Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8454).

Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8455).

Choir Sacred (Women's Choir)

SKU: AP.43302

Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Sacred; Spiritual; Traditional. Choral Octavo. 8 pages. Alfred Music #00-43302. Published by Alfred Music (AP.43302).

UPC: 038081488448. English. Traditional Spiritual.

Adapted from Jay's popular American Folk Songs for Solo Singers, this remarkable new choral arrangement works beautifully. The languid minor-key melody is passed from soloist to choir and part to part, often accompanied by mournful background vocals. Not difficult to perform, but appropriately weighty.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

By Charles Ives (1874-1954). Arranged by Ralph Sauer. For Euphonium and Piano. American 20th Century. Moderately advanced. Solo part and piano accompaniment. Published by Cherry Classics

Trombone & Piano - Moderately Advanced

SKU: CY.CC2356

Composed by Charles Ives. Arranged by Ralph Sauer. American 20th Century. Solo part and Piano. Published by Cherry Classics (CY.CC2356).

Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime.

Ives wrote 114 songs including these four:
1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2.

The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners.

Mr. Sauer once again has edited a brilliant new transcription, bringing Ive's music to life for the Trombone world. For moderately advanced performers, all in bass clef.

Flute Solo with Piano Accompaniment - 1-2

SKU: KN.KEN10301

Composed by Various. Edited by Carl Strommen. Arranged by Amy Kempton. Solo. Flute Solo. Kendor Music Inc #KEN10301. Published by Kendor Music Inc (KN.KEN10301).

UPC: 822795103014.

Desig ned for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by flute specialist Amy Kempton, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Solo book sold separately (#10300). Available in SmartMusic.

Conten ts:
Sailor's Song (Grieg); Symphonic Themes (Brahms); Little Buttercup (Sullivan); Cradle Song (Hauser); Cielito Lindo (traditional); La Cinquantaine (Marie); Give Me Your Hand (Mozart); Two Korean Folk Songs (traditional); Three Israeli Folk Songs (traditional); La Serenata (Jaxone); Let's Have A Party (Mozart); Hungarian Dance (Brahms); Americana (traditional); Brindisi (Verdi).

Flute Solo with Piano Accompaniment - 1-2

SKU: KN.10300

Composed by Various. Edited by Carl Strommen. Arranged by Amy Kempton. Solo Collection. Flute Solo. Kendor Music Inc #10300. Published by Kendor Music Inc (KN.10300).

UPC: 822795103007.

Desig ned for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by flute specialist Amy Kempton, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Piano accompaniment book sold separately (#10301). Available in SmartMusic.

Conten ts:
Sailor's Song (Grieg); Symphonic Themes (Brahms); Little Buttercup (Sullivan); Cradle Song (Hauser); Cielito Lindo (traditional); La Cinquantaine (Marie); Give Me Your Hand (Mozart); Two Korean Folk Songs (traditional); Three Israeli Folk Songs (traditional); La Serenata (Jaxone); Let's Have A Party (Mozart); Hungarian Dance (Brahms); Americana (traditional); Brindisi (Verdi).

By James Bastien. For Piano. (Bastien Supplementary Books). Bastien Piano. Folk Tunes. Primer Level piece for the American Patriotic and Folk Event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Folk Tunes. Level: Primer. Music Book. Published by Neil A. Kjos Music Company.

Easy Piano - Easy

SKU: SP.TS180

Composed by Jonathon Robbins. Arranged by Jonathon Robbins. Collection; Popular. Book and CD. Santorella Publications #TS180. Published by Santorella Publications (SP.TS180).

ISBN 9781585604623. UPC: 649571101800.

Varie ty lies at the core of 83 Classified Piano Solos published by Santorella Publications. It combines eighty-three songs from seven different genres to form an incredibly unique product. From Hymns to Marches, Waltzes to Folk songs and Classics to Boogie, 83 Classified Piano Solos has everything that a beginning piano student needs. Boredom is a major obstacle to learning which students and teachers have encountered. They have found it extremely difficult to maintain interest when using a single resource. Often, supplemental materials are needed to keep study interesting and exciting since it is nearly impossible to find adequately diverse books. This adds a significant and unnecessary financial burden on both parties. 83 Classified Piano Solos from Santorella Publications is different. This best-selling easy piano title eliminates the need for costly supplemental materials while exploring many composers in varied genres and keeping study fun and interesting. To take full advantage of the variety, we strongly urge that you jump around from section to section and explore all that 83 Classified Piano Solos has to offer. This Jonathon Robbins best seller from Santorella Publications includes a performance CD which serves as a great tool for the beginning student. He or she can listen to a performance of each piece performed at the appropriate tempos, dynamics and stylings, then emulate this during their own performance, practice or study sessions. Just take a look at the incredibly diverse range of titles found in this great Santorella title: WALTZES - WALTZ (From, The Sleeping Beauty) - Tchaikovsky - EMPEROR WALTZ - Strauss - WALTZ IN A MINOR - Chopin, WALTZ IN Bb - Schubert - WALTZ IN C - Schubert - WALTZ IN C - Brahms - WAVES OF THE DANUBE - Ivanovici - WALTZ OF THE FLOWERS (From, The Nutcracker) - Tchaikovsky COWBOY MUSIC RED RIVER VALLEY - HOME ON THE RANGE - POOR, LONESOME COWBOY - GOOD BYE OLD PAINT - BIG ROCK CANDY MOUNTAIN - I'D LIKE TO BE IN TEXAS - THE COLORADO TRAIL - TO BURY ME NOT ON THE LONE PRAIRIE - WHOOPIE TI-YI-YO! (Git Along Little Dogies!) HYMNS ABIDE WITH ME - I NEED THEE EVERY HOUR - WHAT A FRIEND WE HAVE IN JESUS - ETERNAL FATHER - STRONG TO SAVE - HEAR OUR PRAYER - O LORD - I LOVE TO TELL THE STORY - ROCK OF AGES - COME, THOU ALMIGHTY KING - MY FAITH LOOKS UP TO THEE - NEARER, MY GOD TO THEE - HE LEADETH ME - ALL HAIL THE POWER OF JESUS' NAME - HOLY, HOLY, HOLY - SWEET HOUR OF PRAYER - IN THE SWEET BYE AND BYE - FAITH OF OUR FATHERS FOLK MUSIC BILLYBOY - ALOUETTE - ON TOP OF OLD SMOKY - CRAWDAD SONG - TURKEY IN THE STRAW - THE FARMER IN THE DELL - SKIP TO MY LOU - SHE'LL BE COMIN''ROUND THE MOUNTAIN - PUT YOUR LITTLE FOOT - JOHN PEEL - OH, WHERE HAS MY LITTLE DOG GONE - MARY HAD A LITTLE LAMB - FOR HE'S A JOLLY GOOD FELLOW - POLLY WOLLY DOODLE MARCHES THE STARS AND STRIPES FOREVER - AMERICAN PATROL - MARCH OF THE PRIESTS (From, Athalia) - GRAND MARCH (From the Opera, Aida) - DIXIE - THE MARINES' HYMN - SOLDIER'S CHORUS (From the Opera, Faust) - HAIL TO THE CHIEF - ANCHORS AWEIGH - THE THUNDERER CLASSICS CRADLE SONG - Brahms - TURKISH MARCH (From, The Ruins of Athens) - Beethoven, NOCTURNE IN F - Chopin - MINUET IN G - Bach - MUSETTE - Bach - FANTASIE IMPROMTU - Chopin - GAITE PARISIENNE (Can Can) - Offenbach - THEME FROM SURPRISE SYMPHONY - Haydn - MARCHE MILITAIRE - Schubert - UNFINISHED SYMPHONY THEME - Schubert - LARGO (From the Opera, Xerxes) - Handel - TOREADOR SONG (From the Opera, Carmen) - Bizet - JUNE - Tchaikovsky - BRIDAL CHORUS (From the Opera, Lohengrin) - Wagner - BARCAROLLE (From, The Tales of Hoffman) - Offenbach, HALLELUJAH CHORUS (From, The Messiah) - Handel - LA DONNA E MOBILE (From the Opera, Rigoletto) - Verdi. BOOGIE WOOGIES (Jonathon Robbins) BOOGIE WOOGIE BLUES - DOODLIN'- RIDE THE BOOGIE WOOGIE TRAIN - THE LAZY BOOGIE WOOGIE - ONE NOTE BOOGIE - MR. BOOGIE WOOGIE - THE NON-STOP BOOGIE - THE HORSE BACK BOOGIE.

Composed by Gwyneth W. Walker (1947-). Vocal Anthology/Vocal Solo. Secular, Folk Song. Published by E.C. Schirmer Publishing (EC.8123).

Piano - Intermediate

SKU: FJ.FJH2367

1. Arranged by C.E. Walz and Tracey Craig McKibben. Piano Duet; Piano Supplemental. From Sea to Shining Sea. Traditional. Book. The FJH Music Company Inc #98-FJH2367. Published by The FJH Music Company Inc (FJ.FJH2367).

ISBN 9781619283503. UPC: 241444437216. English.

This collection focuses on American folk songs, folk ballads, and popular songs that feature adventurous women-the pioneers, the trailblazers, the sweethearts. Primo is stacked on top of Secondo part; most are about 60 measures in length with the melody moving between each part. Some titles are: Sweet Betsy from Pike; The Yellow Rose of Texas; Oh! Susanna; and more. This book is interesting and well written-a good source for recital material.

(Original B minor version). By George Gershwin (1898-1937). For voice, piano. Sheet; Solo. Faber Edition. 20th Century; Broadway. Advanced; Early Advanced; Intermediate; Late Intermediate. Published by Faber Music

Piano

SKU: AP.44697

Book 1. Composed by Tom Gerou. Method/Instruction; Piano - Alfred's Basic Adult Piano Course. Alfred's Basic Adult Piano Course. Broadway; Movie; Pop. Book. 40 pages. Alfred Music #00-44697. Published by Alfred Music (AP.44697).

ISBN 9781470627331. UPC: 038081508139. English.

Alfred's Basic Adult Piano Course: Popular Hits answers the often- expressed need for a variety of supplementary material in many different popular styles. Soon after beginning piano study, students can play attractive versions of the best-known music of today. This book is correlated page-by-page with Lesson Book 1 of Alfred's Basic Adult Piano Course and Level 1 of Alfred's Basic Adult All-in-One Course. When pieces from the Popular Hits books are assigned in conjunction with the material in the Lesson Books, new concepts are reinforced in a fun and motivating way, increasing the student's interest in piano study. Titles: Best Day of My Life (American Authors) * Big Yellow Taxi (Joni Mitchell) * Bye Bye, Love (The Everly Brothers) * Clouds (Zach Sobiech) * Don't Stop Believin' (Journey) * Everything Is Awesome (Awesome Remixx!!!) (from The LEGO Movie) * Flicker (Kanye West Rework) (from The Hunger Games: Mockingjay, Part 1) * I Could Have Danced All Night (from My Fair Lady) * I Got You Babe (Sonny and Cher) * I Love Paris (from Can-Can) * I'll Stand By You (The Pretenders) * James Bond Theme * Let It Go (from Walt Disney's Frozen) * Mamma Mia (from Mamma Mia!) * Over the Rainbow (as sung by Israel IZ Kamakawiwo'ole) * Raiders March (from Raiders of the Lost Ark) * The Rose (Bette Midler) * Star Wars (Main Theme) * Take My Breath Away (Berlin) * A Teenager In Love (Dion and The Belmonts) * Try to Remember (from The Fantasticks) * You Raise Me Up (Josh Groban).

About Alfred's Basic Adult Piano Course

Des igned for use with an instructor, the Adult All-in-One Course is for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that includes lessons, theory, technique, and additional repertoire in a convenient all-in-one format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles.

SKU: CA.210400

Composed by Anonymus and John Hoybye. Edited by Volker Hempfling, Stanley Engebretson. Choral collections. Conductor's score, with CD. Sacred vocal music. Choir Book. 104 pages. Carus Verlag #CV 02.104/00. Published by Carus Verlag (CA.210400).

ISBN 9790007187651.

The choral collection Hallelujah. Gospels and Spirituals transports us into the fascinating world of African American folk songs. 30 gospels and spirituals have been arranged for mixed choir, unaccompanied or with piano. The choral parts sometimes divide, and occasionally solo parts (or even a small choral group) are required. The arrangements with their catchy rhythms, groove, their blue notes and other elements from Jazz and Blues and the principles of call-and-response will move performers and audiences in equal measure. As well as American classics (e.g. Amazing grace, Go down Moses, Kumbaya, Deep river, Down by the riverside, Good News, O when the saints, Nobody knows, Joshua fit the battle of Jericho), the collection also contains some discoveries from the beginnings of the genre. Just under half the arrangements were specially commissioned for the collection. Young composers from the USA (such as Courtney Carey, Marques Garrett) and arrangers from Canada, Denmark, and Germany (including Mark Sirett, John Hoybye, Thomas Gabriel, Carsten Gerlitz, Gunther Martin Gottsche, and Hans Ludemann) have contributed to this stylistically extremely varied choral collection. The medium difficulty level will enable many choirs to get to grips with the gospel style, something which perhaps few of them are very familiar with. Tips from the editors on performance, and a CD recording with a selection of the arrangements will help with learning the pieces. With their deep and emotional symbolism of captivity and repression on the one hand and redemption and freedom on the other hand, these Gospel settings are well-suited for many uses in concerts and church services. arrangements of around 30 spirituals and gospels for four-part mixed choir a cappella or with keyboard accompaniment medium difficulty level a good introduction for choirs with little previous experience of this repertoire includes popular classics such as Amazing grace, Deep river, Go down Moses, Good News, Nobody knows, Joshua fit the battle of Jericho wide variety of styles with many new arrangements conductor's score with CD Introductory price: 29.90 Euro, from 01.12.2019: 34.90 Euro.

SKU: CA.210405

Composed by Anonymus and John Hoybye. Edited by Volker Hempfling, Stanley Engebretson. Choral collections. Editionchor. Sacred vocal music. Choir Book. 96 pages. Carus Verlag #CV 02.104/05. Published by Carus Verlag (CA.210405).

ISBN 9790007187668.

The choral collection Gospels and Spirituals transports us into the fascinating world of African American folk songs. Around 30 gospels and spirituals have been arranged for mixed choir, unaccompanied or with piano. The choral parts sometimes divide, and occasionally solo parts (or even a small choral group) are required. As well as American classics (e.g. Amazing grace, Go down Moses, Kumbaya, Deep river, Down by the riverside, Good News, O when the saints, Nobody knows, Joshua fit the battle of Jericho), the collection also contains some discoveries from the beginnings of the genre. Just under half the arrangements were specially commissioned for the collection. Young composers from the USA (such as Courtney Carey, Marques Garrett) and arrangers from Canada, Denmark, and Germany (including Mark Sirett, John Hoybye, Thomas Gabriel, Carsten Gerlitz, Gunther Martin Gottsche, and Hans Ludemann) have contributed to this stylistically extremely varied choral collection. The medium difficulty level will enable many choirs to get to grips with the gospel style, something which perhaps few of them are very familiar with. Tips from the editors on performance, and a CD recording with a selection of the arrangements will help with learning the pieces. With their deep and emotional symbolism of captivity and repression on the one hand and redemption and freedom on the other hand, these Gospel settings are well-suited for many uses in concerts and church services. The arrangements with their catchy rhythms, groove, their blue notes and other elements from Jazz and Blues and the principles of call-and-response will move performers and audiences in equal measure. * arrangements of around 30 spirituals and gospels for four-part mixed choir * a cappella or with keyboard accompaniment * medium difficulty level * a good introduction for choirs with little previous experience of this repertoire * includes popular classics such as Amazing grace, Deep river, Go down Moses, Good News, Nobody knows, Joshua fit the battle of Jericho * wide variety of styles with many new arrangements * CD recordings helps with learning and rehearsing the pieces. Score available separately - see item CA.210400.

Composed by William Averitt. Instrumental Solo. Christmas, 21st Century. E.C. Schirmer Publishing #8763. Published by E.C. Schirmer Publishing

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

With Online Audio. Composed by Tom Hanway. Perfect binding. Book and online audio. Published by Mel Bay Publications, Inc (MB.95759M).