| A Message From The Emperor Carl Fischer
Chamber Music Two Speaking Percussionists SKU: CF.DRM137M For Two Spea...(+)
Chamber Music Two
Speaking Percussionists
SKU: CF.DRM137M
For Two Speaking
Percussionists.
Composed by Martin
Bresnick. None - sheets
are loose. Set of parts.
With Standard notation.
8+8 pages. Duration 11
minutes. Carl Fischer
Music #DRM137M. Published
by Carl Fischer Music
(CF.DRM137M). ISBN
9780825885563. UPC:
798408085568. 9 x 12
inches. Using text
from Franz Kafka's short
parable A Message from
the Emperor, this work
describes, in the
composer's words, a
glorious being, never
seen by his countless
lowly subjects, who, from
his death bed, dispatches
an indefatigable
messenger (a prophet
perhaps) with a most
important message - just
for you. For various
practical reasons however
the message cannot
possibly be delivered.
And even if it finally
arrived the one who sent
it will have died long
ago. A Message from the
Emperor is played and
recited by two
percussionists facing
each other at a slight
diagonal angle, with the
marimba placed audience
left and the vibraphone
at audience right. For
advanced players. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Emperor's New Clothes - Student Pack Voix d'Enfants Alfred Publishing
By Jean Perry, Dave Perry. Children's Musicals and Programs. Choral. 5 Singer's ...(+)
By Jean Perry, Dave
Perry. Children's
Musicals and Programs.
Choral. 5 Singer's
Editions. Published by
Alfred Publishing.
$27.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Emperor's New Clothes - Director's Score Voix d'Enfants [Conducteur] Alfred Publishing
(Director's Score). By Dave Perry and Jean Perry. This edition: Director's Score...(+)
(Director's Score). By
Dave Perry and Jean
Perry. This edition:
Director's Score.
Children's Musicals and
Programs. Choral. Score.
72 pages. Published by
Alfred Music Publishing
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Emperor's New Clothes - Performance Pack Voix d'Enfants [Edition pour professeur] Alfred Publishing
By Jean Perry, Dave Perry. Children's Musicals and Programs. Choral. Director's ...(+)
By Jean Perry, Dave
Perry. Children's
Musicals and Programs.
Choral. Director's Score
and 10 Singer's Editions.
Published by Alfred
Publishing.
$69.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Emperor Waltz (Op. 437) (Full Score) - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 2
SKU: KN.09055S
(Op. 437).
Composed by Richard
Strauss. Arranged by
Deborah Baker Monday.
Solo or Ensemble. Voyager
String Orchestra. Kendor
Music Inc #09055S.
Published by Kendor Music
Inc (KN.09055S). UPC:
822795090550. The
Emperor is probably the
most grand of all the
Strauss waltzes. All of
the themes are
represented in this grade
2 arrangement. Students
will enjoy sharing the
melodies and helping to
create a dazzling
performance. Duration
3:50. Available in
SmartMusic. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Movie Themes Piano Facile [Partition] - Facile Hal Leonard
20 Favorite Works from the Silver Screen. Arranged by Phillip Keveren. Easy Pian...(+)
20 Favorite Works from
the Silver Screen.
Arranged by Phillip
Keveren. Easy Piano
Songbook (Easy
arrangements for piano
and voice). Size 9x12
inches. 56 pages.
Published by Hal Leonard.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| HAYDN String Quartet in C major, 'Emperor,' op. 76, no. 3, HobIII:77 Violon [Partition + CD] Music Minus One
For Violin. Classical (chamber). Contains a high-quality printed music score and...(+)
For Violin. Classical
(chamber). Contains a
high-quality printed
music score and a compact
disc featuring the
quartet in split-channel
stereo with the violinist
on the right channel;
then again in an
accompaniment version
minus the solo violin
part. Published by Music
Minus One.
$14.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| MOZART Concerto No. 25 in C major, KV503 'Olympian' or 'Emperor' (2 CD set) Piano seul [Partition + CD] - Intermédiaire Music Minus One
For Piano. Includes an authoritative, newly engraved music score printed on high...(+)
For Piano. Includes an
authoritative, newly
engraved music score
printed on high-quality
ivory paper, and a
compact disc containing a
complete reference
recording in digital
stereo, with soloist;
then a second version in
digital stereo of the
orchestral accompaniment,
minus the soloist.
Published by Music Minus
One.
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Collection of Waltzes for the Ukulele Ukulele [Partition + Accès audio] Hal Leonard
And Other Songs in 3/4 Time. Fretted. Standards, Waltz. Softcover Audio Online...(+)
And Other Songs in 3/4
Time.
Fretted. Standards,
Waltz.
Softcover Audio Online.
With
guitar tablature. 176
pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Abduction From The Seraglio Score/parts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: HL.44002021 Die Entfuhrung aus de...(+)
Concert Band/Harmonie -
Grade 5 SKU:
HL.44002021 Die
Entfuhrung aus dem
Serail. Composed by
Wolfgang Amadeus Mozart.
De Haske Concert Band.
Set (Score & Parts).
Composed 2003. De Haske
Publications
#1033503-010. Published
by De Haske Publications
(HL.44002021). UPC:
073999726251. Wonde
rful! But, aren't there
too many notes? asked the
emperor Joseph II. No,
all notes are necessary.
This is new music,
replied Mozart. This is a
famous anecdote about the
premiere of the opera Die
Entfuhrung aus dem Serail
(The Abduction from the
Seraglio), which took
place on July 16, 1782 at
the Burgtheater Wien
(Vienna). It illustrates
Mozart's ambition and
self-confidence.
Throughout Mozart's
lifetime, Die Entfuhrung
aus dem Serail was his
most successful work
outside of Vienna. It is
still a much-performed
opera.Tohru Takahashi has
made a lively arrangement
of the overture in its
original key, C major. It
will sound even better if
your band has Turkish
percussioninstruments at
its disposal.
Tijdens het leven
van Mozart was Die
Entfuhrung aus dem
Serail (The
Abduction from the
Seraglio) zijn
succesvolste werk buiten
Wenen. Deze dynamische
opera wordt nog altijd
veel uitgevoerd. Tohru
Takahashi maakte
eenlevendig arrangement
van de ouverture in de
oorspronkelijke
toonsoort, C
majeur.
Zu Mozarts
Lebzeiten war Die
Entfuhrung aus dem
Serail die
erfolgreichste Oper
ausserhalb Wiens und noch
heute wird sie oft
gespielt. Tohru Takahashi
schuf ein lebendiges
Arrangement der Ouverture
in der ursprunglichen
Tonart C-Dur. Wenn Ihr
Blasorchester uber
Schlaginstrumente aus der
turkischen Musik verfugt,
konnen Sie damit den
Klang noch ausschmucken.
Ein grosses klassisches
Meisterwerk, das nun auf
die Interpretation Ihres
Blasorchesters
wartet. $159.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| John Williams: Music from The Star Wars Trilogy - Special Edition / Trumpet
Trompette [Partition] - Intermédiaire Alfred Publishing
Trumpet. Composed by John Williams. Instrumental Series. Movies. Instrumental so...(+)
Trumpet. Composed by John
Williams. Instrumental
Series. Movies.
Instrumental solo
songbook (no
accompaniment). With
black and white photos.
20 pages. Alfred Music
#00-0017B. Published by
Alfred Music
(28)$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| John Williams: Music From The Star Wars Trilogy - Special Edition / Clarinet
Clarinette - Intermédiaire Alfred Publishing
Clarinet. Composed by John Williams. Instrumental Series. Movies. Clarinet solo ...(+)
Clarinet. Composed by
John Williams.
Instrumental Series.
Movies. Clarinet solo
book. 24 pages. Alfred
Music #00-0014B.
Published by Alfred Music
(10)$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Learn As You Play Flute (English Edition) Music Distribution Services
SKU: M7.BH-7300068 Edited by Peter Wastall. 2 CDs. Begleit CD mit Backing...(+)
SKU: M7.BH-7300068
Edited by Peter Wastall.
2 CDs. Begleit CD mit
Backing Tracks und
Ãœbungen. MDS (Music
Distribution Services)
#BH 7300068. Published by
MDS (Music Distribution
Services)
(M7.BH-7300068). ISBN
9790060095948. UPC:
073999238457.
English. The award
winning wind and brass
tutor series. Learn As
You Play provides
everything you need from
the first lesson up to
grade three. A well
structured course of
exercises, studies and
pieces ensures a good
grounding in technique
and musicianship. Also
available in Dutch,
French, German and
Spanish language
editions. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Emperor's New Clothes [Set de Parties séparées] Theodore Presser Co.
By Peter Schickele. Chamber ensemble. For Oboe, Kazoo, Violin, Viola, Violoncell...(+)
By Peter Schickele.
Chamber ensemble. For
Oboe, Kazoo, Violin,
Viola, Violoncello.
Standard notation
$42.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Selections from The Star Wars Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By John Williams. Arranged by Michael Story. Music by John Williams / arr. Micha...(+)
By John Williams.
Arranged by Michael
Story. Music by John
Williams / arr. Michael
Story. For Concert Band.
Concert Band. Pop Young
Band. Movie; Pop/Rock.
Level: Easy (grade 2.5).
Conductor Score and
Parts. Duration 5:55:00.
Published by Alfred
Publishing.
$68.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Selections from The Star Wars Saga Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
By John Williams. Arranged by Michael Story. Music by John Williams / arr. Micha...(+)
By John Williams.
Arranged by Michael
Story. Music by John
Williams / arr. Michael
Story. For Concert Band.
Concert Band. Pop Young
Band. Movie; Pop/Rock.
Conductor Score.
Published by Alfred
Publishing. Level:
2.5 (Easy to Medium Easy)
(grade 2.5).
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Emperor's New Clothes [Conducteur] Theodore Presser Co.
By Peter Schickele. For Narrator, Oboe, Violin, Viola, Cello, Piano. Published b...(+)
By Peter Schickele. For
Narrator, Oboe, Violin,
Viola, Cello, Piano.
Published by Theodore
Presser Company.
$28.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Disney Giant Movie Hits Piano Facile [Partition] - Facile Hal Leonard
36 Contemporary Classics from The Little Mermaid to The Emperor's New Groove. Bi...(+)
36 Contemporary Classics
from The Little Mermaid
to The Emperor's New
Groove. Big Note (Easy
arrangements with large,
easy to read notation).
Book only. Size 9x12
inches. 252 pages.
Published by Hal Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Emperor's Nightingale Suite From The Film Score And Parts Accordéon [Conducteur et Parties séparées] Schott
Violin, guitar and accordion SKU: HL.49017130 Suite from the film....(+)
Violin, guitar and
accordion SKU:
HL.49017130 Suite
from the film.
Composed by Vaclav
Trojan. This edition:
Folder. Sheet music.
PANTON. Score and parts.
Composed 1971. Schott
Music #P1324. Published
by Schott Music
(HL.49017130).
9.25x12.25x0.38
inches. The music
by Mr. Trojan for
Trnkas's film The
Emperor's Nightingale, of
1948, was so successful
and musically autonomous
that it was made by the
composer not only into an
orchestral suite but into
a number of effective
separate instrumental
turns as well. Even this
suite for violin, guitar
and accordion has become
highly popular. $46.00 - Voir plus => Acheter | | |
| Ave Maria Chorale SSAA SSAA, Orgue [Octavo] Alliance Music Publications
By Henrique Oswald (1852-1931). For SSAA choir, organ ad libitum. Octavo. Publis...(+)
By Henrique Oswald
(1852-1931). For SSAA
choir, organ ad libitum.
Octavo. Published by
Alliance Music
Publications
$1.70 $1.615 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Field of Butterflies Piano seul [Partie seule] - Avancé Theodore Presser Co.
(For Piano). By Iain Hamilton. For Piano. Classical. ADVANCED. Solo part. Standa...(+)
(For Piano). By Iain
Hamilton. For Piano.
Classical. ADVANCED. Solo
part. Standard notation.
16 pages
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prima la musica e poi le parole Orchestre Barenreiter
Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon,...(+)
Orchestra (2 Soprano
Voice Solo, 2 Bass Voice
Solo, 2 Ob, 2 clarinet, 2
bassoon, 2 Hn, 2 Trp, 2
V, Va, Basso, Continuo)
SKU: BA.BA08811
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti. A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$632.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bread and Games Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-120
Composed by William Vean.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000803-120. Published by
Gobelin Music
Publications
(BT.GOB-000803-120).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bread and Games Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000756-140. Published by
Gobelin Music
Publications
(BT.GOB-000756-140).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bread and Games Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000804-130
Composed by William Vean.
Score Only. 32 pages.
Gobelin Music
Publications #GOB
000804-130. Published by
Gobelin Music
Publications
(BT.GOB-000804-130).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bread and Games Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-010
Composed by William Vean.
Set (Score & Parts). 116
pages. Gobelin Music
Publications #GOB
000756-010. Published by
Gobelin Music
Publications
(BT.GOB-000756-010).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bread and Games Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000804-030
Composed by William Vean.
Set (Score & Parts). 62
pages. Gobelin Music
Publications #GOB
000804-030. Published by
Gobelin Music
Publications
(BT.GOB-000804-030).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bread and Games Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-020
Composed by William Vean.
Set (Score & Parts). 98
pages. Gobelin Music
Publications #GOB
000803-020. Published by
Gobelin Music
Publications
(BT.GOB-000803-020).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody. There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum. 1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music. 2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly. 3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public. 4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden. Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één. Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum. 1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood. 3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $110.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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