Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many other top artists. Now these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics and even strumming patterns! Over 180 great songs! Perfect for all players and singers! The bonus CD contains backing tracks to 16 of the songs in the book. / Ligne Mélodique, Paroles Et Accords, Guitar Tab

Par ELBOW. The matching songbook to the indie-stalwart's critically acclaimed and Mercury prize-winning fourth album, The Seldom Seen Kid featuring four pages of colour photographs. Includes every song from the album accurately transcribed for Elbow formed in Bury, Lancashire, in 1990. Over the band's 18 year career they have released four studio albums, four EPs and ten top fifty singles in the UK. Their debut album, 'Asleep in the Back', released in 2001, was hailed as a seminal album of the new millennium, gaining them a Mercury Music Prize nomination and a BRIT Award nomination. The Seldom Seen Kid is more commercial than previous albums and has brought the band the recognition they rightly deserve. As well as winning the Mercury Best Album prize, it debuted at #5 in the album charts - the hit single 'One Day Like This' has been widely used in TV sports coverage including the Beijing Olympics and 'Grounds For Divorce' was featured on the trailer for the Coen Brothers film 'Burn After Reading'. / Date parution : 2008-11-20/ Tablatures / Guitare Tablatures

This collection of sheet music by the great French composer Maurice Ravel features 19 of his greatest pieces, all newly-arranged especially for this volume. The subtle melodies and achingly beautiful harmonies of these lush Impressionist pieces truly do illustrate the sheer Joy Of Ravel.The pieces by Ravel included in this collection rank alongside Debussy as some of the prettiest Piano music ever composed. Ravel himself categorically refused the term 'Impressionist', believing it to be reserved for paintings only, but his music so closely resembles the colourful flourishing and affective beauty of those works of art that it is difficult to resist such a description. Featuring works like Boléro, Jeux D'Eau, Pavane Pour Une Infante Défunte as well as excerpts from La Valse, The Joy Of Ravel for solo Piano sound utterly divine.Pieces like Menuet Antique, Prélude and the selections from Le Tombeau De Couperin perfectly encapsulate what makes Ravel's compositions so incredible. His perfectionist methods resulted in extended harmonies, complexly musical modulations and masterful melodies that make these 19 works of art an unabashed joy to play and to hear. One of the great things about this sheet music book is the visual beauty of the music. With lilting notes and extensive ties, this is not only a work full of aural pleasure but it's some of the nicest-looking notation out there. Certainly in this case, what you see is what you get, simply The Joy Of Ravel.The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Originally compiled by the editorial hand of renowned teacher, arranger and musicologist Denes Agay, the series continues to reflect his influence and covers a wide variety of musical genres including the classics, folk, jazz, blues, ragtime and children's music. New titles are constantly being added to an already extensive range, ensuring that The Joy Of... series continues to be a vital growing treasury of the world's best music.if you're a fan of the genius that is Maurice Ravel and his beautifully-crafted works, you are guaranteed to love the 19 pieces included in The Joy Of Ravel. Equally, if you just want a beautiful collection of solo Piano sheet music, this book will suit you perfectly. / Piano

The Ukulele Decade Series: The 1980s features 80 tunes from the colourful '80s arranged for Ukulele, including Against the Wind, Don't Know Much, Got My Mind Set on You, Jessie's Girl, Thriller, The Wind Beneath My Wings and more. / Ukulélé

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

The Playing with Colour series introduces students to music making from the start. Coloured notation, numbered staves, as well as clear graphic illustrations for the right and left hands are presented in the beginning of each book. Thereafter, theory, rhythm, ear training, improvisation, and sight-reading exercises are gradually introduced so the student has the best possible platform upon which to build.. / Methods & Tutors / Méthode / Piano

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre

Keyboard From The Beginning is a practical teaching method for younger students who are just starting to learn the instrument. Ideal for 6- to 12-year-olds, this introduction to playing the Keyboard or Piano uses a mix of original and favourite melodies, as well as fun pictures, to get pupils making music from their very first lesson.Keyboard From The Beginning uses a enjoyable melodies to introduce different techniques and principles, guiding young students in the beginning of their Keyboard-playing career. No previous musical knowledge or experience is necessary, this book will take students from the absolute beginning to playing their first fun tunes with ease. Using over 30 enjoyable and simple tunes, this book will allow young beginners to express their musicality at the same time as learning the basics of playing. With timeless tunes like Au Clair De La Lune, This Old Man, London Bridge and Ode To Joy, children will learn to play these simple melodies while at the same time learning new notes and techniques like different time signatures, rests, dotted rhythms and even scales and chords. As the book progresses, new techniques are introduced, providing a structured and logical course, making this an ideal book for students to work from either on their own or as part of a larger group. The book is accompanied by a unique download card, giving instant online access to audio downloads of demonstrations and backing tracks. Pupils will be able to hear how each tune should sound, before playing it along with a professional recording. Fun images throughout make this a hugely fun and enjoyable book to introduce young beginners to the joys of playing the Keyboard.Keyboard From The Beginning is a brilliant way for young pupils with no previous musical experience to learn to play the Keyboard. Musical melodies, easy-to-understand lessons and colourful images combine to create a Keyboard method that will keep children interested and start them on their way towards becoming proficient keyboardists. / Clavier

Il s'agit de la collection ultime de piano, chant et guitare pour le joueur sérieux. Modelé sur les pages les plus vendus Guitar Tab White, ce nouveau livre pourrait être la meilleure compilation de pop et de piano classiques du rock jamais!Il contient 200 chansons, dont: Amazed - Brown Eyed Girl - California Dreamin' - Clocks - Come Sail Away - Come to My Window - Dancing Queen - Do You Really Want to Hurt Me - Dust in the Wind - Easy - Fast Car - Free Bird - Good Vibrations - Happy Together - Hot Hot Hot - I Hope You Dance - I Will Remember You - I Will Survive - Jack and Diane - Landslide - Oops!...I Did It Again - Smooth - Tears in Heaven - These Boots Are Made for Walkin' - Time After Time - Walking in Memphis - Werewolves of London - You Can't Hurry Love - You've Got a Friend - You've Lost That Lovin' Feelin' / Piano/Vocal/Guitare (PVG)