of flare and technical virtuosity that will excite audiences./ Répertoire / Contrebasse

To complement the 'Sassmannshaus Early Start on the Viola? method, Bärenreiter offer a selection of recital pieces tailored to this educational concept. This edition presents 14 pieces covering a wide stylistic spectrum, giving viola players a rich body of appealing concert pieces to choose from.The works are arranged in increasing order of difficulty, the cornerstones being two works by Georg Eduard Goltermann- his technically simple 'Andante religioso? and his demanding 'Adagio? and 'Tarantella?. Works by Kalliwoda, Fauré, Grieg, Dvorák, amongst others, are included.- 14 recital pieces presented in increasing order of difficulty- Wide range of styles includedThe editorKurt Sassmannshaus is a violinist and viola player, a professor of violin in Cincinnati (OH) and a promoter of violin teaching with projects in Germany, China and the United States. He continues the work of his father Egon Sassmannshaus, who set new standards with the Sassmannshaus string methods. / Alto Et Piano

Tarantella brillante per pianoforte. Par OREFICE GIACOMO. Langue: English(US)/Deutsch/Français/Nederlands / Niveau : Intermédiaire / Répertoire / Piano

Par EARNSHAW ALFRED. A highly respected Cello teacher and performer, Alfred Earnshaw counted among his peers such notable twentieth-century composers of music for young cellists as Adam Carse and W. H. Squire. His Tarantella for Cello and Piano features on Children's Cello, the delightful collection of cello miniatures recorded by Steven Isserlis and pianist Stephen Hough on a recent BIS recording. Earnshaw commanded a fluent, graceful idiom ideally suited to inspire beginners with real musical values, and the piece combines open-string and first-position playing with the flair and character of an impressive recital item./ Répertoire / Violoncelle et Piano

Bella Tarantella danse son chemin sur la scène avec finesse et d'excitation. Alternant entre accords staccato croquants et une mélodie virevoltant gracieux, une texture merveilleuse est formé dès le début de ce duo fabuleux en la mineur! Doté d'un vif 6/8 mètres, la dynamique frappante contrastées, et une grande fin, cette pièce est sûr de captiver tous ceux qui prennent part à sa danse. Une attention particulière à la création de passages en douceur et l'effet merveilleux de la dynamique de différents donnera une tarentelle parfaitement animé! / Piano 4 Mains

47 Works. Par SCARLATTI DOMENICO. All of Scarlatti's familiar and best-loved masterpieces-well known worldwide from piano recitals and CD's appear here: tarantellas, siciliennes, pastorales, and sparkling high-speed keyboard toccatas of the greatest ingenuity. Pianists and all music lovers can discover the music of Scarlatti in this compilation containing 47 exquisite pieces. All of Scarlatti's familiar and best-loved masterpieces-well known worldwide from piano recitals and CD's appear here: tarantellas, siciliennes, pastorales, and sparkling high-speed keyboard toccatas of the greatest ingenuity. Pianists and all music lovers can discover the music of Scarlatti in this compilation containing 47 exquisite pieces./ Répertoire / Piano

La référence R15181 de l'éditeur Billaudot dont l'auteur célèbre est Bottesini Giovanni, qui a pour titre TARENTELLA, a été écrite et composée pour Contrebasse et plus particulièrement pour Contrebasse Et Piano. Cette partition musicale appartient à la catégorie Classique. / Contrebasse Et Piano / Partition