Lyrics and Chords

SKU: BT.MUSAM997458

By Adrian Hopkins. The Little Black Songbook. Pop & Rock. Book Only. Wise Publications #MUSAM997458. Published by Wise Publications (BT.MUSAM997458).

ISBN 9781849380881.

T he little book with all the big songs!

A pocket-sized collection of over 70 hits by the biggest names of the 1980s.

Presented in chord songbook format, with chord symbols, Guitar chord boxes andcompletelyrics.

For French Horn. With fingering chart and Circle of Fifths. Color poster. Published by Santorella Publications.

Chamber Music Double Bass, English Horn, Oboe, Viola 1, Viola 2, Violin 1, Violin 2, Violoncello

SKU: PR.446413390

Composed by Michael Boyman. Study Score. With Standard notation. Duration 9 minutes. Merion Music #446-41339. Published by Merion Music (PR.446413390).

UPC: 680160667383. 9 x 12 inches.

Concertino is about relationships and how they change over time. My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn. The Oboe begins with a berceuse-like melody, while the English Horn's entrance is more ambiguous and rhythmically jagged. Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing. The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus. They establish each musical scene, interact with the two woodwinds, and further develop the musical material. And while there is a strong concertante element in the piece, it is essentially chamber music. There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists. Each of the eight instruments has something unique and important to say.
Concertino is about relationships and how they change over time.  My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn.  The Oboe begins with a berceuse-like melody, while the English Horn’s entrance is more ambiguous and rhythmically jagged.  Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing.The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus.  They establish each musical scene, interact with the two woodwinds, and further develop the musical material.  And while there is a strong concertante element in the piece, it is essentially chamber music.  There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists.  Each of the eight instruments has something unique and important to say.

Chamber Music Double Bass, English Horn, Oboe, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.44641339L

Composed by Michael Boyman. Large Score. With Standard notation. Duration 9 minutes. Merion Music #446-41339L. Published by Merion Music (PR.44641339L).

UPC: 680160667390. 11 x 14 inches.

Concertino is about relationships and how they change over time. My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn. The Oboe begins with a berceuse-like melody, while the English Horn's entrance is more ambiguous and rhythmically jagged. Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing. The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus. They establish each musical scene, interact with the two woodwinds, and further develop the musical material. And while there is a strong concertante element in the piece, it is essentially chamber music. There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists. Each of the eight instruments has something unique and important to say.
Concertino is about relationships and how they change over time.  My first goal in writing the piece was to create two distinct characters, in this case the Oboe and English Horn.  The Oboe begins with a berceuse-like melody, while the English Horn’s entrance is more ambiguous and rhythmically jagged.  Over the course of the piece, these two characters interact through a variety of musical settings, their material or personalities continually developing.The strings, more than mere accompaniment, provide commentary on the dramatic action, much like a Greek chorus.  They establish each musical scene, interact with the two woodwinds, and further develop the musical material.  And while there is a strong concertante element in the piece, it is essentially chamber music.  There is a conversational quality, a sense of give-and-take between everyone involved that makes the two woodwinds first among equals as opposed to featured concert soloists.  Each of the eight instruments has something unique and important to say.

Edited by Jeffrey Sultanof. Arranged by Tadd Dameron. For big band (2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums). Ranges: Trumpet 1 to C#6, Trombone 1 to A5. Swing. Difficult. Score and pa

By Various. Creative Concepts Publishing. Size 9x12 inches. 192 pages. Published by Creative Concepts.

C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

(B-flat Edition). Composed by Various. For C Instruments. Fake Book. Softcover. 440 pages. Published by Hal Leonard

Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.

E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x11 inches. 464 pages. Published by Hal Leonard.

Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

Concert Band/Harmonie - Grade 6

SKU: BT.AMP-028-140

Composed by Philip Sparke. Elite Series. Concert Piece. Score Only. Composed 2005. 68 pages. Anglo Music Press #AMP 028-140. Published by Anglo Music Press (BT.AMP-028-140).

English-German-French- Dutch.

The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.

Dieses Werk handelt vom Weltall und unserem Platz im Universum, auf dem Weltbild von Pythagoras basierend. Am einfachsten lässt sich diese außergewöhnliche Komposition wohl als Filmmusik ähnliches Stück beschreiben ? Musik zu einem Science-Fiction-Film eines Ripley Scott oder Steven Spielberg oder auch Musik, wie sie ein John Williams oder Danny Elfman schreiben würde: absolut stimmungsvoll, brillant instrumentiert mit Klangfarben, Strukturen, Effekten und Timbres, gemischt mit fließenden musikalischen Linien, die die Substanz des Themas auf den Punkt treffen. Dieses atemberaubende neue Stück hebt Ihr Blasorchester auf ein höheres Niveau, sowohl im technischen als auchmusikalischen Sinn.

La fresque Music of the Spheres (“La musique des sphères”) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté.

Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione?

F Instruments. Composed by Various. Fake Book. Jazz. Softcover. 464 pages. Published by Hal

Pacific Coast Horns, vol. 1: Longhorn Serenade. For trombone. Instrumental solo part and 2 CDs. Published by Music Minus One (MO.MMOCD3975). ISBN 1596157852. The five talented musicians of Pacific Coast Horns have performed their varied, and sometimes whimsical, brass and vocal repertoire since 1985. A resident Disney quintet known as the Bellhops, the group is well-known for its performances at Disneyland and also in many other venues worldwide. Here they present you with their own unique and infectious take on these great tunes. You listen to them demonstrate, then you join the band as soloist! Enjoy!

Trumpet/Cornet/Flugel Horn. Composed by J.W.A. van Hulten. De Haske Play-Along Book. Play Along. Softcover with CD. Composed 2007. 32 pages. De Haske Publications #1074326. Published by De Haske Publications

Cowboy Dances For Wind Ensemble. Composed by Carter Pann (1972-). Premiered in Carnegie Hall, New York City. Contemporary. Score and part(s). With Standard notation. Composed 2006. 260 pages. Duration 8 minutes. Theodore Presser Company #115-40226. Published by Theodore Presser Company (PR.115402260).

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Brass Band - Grade 6

SKU: BT.AMP-028-130

Composed by Philip Sparke. Elite Series. Concert Piece. Score Only. Composed 2003. Anglo Music Press #AMP 028-130. Published by Anglo Music Press (BT.AMP-028-130).

The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.

Mit diesem großartigen Werk, das dem Auftraggeber der Yorkshire Building Society Band am Europäischen Brass Band Wettbewerb 2004 in Glasgow als Selbstwahlstück zu einem weiteren Titel verhalf, beweist Philip Sparke einmal mehr seine außergewöhnlichen kompositorischen Fähigkeiten. Dieses Werk über die Ursprünge des Universums führt uns vom Urknall, vorbei an einsamen Planeten, Asteroiden und Sternschnuppen schließlich ins Unbekannte - die ungewisse Zukunft. Ein Glanzstück und eine echte Herausforderung für jeden Spitzen-Brass Band!

La fresque Music of the Spheres (“La musique des sphères”) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté.

Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione?

Big band (Piccolo 1, Piccolo 2, Clarinet 1, Clarinet 2, Bass Saxophone, Horn 1-4 in F, Trumpet 1-5, Trombone 1, Trombone 2, Trombone 3, Bass Trombone 4, Tuba, Timpani, susp. Cymbal/Triangle/Chimes, Drum Set) - difficult

SKU: M7.SMP-632

Concert Jazz. Composed by Hugo Montenegro. Sheet music. Score and parts. Handelsware #SMP 632. Published by Handelsware (M7.SMP-632).

One of the great pieces written for the Los Angeles Neophonic Orchestra, founded and conducted by Stan Kenton. Four french horns are essential, along with 4 trumpets, 5 trombones and woodwinds. Exciting and challenging music. Recorded on the L.A. Neophonic Orchestra LP. Woodwinds require 2 piccolo, 2 clarinets and bass saxophone (baritone saxophone opt. part included). This is a new, updated Finale version.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Doc Severinsen Trumpet (Solo), Trumpet 1-4, Trombone 1-2, Bass Trombone 3, Bass Trombone 4 (opt.), Piano, Bass, Drums) - difficult

SKU: M7.SMP-958

Jazz Waltz. Composed by Billy Strayhorn and Carl Hilding Severinsen. Arranged by Bill Holman. Sheet music. Score and parts. Handelsware #SMP 958. Published by Handelsware (M7.SMP-958).

English.

As recorded on Tonight Show Band, Vol. 2 (Amherst), this chart won a Grammy for best big band arrangement. Holman took this great standard, put it in 3-4, and wrote scintillating counter lines that weave their way through the whole arrangement. Solo space for trumpet, and roaring ensemble passages make this chart something that should be in every big band library in the world. 5-5-4-3.

Horn in F. Arranged by Various. Book; CD; Instrumental Series; Play- Along; Worship Resources. Instrumental Solo Series. Contemporary Christian; Pop; Sacred. 32 pages. Published by Alfred Music