Composed by Strauss. Arranged by Charles Evans. Score and set of parts. Published by Kendor Music Inc (KN.19093).

Composed by Traditional Spanish Carol. Arranged by Vicki Hancock Wright. Christian. Octavo. Celebrating Grace #810017. Published by Celebrating Grace

Level Three - Repertoire. By Christopher Norton, Scott McBride-Smith. This edition: APPR-03. NOVUS VIA MUSIC GROUP. Softcover with CD. 40 pages. Published by Novus Via Music Group.

Score and Parts. By Benjamin Vereecken. Method. Size 9x12 inches. 40 pages. Published by Rubank Publications.

For 2 Violins, Viola (or Violin 3) and Cello. By Various. Arranged by Sheila Nelson. (Set). Boosey and Hawkes Chamber Music. Size 8.25x11.5 inches. 60 pages. Published by Boosey and Hawkes.

(With a Red Dress On). By Jay Althouse, inspired by an American Folk Song. Choir Secular. Men's Choir. Choral Octavo. Choral Designs. Folk. Choral Octavo. 12 pages

SATB choir, voice solo, assembly, keyboard accompaniment, C instrument, oboe, cello, guitar - Early intermediate

SKU: GI.G-7832

Arranged by Lori True. Lent, Christ the King A. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #7832. Published by GIA Publications (GI.G-7832).

UPC: 785147783206. English. Text Source: African American spiritual.

This contemporary adaptation of an African American spiritual will have many uses in your church—during Lent, when themes of conversion are emphasized, services of reconciliation, ordinary time. It is also extremely versatile in its presentation, adjusting to your available forces and the willingness of the congregation to participate. C instrument or Oboe .

Composed by Rob MacKillop. Saddle-stitched. Book and online audio. 60 pages. Published by Mel Bay Publications, Inc

SKU: HL.301330

Impulse Response Cabinet Simulator Guitar Pedal. Hotone Pedals. Guitar Pedal. Hal Leonard #OMP-6. Published by Hal Leonard (HL.301330).

UPC: 888506090066. 5.5x4.0x2.25 inches.

The Hotone Omni IR is a compact, Impulse Response-based cabinet simulator pedal that delivers realistic emulation of classic guitar and bass miked speaker cabinets. The Omni IR includes 40 high-quality legendary guitar and bass cabinet impulse responses, along with a detailed 4-band semi-parametric EQ. An internal voltage boost circuit provides tons of headroom ensuring the input signal will stay clean, regardless of the instrument's output level. A high-contrast OLED screen makes editing and recalling setting easy in high and low light environments. Omni IR has 40 editable presets which can be adjusted on the pedal or managed via free Mac/PC software. The footswitch can be assigned to bypass the effect or mute the signal. A 1/4″ thru jack provides an unprocessed dry signal to other devices or amplifiers. The pedal includes a 1/4″ output, a balanced XLR out to connect to mixers or audio interfaces, an 1/8″ headphone monitor and an 1/8″ stereo aux input making the Omni IR perfect for both live and recording setups. Features include: •Compact, easy-to-use IR cabinet simulator pedal • Advanced DSP-powered platform ensures high sound quality • 24-bit AD/DA conversion • Internal voltage boost circuit for exceptional headroom • 40 high-quality legendary guitar and bass cabinet impulse responses • Support for third-party IR files • Detailed 4-band semi-parametric EQ with 12dB maximum boost and cut • Micro USB jack for updating firmware and loading/managing impulse responses via free Mac/PC software • 1/4″ input and thruput • XLR and 1/4″ outputs • Ground/Life switch • 1/8″ stereo Aux In for line level devices (unaffected by Omni IR) • 1/8″ headphone output for practicing and jamming • 40 presets • High-contrast OLED screen • Assignable footswitch with LED • 9V DC (center positive) power supply and USB micro cable included.

SKU: HL.301331

USB Audio Interface Guitar Pedal. Hotone Pedals. Guitar Pedal. Hal Leonard #UA-10. Published by Hal Leonard (HL.301331).

UPC: 888506120015. 3.0x4.25x2.25 inches.

The Hotone Jogg is a USB audio interface in a mini-pedal form factor enabling you to connect your analog and digital audio. Featuring high-quality, 24-bit AD/DA convertors, the Jogg allows you to incorporate your favorite software and plug-ins into your live performance rig. Built into a rugged housing, the Jogg has a 1/4″ Hi-Z input for connecting guitars and other instruments plus an 1/8″ stereo input for connecting line level devices. Two 1/4″ outputs allow the pedal to be run in stereo and a mono balanced XLR output can send the signal to the front-of-house. An 1/8″ stereo headphone output is included for zero-latency monitoring. Connect the Jogg to a laptop or mobile device and you're ready to play and record great sounding tracks. Jogg comes with full versions of the Hotone VStomp Amp virtual amp software (PC/Mac/iOS), delivering organic, studio-grade audio and the exact sound character of legendary amplifiers. Features include: • Professional USB audio interface in a mini-pedal • Advanced DSP platform delivers great sound quality and dynamic response • 24-bit AD/DA conversion, 44.1kHz/48kHz sample rate • Compatible with PC, Mac, iOS (using an Apple Lightning to USB Camera adapter), and Android (using a Host OTG adapter) • Plug-and-play – No drivers needed • GAIN knob provides up to 12dB of clean gain • OUTPUT level control knob • 1/4″ Hi-Z instrument input • 2 x 1/4″ outputs (L & R) • XLR balanced output (mirrors the Left 1/4″ output) • 1/8″ stereo Aux input for connecting line level devices • 1/8″ stereo headphone output for zero latency monitoring • Includes VStomp Amp virtual amp software (Mac/PC/iOS) • 9V DC (center positive) power supply sold separately.

Composed by Neil Harmon. Offertories, Preludes. Prayer. Published by MorningStar Music Publishers (MN.10-667).

Trombone Quartet - Moderately Advanced

SKU: CY.CC2372

Composed by Tomas Luis de Victoria. Arranged by Andrew Converse. Renaissance. Full score & Parts. Published by Cherry Classics (CY.CC2372).

Tomas Luis de Victoria was the most famous composer of the 16th century in Spain, and one of the most important composers of the Counter-Reformation, along with Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer. However, he preferred the life of a composer to that of a performer. He is sometimes known as the Spanish Palestrina because he may have been taught by Palestrina.

O Magnum Mysterium is a 4 part a cappella motet written in Latin for the Catholic Church service and is performed mostly around the Christmas period as the text refers to the great mystery of the Virgin birth, animals and baby Jesus in the manger. This work was written during the composer's stay in Rome and has some of Palestrina's influence.

Dr. Converse has done a beautiful job of transcribing one of the most beautiful sacred choral works of the Renaissance period.

SKU: AP.1-ADV11008

Talks with David Liebman. Composed by David Liebman. Jazz CD; Reference Textbooks. Advance Music. Jazz. CD. Advance Music #01-ADV11008. Published by Advance Music (AP.1-ADV11008).

UPC: 805095110081. English.

Saxophonis t and educator David Liebman is known for his ability to verbalize the intricacies of jazz. On From Student to Jazz Artist---for over three hours, he converses with two former students about matters of personal concerns, business affairs, and musical directions---all topics of special interest for individuals finishing their formal education and about to enter the real world of performing and touring.

SATB choir, piano

SKU: LO.10-5794L

Composed by Brad Nix. Choral. Sacred Anthem, Evangelism, General, Missions. Octavo. Lorenz Publishing Company #10/5794L. Published by Lorenz Publishing Company (LO.10-5794L).

ISBN 9780787779788.

This song from Brad Nix takes a tender look at the Christian life, from conversion to maturity, and encourages listeners to offer themselves as â??new testaments of grace.â? Bradâ??s gift for melody is on full display, and the lyric shines with poetic images and metaphors. This thoughtful selection will become a favorite of your choir and congregation for years to come.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1104875-140

Composed by Peter Riedemann. Brilliant Marches. March. Score Only. Composed 2010. 20 pages. De Haske Publications #DHP 1104875-140. Published by De Haske Publications (BT.DHP-1104875-140).

9x12 inches. English-German-French-Dut ch.

Banda Bella heißt schönes Blasorchester“. Mit einer martialischen Eröffnung beginnend, treten alle Register des Blasorchesters in diesem frischen, lebhaften Marsch den Beweis dafür an: die Holzbläser mit charakteristischen Sechzehntel-Mustern in der ersten und zweiten Reprise, das Tenorregister mit einem melodiösen Trio-Thema, Holz und Blechbläser schließlich alternierend in einem Intermezzo, das dem von Holzbläsern verzierten Schluss vorausgeht.

Banda Bella est une marche de concert pleine de vitalité. Après une ouverture martiale, les bois développent un motif bouillonnant. Le trio est dominé par un thème dans le registre ténor, qui laisse sa place un intermezzo dans lequel les cuivres conversent en alternance avec les bois. Le thème du trio revient de manière grandiose sur un chant ornementé aux bois.

Fanfare Band - Grade 3

SKU: BT.DHP-1104875-020

Composed by Peter Riedemann. Brilliant Marches. March. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104875-020. Published by De Haske Publications (BT.DHP-1104875-020).

9x12 inches. English-German-French-Dut ch.

Banda Bella heißt schönes Blasorchester“. Mit einer martialischen Eröffnung beginnend, treten alle Register des Blasorchesters in diesem frischen, lebhaften Marsch den Beweis dafür an: die Holzbläser mit charakteristischen Sechzehntel-Mustern in der ersten und zweiten Reprise, das Tenorregister mit einem melodiösen Trio-Thema, Holz und Blechbläser schließlich alternierend in einem Intermezzo, das dem von Holzbläsern verzierten Schluss vorausgeht.

Banda Bella est une marche de concert pleine de vitalité. Après une ouverture martiale, les bois développent un motif bouillonnant. Le trio est dominé par un thème dans le registre ténor, qui laisse sa place un intermezzo dans lequel les cuivres conversent en alternance avec les bois. Le thème du trio revient de manière grandiose sur un chant ornementé aux bois.

Fanfare Band - Grade 3

SKU: BT.DHP-1104875-120

Composed by Peter Riedemann. Brilliant Marches. March. Score Only. Composed 2010. 20 pages. De Haske Publications #DHP 1104875-120. Published by De Haske Publications (BT.DHP-1104875-120).

9x12 inches. English-German-French-Dut ch.

Banda Bella heißt schönes Blasorchester“. Mit einer martialischen Eröffnung beginnend, treten alle Register des Blasorchesters in diesem frischen, lebhaften Marsch den Beweis dafür an: die Holzbläser mit charakteristischen Sechzehntel-Mustern in der ersten und zweiten Reprise, das Tenorregister mit einem melodiösen Trio-Thema, Holz und Blechbläser schließlich alternierend in einem Intermezzo, das dem von Holzbläsern verzierten Schluss vorausgeht.

Banda Bella est une marche de concert pleine de vitalité. Après une ouverture martiale, les bois développent un motif bouillonnant. Le trio est dominé par un thème dans le registre ténor, qui laisse sa place un intermezzo dans lequel les cuivres conversent en alternance avec les bois. Le thème du trio revient de manière grandiose sur un chant ornementé aux bois.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1104875-010

Composed by Peter Riedemann. Brilliant Marches. March. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104875-010. Published by De Haske Publications (BT.DHP-1104875-010).

9x12 inches. English-German-French-Dut ch.

Banda Bella heißt schönes Blasorchester“. Mit einer martialischen Eröffnung beginnend, treten alle Register des Blasorchesters in diesem frischen, lebhaften Marsch den Beweis dafür an: die Holzbläser mit charakteristischen Sechzehntel-Mustern in der ersten und zweiten Reprise, das Tenorregister mit einem melodiösen Trio-Thema, Holz und Blechbläser schließlich alternierend in einem Intermezzo, das dem von Holzbläsern verzierten Schluss vorausgeht.

Banda Bella est une marche de concert pleine de vitalité. Après une ouverture martiale, les bois développent un motif bouillonnant. Le trio est dominé par un thème dans le registre ténor, qui laisse sa place un intermezzo dans lequel les cuivres conversent en alternance avec les bois. Le thème du trio revient de manière grandiose sur un chant ornementé aux bois.

For guitar. This edition: REH011. Stylistic Method. Instructional and Jazz. Instructional book. Standard guitar notation (no tablature), instructional text, introductory text and illustrations. 64 pages. Published by Hal Leonard

SI(CttoI) AI(CttoII) TI(CttoIII) B / SII AII TII BII / SIII AIII(TrbI) TIII(TrbII) B III(TrbIII), Bc

SKU: CA.2004361

Composed by Heinrich Schutz. Edited by Uwe Wolf. Cycles: Schutz: Psalmen Davids SWV 22-47. Stuttgart Urtext Edition: Schutz. Basso continuo. Sacred vocal music, Psalms, German, Praise and thanks, Daily hours. Single Part, basso continuo. Composed 1619. SWV 43. Duration 5 minutes. Carus Verlag #CV 20.043/61. Published by Carus Verlag (CA.2004361).

ISBN M-007-25326-4. Key: D dorian. German.

Schutz's setting of Psalm 115 Nicht uns, Herr, sondern deinem Namen is the only one of his Psalmen Davids, published in Dresden in 1619, which begins with a unison intonation, as also found in his late works (Schwanengesang). The three choirs in the work have different tessituras. The middle one is scored purely for voices, whereas in the one with a high tessitura only the lowest part is sung, and conversely in the one with low tessitura only the highest part is sung - the extremes are left to cornetts and trombones. Through this artistic treatment, the effect of the widely-spaced tessitura used to achieve color is considerably enhanced. With this publication of Psalm 115 in a separate edition, the last of the Psalmen Davids is now available in a separate edition corresponding with the principles of the Stuttgart Schutz Edition. Score and part available separately - see item CA.2004300.

SI(CttoI) AI(CttoII) TI(CttoIII) B / SII AII TII BII / SIII AIII(TrbI) TIII(TrbII) B III(TrbIII), Bc

SKU: CA.2004350

Composed by Heinrich Schutz. Edited by Uwe Wolf. Cycles: Schutz: Psalmen Davids SWV 22-47. Stuttgart Urtext Edition: Schutz. Sacred vocal music, Psalms, German, Praise and thanks, Daily hours. Full Score. Composed 1619. SWV 43. Duration 5 minutes. Carus Verlag #CV 20.043/50. Published by Carus Verlag (CA.2004350).

ISBN M-007-25078-2. Key: D dorian. German.

Schutz's setting of Psalm 115 Nicht uns, Herr, sondern deinem Namen is the only one of his Psalmen Davids, published in Dresden in 1619, which begins with a unison intonation, as also found in his late works (Schwanengesang). The three choirs in the work have different tessituras. The middle one is scored purely for voices, whereas in the one with a high tessitura only the lowest part is sung, and conversely in the one with low tessitura only the highest part is sung - the extremes are left to cornetts and trombones. Through this artistic treatment, the effect of the widely-spaced tessitura used to achieve color is considerably enhanced. With this publication of Psalm 115 in a separate edition, the last of the Psalmen Davids is now available in a separate edition corresponding with the principles of the Stuttgart Schutz Edition. Score available separately - see item CA.2004300.

SI(CttoI) AI(CttoII) TI(CttoIII) B / SII AII TII BII / SIII AIII(TrbI) TIII(TrbII) B III(TrbIII), Bc

SKU: CA.2004369

Composed by Heinrich Schutz. Edited by Uwe Wolf. Cycles: Schutz: Psalmen Davids SWV 22-47. Stuttgart Urtext Edition: Schutz. Complete orchestral parts. Sacred vocal music, Psalms, German, Praise and thanks, Daily hours. Set of Orchestra Parts. Composed 1619. SWV 43. Duration 5 minutes. Carus Verlag #CV 20.043/69. Published by Carus Verlag (CA.2004369).

ISBN M-007-25327-1. Key: D dorian. German.

Schutz's setting of Psalm 115 Nicht uns, Herr, sondern deinem Namen is the only one of his Psalmen Davids, published in Dresden in 1619, which begins with a unison intonation, as also found in his late works (Schwanengesang). The three choirs in the work have different tessituras. The middle one is scored purely for voices, whereas in the one with a high tessitura only the lowest part is sung, and conversely in the one with low tessitura only the highest part is sung - the extremes are left to cornetts and trombones. Through this artistic treatment, the effect of the widely-spaced tessitura used to achieve color is considerably enhanced. With this publication of Psalm 115 in a separate edition, the last of the Psalmen Davids is now available in a separate edition corresponding with the principles of the Stuttgart Schutz Edition. Score and parts available separately - see item CA.2004300.

SI(CttoI) AI(CttoII) TI(CttoIII) B / SII AII TII BII / SIII AIII(TrbI) TIII(TrbII) B III(TrbIII), Bc

SKU: CA.2004355

Composed by Heinrich Schutz. Edited by Uwe Wolf. Cycles: Schutz: Psalmen Davids SWV 22-47. Stuttgart Urtext Edition: Schutz. Capellchor. Sacred vocal music, Psalms, German, Praise and thanks, Daily hours. Choral Score. Composed 1619. SWV 43. Duration 5 minutes. Carus Verlag #CV 20.043/55. Published by Carus Verlag (CA.2004355).

ISBN M-007-25319-6. Key: D dorian. German.

Schutz's setting of Psalm 115 Nicht uns, Herr, sondern deinem Namen is the only one of his Psalmen Davids, published in Dresden in 1619, which begins with a unison intonation, as also found in his late works (Schwanengesang). The three choirs in the work have different tessituras. The middle one is scored purely for voices, whereas in the one with a high tessitura only the lowest part is sung, and conversely in the one with low tessitura only the highest part is sung - the extremes are left to cornetts and trombones. Through this artistic treatment, the effect of the widely-spaced tessitura used to achieve color is considerably enhanced. With this publication of Psalm 115 in a separate edition, the last of the Psalmen Davids is now available in a separate edition corresponding with the principles of the Stuttgart Schutz Edition. Score available separately - see item CA.2004300.

By Nelson Gonzalez. For Tres. Method. Latin American. Level: Multiple Levels. Book. Size 8.5x11. 48 pages. Published by Mel Bay Publications, Inc.