TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689875229 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689875229
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Listening
CD. Word Music
#080689875229. Published
by Word Music
(WD.080689875229).
UPC:
080689875229.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689504679 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689504679
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength!
Orchestration. Word Music
#080689504679. Published
by Word Music
(WD.080689504679).
UPC:
080689504679.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689800726 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689800726
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Eastertide.
Bulk CD (10-pak). Word
Music #080689800726.
Published by Word Music
(WD.080689800726).
UPC:
080689800726.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689704024 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689704024
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Christmas.
Practice trax. Word Music
#080689704024. Published
by Word Music
(WD.080689704024).
UPC:
080689704024.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
SKU: GI.G-10496 General Music Perspectives on Music Learning Theory(+)
SKU: GI.G-10496
General Music
Perspectives on Music
Learning Theory.
Composed by Heather
Shouldice, Jennifer
Bailey, and Jill Reese.
Music Learning Theory
(MLT). Music Education.
214 pages. GIA
Publications #10496.
Published by GIA
Publications
(GI.G-10496).
ISBN
9781622776061.
Imag
ine a conversation among
leaders who are
passionate about their
general music teaching,
who have found incredible
power in Music Learning
Theory (MLT), who
exchange ideas about how
to be successful in the
classroom, and who are
eager to share what
they’ve learned
with one another. This is
the magic of Q & A for
MLT. Drawing from their
expertise, experience,
and unique perspectives,
authors Jill Reese,
Heather Shouldice, and
Jennifer
Bailey—along with
a series of guest
contributors—provi
de practical suggestions
for managing the
challenges and choices in
a Music Learning
Theory-based classroom,
sometimes agreeing and
other times highlighting
differing perspectives
that encourage the reader
to consider what best
fits their understanding
and context. The book
addresses key topics,
including: An overview of
Music Learning Theory
Suggestions for classroom
activities Developing the
teacher's own musical
skills and content
knowledge Blending MLT
with the Kodaly and Orff
approaches Measuring
music aptitude and
assessing student growth
Long-term and short-term
planning Adapting MLT for
diverse populations
(students with
disabilities, visual
impairments, and English
Language Learners) How to
use MLT in various
contexts (the preshool
classroom, urban
settings, elementary
choir, and middle school
general music) Through a
conversational blend of
research, scholarship,
stories from the
classroom, and humor,
this book gives educators
a reliable source for
finding answers to
real-life questions and
suggestions for
navigating the specifics
of successfully applying
MLT in the classroom.
Jill Reese is Associate
Professor of Music
Education at the State
University of New York at
Fredonia. Dr. Reese is
also the author of
Navigating Music Learning
Theory: A Guide for
General Music Teachers.
Heather N. Shouldice is
Associate Professor of
Music Education at
Eastern Michigan
University. Dr. Shouldice
is also the author of
Weaving It All Together:
A Practical Guide to
Applying Gordon’s
Music Learning Theory in
the Elementary General
Music Program and the
host of a podcast about
Music Learning Theory
called “Everyday
Musicality.â€
Jennifer M. Bailey is an
elementary vocal music
teacher in Farmington
Public Schools with over
25 years of experience
using Music Learning
Theory in the
classroom.
Chamber Music Bass Clarinet SKU: PR.114424270 Composed by Carter Pann. Pe...(+)
Chamber Music Bass
Clarinet
SKU:
PR.114424270
Composed
by Carter Pann.
Performance Score.
Duration 4 minutes.
Theodore Presser Company
#114-42427. Published by
Theodore Presser Company
(PR.114424270).
ISBN
9781491137772. UPC:
680160691562.
In
this short and wild ride
free of barlines,
Pann’s fantasical
imagination gives bass
clarinetists an
excitement-packed
adventure. The composer
has written, “As these
four pages progress, the
music tries to achieve
higher and even higher
perches through twists
and turns, different
genres, and varied
extended techniques until
finally the player
reaches the zenith atop a
culminating arpeggio.
RAMP is a piece of
virtuosity for aspiring
musicians, lasting 3-4
minutes.”. Ramp was
commissioned by
clarinetist Gleyton Pinto
at the University of
Colorado - Boulder during
the Fall of 2023. He had
recently acquired a new
bass clarinet and planned
to record an album of new
works into the winter
months. This was my first
non-piano solo work in
decades, and the
challenge of writing such
a work never escaped my
acknowledgment. As these
four pages progress, the
music tries to achieve
higher and even higher
perches through twists
and turns, different
genres, and varied
extended techniques,
until finally the player
reaches the zenith atop a
culminating arpeggio.
Ramp is a piece of
virtuosity for aspiring
musicians, lasting 3-4
minutes.
Piano SKU: FP.FHC03 Composed by Cuthbert Harris. Published by Forsyths Pu...(+)
Piano
SKU:
FP.FHC03
Composed by
Cuthbert Harris.
Published by Forsyths
Publications (FP.FHC03).
ISBN
979-0-57050-121-2.
Cuthbert Harris's albums
of first pieces are loved
by teachers and pupils
alike for both their
playability and the
progressive way they
challenge and develop the
technique of the
improving beginner
Suggested grade 3-4.
In Foreign Lands Piano seul - Intermédiaire Forsyth Publications
Piano SKU: FP.FHC22 Composed by Cuthbert Harris. Published by Forsyths Pu...(+)
Piano
SKU:
FP.FHC22
Composed by
Cuthbert Harris.
Published by Forsyths
Publications (FP.FHC22).
ISBN
979-0-57050-136-6.
An ideal album acting as
a diverting alternative
to the classical and exam
repertoire. These
melodies will develop
rhythm and expression,
while encouraging sound
technique. Cuthbert
Harris's albums are loved
by teachers and pupils
alike for both their
playability and the
progressive way they
challenge and develop the
technique of the
improving player.
Suggested grade 3-4.
Shawnee
Press. Choral Resources,
Warm-Up. Softcover. 80
pages. Published by
Shawnee Press
(HL.323563).
ISBN
9781540071507. UPC:
840126910568.
6.0x9.0x0.204
inches.
Keeping
singers in our ensembles
excited and energized
during the warm-up
process is a consistent
hurdle for educators
across the nation. By
using songs that are
indigenous to different
parts of our country,
teachers in choral
classrooms can help
students prepare their
minds, bodies and voices
while sharing a bit of
our culture and history
from different areas of
the United States. All of
the songs can be used
with both inexperienced
beginners and advanced
singers. The lesson
suggestions introduced
with each song are
intended to be a
springboard for teachers
to modify and adapt to
their own students' needs
and skill levels. Each
melody includes
strategies that are
accessible for those who
are just learning how to
use their voices, and
also for those more
sophisticated singers who
enjoy a good
challenge.
Band/Marching, Perfect
binding. American Music.
Book and online audio.
152 pages. Mel Bay
Publications, Inc
#30846M. Published by Mel
Bay Publications, Inc
(MB.30846M).
ISBN
9781513466026. 8.75x11.75
inches.
El McMeen
has authored many guitar
books for Mel Bay
Publications, but this
book holds a special
place in his heart. This
cutting-edge collection
includes melodic,
challenging, and
exuberant band marches
carefully arranged for
fingerstyle guitar. The
book contains
arrangements of seven
marches including six by
John Philip Sousa , many
of which are in various
open tunings. These
pieces are challenging
and geared for
intermediate-advanced and
advanced guitarists.
There are so many great
melodies in this
collection?guitarists can
camp on sections of
pieces that they enjoy or
tackle the pieces in
their entirety. The book
also contains a
discussion by El McMeen
on his selection and
arrangement process.
Includes access to online
audio.
By Pat Metheny / Lyle Mays. Arranged by James Ancona. Percussion Ensemble. For c...(+)
By Pat Metheny / Lyle
Mays. Arranged by James
Ancona. Percussion
Ensemble. For crotales,
glockenspiel, chimes, 3
marimbas (low A), 2
vibraphones, 5 timpani,
sizzle cymbal, 16" and
18" suspended cymbals,
ride cymbal, mark tree,
bongos, small cabasa. (8
players). Level:
Advanced. Full score and
CD-Rom (containing
printable parts).
Duration 3:20. Published
by Tapspace Publications.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 1.5
SKU: KN.08732S
(From The
Nutcracker). Composed
by Peter Ilyich
Tchaikovsky. Arranged by
John Caponegro. Solo or
Ensemble. Accent String
Orchestra. Kendor Music
Inc #08732S. Published by
Kendor Music Inc
(KN.08732S).
UPC:
822795087321.
Skill
fully arranged by one of
the most creative
educational string
writers around today,
this adaptation of two
popular Nutcracker themes
will be a concert
favorite at Christmas
time for years to come.
The key of D major puts
students in familiar
territory while they rise
to the challenge of
playing at the
recommended tempo
(quarter note = 152).
Duration 2:00. Available
in SmartMusic.
Grade 2 SKU: CL.011-4672-00 Composed by Huckeby. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-4672-00
Composed by Huckeby.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR395). Score and set
of parts. Composed 2018.
Duration 3 minutes, 33
seconds. C.L. Barnhouse
#011-4672-00. Published
by C.L. Barnhouse
(CL.011-4672-00).
Designed to
assist your ensemble in
advancing to the next
level, the opening
section of this unique
work combines lively and
energetic mixed-meter
melodic lines with
syncopated underlying
harmonic structures to
create a distinctive
musical flavor your
students and audiences
will love! Additionally,
the middle section
provides beautiful
lyrical opportunities to
enhance musicality
development. Breaking out
of the mold of the
standard band keys,
Beyond The Challenge!
challenges your students
to improve their music
literacy and technical
skills while, at the same
time, creating great
music. Outstanding
selection for contest or
concert! (Beyond The
Challenge! is correlated
with the key development
competencies presented in
Ed Huckeby’s Core
Competencies for the
Successful Development of
Sightreading Skills, Book
Two.).
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 SKU: CL.011-4672-01 Composed by Huckeby. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-4672-01
Composed by Huckeby.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR395). Extra full
score. Composed 2018.
Duration 3 minutes, 33
seconds. C.L. Barnhouse
#011-4672-01. Published
by C.L. Barnhouse
(CL.011-4672-01).
Designed to
assist your ensemble in
advancing to the next
level, the opening
section of this unique
work combines lively and
energetic mixed-meter
melodic lines with
syncopated underlying
harmonic structures to
create a distinctive
musical flavor your
students and audiences
will love! Additionally,
the middle section
provides beautiful
lyrical opportunities to
enhance musicality
development. Breaking out
of the mold of the
standard band keys,
Beyond The Challenge!
challenges your students
to improve their music
literacy and technical
skills while, at the same
time, creating great
music. Outstanding
selection for contest or
concert! (Beyond The
Challenge! is correlated
with the key development
competencies presented in
Ed Huckeby’s Core
Competencies for the
Successful Development of
Sightreading Skills, Book
Two.).
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
15 Well-Known Original Pieces in Progressive Order. Composed by Wolfgang ...(+)
15 Well-Known Original
Pieces in Progressive
Order. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Sylvia
Hewig-Tr�¶scher. At
the Piano. Softcover. 64
pages. G. Henle #HN1812.
Published by G. Henle
(HL.51481812).
Chamber Music Marimba, alto Saxophone SKU: PR.114423770 Composed by Stacy...(+)
Chamber Music Marimba,
alto Saxophone
SKU:
PR.114423770
Composed
by Stacy Garrop. Set of
Score and Parts. 16+12+16
pages. Duration 11
minutes. Theodore Presser
Company #114-42377.
Published by Theodore
Presser Company
(PR.114423770).
Flûte, Clarinette, Piano (trio) [Conducteur et Parties séparées] Theodore Presser Co.
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. S...(+)
Composed by Gabriel Faure
(1845-1924). Arranged by
Michael Webster.
Classical. Score and
part(s). With Standard
notation. Composed 2005.
Opus 50. 28 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41756. Published by
Theodore Presser Company
(PR.114417560).
Chamber Music Clarinet, Piano, alto Saxophone SKU: PR.114419720 Baroqu...(+)
Chamber Music Clarinet,
Piano, alto Saxophone
SKU: PR.114419720
Baroque. Composed
by Carter Pann. Set of
Score and Parts. 36+12+12
pages. Duration 16
minutes. Theodore Presser
Company #114-41972.
Published by Theodore
Presser Company
(PR.114419720).
ISBN
9781491134863. UPC:
680160685790.
In a
musical style strongly
influenced by (and
occasionally parodying)
American popular music,
the subtitle
“Baroque†may
seem a puzzle at first.
It is also the key to
Pann’s approach in
composing for multiple
wind soloists and
ensemble. With
Bach’s
Brandenburgs in the
rear-view mirror, Pann
has created a glorious
hybrid of inspirations
with intricate
counterpoint, cadenzas,
beautiful slow textures,
and wild rides, creating
a 16-minute,
fast-slow-fast concerto
grosso. The published
piano reduction is fully
practical for live
performance. My Double
Concerto (subtitled
“Baroqueâ€)
from 2018 posed an
immediate challenge which
gave me some real
trepidation as a
composer. The two solo
instruments, Clarinet and
Alto Saxophone, are quite
varied in their timbral
characteristics yet they
have nearly identical
ranges. I gave many hours
of thought to solving
this challenge and
eventually settled on an
obvious mission: make
each instrument as
independent from the
other as possible.
Explore opposite areas of
each range
simultaneously. Set very
different contours
against one another in
the solo parts. These
kinds of things.I. Bach
in the Fifties sets the
soloists up as competing
crooners. I wanted to
write a 1950s-style teen
idol tune, complete with
electric organ, and
writing the music I
imagined J.S. Bach might
tend towards if he was
writing for The Platters
or Perry Como. This first
movement also presents
within it a traditional
concerto-style cadenza
for both soloists
together.II. Desert Arias
should transport the
listener to an arid,
barren land over which a
mirage of canons
emerge.III.
Pronouncements is set in
the style of a baroque
concerto’s final
movement. Nuance is
forfeited on behalf of
straight-ahead melodic
dueling. Stravinsky
lingers like a ghost
behind this finale.
Hard Cover SKU: HL.1121154 Book. Guitar Reference. Hardcover. Centerstrea...(+)
Hard Cover
SKU:
HL.1121154
Book.
Guitar Reference.
Hardcover. Centerstream
Publications #B0BM3JCTLV.
Published by Centerstream
Publications
(HL.1121154).
ISBN
9781574244137. UPC:
196288108528.
8.5x11.0x0.858
inches.
The Gibson
Les Paul Standard
1958-1960 is one of the
greatest designs to
emerge from Gibson.
Revered by the great
players of our
generation, the tone and
quality of these
instruments have never
been surpassed. The older
generation of players
such as Clapton, Page,
Beck, and Bloomfield
created the sound palette
which would be further
developed by Slash and
Joe Walsh. Today, players
such as Kenny Wayne
Shepherd, Tom Bukovac,
and Keith Urban are
picking up the challenge
and embracing the Burst.
This edition contains
many new Bursts to the
series plus new photos of
some of the great guitars
featured in earlier
editions. With vibrant
hi-res photographs we
have worked with the
publisher and printer to
create a stunning final
edition. The Les Paul
Standard continues to
excite players worldwide
and Gibson continues to
produce new models based
on the near-perfect
original design.
The Fundamentals of Breakbeat Drumming. Percussion. Funk, Instruction. Softcover...(+)
The Fundamentals of
Breakbeat Drumming.
Percussion. Funk,
Instruction. Softcover
Audio Online. 180 pages.
Hudson Music #HDBK26.
Published by Hudson Music
Arranged by John Carter.
General Worship, Sacred.
Handbell score. Hope
Publishing Company #1841.
Published by Hope
Publishing Company
(HP.1841).
UPC:
763628018412. Genesis
1:28, Isaiah 52:7, Job
38:7, Matthew 6:25-34,
Psalms 103:19, Psalms
19:1, Psalms 50:10,
Psalms 8:3, Psalms
98:8-9, Mark 10:2-16, 1
John 3:1-7.
English
hymn Composers and
arrangers know that it is
more difficult to write
an interesting simple
piece than to write one
no holes barred!. John
Carter rises to the
challenge in this
straight forward, but
engaging arrangement of
the favorite English
melody.
Concert Band/Harmonie - Grade 5 SKU: BT.CMP-0916-05-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.CMP-0916-05-010
Composed by James Curnow.
Symphonic Band. Concert
Piece. Set (Score &
Parts). Composed 2005.
Curnow Music #CMP
0916-05-010. Published by
Curnow Music
(BT.CMP-0916-05-010).
English.
We urge
you to look at this
important new composition
by James Curnow. This
symphonic variant style
treatment of themes based
on the shape-note tune
Resignation is a
magnificent compositional
exploration. Once your
group has achieved the
ability to perform at
this level of difficulty,
they deserve to play
music with the challenge
and masterful quality
that Inventions from the
Sacred Harp
presents. Even a brief
analysis of the score
reveals composition and
development techniques
that are reserved for
pieces on an impressive
scale. A more thorough
analysis lets you
appreciate the complexity
of the compositional
processes found in the
very fabric of this major
work.The historical
significance of The
Sacred Harp provides
the opportunity for some
cross-curricular work as
well.
Wenn Ihr
Blasorchester ein
gewisses spielerisches
Niveau erreicht hat,
sollten Sie es mit einem
Stück wie
Inventions from the
Sacred Harp belohnen.
James Curnow entwickelte
Variationen in
verschiedenen Stilen,
basierend auf dem in so
genannten shaped
notes“
geschriebenen Stück
Resignation aus dem
berühmten Liederbuch
The Sacred Harp,
das Lieder, Hymnen,
Psalmenmelodien und
Volksliedbearbeitungen
früher amerikanischer
Komponisten enthält.
Ein komplexes, Genre
übergreifendes Werk
voll von besonderen
Kompositionsund
Entwicklungstechniken,
das Musiker und Publikum
tief beeindrucken
wird!
Chamber Music Solo Cello SKU: CF.BF128 60 Studies (from Opp. 45, 54, 7...(+)
Chamber Music Solo Cello
SKU: CF.BF128
60 Studies (from Opp.
45, 54, 74). Composed
by Franz Wohlfahrt.
Edited by Richard Hughey.
Arranged by K Aiqouni.
Score and part(s). With
Standard notation. 56
pages. Carl Fischer Music
#BF128. Published by Carl
Fischer Music (CF.BF128).
ISBN 9781491153413.
UPC:
680160910915.
Wohlf
ahrt’s Foundation
Studies have long been
successful tools
forviolinists and
violists in mastering the
technical difficulties of
theirinstruments.
Originally conceived for
a complete comprehension
offirst position on the
violin and viola, Richard
Hughey presents thisnew
edition for cello
students. Transcribing
these etudes for the
cellopresents new
challenges for the
performer. Particular
passages, forexample,
require the student to
make use of the second
and eventhird positions.
The fingerings chosen for
these passages
reflectthese shifting
positions in a coherent
and logical way.
Trainedcomprehensively in
both cello and
conducting, Hughey shares
hiswealth of experience
and knowledge in
Wohlfahrt’s
FoundationStudies for the
Violoncello. The
violin etudes and
exercises of Franz
Wohlfahrt havebeen and
continue to be used by
violin and recently
violateachers the world
over. Franz was the son
of HeinrichWohlfahrt
(1797,
Kößnitz–1883
, Leipzig), a noted
pianoteacher who also
published many studies
for piano thatwere very
successful with younger
students.
Heinrichdeveloped a keen
sense for the pedagogical
development ofchildren
and composed excellent
studies accordingly.
Withthe education of his
sons Robert (1826,
Weimar–deathdate
unknown) and Franz (1833,
Frauenpriesnitz–18
84,Leipzig), he passed
these pedagogical
abilities to the
nextgeneration.In the
preface to his Violin
Studies Opus 45,
FranzWohlfahrt wrote:The
study of the violin
presents certain
difficultiesfor beginners
which are frequently the
cause of a suddendecrease
in the pupil’s
zeal and ambition, even
before he hasmastered the
first fundamentals.The
blame for this is
commonly laid on the
teacher,who is called
incapable or negligent;
losing sight of thefact
that the pupil began his
studies without the
slightestnotion, not
merely of the
difficulties to be
encountered,but also of
the regular and diligent
effort indispensable
forovercoming them.It is
important, therefore, to
smooth these first
severitiesby showing
their usefulness and
making them agreeable;
tothis end my Violin
Method was published and
the presentexercises have
been written, which
latter may be
consideredas forming a
supplement to the
former.If practiced
carefully and
intelligently, they will
serve asa solid
foundation for the
technique of any player
ambitiousto become an
artist.These studies have
been successful tools for
violinistsand violists to
begin to master the
technical difficulties
oftheir instruments.
Clearly conceived for a
more
completecomprehension of
the use of the first
position on the violinand
similarly for the viola,
presenting these etudes
forthe cello presents a
new challenge. As ongoing
violinistsand violists
can use the fourth finger
to play the note ofthe
next higher open string,
this is not possible on
thecello. To perform
these exercises on the
cello,
particularlyreaching the
“E†on the
A-string, requires the
studentto make use of the
second and even third
positions. Thefingerings
chosen for these passages
reflect the necessityof
shifting to these
positions. This is of
great advantage,as a new
set of studies now can be
used by the studentto
practice shifting to and
from those positions and
thusincreases technical
proficiency in the second
and thirdpositions of the
cello.
Choral Cello, Piano, SATB chorus SKU: CF.CM9714 Composed by Z. Randall St...(+)
Choral Cello, Piano, SATB
chorus
SKU:
CF.CM9714
Composed by
Z. Randall Stroope. 16
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CM9714.
Published by Carl Fischer
Music (CF.CM9714).
ISBN 9781491160329.
UPC: 680160918904. Key: F
major. English. Robert
Frost.
About the
work ... Few American
poems are as well known
as The Road Not Taken.
Robert Frost, the author,
is an international icon,
not unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference. Rehearsal
notes ... Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout. Z.
Randall Stroope A
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media. About
the composer ... Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
Faure). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). A
bout the work ...Few
American poems are as
well known as The Road
Not Taken. Robert Frost,
the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notes ...Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall StroopeA
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media.About
the composer ...Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com).