| Easy Piano White Pages Piano Facile [Partition] - Facile Hal Leonard
| | |
| Jim Croce: Best of Jim Croce Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
By Jim Croce. For voice, piano and guitar chords. Piano/Vocal/Guitar Artist Song...(+)
By Jim Croce. For voice,
piano and guitar chords.
Piano/Vocal/Guitar Artist
Songbook. Soft Rock and
Folk Rock. Difficulty:
medium. Songbook. Vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. 78 pages.
Published by Hal Leonard
(3)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Clarinet 5, Clarinet 6,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Flute
4, Flute 5, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.415411560 Composed
by Stacy Garrop. Study
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156. Published by
Theodore Presser Company
(PR.415411560). UPC:
680160642946. 9 x 12
inches. The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Clarinet 5, Clarinet 6,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Flute
4, Flute 5, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.41541156L Composed
by Stacy Garrop. Large
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156L. Published by
Theodore Presser Company
(PR.41541156L). UPC:
680160642953. 11 x 17
inches. The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Giant Book of Broadway Sheet Music Piano Facile - Facile Alfred Publishing
(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book;...(+)
(Easy Piano). Arranged by
Dan Coates. For Piano.
This edition: Easy Piano.
Book; Piano - Easy Piano
Collection; Sing-Along.
The Giant Book of Sheet
Music. Broadway. Easy
Piano. 196 pages.
Published by Alfred Music
$20.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Billboard Hot 100s 1970s?1980s Piano seul - Facile Alfred Publishing
Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy ...(+)
Arranged by Dan Coates.
For Piano. This edition:
Easy Piano. Book; Piano -
Easy Piano Collection;
Piano Supplemental.
Billboard Magazine. Easy
Piano. 172 pages.
Published by Alfred Music
Publishing
(1)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Diamond Jubilee Songbook Piano, Voix et Guitare Amsco Wise Publications
Piano, Vocal and Guitar SKU: BT.MUSAM1005543 Music for Pageantry and P...(+)
Piano, Vocal and Guitar
SKU:
BT.MUSAM1005543
Music for Pageantry
and Patriotism arranged
for piano, voice &
guitar. Book Only.
Wise Publications
#MUSAM1005543. Published
by Wise Publications
(BT.MUSAM1005543).
ISBN
9781780387338. F
rom John Dowland's
Galliard
dedicated to the Virgin
Queen through
Handel’s Water
Music for George I
to Elgar's Imperial
March marking Queen
Victoria's Diamond
Jubilee, classical
musichasbestowed upon
Britain an unmatched
musical legacy
celebrating both king and
country.
As well
as the triumphal music
for state occasions this
collection also features
some of the
quintessential music
fromBritain’slong
history, from the
Elizabethan folk tune
Greensleeves to
Holst’s 1920s
setting of
Spring-Rice’s
patriotic poem I Vow
To Thee My
Country.
Fo
r every age new music
iscomposed to match
theoccasion, each adding
to Britain’s
uniquely impressive
musical heritage. This is
a collection of the very
best. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Easy Classic Rock Fake Book Piano seul [Fake Book] Hal Leonard
(Melody, Lyrics and Simplified Chords in the Key of C). By Various. For C Instru...(+)
(Melody, Lyrics and
Simplified Chords in the
Key of C). By Various.
For C Instruments. Easy
Fake Book. Softcover. 256
pages. Published by Hal
Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years Of Popular Music 1970s Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
Edited by Zoby Perez. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for...(+)
Edited by Zoby Perez.
Piano/Vocal songbook
(Piano/Vocal/Chords.
Arrangements for piano
and voice with guitar
chords). Published by
Alfred Publishing.
(1)$21.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Top 2000 Songbook Piano, Voix et Guitare - Intermédiaire De Haske Publications
Piano, Vocal and Guitar - intermediate SKU: BT.DHP-1084506-401 50 Hits...(+)
Piano, Vocal and Guitar -
intermediate SKU:
BT.DHP-1084506-401
50 Hits. Book
Only. Composed 2007. 256
pages. De Haske
Publications #DHP
1084506-401. Published by
De Haske Publications
(BT.DHP-1084506-401).
ISBN 9789043129220.
9x12 inches.
English-German-French-Dut
ch. This mega-value
bumper book contains 50
top hits from the past 50
years. There is something
for everyone in this 256
page folio. Each song is
clearly printed with
piano part, vocal line
and guitar tab. Includes
hits by: Elvis Presley,
Nora Jones,Abba, Sting,
Jimi Hendrix, Eric
Clapton, U2, The Beatles,
Prince, Oasis and many
many more.
Met
een boek vol bladmuziek
uit de Top 2000 van Radio
2 is voor veel
liefhebbers een
langverwachte wens in
vervulling gegaan. Er is
een selectie gemaakt van
vijftig hits uit
verschillende
poptijdperken. De
arrangementen zijn zo
geschrevendat zegeschikt
zijn voor zangers,
pianisten, gitaristen en
basgitaristen. Als
gitarist kun je spelen
aan de hand van de
akkoordsymbolen en/of
akkoorddiagrammen.Inhoud:
Against All Odds (Phil
Collins) â?¢ Angels
(Robbie Williams) â?¢
Candle in the Wind 97
(Elton John) â?¢
Dancing Queen (ABBA)
â?¢ Everything I Do (I
Do It for You) (Bryan
Adams) â?¢ Hey Jude
(The Beatles) â?¢ I
Shot the Sheriff (Eric
Clapton) â?¢ KillingMe
Softly (Roberta Flack)
â?¢ Morning Has Broken
(Cat Stevens) â?¢
Purple Rain (Prince and
The Revolution) â?¢ The
Best (Tina Turner) â?¢
Up Where We Belong (Joe
Cocker and Jennifer
Warnes) â?¢ Sweet Home
Alabama (Lynyrd Skynyrd)
â?¢ Time After Time
(Cyndi
Lauper)e.v.a.
T
op 2000 Songbook: das
sind 50 Tophits in einem
Buch für Gesang mit
Begleitungen für
Klavier und Gitarre (mit
Akkorddiagrammen). Inha
lt: Against All Odds
â?¢ Angels â?¢ Candle
in the Wind â??97 â?¢
Dancing Queen â?¢
Everything I Do (I Do It
for You) â?¢ Hey Jude
â?¢ I Shot the Sheriff
â?¢ Killing Me Softly
â?¢ Morning Has Broken
â?¢ Purple Rain â?¢
The Best â?¢ Up Where
We Belong â?¢ Sweet
HomeAlabama â?¢ Time
after Time â?¢ Great
Balls of Fire â?¢
Imagine â?¢ Our House
â?¢ Torn â?¢
Wonderwall â?¢ Like a
Rollin Stone u. v. m.
Top 2000
Songbook : une
compilation des 50 plus
grands succès musicaux
des 50 dernières
années, dans une
version arrangée pour
Piano, Voix et Guitare
(grilles d´accords
incluses). Sommaire :
Against All Odds â?¢
Angels â?¢ Candle in
the Wind â??97 â?¢
Dancing Queen â?¢
Everything I Do (I Do It
for You) â?¢ Hey Jude
â?¢ I Shot the Sheriff
â?¢ Killing Me Softly
â?¢ Morning Has Broken
â?¢ Purple Rain â?¢
The Best â?¢ Up Where
We Belong â?¢ SweetHome
Alabama â?¢ Time after
Time â?¢ Great Balls of
Fire â?¢ Imagine â?¢
Our House â?¢ Torn
â?¢ Wonderwall â?¢
Like a Rollin
Stone... $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lost in the Woods CD Chorale Hal Leonard
Choral (ShowTrax CD) SKU: HL.345350 From Frozen 2. Composed by Kri...(+)
Choral (ShowTrax CD)
SKU: HL.345350
From Frozen 2.
Composed by Kristen
Anderson and Robert
Lopez. Arranged by Mark
A. Brymer. Disney Choral.
Concert, Disney,
Eighties, Movies,
Novelty, Pop. CD.
Duration 180 seconds.
Published by Hal Leonard
(HL.345350). UPC:
840126919110.
5.0x5.0x0.145
inches. In a
wonderfully realized
gender-reversal thread in
the plot of Disney's
Frozen II, comes this
passionate AE80s rock
ballad from mountain man
Kristoff, accompanied by
none other than singing
apparitions of his
reindeer and lifelong
best friend, Sven. Staged
on the screen to mimic
the landmark music video
for Queen's Bohemian
Rhapsody, this will
elicit much more than a
wry chuckle from your
audience! $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lord Is My Shepherd (Psalm 23) Chorale 2 parties SA, Piano Faber Music Limited
(Theme from the BBC TV series The Vicar of Dibley (SA, a cappella)). Composed by...(+)
(Theme from the BBC TV
series The Vicar of
Dibley (SA, a cappella)).
Composed by Howard
Goodall. Choir Sacred.
2-Part Choir; Women's
Choir. Choral (Sacred);
Choral Octavo; Worship
Resources. Faber Edition:
Choral Signature Series.
Sacred; TV. Published by
Faber Music
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Queen Greatest Hits Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115045-010 Arranged by Peter...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1115045-010
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Concert
Piece. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115045-010. Published by
De Haske Publications
(BT.DHP-1115045-010).
9x12
inches. Queen
Greatest Hits is a
veritable feast of
fantastic melodies from
one of the worlds largest
supergroups. Includes:
Bohemain Rhapsody,
Another One Bites the
Dust, Crazy Little Thing
Called Love, We Will Rock
You and We Are the
Champions. Queen at
their best!
De
titel zegt het al: in
deze medley verwerkte
Peter Kleine Schaars de
allergrootste hits van
Queen. Bohemian Rhapsody,
Another One Bites the
Dust, Crazy Little Thing
Called Love, We Will Rock
You en We Are the
Champions
passerenswingend de
revue.
Queen
Greatest Hits
hält, was der Titel
verspricht: Peter Kleine
Schaars verarbeitete in
diesem Medley die
weltweit unbestritten
größten Hits der
Gruppe: Bohemian
Rhapsody, Another One
Bites the Dust, Crazy
Little Thing Called Love,
We Will Rock You und
We Are the
Champions.
Le
titre résume
parfaitement le contenu
du medley : les plus
grands succès
commerciaux du groupe
Queen : Bohemian
Rhapsody, Another One
Bites the Dust, Crazy
Little Thing Called Love,
We Will Rock You et
We Are the
Champions.
Il
titolo parla da solo.
Peter Kleine Schaars ha
raccolto nel suo medley
quattro hits di questo
leggendario gruppo:
Bohemian Rhapsody,
Another One Bites the
Dust, Crazy Little Called
Love, We Will Rock
You e We are The
Champions. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Best Of Doo Wop And Beyond Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio; Piano/V...(+)
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords. P/V/C
Mixed Folio;
Piano/Vocal/Chords. Rock
'n' Roll. Songbook. With
vocal melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. 142
pages. Alfred Music
#00-MF9813. Published by
Alfred Music
(1)$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Organ Book
Orgue [Partition] Hope Publishing Company
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
(4)$79.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Doors: Best Of The Doors - Easy Guitar Ligne De Mélodie, Paroles et Accords [Partition] - Facile Hal Leonard
Performed by The Doors. For guitar and voice. Format: easy guitar/vocal songbook...(+)
Performed by The Doors.
For guitar and voice.
Format: easy guitar/vocal
songbook (no tablature).
With standard notation,
vocal melody, lyrics,
chord names, guitar chord
diagrams and strum
patterns. Classic Rock
and Psychedelic Rock. 64
pages. 9x12 inches.
Published by Hal Leonard.
(1)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| More of the Best Broadway Songs Ever Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 386 pages.
Published by Hal Leonard.
$22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best of ABBA Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
By ABBA. Piano/Vocal/Guitar Artist Songbook. Softcover. 136 pages. Published by ...(+)
By ABBA.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 136
pages. Published by Hal
Leonard
(2)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Of Mountain Guitare notes et tablatures Hal Leonard
By Mountain. For Guitar. Hal Leonard Guitar Recorded Versions. Hard Rock. Diffic...(+)
By Mountain. For Guitar.
Hal Leonard Guitar
Recorded Versions. Hard
Rock. Difficulty: medium.
Guitar tablature
songbook. Guitar
tablature, standard
notation, vocal melody,
lyrics, chord names and
guitar notation legend.
72 pages. Published by
Hal Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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