| Hugh Wood: String Quartet No.4 Op.34 (Score And Parts) Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet SKU:
HL.14036341 Composed
by Hugh Wood. Music Sales
America. Classical. Set.
Composed 2001. Chester
Music #CH60931. Published
by Chester Music
(HL.14036341). ISBN
9780711955080. Comm
issioned by the BBC and
premiered by the
Chilingirian String
Quartet. Quoting Wood: In
my Second and Third
Quartets I attempted
sectional, agglutinative
forms: in my Fourth I
return to the
conventional four
movement form of my First
Quartet of 1962. Both
works build up (as in the
19th century symphony) to
the Finale, thus making
it the most substantial
movement, which provides
a climax to the work. The
First Movement has, in
both works, only the
status of an
Introduction. But there
the consciously willed
resemblances end. This
Introduction follows the
Second Quartet to a
certain extent, in that
it provides a sort of
'cauldron', from which
elements to be used later
can all be plucked. Its
opening will reappear at
various points throughout
the work, most completely
at a climatic point of
the Finale (bar 110).
Subsequent material will
be more fully worked out
in the second movement, a
large Scherzo. The
Introduction concludes
with an unusually placed
violin cadenza (itself a
rare feature in a string
quartet, the idea lifted
from Elliott Carter's
First Quartet) of which
the opening is to
reappear halfway through
the Finale. The Scherzo
(which follows attacca)
does not have at its
centre a discretely
characterized Trio: a
figure in double-stops
like a distant fanfare
supplies the necessary
contrast of a second
idea. The Slow Movement
has a secondary idea
first heard on the cello
and marked appassionato:
an agitato middle section
recalls the opening of
the work, but in a
formulation which will be
found closely to
anticipate its
reappearance in the
Finale. The Finale is
planned on a broad scale.
Only after a fully worked
exposition of both
primary and secondary
material does the opening
of the whole work return,
now in a greatly extended
form. Then, at bar 140,
the tune of the violin
cadenza is first
harmonized in fanfare
style on the upper
instruments, then
presented as a chorale on
the lower ones, with a
rushing semiquaver
accompaniment above. This
climatic activity mounts
to the very end. The work
is dedicated to the
Chilingirian Quartet, old
friends over many years.
Score available
separately: SOS04044. $83.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gateway to French Mélodies Voix haute Alfred Publishing
(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). ...(+)
(High Voice). Edited by
John Glenn Paton. For
Voice (High voice
(Medium-High)). Book;
Masterworks; Vocal
Collection. Gateway
Series. Masterwork. 240
pages. Published by
Alfred Music Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gateway to French Mélodies Voix haute [Partition + CD] Alfred Publishing
(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). ...(+)
(High Voice). Edited by
John Glenn Paton. For
Voice (High voice
(Medium-High)). Book; CD;
Masterworks; Vocal
Collection. Gateway
Series. Masterwork. 240
pages. Published by
Alfred Music Publishing
$44.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Turbulent Times Flûte, Hautbois, Basson [Conducteur et Parties séparées] Brixton Publications
Composed by Howard J. Buss (1951-). For flute, oboe, and bassoon. The music of T...(+)
Composed by Howard J.
Buss (1951-). For flute,
oboe, and bassoon. The
music of Turbulent Times
suggests the ebb and flow
of the intense
uncertainty felt by many
with the more pleasant
aspects of everyday life.
Following the lyrical and
plaintive introduction,
stormy passages give way
to sections of relative
tranquility,. 21st
Century. Grade 6. Score
and parts. Composed 2009.
Duration 11'. Published
by Brixton Publications
$18.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Elburg Fantasy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135396-020. Published by
De Haske Publications
(BT.DHP-1135396-020).
9x12 inches.
English-Dutch. This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad. $203.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Elburg Fantasy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2013. 52 pages. De Haske
Publications #DHP
1135396-120. Published by
De Haske Publications
(BT.DHP-1135396-120).
9x12 inches.
English-Dutch. This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Peter Maxwell Davies: The Lighthouse (Libretto) Chester
Opera, Lyrics Only SKU: HL.14020975 Composed by Sir Peter Maxwell Davies....(+)
Opera, Lyrics Only
SKU: HL.14020975
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Opera or
Operetta. Book
[Softcover]. Composed
1999. 24 pages. Chester
Music #CH55304. Published
by Chester Music
(HL.14020975). UPC:
884088860066. 8.75x8.25
inches. Chamber
opera in a prologue and
one act. A ghost story
telling of the mysterious
disappearance of three
lighthouse keepers in the
Hebrides. This is a
mystery story in the form
of a chamber opera. The
prologue is set as a
court of enquiry into the
unexplained disappearance
of the three keepers from
a lighthouse. Questions
are posed by a solo horn,
which may sound from
among the audience, and
three officers give
answer. Gradually, they
move from straight
testimony into
fantastical imaginings of
evil during a 'flashback'
to the lighthouse; but
then we snap back to the
courtroom. In the main
act the three singers
become the vanished
keepers. They have been
together for months, long
enough to be fully aware
of each other's
weaknesses; petty
bickerings suggest a
relationship which is
stable, but liable to
become highly unstable at
any moment. They sing
songs to reduce the
tension, Blazes beginning
with a rough ballad of
street violence,
accompanied by violin and
banjo. Sandy's song, with
cello and out-of-tune
upright piano, is a
thinly disguised
description of sexual
bliss, and Arthur's with
brass and clarinet, is a
tub-thumping hymn. But
the songs serve only to
resurrect in their minds
ghosts from the past, and
as the fog descends each
of the keepers becomes
convinced that he is
being claimed by the
Beast. They prepare to
meet its dazzling eyes,
which become the lights
of the relief vessel, and
the three men reappear as
officers, met at the
lighthouse only by an
infestation of rats. They
leave, and at the end the
last hours of Blazes,
Sandy and Arthur begin to
play over again. Libretto
only. Duration c. 1h
25mins. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Colour Flute (Book A) Flûte traversière - Débutant Fennica Gehrman
Composed by Jaana Laasonen and Riikka Rahivaara-Tarkka. Tutor. Published by Fenn...(+)
Composed by Jaana
Laasonen and Riikka
Rahivaara-Tarkka. Tutor.
Published by Fennica
Gehrman (FG.55009-566-3).
$47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Gateway to French Mélodies Voix basse Alfred Publishing
(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Boo...(+)
(Low Voice). Edited by
John Glenn Paton. For
Voice (Low voice
(Medium-Low)). Book;
Masterworks; Vocal
Collection. Gateway
Series. Masterwork. 240
pages. Published by
Alfred Music Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gateway to French Mélodies Voix basse [Partition + CD] Alfred Publishing
(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Boo...(+)
(Low Voice). Edited by
John Glenn Paton. For
Voice (Low voice
(Medium-Low)). Book; CD;
Masterworks; Vocal
Collection. Gateway
Series. Masterwork. 240
pages. Published by
Alfred Music Publishing
$44.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Consolations, Grand solo de concert and Other Work Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an. Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Interruptions Orchestre d'harmonie [Conducteur et Parties séparées] BCM International
Composed by Steven Bryant. Steve Bryant. Softcover. Published by BCM Internation...(+)
Composed by Steven
Bryant. Steve Bryant.
Softcover. Published by
BCM International
(HL.4003278).
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano SKU:
BT.EMBZ14505 Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an. Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Et je reverrai cette ville etrange Boosey and Hawkes
Percussion Ensemble, Chamber Ensemble (Score) SKU: HL.48023767 For Mix...(+)
Percussion Ensemble,
Chamber Ensemble (Score)
SKU: HL.48023767
For Mixed
Ensemble. Composed by
Claude Vivier. Boosey &
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 24 pages.
Boosey & Hawkes
#M051097890. Published by
Boosey & Hawkes
(HL.48023767). ISBN
9781495061028. UPC:
888680611927. 9x12
inches. Premiered
in 1982 by the Arraymusic
ensemble at Trinity
United Church, Toronto,
Ontario.
Instrumen
tation: Trumpet in C,
Piano, Viola, Cello,
Double Bass, Percussion:
Celesta, Vibraphone,
Trompong, Chang, Balinese
Gong, Tam-tam (with Super
ball). $18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hans Werner Henze: Scorribanda Sinfonica Orchestre Chester
Orchestra SKU: HL.14014802 Composed by Hans Werner Henze. Music Sales Ame...(+)
Orchestra SKU:
HL.14014802 Composed
by Hans Werner Henze.
Music Sales America. 20th
Century. Book
[Softcover]. Composed
2002. 80 pages. Chester
Music #CH63228. Published
by Chester Music
(HL.14014802). ISBN
9780711992764.
9.75x13.75x0.285
inches. Composer's
Notes: This piece,
written during the winter
months of 2000-2001,
consists of one movement,
Allegro con fuoco, in
which an old score is
revisited, raided and
ravished by its composer.
The earlier music had
been written in the
mid-fifties for a stage
work Maratona di Danza
and for its maker, the
director Luchino
Visconti. Elements from
the older piece reappear
on and off like shadows
under the surface of new
ones, like more or less
vague memories, images of
young people suffering
pain and despair in their
struggle for survival in
a barbaric, pitiless
modern world. My new
composition is a kind of
concerto for very large
symphony orchestra, an
etude on constant and
often rapid musical
changes of mood and
colours, built on a
variety of rhythmic
figures, incessantly and
brutally pushing the
music ahead. Sometimes,
it is as though voices
are weeping, sometimes
crying out loud with
pain, with anxiety, under
the cold hearted pressure
of an overwhelming
violence. Hans Werner
Henze Commissioned on the
occasion of the 50th
anniversary of das neue
werk, Hamburg. Premiered
on 29th June 2001.
Duration 15 minutes. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lighthouse Chester
Vocal Score Chamber Opera SKU: HL.14008404 Chamber Opera in a Prologue...(+)
Vocal Score Chamber Opera
SKU: HL.14008404
Chamber Opera in a
Prologue and One Act
Vocal Score. Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century,
Opera. Study Score.
Composed 1999. 152 pages.
Chester Music #CH55426.
Published by Chester
Music (HL.14008404).
UPC: 884088435356.
8.75x11.75x0.406
inches. Chamber
opera in a prologue and
one act. A ghost story
telling of the mysterious
disappearance of three
lighthouse keepers in the
Hebrides. This is a
mystery story in the form
of a chamber opera. The
prologue is set as a
court of enquiry into the
unexplained disappearance
of the three keepers from
a lighthouse. Questions
are posed by a solo horn,
which may sound from
among the audience, and
three officers give
answer. Gradually, they
move from straight
testimony into
fantastical imaginings of
evil during a 'flashback'
to the lighthouse; but
then we snap back to the
courtroom. In the main
act the three singers
become the vanished
keepers. They have been
together for months, long
enough to be fully aware
of each other's
weaknesses; petty
bickerings suggest a
relationship which is
stable, but liable to
become highly unstable at
any moment. They sing
songs to reduce the
tension, Blazes beginning
with a rough ballad of
street violence,
accompanied by violin and
banjo. Sandy's song, with
cello and out-of-tune
upright piano, is a
thinly disguised
description of sexual
bliss, and Arthur's with
brass and clarinet, is a
tub-thumping hymn. But
the songs serve only to
resurrect in their minds
ghosts from the past, and
as the fog descends each
of the keepers becomes
convinced that he is
being claimed by the
Beast. They prepare to
meet its dazzling eyes,
which become the lights
of the relief vessel, and
the three men reappear as
officers, met at the
lighthouse only by an
infestation of rats. They
leave, and at the end the
last hours of Blazes,
Sandy and Arthur begin to
play over again. Study
Score. Duration c. 1h
25mins. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Karsten Fundal: Woven Lines Clarinette Wilhelm Hansen
Clarinet SKU: HL.14011933 Composed by Karsten Fundal. Music Sales America...(+)
Clarinet SKU:
HL.14011933 Composed
by Karsten Fundal. Music
Sales America. Classical.
Book [Softcover]. Edition
Wilhelm Hansen #WH30248.
Published by Edition
Wilhelm Hansen
(HL.14011933). ISBN
9788759859902. Work
for Clarinet solo. The
composer writes 'The
title refers to several
levels in the piece.
Partly a method I have
used, where three lines
are weaved, so they
become one line, here the
clarinet which can
(nearly) only play one
tone at the time. Either
the three parts disappear
and become one waving
melodic line as in the
beginning of the piece.
Or they are put in
different registers of
the clarinet, so they are
heard as separate lines
weaving into one another.
On a different level
there is three different
sequences, which are also
weaved into one another;
one which rises (for
instance in the
beginning), and one which
falls, and one which
falls in parallels in
several registers. These
three sequences become
faster and faster every
time they reappear. The
idea of weaving melodic
lines was inspired by
Bach's pieces for solo
strings, where he in a
marvellous way
established several
simultaneous melodic
lines, without
simultaneous sounding
notes. This happened by
weaving parts, which in
other works would sound
simultaneously, into one
another, so that only one
note was heard at the
time. This meant that in
that long line, which was
heard as the instrument's
development of the piece,
other melodies were
weaving around each other
with different focuses.
Woven Lines was
commissioned by DUT with
support from the Danish
Arts' Council.'. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Grimm's Fairytale Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1145609-010 Suite from Onc...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1145609-010
Suite from Once Upon a
Time .... Composed by
Jan Van der Roost.
Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145609-010. Published by
De Haske Publications
(BT.DHP-1145609-010).
English-German-French-
Dutch. Based on the
orchestral part of the
play Es War
einmal… (Once
Upon a Time…) for
narrator, actors,
children’s choir
and wind band,
there’s now an
‘enchanted’
suite for band only
—
Grimm’s
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time… reappear
in this lovely
instrumental suite by Jan
Van der Roost. Welcome to
the enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal… (Er was
eens…), is er nu
het sprookjesachtige
Grimm’s
Fairytale Forest, dat
is gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieën en
thema’s
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
für Erzähler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit
Grimm’s
Fairytale Forest nun
eine
märchenhafte“
Suite aus dem Singspiel
vor. Der
farbenreicheOrchesterteil
bot mehr als genügend
musikalisches Material
für diese
Instrumentalsuite, in der
die schönsten Melodien
und Themen aus vier
berühmten
Grimms-Märchen
erklingen. Willkommen im
Märchenwald!
Ja
n Van der Roost a
créé
Grimm’s
Fairytale Forest en
reprenant la partie
orchestrale de
l’œuvre Es
war einmal... (Il
était une fois...).
Colorée et variée,
les mélodies et
thèmes les plus
mémorables de
l’œuvre source
y occupent unelarge
place. Bienvenue dans
l’univers magique
des frères Grimm, un
monde plein de fantaisie
qui reflète pourtant
la réalité de la
vie comme c’est
souvent le cas dans les
contes de
fées.
Jan Van
der Roost ha composto
Grimm’s
Fairytale Forest
riprendendo la parte
orchestrale del brano
Es war einmal
(C’era una volta).
Colorite e variegate, le
melodie più memorabili
dell’opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti
nell’universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
però la realt della
vita. $236.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circus Allegro Carus Verlag
Orchestra version 1: 1-2 voice choir, soloists as actors, wind quintet (flute, c...(+)
Orchestra version 1: 1-2
voice choir, soloists as
actors, wind quintet
(flute, clarinet,
trumpet, saxophone,
trombone), string
orchestra (2 violin,
viola/violin 3, cello),
rhythm section (piano,
bass, drums) version 2:
1-2 voice choir, soloists
as actors, piano (ba
SKU: CA.1282505
A Circus Musical for
all kids under 100.
Composed by Peter
Schindler. Carus book
series: More music books.
Circus Allegro (Engl).
Musicals for children,
Songs for children,
Secular choral music.
Choral Score. 32 pages.
Duration 70 minutes.
Carus Verlag #CV
12.825/05. Published by
Carus Verlag
(CA.1282505). ISBN
9790007164058. Language:
English. Text: Schindler,
Peter / Dieterich,
Babette. Text: Peter
Schindler, Babette
Dieterich. Followin
g the great success of
this musical in German,
it is now also available
in English. Everything
seems to be going wrong
at Circus Allegro. Bruno
the Bear refuses to
appear on stage, his
assistant, Bella Stella,
has disappeared, and
finally, even the tiger
escapes! Circus director
Ricardo Grande has to
improvise constantly.
Luckily, his new
assistant, clumsy August
the Clown, always has a
brilliant idea just at
the right time. Despite
all mishaps, the audience
gets to experience a
splendid circus evening.
And in the middle of all
the excitement, the tiger
and Bella suddenly
reappear. The audience is
swept off its feet.
Wherever the world-famous
Circus Allegro appears,
audiences shed tears of
joy and are enchanted -
visually, acoustically
and emotionally. The
individual numbers of
this children's musical
are composed in different
styles and the songs can
be performed either with
an orchestra or just with
a piano. Score available
separately - see item
CA.1282500. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Quintet Violoncelle, Piano Schott
Score and Parts Piano Quintet (Score & Parts) SKU: HL.49045797 For Two...(+)
Score and Parts Piano
Quintet (Score & Parts)
SKU: HL.49045797
For Two Violins,
Viola, Violoncello and
Piano Score and
Parts. Composed by
Olli Mustonen. Ensemble.
Classical. Softcover. 168
pages. Duration 1320
seconds. Schott Music
#ED22250. Published by
Schott Music
(HL.49045797).
The first
movement of my Piano
Quintet is filled with
drama and passion. Its
atmosphere can be related
to my Second Symphony
Johannes Angelos. The
second movement is a set
of polyphonic variations
in a form reminiscent of
a passacaglia. The music
seems to be hypnotized by
a theme consisting of a
chromatic cluster of ten
notes. In the beginning
of the last movement,
materials from the
previous movements start
to reappear, but this
time in a mysterious,
incoherent way. The
strings find new music
resembling a fragmented
hymn. Fast-moving
triplets start to appear
and the music reaches a
joyful and ecstatic
conclusion. Olli
Mustonen. $86.00 - Voir plus => Acheter | | |
| Grimm's Fairytale Forest Score Suite From Once Upon A Time ... Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012456 Suite from On...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44012456 Suite
from Once Upon a Time
.... Composed by Jan
Van der Roost. De Haske
Concert Band. Softcover.
Composed 2014. De Haske
Publications #1145609010.
Published by De Haske
Publications
(HL.44012456). UPC:
888680084646.
English-German-French-Dut
ch. Based on the
orchestral part of the
play Es War einmal...
(Once Upon a Time...)
for narrator, actors,
children's choir and wind
band, there's now an
'enchanted' suite for
band only -- Grimm's
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time... reappear in
this lovely instrumental
suite by Jan Van der
Roost. Welcome to the
enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal... (Er was
eens...), is er nu het
sprookjesachtige
Grimm's Fairytale
Forest, dat is
gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieen en thema's
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
fur Erzahler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit Grimm's
Fairytale Forest nun
eine marchenhafte Suite
aus dem Singspiel vor.
Der
farbenreicheOrchesterteil
bot mehr als genugend
musikalisches Material
fur diese
Instrumentalsuite, in der
die schonsten Melodien
und Themen aus vier
beruhmten Grimms-Marchen
erklingen. Willkommen im
Marchenwald!
Jan
Van der Roost a cree
Grimm's Fairytale
Forest en reprenant
la partie orchestrale de
l'oeuvre Es war
einmal... (Il etait
une fois...). Coloree et
variee, les melodies et
themes les plus
memorables de l'oeuvre
source y occupent
unelarge place. Bienvenue
dans l'univers magique
des freres Grimm, un
monde plein de fantaisie
qui reflete pourtant la
realite de la vie - comme
c'est souvent le cas dans
les contes de
fees.
Jan Van der
Roost ha composto
Grimm's Fairytale
Forest riprendendo la
parte orchestrale del
brano Es war
einmal (C'era una
volta). Colorite e
variegate, le melodie piu
memorabili dell'opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti nell'universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
pero la realta della
vita. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circus Allegro Carus Verlag
Voice SKU: CA.1282503 A Circus Musical for all kids under 100. Com...(+)
Voice SKU:
CA.1282503 A
Circus Musical for all
kids under 100.
Composed by Peter
Schindler. Carus book
series: More music books.
Circus Allegro (Engl).
Musicals for children,
Songs for children,
Secular choral music.
Vocal score. 64 pages.
Duration 70 minutes.
Carus Verlag #CV
12.825/03. Published by
Carus Verlag
(CA.1282503). ISBN
9790007142773. Language:
English. Text: Schindler,
Peter / Dieterich,
Babette. Text: Peter
Schindler, Babette
Dieterich. Followin
g the great success of
this musical in German,
it is now also available
in English. Everything
seems to be going wrong
at Circus Allegro. Bruno
the Bear refuses to
appear on stage, his
assistant, Bella Stella,
has disappeared, and
finally, even the tiger
escapes! Circus director
Ricardo Grande has to
improvise constantly.
Luckily, his new
assistant, clumsy August
the Clown, always has a
brilliant idea just at
the right time. Despite
all mishaps, the audience
gets to experience a
splendid circus evening.
And in the middle of all
the excitement, the tiger
and Bella suddenly
reappear. The audience is
swept off its feet.
Wherever the world-famous
Circus Allegro appears,
audiences shed tears of
joy and are enchanted -
visually, acoustically
and emotionally. The
individual numbers of
this children's musical
are composed in different
styles and the songs can
be performed either with
an orchestra or just with
a piano. Score available
separately - see item
CA.1282500. $50.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| We Have Seen the Lord Chorale SATB SATB, Piano [Octavo] Laurel Press
By Evelyn Larter. For SATB choir, flute and piano. Christmas, Sacred. Octavo. Pu...(+)
By Evelyn Larter. For
SATB choir, flute and
piano. Christmas, Sacred.
Octavo. Published by
Laurel Press.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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