| Thnks fr th Mmrs (Thanks for the Memories) Fanfare [Conducteur et Parties séparées] - Intermédiaire Arrangers' Publishing Company
By Fall Out Boy. Arranged by Joe Murphy. For Marching Band (Score and Parts). Ar...(+)
By Fall Out Boy. Arranged
by Joe Murphy. For
Marching Band (Score and
Parts). Arrangers' Publ
Marching Band. Grade 3.
Published by Arrangers'
Publishing Company
$80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Book Of Torch Songs Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Standards, Traditional
Pop and Vocal Standards.
293 pages. 9x12 inches.
Published by Hal Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Remember When Songs Full Of Memories Of Love Music Sales
| | |
| Nameless Seas (Piano Concerto) Piano et Orchestre Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5). ISBN
9790550113725. Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work. $49.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Real Vocal Book - Volume 1 Voix haute [Fake Book] Hal Leonard
C Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 in...(+)
C Edition. By Various.
Fake Book (Includes
melody line and chords).
Size 9x11 inches. 352
pages. Published by Hal
Leonard.
(1)$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Notre Dame Mass Chorale SATB SATB [Partition] - Facile GIA Publications
By David Clark Isele. For SATB Chorus, Cantor and Organ accompaniment. Mass. Sac...(+)
By David Clark Isele. For
SATB Chorus, Cantor and
Organ accompaniment.
Mass. Sacred. Level:
easy. 48 pages. Published
by GIA Publications.
$4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Homefront, The: Musical Memories From World War II Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
Arranged by James Christensen. Score and full set of parts. Symphonic/Concert Ba...(+)
Arranged by James
Christensen. Score and
full set of parts.
Symphonic/Concert Band
Series. Size 9x12 inches.
Published by Hal Leonard.
(1)$85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mass of the Divine Word Chorale SATB SATB GIA Publications
By Howard Hughes, SM. For Cantor, Assembly, and Unison or SATB Chorus. Mass. Sac...(+)
By Howard Hughes, SM. For
Cantor, Assembly, and
Unison or SATB Chorus.
Mass. Sacred. 36 pages
$6.70 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Thanks for Giving Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Pepper Choplin. Singable Solutions. Sacred Anthem, General, Memori...(+)
Composed by Pepper
Choplin. Singable
Solutions. Sacred Anthem,
General, Memorial
Services, Thanksgiving.
Octavo. Lorenz Publishing
Company #10/4903L.
Published by Lorenz
Publishing Company
(LO.10-4903L).
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Organ Book
Orgue [Partition] Hope Publishing Company
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
(4)$79.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ragtime & Early Jazz - 1900-1935 - C Edition Hal Leonard
By Various. For voice and C instrument. Hal Leonard Fake Books. Ragtime and Stan...(+)
By Various. For voice and
C instrument. Hal Leonard
Fake Books. Ragtime and
Standards. Difficulty:
medium. Fakebook. Vocal
melody, lyrics, chord
names, introductory text
and instructional text.
236 pages. Published by
Hal Leonard fakebook
Ragtime and Standards
$22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Memorial Album Music Sales
| | |
| Recuerdos de la Alhambra Cor et Piano Schott
(Horn and Piano). By Francisco TÌÁrrega and Francisco T. Arranged by Wolfgang ...(+)
(Horn and Piano). By
Francisco TÌÁrrega and
Francisco T. Arranged by
Wolfgang Birtel. For
Horn, Piano
Accompaniment. Brass.
Book only. 10 pages.
Schott Music #ED09864.
Published by Schott Music
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Recuerdos de la Alhambra (Memories of the Alhambra) Violoncelle, Piano [Partition] Schott
(Cello and Piano). By Francisco Tarrega (1852-1909). Arranged by Wolfgang Birtel...(+)
(Cello and Piano). By
Francisco Tarrega
(1852-1909). Arranged by
Wolfgang Birtel. String.
Softcover. 12 pages
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Recuerdos de la Alhambra (Memories of the Alhambra) Violon et Piano Shawnee Press
(Violin and Piano). By Francisco Tarrega (1852-1909). Arranged by Wolfgang Birte...(+)
(Violin and Piano). By
Francisco Tarrega
(1852-1909). Arranged by
Wolfgang Birtel. String.
Book only. 14 pages
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| E-Z Play Today #5. All-Time Standards Piano Facile - Facile Hal Leonard
| | |
| Give Thanks and Praise Chorale SATB - Facile GIA Publications
SATB choir, cantor, priest, assembly, organ accompaniment, trumpet 1 in B-flat, ...(+)
SATB choir, cantor,
priest, assembly, organ
accompaniment, trumpet 1
in B-flat, trumpet 2 in
B-flat, trombone 1,
trombone 2 - Early
intermediate SKU:
GI.G-3134 A
Setting for
Eucharist. Composed
by Howard Hughes. Mass.
Mass. Sacred. Octavo. 48
pages. GIA Publications
#3134. Published by GIA
Publications (GI.G-3134).
Text Source:
Trad. Brass quartet
part is optional. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Thanks for Giving - Performance/Accompaniment CD plus Split-track CD Chorale Lorenz Publishing Company
Composed by Pepper Choplin. Arranged by Larry Shackley. Choral. Sacred Anthem, ...(+)
Composed by Pepper
Choplin. Arranged by
Larry Shackley. Choral.
Sacred Anthem, General,
Memorial Services,
Thanksgiving.
Performance/accompaniment
CD (split-track). Lorenz
Publishing Company
#99/3767L. Published by
Lorenz Publishing Company
(LO.99-3767L).
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Are the Church (Thanks Be to God) Chorale SATB Shawnee Press
Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. Octavo....(+)
Composed by Joseph M.
Martin.
Shawnee Sacred. General
Worship, Sacred. Octavo.
16
pages. Published by
Shawnee
Press
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gualtiero Dazzi: L'Enclos Chester
Narrator, Children's Choir and Ensemble SKU: HL.14008459 Composed by Gual...(+)
Narrator, Children's
Choir and Ensemble
SKU: HL.14008459
Composed by Gualtiero
Dazzi. Music Sales
America. Children. Book
[Softcover]. Composed
2002. 36 pages. Chester
Music #CH61664. Published
by Chester Music
(HL.14008459). ISBN
9780711986725. Melo
drama for Narrator,
Children's Choir and Ten
Instruments. Gualtierro
Dazzi: The texts
underlying these
fragments are passages
from a long poem by
Armand Gatti entitled
L'Enclos. Through
memories, this long
poetic narrative recounts
the course of a
generation that strove to
resist against the rise
of fascism in the 1930s
Europe. This resistance
often led them to the
concentration camps and,
for most of them, to
death.Thanks to the great
emotional intensity of
his poetic writing,
Armand Gatti makes us
share his grief for the
loss of some dear friends
who were barely 20 years
old.The fragments
selected for the
children's choir are
moments where poetry
becomes more distant, as
if lost and suspended in
its own beauty. The white
voices embody those
terrible memories by
vanishing into an angelic
sphere. The work is a
melodrama for narrator,
children's choir and
small instrumental
ensemble. Thus, the poem
is to be read,
accompanied by the
instrumental music and
placed in between the
choral parts.This project
is dedicated to the
memory of Jean Moulin,
prefect of Eure-et-Loir,
leader of the Resistance
movement, for his
antifascist struggle. $39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Funeral March Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-215 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5 SKU:
BT.DHP-1135497-215
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Score
Only. Composed 2013. 20
pages. De Haske
Publications #DHP
1135497-215. Published by
De Haske Publications
(BT.DHP-1135497-215).
9x12 inches.
English-German-French-Dut
ch. Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoni’s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
‘Adagio van
Albinoni’, en
waarvan sinds kort blijkt
dat het eigenlijk werd
geschreven door Giazotto.
Door de _x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte
für diesen
Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen
Stückes Anklänge
an das Adagio“ von
Albinoni, das nach
neueren Erkenntnissen
aber von dessen Biograf
Remo Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbühne bei
einem
Gedenkkonzert.
Rob
ert van Beringen
s’est inspiré
d’un grand
thème classique pour
cette marche de
funérailles, dont le
trio mélancolique nous
rappelle
l’Adagio
qui semblerait en fait
avoir été
composé, selon de
récentes
découvertes, par le
musicologue Remo Giazotto
d’après un
fragment d’une
sonate d’Albinoni
retrouvé parmi les
ruines de la
bibliothèque de
Dresde, après son
bombardement durant la
Seconde Guerre mondiale.
Écrite dans une
version pour
instrumentation variable
quatre voix (avec
percussion ad libitum),
Funeral March
pourra être
interprété lors
d’une
cérémonie
funéraire,
d’une procession
de l’église au
cimetière, ou lors
d’un concert
commémoratif.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda
l’Adagio di
Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Funeral March Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1135497-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5 SKU:
BT.DHP-1135497-015
Trauermarsch.
Composed by Robert van
Beringen. De Haske
Flexible Series. Festive
and Solemn Music. Set
(Score and Parts).
Composed 2013. De Haske
Publications #DHP
1135497-015. Published by
De Haske Publications
(BT.DHP-1135497-015).
9x12 inches.
English-German-French-Dut
ch. Robert van
Beringen chose a
classical theme for this
funeral march. For this
reason, within the trio
of this melancholy piece
we find echoes of
Albinoniâ??s
Adagio which -
according to the latest
research was actually
composed by his
biographer Remo Giazotto.
Thanks to the four-part
variable instrumentation
(with ad lib. drums) this
funeral march can be
played by pretty much any
ensemble - whether at a
funeral on the way from
the church to the
cemetery, in the church
itself or indeed on stage
as part of a memorial
concert.
Robert
van Beringen maakt in het
trio van zijn Funeral
March gebruik van de
bekende melodie
â??Adagio van
Albinoniâ??, en waarvan
sinds kort blijkt dat het
eigenlijk werd geschreven
door Giazotto. Door de
_x001E_exibele,
vierstemmige bezetting
kan dit werk gespeeld
worden door elk orkest.
Het is geschikt als
begeleiding van de kerk
naar het kerkhof of in de
kerk als een moment van
bezinning of eerbetoon.
Robert van
Beringen wählte fu?r
diesen Trauermarsch ein
klassisches Thema. So
_x001D_finden sich im
Trio dieses
melancholischen Stu?ckes
Anklänge an das
Adagioâ?? von Albinoni,
das nach neueren
Erkenntnissen aber von
dessen Biograf Remo
Giazotto zu stammen
scheint. Dank der
vierstimmig variablen
Instrumentierung (mit
Schlagzeug ad lib.) kann
der Trauermarsch von
jeder Besetzung gespielt
werden - ob bei einer
Beerdigung auf dem Weg
von der Kirche zum
Friedhof, in der Kirche
selbst oder auf der
Konzertbu?hne bei einem
Gedenkkonzert.
Rob
ert van Beringen sâ??est
inspiré dâ??un grand
thème classique pour
cette marche de
funérailles, dont le
trio mélancolique nous
rappelle
lâ??Adagio qui
semblerait en fait avoir
été composé,
selon de récentes
découvertes, par le
musicologue Remo Giazotto
dâ??après un fragment
dâ??une sonate
dâ??Albinoni retrouvé
parmi les ruines de la
bibliothèque de
Dresde, après son
bombardement durant la
Seconde Guerre mondiale.
Ã?crite dans une version
pour instrumentation
variable quatre voix
(avec percussion ad
libitum), Funeral
March pourra être
interprété lors
dâ??une cérémonie
funéraire, dâ??une
procession de
lâ??église au
cimetière, ou lors
dâ??un concert
commémoratif.
P
er questa marcia funebre,
Robert van Beringen si
è ispirato ad un tema
classico. Il malinconico
trio ricorda lâ??Adagio
di Albinoni che secondo
scoperte recenti sembra
sia stato composto dal
biografo Remo Giazotto.
Scritta per
strumentazione variabile
a quattro voci (con
percussioni ad libitum),
Funeral March può
essere eseguita in
occasione di una
cerimonia funebre, di una
processione o di un
concerto
commemorativo. $90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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