Orchestra string orchestra - Grade 2.5

SKU: KJ.SO232F

Composed by Mary Alice Rich. String Tracks. Score. Neil A. Kjos Music Company #SO232F. Published by Neil A. Kjos Music Company (KJ.SO232F).

Set in D Major, this lively and jovial work includes just a bit of 3rd position in the 1st violin part and some extension work in the viola and cello parts. Ms. Rich's artistic writing style features each section of the orchestra with melodic material.

Unison, Piano

SKU: SU.80300242

For Unison, Piano. Composed by Karen A. Tarlow. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300242. Published by Treble Clef Music Press (SU.80300242).

These seven sacred songs are suitable for treble, mixed, or men's choirs, or for solo performance. The texts are taken from various Sabbath services; many are suitable for use as anthems in Christian worship. While all are easy, each has distinctive features-rhythmic extension of a phrase, shifting meters, or harmonic subtleties-which make the set rank very, very high on the simple does not have to mean stupid scale. Please, before you buy another boring dreidel song, look at these. The text, from Psalm 96 (the basis for the Venite canticle), exhorts all creation to rejoice. The irregular rhythms and harmonic-melodic minor patterns in the choral part give the piece tremendous energy, as does the syncopated and wide-ranging piano accompaniment. Unison; piano; Hebrew; Easy-Med. Unison, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-1125257-015

Composed by Peter Kleine Schaars. De Haske Flexible Series. Original Light Music. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1125257-015. Published by De Haske Publications (BT.DHP-1125257-015).

9x12 inches. English-German-French-Dut ch.

Totally Nutsis a deliciously nutty assortment of fun songs sure to whet the appetite of your audience! This particular selection includes: Crazy Coconut, a South American Rhumba, Waltzy Walnut, a Viennese waltz, Poppy Peanut, a rock number and Hasty Hazelnut, a spirited and merry march. Caution: music may contain nuts!

Totally Nuts: alle gekheid op een stokje! Maar niet alleen dat. Het is ook de letterlijke vertaling van het woord nuts: noten! Totally Nuts is een heerlijke verpakking met daarin een (te) gekke, muzikale notenmix. Een melangedie uw publiek zeker niet zal versmaden! Laat uw muzikanten zich vast bijten in de Crazy Coconut (Zuid-Amerikaanse Rumba), de Waltzy Walnut (Weense wals), de Poppy Peanut (rock) en tenslotte in de Hasty Hazelnut (vrolijke mars.

Der Titel Totally Nuts ist ein Wortspiel aus dem englischen Ausdruck für total verrückt“ und der wörtlichen Ãœbersetzung des Wortes nuts: Nüsse. Dahinter verbirgt sich ein verrückte musikalische Nussmischung, die dem Publikum gut munden wird: Crazy Coconut ist eine südamerikanische Rumba, Waltzy Walnut ein Wiener Walzer, Poppy Peanut eine solide Rocknummer und Hasty Hazelnut schließlich ein fröhlicher Marsch.

Le titre Totally Nuts est un jeu de mots partir du terme anglais «nuts» qui signifie la fois fou et noix. Leo Sizo se laissa inspirer par cette multitude de petites noix : Crazy Coconut (une rumba sud-américaine), Waltzy Walnut (une valse viennoise), Poppy Peanut (un solide rock), Hasty Hazelnut (une marche joyeuse). Totally Nuts : un mélange fou et audacieux !

Totally Nuts è un gioco di parole sul termine inglese “nuts” che significa sia “matto” che “noci”. Leo Sizo si lascia ispirare dai tanti significati della parola nuts. Nasce così: Crazy Coconut (una rumba sudamericana), Waltzy Walnut (un valzer viennese), Poppy Peanut (un solido rock), Hasty Hazelnut (una marcia gioiosa).

Flute(s)

SKU: PR.ZM80403

Blockfloetentaxi. Composed by Jan Utbult. Book and CD. With Standard notation. 60 pages. Zimmermann #ZM80403. Published by Zimmermann (PR.ZM80403).

ISBN 9783940105226.

Composed by Thomas Beck & Jorgen Moe. Musikk-Husets blandet korbibliotek nr. 39. Published by Musikk-Husets Forlag (H2.MH639).

Vocal Score Mezzo-Soprano; Piano Accompaniment (Mezzo-Soprano)

SKU: HL.48024664

Selected Arias for Mezzo-Soprano, Volume 1 Vocal Score. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Voice. Classical. Softcover. 64 pages. Bote & Bock #M202535219. Published by Bote & Bock (HL.48024664).

ISBN 9783793142188. UPC: 888680951528.

Jacqu es Offenbach's more than 100 stage works are an endless treasure trove of vocal highlights with highly different musical moods and lyrical themes. To mark the 200th birthday of the great composer in 2019, which is at the same time the year of the 20th anniversary of the Offenbach Edition Keck OEK, the editor and Offenbach expert Jean-Christophe Keck has assembled a selection of arias. The four-part collection arranged according to voice category shows a rather unknown, romantic side of Offenbach. Apart from rediscovered works and first editions, however, the collection is not complete without some of his unrivalled hits. Apart from trouvailles from Les Bavards, Maitre Peronilla and Robinson Crusoe, the volume for mezzo-soprano also contains some of those crowd-pullers the composer wrote for his most famous star, the singer Hortense Schneider. But Perichole, the Beautiful Helen or the Grand Duchess of Gerolstein show definitely not only their burlesque side, but also their thoughtful one here. And in Fantasio's bitter-sweet Ballad to the Moon, Offenbach paints his own portrait as a melancholic in a jester's costume. Romantic Offenbach is aimed at fully trained and budding professionals as well as at Offenbach fans of every shade and colour, providing repertoire pieces for recitals, studies or private music-making.

Mixed Choir with Keyboard Accompaniment

SKU: BT.DMP115146

Composed by Hendrik De Regt. Vocal Score. Digital Music Print #DMP115146. Published by Digital Music Print (BT.DMP115146).

Fanfare Band - Grade 2.5

SKU: BT.GOB-000835-020

Composed by William Vean. Set (Score & Parts). 146 pages. Gobelin Music Publications #GOB 000835-020. Published by Gobelin Music Publications (BT.GOB-000835-020).

The Netherlands have been an important trading nation for a long time partly as a result of their geographical situation.
One of the first multinationals in The Netherlands was the ‘Verenigde Oostindische Compagnie’ (VOC).
The aim of the VOC was to send ships to Asia in order to buy pepper and spices, and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted, in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy.

1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing fordeparture. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.

2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja, the king of the area around Yokyakarta, follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship’s biscuit and water for such a long time.

3. The Holds have been loaded: The holds have been loaded to the brim, and the voyage home can be begin!

4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service, the Captain would speak the words ‘One, two, three, in God’s name ...’ and the body, wrapped in canvas, would be committed to the sea.

5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome.

Nederland is, mede door de geografische ligging, sinds lange tijd een belangrijke handelsnatie.
Eén van de eerste multinationals was de ‘Verenigde Oostindische Compagnie’ (VOC).
Het doel van de VOC was schepen naar Azië testuren om peper en specerijen te kopen en het Portugese monopolie over te nemen.
De VOC werd een succes. Het was een tijd van grote welvaart (Gouden Eeuw), waarin naast een bloeiende economie ook de schilderkunst (Rembrandt vanRijn) en de wetenschap (Constantijn Huygens) floreerden.

1. The Sails are set: Aan de kade is het een drukte van belang. De bemanning maakt het schip klaar voor vertrek. Er wordt afscheid genomen en als de zeilen gehesenzijn zetten we koers naar volle zee.

2. A Visit to the Rajah of Yogyakarta: Na een maandenlange reis wordt de bestemming bereikt. Er volgt een bezoek aan de Radja, de koning van de streek rond Yokyakarta. De spijzen, drankenen de inheemse cultuur zijn zeer aangenaam na maanden scheepsbeschuit en water.

3. The Holds have been loaded: De laadruimtes zijn volgestouwd. De thuisreis kan beginnen.

4. Death sails along: Het leven op zeeis hard. Niet zelden vond een zeeman de dood door een tropische ziekte of scheurbuik. Na een herdenkingsdienst sprak de kapitein de woorden: ‘Eén, twee, drie in Godsnaam .....’, waarna het in zeildoek gewikkelde lichaam aan de golvenwerd toevertrouwd.

5. A joyful homecoming: Na maanden van ontberingen is het thuiskomen misschien wel het mooiste van de hele reis. De kade staat weer vol om de bemanning een warm onthaal te geven.

(1D1.1.1.1/2.1.1.0,timp,p erc,hp,harm,pf,str=4.4.3. 2.0)

SKU: TM.07720SC

Composed by Erich Korngold. Score. Lucks Music Library #A8120. Published by Lucks Music Library (TM.07720SC).

Suite from the Incidental Music to Shakespeare's Play. Overture, Madchen im Brautgemach, Holzapfel und Schlewein (Marsch der Wache), Intermezzo (Gartenszene), Hornpipe.

Voice

SKU: BT.WHMS15B081

Composed by Otto Mortensen. Choral Score. Edition Wilhelm Hansen #WHMS15B081. Published by Edition Wilhelm Hansen (BT.WHMS15B081).

String Quartet

SKU: BR.PB-5622

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library). Romantic period. Study Score. Breitkopf and Haertel #PB 5622. Published by Breitkopf and Haertel (BR.PB-5622).

ISBN 9790004215197. 6.5 x 9 inches.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

Accordion solo

SKU: BR.DV-31074

Composed by Helmut Reinbothe. Edited by Helmut Reinbothe. Arranged by Helmut Reinbothe. Solo instruments; stapled. Deutscher Verlag. Baroque period. Score. 60 pages. Deutscher Verlag fur Musik #DV 31074. Published by Deutscher Verlag fur Musik (BR.DV-31074).

ISBN 9790200415681. 9 x 12 inches.

Zur Entstehung arteigener Originalliteratur fur jedes Musikinstrument sind mehrere Voraussetzungen notwendig: das neue Instrument muss spieltechnisch relativ ausgereift sein; Interpreten, die hohen kunstlerischen Anspruchen genugen, sind erforderlich; dem Neuen gegenuber aufgeschlossene Komponisten mussen die typischen Klangmoglichkeiten dieses Instrumentes erkennen und fur ihr Schaffen zu nutzen verstehen. Oft liegen die Wurzeln der Literatur - und da macht das Akkordeon keine Ausnahme - in der Folklore, oder man sucht mehr oder weniger erfolgreich Wege in die professionelle Musik, die sich aber nicht immer als asthetisch vertretbar erweisen, bis es zur Herausbildung eben jener eigenstandigen ,,Originalliteratur kommen kann. So musste auch das Akkordeon mehr als 100 Jahre warten, bis ihm durch Hugo Herrmanns ,,Sieben neue Spielmusiken 1927 der Weg in den Konzertsaal geoffnet wurde. Im folgenden Zeitraum schrieben die Komponisten in aller Welt eine unterdessen schier unubersehbar gewordene Zahl von Solo und Kammermusikwerken, fuhrten das Akkordeon in die Sinfonik und die Oper ein. Dabei versteht es sich von selbst, dass die Tonsprache der Gegenwart dominiert. Will der Padagoge seinen Akkordeonschulern jedoch eine musikalisch umfassende Allgemeinbildung vermitteln, ist er auf Transkriptionen, wie sie fur die Instrumente in allen Epochen der Musikgeschichte nachweisbar sind, angewiesen. Gerade die aktive Beschaftigung mit der Musik der letzten Jahrhunderte zeigt, wie sich ein Entwicklungsprozess in Europa vollzog, der z. B. das harmonische Klangempfinden der Wiener Klassik aus Ansatzen allmahlich vorbereitete, zur Blute brachte und wieder aufloste. Harmoniefolgen aus der Zeit vor Johann Sebastian Bach konnen uns heute ebenso fremd beruhren wie solche, die Komponisten unseres Jahrhunderts aufzeichneten. Wir erkennen, dass alle entstandenen Werte aus der Sicht formaler, polyphoner oder harmonischer Betrachtungsweise gewissermassen nur Durchgangsstation, Anregung fur weitere Entwicklungen sein konnen. Die vorliegende Sammlung mochte dem Akkordeonschuler eine musikhistorische Orientierung geben, welche sich auf die Bereiche beschrankt, die dem Akkordeon besonders entgegenkommen. Im Interesse der Vielfalt wurden kleine Formen bevorzugt, die typische Klangelemente ihrer Zeit enthalten. Meistens entstammen sie der sogenannten Gebrauchsmusik, welche sich ohnehin nicht an starre Besetzungsformen hielt und mehr oder weniger Bestandteil unterhaltender Musik war. Um einen moglichst anschaulichen Uberblick zu geben, wurden die Kompositionen chronologisch geordnet. Unvermeidbar war die deutliche Lucke aus der Zeit nach der Wiener Klassik. In den Werken aus dieser Zeit findet sich fast immer eine sehr starke klangliche Fixierung auf eine vom Komponisten bestimmte Instrumentation, welche eine Bearbeitung fur Akkordeon als asthetisch nicht vertretbar erscheinen lasst. Trotz dieser Einschrankung kann dieser Band praktisch als ,,Musikgeschichte fur den Akkordeonisten bis zum Beginn der Originalliteratur fur Akkordeon angesehen werden. Fast alle Stucke sind auf dem Standardbass-Akkordeon ausfuhrbar und von geringem Schwierigkeitsgrad. Nur wenige benotigen fur ihre Interpretation ein Instrument mit sogenannten Baritonbassen (Melodiebass-Manual). Solche sind dem professionell-interessier ten Spieler vorbehalten, sollen dem konzertierenden Solisten Anregung zur selbstandigen Literaturauswahl nach Originalvorlagen geben, wie sie sich in den Kompositionen fur Orgel, Cembalo oder Klavier finden lassen. Helmut Reinbothe, Januar 1980.

Recorder - very easy to easy

SKU: M7.VOGG-771

Composed by Herbert Kraus. Sheet music with CD. 64 pages. Voggenreiter #VOGG 771. Published by Voggenreiter (M7.VOGG-771).

ISBN 9783802407710. German.

Der leichte Einstieg in das Sopran-Blockflötenspie l. Mit vielen Photos und Grafiken sind die Spielweisen und Grifftechniken für barocke und deutsche Griffweise dargestellt. Die Musikstücke aus den Bereichen Kinderlied, Volkslied, Songs, Gospel, Pop, Country-Music und Weihnachtslied machen diese Schule sehr abwechslungsreich und unterhaltsam. Alle Übungsbeispiele und Lieder sind auf der beigefügten CD zum direkten Mitspielen aufgenommen. Sowohl für den Selbstunterricht als auch den Unterricht an Musikschulen ist mit 'Blockflöten Basics' der Lernerfolg garantiert. Für deutsche und barocke Griffweise.

String Quartet (2vl,va,vc)

SKU: BR.PB-5622-07

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library).

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar.

Romantic period. Study Score. 176 pages. Breitkopf and Haertel #PB 5622-07. Published by Breitkopf and Haertel (BR.PB-5622-07).

ISBN 9790004215197. 6.5 x 9 inches.

With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.

SKU: GI.G-10661

Songs and Games from Tanzania. Composed by Kedmon Mapana & Karen Howard. World Music Initiative. Music Education. 118 pages. GIA Publications #10661. Published by GIA Publications (GI.G-10661).

ISBN 9781622776399.

Hara mbee (Swahili): a festive gathering for singing and dancing. This beautiful collection of songs and games for elementary and middle school students showcases the vibrant and varied musical traditions of Tanzania, and in particular those of the Wagogo people of central Tanzania. As with all books in the World Music Initiative series, this collection guides students and teachers to an understanding of world music traditions by providing cultural and historical context for each selection, including information on geography, ethnic groups, languages, music genres, and traditional instruments—comple te with pictures and video links. Audio recordings—both a spoken pronunciation track and a singing track—are available online for all songs and chants, as well as PowerPoint slides for many of the materials. Each selection also includes notation, translations, phonetic pronunciations, and optional ideas for pedagogical extensions. Created with the generous support and input of many Tanzanian children, teachers, and friends, this collection presents the music of Tanzania in an accessible way that honors the music’s original context while adapting it for a new context and to teach new musical concepts. Kedmon Mapana is a senior lecturer of music in the Department of Creative Arts at the University of Dar es Salaam, founder of the Cigogo Music Festival, and is one of the directors of the Chamwino Arts Centre. As a member of the Wagogo ethnic group of Tanzania, his research and community interests include highlighting local communities throughout Tanzania and empowering young Tanzanians. Karen Howard (series editor) is Associate Professor of Music at the University of St. Thomas in St. Paul, Minnesota, where she teaches courses in music education, vocal pedagogy, research, and global music traditions. She has extensive training in global vocal, instrumental, and dance traditions from many music cultures, and her research interests and publications include works on world music cultures, music activism, and global singing traditions. CLICK HERE to download the Online Resources.

Piano, Vocal and Guitar

SKU: BT.MUSAM1000450

By Jenni Wheeler. By Glee Cast. TV-Film-Musical-Show. Book Only. Wise Publications #MUSAM1000450. Published by Wise Publications (BT.MUSAM1000450).

ISBN 9781849385121.

This great songbook features 17 songs from the hit TV show Glee in Piano, Vocal and Guitar arrangements.

In cludes the hit single Don't Stop Believin', originally releasedbyJourney . Both the original and the Glee cast version made it into the charts in January 2010, both in the top ten, a rare occurrence in UK chart history. Also includes otherGleesingles, such as Take a Bow, originally by Rihanna, Keep Holding On, released in 2006 by Avril Lavigne and featured as the theme song for the filmEragon,Bust A Move, the 1989 hip-hop release from Young MC, Sweet Caroline, the extensively covered Neil Diamond hit and Queen's SomebodyToLove.< br/>

GLEE, de Amerikaanse High School hit, wordt ook uitgezonden op de Nederlandse televisie en is een enorm succes. Vanaf 14 september 2010 is deze serie te zien bij RTL 5 en de kijkcijfers hebben zich na de eerste paar uitzendingen verdubbeld.Glee bevat humor, spanning, cheerleeders, footballspelers en flink wat tienerdrama, maar onderscheidt zich sterk van andere soortgelijke programma's door de bijzondere muziek in de serie. Er worden namelijk nummers vanbekende artiesten gezongen, die in een nieuw hip jasje gestoken zijn. Glee is hierdoor hard op weg om de grootste hype van dit seizoen te worden!Leverbaar:G lee Songbook: Season 1, Volume 1 Glee Songbook: Season 1, Volume 2 GleeSongbook: Season 1, Volume 3

SKU: HL.50585981

Ricordi Germany. Hal Leonard #SY1562. Published by Hal Leonard (HL.50585981).

Violoncello (Solos: SATB - mix ch - 2.2.2.2 - 4.2.3.0 - timp - org - str)

SKU: BR.OB-5361-23

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

The authentic text-critical new edition - complete as sales material (the only edition with a choral score and a historically legitimated piano-vocal score by Josef Zubaty)

Awarded the German Music Edition Prize 2005

Have a look into ISBN 9790004337356. 10 x 12.5 inches.

Antonin Dvorak penned his Stabat mater op. 58 in the years 1876 and 1877. The first performance took place in Prague on 23 December 1880. The first edition (score and piano vocal score) was published by Simrock (Berlin) in 1881.Breitkopf & Hartel's Urtext edition comprises the complete performance material including the piano vocal score and choral score. Through the arrangement by Josef Zubaty, the piano vocal score offers the sole authentic and historically legitimated music text, the one that Dvorak himself commissioned for the world premiere.The unique stature of Breitkopf's new edition of Dvorak's Stabat mater can easily be nailed down by three superlatives: * It is the only edition with a historically legitimated piano-vocal score. Josef Zubaty's arrangement is the only authentic reduction, and was commissioned by Dvorak himself for the world premiere. (The composer never made a reduction of this work himself.)* It is the only edition with a choral score.* It is thus the first text-critical edition that goes beyond the source findings presented in the Dvorak Complete Edition and which can be used for performances with a material that can be purchased in its entirety. ,,Guter Druck, gutes Papier, ubersichtlicher Notensatz. Wie immer ein Kompliment an und fur B&H! Die sorgsam aufeinander abgestimmten Teile der Neuausgabe erleichtern die Arbeit. Wenn nicht schon Auffuhrungsmaterial vorhanden ist, so sollte unbedingt zu dieser Ausgabe gegriffen werden. (Kurt-Ludwig Forg, Kirchenmusik)

The authentic text-critical new edition - complete as sales material (the only edition with a choral score and a historically legitimated piano-vocal score by Josef Zubaty)Awarded the German Music Edition Prize 2005.

SATB vocal soli, SATB choir, 2 pianos, armo - Level 3

SKU: CA.4065019

Composed by Gioachino Rossini. Edited by Klaus Doge. Carus sheet music series: Vocal scores XL. Petite Messe Solennelle Kart. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1863. Duration 90 minutes. Carus Verlag #CV 40.650/19. Published by Carus Verlag (CA.4065019).

ISBN 9790007096984. Language: Latin.

Next to the Stabat Mater, the Petite Messe solennelle of 1863 is Rossini's second extensive sacred composition. Ostensibly, the work was an occasional piece, written for the dedication of a private chapel for the once well-to-do Parisian nobility. This explains the reduced instrumental accompaniment for two pianos and harmonium. Of course this instrumental garb, reminiscent of decent, elevated salon music, produces an unmistakable timbre which through its typical Rossini rhythm obtains an additional flair. Score and parts available separately - see item CA.4065000.

Flute, Oboe, Violin or C-Melody Instruments - intermediate

SKU: BT.DHP-0970838-400

Composed by Jaap Kastelein. Educational Tool. Book with CD. Composed 1997. 48 pages. De Haske Publications #DHP 0970838-400. Published by De Haske Publications (BT.DHP-0970838-400).

ISBN 9789043135160. Dutch.

Inleiding tot improvisatie is bedoeld voor muzikanten die meer willen dan alleen noten van papier spelen. Specifieke kennis is voor het eerste deel niet nodig, behalve de beheersing van enkele eenvoudige toonladders over eenbehoorlijke omvang. Ook moet de leerling noten kunnen lezen. Deel 2 is geschikt voor wie minstens vijf jaar les heeft gehad en het materiaal uit deel 1 onder de knie heeft. In Inleiding tot improvisatie komt het improviserenover akkoorden uitgebreid aan de orde. Ook luisteroefeningen, analyses van toonsoorten en verschillende stijlen - met de daarbij behorende muzikale vormen en patronen - zijn in deze methode te vinden. Bij elk van de twee boekenis een cd bijgevoegd met luister- en meespeeloefeningen, die je helpen om te improviseren over steeds ingewikkelder structuren tot je de kunst van de improvisatie zelfstandig beheerst.

Recorder - very easy to easy

SKU: M7.VOGG-432

Composed by Martina Holtz. This edition: Ring/Spiral binding. Sheet music. 80 pages. Voggenreiter #VOGG 432. Published by Voggenreiter (M7.VOGG-432).

ISBN 9783802404320. German.

Die Schule für die 5-Loch-Flöte Frühe musikalische Betätigung fördert die geistige und körperliche Entwicklung von Kindern. Kein Instrument ist hierfür besser geeignet und leichter zu erlernen als die Fünflochflöte. Durch die Reduzierung spieltechnischer Probleme auf das absolut Nötige sorgt diese Flöte dafür, dass der erste Kontakt mit der Musik zu einem faszinierenden Erlebnis wird. Die sorgfältige pädagogische Aufbereitung des Stoffes mit von Musikwissenschaftlern eigens für dieses Büchlein entwickelten Stücken und Übungen sorgt dafür, dass dabei natürlich auch der Spaß nicht zu kurz kommt. Für Flöten mit den Tönen g', a', h', c'', d'' und e''.

(Dominicusmesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Clarinos/Trumpets, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Basso continuo, [3 Trombones]. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Score available separately - see item CA.4061300. Masses, Latin. Part: organ. Language: Latin. Composed 1768-69 (?) (dazwischen, spaetestens 1770). KV 66. 32 pages. Duration 43 min. Published by Carus Verlag

By Samuel Barber (1910-1981). Edited by George Schneider. For Concert Band (Score). G. Schirmer Band/Orchestra. Grade 5. 40 pages. Published by G. Schirmer

Fanfare Band - Grade 2.5

SKU: BT.DHP-1175811-120

Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2017. 21 pages. De Haske Publications #DHP 1175811-120. Published by De Haske Publications (BT.DHP-1175811-120).

English-German-French- Dutch.

The introductory theme of this composition echoes the majestic size of the mountains that are visible from the picture-postcard Cortina d’Ampezzo—t he so called Queen of the Dolomites. Then we hear a lyrical theme, in which we feel the peacefulness of the surrounding countryside. We can even hear the hustle and bustle of the popular ski resort, before the two opening themes return in reverse order to bring this musical sight-seeing excursion to a close.

Jacob de Haan neemt ons mee naar de majestueuze bergen rondom het schilderachtige Italiaanse bergdorp Cortina d’Ampezzo, ook bekend als de koningin van de Dolomieten. Het beginthema verbeeldt de imposante rotsformaties die je rondom je ziet in Cortina. Dan klinkt een lyrisch thema, refererend aan het vredige berglandschap van deze contreien. Ook de bedrijvigheid van het geliefde wintersportdorp weerklinkt in deze mooie compositie. Beide thema’s komen nog één keer terug in omgekeerde volgorde om tenslotte dit muzikale panorama te besluiten.

Im Eingangsthema dieser Komposition hallt die majestätische Größe der Bergformation wider, die vom malerischen Cortina d’Ampezzo - der so genannten Königin der Dolomiten“ - aus sichtbar ist. Dann erklingt ein lyrisches Thema, in dem der Frieden der umliegenden Berglandschaft zu spüren ist. Auch die Betriebsamkeit des beliebten Wintersportortes ist zu hören, bevor die beiden Eingangsthemen in umgekehrter Reihenfolge den musikalischen Rundblick beenden.

Le premier motif de cette pièce reflète la majesté de la couronne“ de montagnes entourant Cortina. Il est suivi d’un thème lyrique qui évoque la tranquillité du cadre ainsi que les maisons nichées dans la vallée. De retour en ville, nous entendons les accents joyeux de l’harmonie locale qui joue pour les vacanciers descendant des téléphériques. L’œuvre s’achève avec les sons grandioses du motif initial, qui exprime nouveau la beauté imposante de la couronne montagneuse.

Corti na d’Ampezzo è anche chiamata “la regina delle Dolomiti” per la bellezza mozzafiato del suo paesaggio. Cortina è la meta obbligatoria invernale di VIP italiani ma anche di molti turisti desiderosi di affrontare le splendide piste d’inverno e gli innumerevoli sentieri per indimenticabili passeggiate d’estate. La musica di Jacob de Haan riflette la sublime bellezza dei paesaggi ed è un vero omaggio alla natura.

SKU: GH.CG-6775

Composed by Gunno Klingfors. Educational. Gehrmans Musikforlag #CG 6775. Published by Gehrmans Musikforlag (GH.CG-6775).

Wienklassisk uppforandepraxis - i synnerhet i kyrkan. Har kan man lasa om hur sma sangensembler Mozart hade, sangideal, basinstrumentens andel av orkestern, tonhojden, improvisation och mycket mer. Kort sagt: det mesta som de flesta inte vet om Mozarts kyrkomusik!

(TASCHE)

SKU: HL.49041773

Composed by Musiktasche. Accessories. Schott-Komponisten-Karte. Beihefte s. unter Blockflote solo. Music Bag. Schott Music #SKK40. Published by Schott Music (HL.49041773).

UPC: 888680659363. 14.75x10.5x0.615 inches.

Wenn Kinder im Alter von 4-15 Jahren in die Musikschule gehen, benotigen sie eine Tasche. Schott bietet ab sofort fur die Musikalische Fruherziehung, die Grundausbildung und den Instrumentalunterricht stabile Taschen an. Da die Taschen mit hubschen musikalischen Motiven bedruckt sind, werden sich die Kinder sicher bald mit ihren Musiktaschen identifizieren. In jeder Tasche ist Platz fur mehrere Unterrichtshefte, eine Alt-Blockflote (oder ein Glockenspiel) und einen Notenstander.

Choral (TTBB Choir)

SKU: HL.144027

Sheet music. Pavane Secular. Male Voices, Concert, Contest. 1494. 16 pages. Pavane Publishing #P1494. Published by Pavane Publishing (HL.144027).

UPC: 888680060268. 6.75x10.5 inches. Czech.

Randall Johnson is a master at combining traditional and jazz styles. The Latin Benedictus text harkens to an ancient time, and after a solemn start, the music suddenly breaks into a fast and festive roll. Selected for the Randy Stenson Male Chorus Series, this is a great high school or festival number. This piece was performed at the 2015 ACDA National Convention. Medium difficulty.