| Revival, Spiral edition - Instrument edition GIA Publications
Guitar, C instrument 1, C instrument 2, flute, violin, cello, trumpet in C, trum...(+)
Guitar, C instrument 1, C
instrument 2, flute,
violin, cello, trumpet in
C, trumpet in B-flat
SKU: GI.G-9538INST
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Chris De Silva. This
edition: Instrument
edition. Sacred.
Instrumental part(s). 76
pages. GIA Publications
#9538INST. Published by
GIA Publications
(GI.G-9538INST). UPC:
785147953890. Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Â
Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago. $21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Revival, Spiral edition - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G). UPC:
785147953876. Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago. $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Extraordinary Duets Piano, Voix Lillenas Publishing Co.
(24 Contemporary and Inspirational Songs). By Thomas Fettke. For high voice solo...(+)
(24 Contemporary and
Inspirational Songs). By
Thomas Fettke. For high
voice solo, medium voice
solo and piano (guitar).
Sacred Vocal. Published
by Lillenas Publishing
Company
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sun Dancing CD [CD] - Intermédiaire C.L. Barnhouse
| | |
| Intimate Apparel Theodore Presser Co.
Opera Piano, solo Voices SKU: PR.411411630 Opera in Two Acts. Comp...(+)
Opera Piano, solo Voices
SKU: PR.411411630
Opera in Two Acts.
Composed by Ricky Ian
Gordon. Piano Reduction
Score. 438 pages.
Duration 2 minutes, 30
seconds. Theodore Presser
Company #411-41163.
Published by Theodore
Presser Company
(PR.411411630). ISBN
9781491137635. UPC:
680160691081. English.
Intimate Apparel by Lynn
Nottage. Originally
an award-winning play,
Lynn Nottage’s INTIMATE
APPAREL was inspired by
her great-grandmother’s
life in New York in the
early 20th century. The
Pulitzer-laureate also
created the libretto for
Ricky Ian Gordon’s
grand-yet-intimate opera
whose complete
instrumentation is two
pianos. The story follows
the life of a young,
single seamstress who has
recently emigrated from
Barbados, the fascinating
cast of characters in her
life, and her
socially-unacceptable
feelings of affection for
a Jewish fabric salesman.
The premiere production
of this 2½-hour drama
was televised nationally
from Lincoln Center on
PBS’s “Great
Performances.”. Inti
mate Apparel began with
an old photograph that I
found haphazardly wedged
between the pages of a
Family Circle magazine. I
was helping my
grandmother, who’d
developed debilitating
senile dementia, move
from her longtime home in
Crown Heights, Brooklyn.
In the midst of a pile of
weathered magazines I
discovered a black and
white passport photograph
of my grandmother Waple
and her younger sister
Eurita sitting on their
mother’s lap. It was
the first time I’d ever
seen an image of my
great-grandmother Ethel,
a striking woman with
high West African
cheekbones and a gentle
intensity. She had been a
seamstress from Barbados,
who at the age of 18
arrived alone in New York
City at the dawn of the
Twentieth Century. The
image invited a thousand
questions, none that
could be answered by the
living, and it led me on
a journey to piece
together the history of
my great-grandmother
Ethel, a woman who was
basically a stranger to
me. The only clue that I
had about Ethel, was a
story that my grandmother
had once told me about
her mother corresponding
with a man laboring on
the Panama Canal, who
would eventually become
her husband. I was
fascinated by this story,
which served as the
inspiration for INTIMATE
APPAREL.As I began my
research for INTIMATE
APPAREL at the New York
Public Library, I
discovered that lives of
Black working women in
the early 1900s were
woefully absent from the
archive. So, I found
myself perusing help
wanted listings, boarding
house and clothing
advertisements, looking
for any sign of women
like my great-grandmother
on the printed page. As I
was doing so, I began to
find the characters that
would populate the world
of INTIMATE APPAREL;
Esther the lonely
seamstress, Mrs. Dickson
the proprietress of the
boardinghouse for Black
women, Mr. Marks the
Jewish fabric salesman on
the Lower Eastside, Mrs.
Van Buren the wealthy
white socialite on the
Upper Eastside, Mayme the
sex worker in the
tenderloin, and George
the laborer toiling on
the Panama Canal. As I
was conjuring the
characters, I realized
that I was interested in
the unexpected
intersections between
class, race, and gender
at the turn of the
Twentieth Century, and
what happens when people
across cultural and
economic divides are
thrust into spaces of
intimacy.INTIMATE APPAREL
began its life as a
popular play, but it was
the brilliant composer
Ricky Ian Gordon who
invited me to consider
adapting it into an
opera. He saw something
epic and expansive in the
life of Esther that he
felt demanded to be sung,
and with his loving
guidance I was able to
write my first libretto.
It took me several tries
to figure out how to
wrestle my play into a
form that was new to me.
As a playwright, I kept
wanting to maintain
absolute control of the
narrative. But, it was
Ricky’s words that
freed me creatively to
find my way into the
libretto. He said,
“You’re not trusting
my music as a narrative
tool; I can say “I love
you” without any words,
with just music. So,
allow me to be your
collaborator on the
storytelling.” And once
he said that, we found
INTIMATE APPAREL the
opera together. $110.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Little Violin Music in Memory of Elijah McClain Violon Merion Music
Chamber Music Violin SKU: PR.144407380 Composed by Ellen Taaffe Zwilich. ...(+)
Chamber Music Violin
SKU: PR.144407380
Composed by Ellen Taaffe
Zwilich. Performance
Score. 4 pages. Duration
4 minutes. Merion Music
#144-40738. Published by
Merion Music
(PR.144407380). ISBN
9781491133903. UPC:
680160683475. 9 x 12
inches. In her
powerful Foreword to the
music, violinist Kelly
Hall-Tompkins has
written: “There are
great works which give
voice to important
moments for generations,
and this is one of
them.†The tragedy
of Elijah
McClain’s murder
has moved us all, and for
many musicians the image
of this gentle young man
playing his violin for
kittens at an animal
shelter has added a
poignant extra layer.
Zwilich was a
professional violinist
before turning
exclusively to composing,
and A LITTLE VIOLIN MUSIC
is a memorial from the
heart of one violinist to
another. [THESE NOTES
MAY NOT BE REPRODUCED
OUTSIDE OF THE
PUBLICATION; OK TO QUOTE
A BIT AND GIVE AUTHOR
CREDIT]We often research
important pieces of music
to gain some glimpse into
the mind of the composer
by understanding the
times in which a piece
was written. The times
that brought this piece
into being, 2020, has
been a year like no other
in our lifetimes.With the
suffering of a once in a
century pandemic raging
in ever higher waves, and
millions of people around
the world confined to
their homes with a shared
attention span for the
first time in
generations, we watched
in horror the 8 minute 46
second killing of George
Floyd, a man previously
unknown to us, but now
unwillingly joining a
long list of names of
unarmed African Americans
killed by police. The
anguished backlash of
citizens around the
world, from Japan to New
Zealand to Germany to the
United States, of every
age, color, and creed,
has rallied for weeks and
months on end to demand
enough and that
“Black Lives
Matter.â€And yet, in
the midst of it all is an
America starkly divided
against itself with some
defiantly pushing back,
emboldened by
authoritarian-style
government actions
against its own citizens
occurring all over the
country. It is against
this backdrop that we
ever had a chance to know
of Elijah McClain. Here
in quarantine I sometimes
practice my scales in
front of the news. And
one day the mirror image
looking back at me from
the screen was a slight
young man, warm, affable
brown eyes, and also a
violin under his chin.
The newsreel-style camera
pan so familiar now, I
knew the only reason we
were gazing upon his
unfamous face was that he
too had been killed by
police nearly a year
before. But the
revelation of it in the
broadcast hit me
particularly hard.Ellen
Taaffe Zwilich, who is
not only one of the great
composers of our time, is
also a dear friend, and
called me the next day,
also deeply saddened by
the news. It was from
Ellen that I learned that
Elijah used to play for
the kittens at the local
animal shelter so they
wouldn’t be
lonely. This kind, gentle
soul was aggressively
taken into police custody
while saying, “I am
an introvert. Please
respect the boundaries
that I am speaking...
I’m going
home.†He was never
seen alive again.Ellen
and I spoke of the
sadness and the injustice
of this several times.
She felt a powerful
calling to contribute
something in a statement
and the result is the
piece you now hold in
your hands. I am deeply
honored to be the
dedicatee of the piece,
to have worked together
with Ellen on some of the
final details, and to pen
this score note. As an
invited alumna of the
Eastman School of Music,
I premiered the work for
their virtual event on
Diversity and Inclusion.
Each time I play it,
there is a persistent
lump in my throat because
Ellen has captured
something poignant and
powerful here.There are
great works which give
voice to important
moments for generations,
and this is one of them.
We humbly offer this
piece in memory of Elijah
McClain.Foreword ©
2021 by Kelly
Hall-Tompkins. Used by
permission. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contemporary Christian (Pro Vocal Women's Edition Volume 35) Voix seule [Partition + CD] Hal Leonard
Pro Vocal Women's Edition Volume 35. By Various. Pro Vocal. Play Along. Softcove...(+)
Pro Vocal Women's Edition
Volume 35. By Various.
Pro Vocal. Play Along.
Softcover with CD. 48
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Across the Great Divide Orchestre d'harmonie [Conducteur] - Intermédiaire C.L. Barnhouse
| | |
| Across the Great Divide Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3584-75 Composed by Romeyn. Concert Band. Oversized, ...(+)
Grade 3 SKU:
CL.012-3584-75
Composed by Romeyn.
Concert Band. Oversized,
spiral-bound score.
Composed 2007. Opus III
Wind Orchestra
Publications
#012-3584-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3584-75).
$30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Across the Great Divide Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Romeyn. Concert Band. Level: Grade 3. Score and set of parts. Duration 0:07:0...(+)
By Romeyn. Concert Band.
Level: Grade 3. Score and
set of parts. Duration
0:07:06. Published by
C.L. Barnhouse.
$76.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alfred's Music Playing Cards -- Classical Composers Eveil Musical Alfred Publishing
(12 Pack). By Karen Farnum Surmani and Andrew Surmani. Other; Reference Textbook...(+)
(12 Pack). By Karen
Farnum Surmani and Andrew
Surmani. Other; Reference
Textbooks; Textbook -
General; Theory. Alfred's
Music Playing Cards.
Published by Alfred Music
$99.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alfred's Music Playing Cards -- Classical Composers [Livre] Alfred Publishing
(1 Pack). By Andrew Surmani and Karen Farnum Surmani. Other; Reference Textbooks...(+)
(1 Pack). By Andrew
Surmani and Karen Farnum
Surmani. Other; Reference
Textbooks; Textbook -
General; Theory. Alfred's
Music Playing Cards.
Published by Alfred Music
Publishing
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song for My Mother Marimba [Partition] Innovative Percussion
Song for my Mother by Juan Almo. Marimba solo. For marimba solo (marimba (5 octa...(+)
Song for my Mother by
Juan Almo. Marimba solo.
For marimba solo (marimba
(5 octave)). Level 5.
Book. Published by
Innovative Percussion
$12.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
$150.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Jazz Piano Chord Book Piano seul Music Sales
Composed by Various. Music Sales America. Softcover. 152 pages. Wise Publicati...(+)
Composed by Various.
Music
Sales America. Softcover.
152 pages. Wise
Publications
#AM1010196. Published by
Wise Publications
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Set of Chinese Folk Songs Chorale TTBB Theodore Presser Co.
Choral TTBB choir SKU: PR.312416820 Men's Chorus (10 Copies). Comp...(+)
Choral TTBB choir SKU:
PR.312416820 Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820). UPC:
680160050376. 8.5 x 11
inches. Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi. $195.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Traditional Songs of Denmark - Facile Wilhelm Hansen
Guitar; Piano Accompaniment; Voice - Grade 2 SKU: HL.14033985 Composed by...(+)
Guitar; Piano
Accompaniment; Voice -
Grade 2 SKU:
HL.14033985 Composed
by Various. Music Sales
America. Danish. Book and
CD. 48 pages. Edition
Wilhelm Hansen #WH30653.
Published by Edition
Wilhelm Hansen
(HL.14033985). ISBN
9788759812044.
International (more than
one language). Here
are sixteen all-time
favourite Danish songs,
including several written
by the great Hans
Christian Anderson
himself. With lyrics in
Danish and English, as
well as musical
arrangements of for Voice
and Guitar/Piano, this is
a unique celebration of
Denmark's musical
traditions and love of
communal singing. Each
song is beautifully
performed on the
accompanying CD and this
bi-centennial edition of
this fabulous volume has
been illustrated by
British artist Paul Cox.
From lyrical songs and
anthems to folk themes
and the popular I'm Hans
Christian Anderson, this
is a unique portrait of a
nation with a time
honoured love of
singing. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Song of the Singing Assembly GIA Publications
A Theology of Christian Hymnody. Composed by Judith Kubicki. Sacred. 260 ...(+)
A Theology of
Christian Hymnody.
Composed by Judith
Kubicki. Sacred. 260
pages. GIA Publications
#9419. Published by GIA
Publications (GI.G-9419).
$27.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Great Book of Studies Piano seul [Partition] - Facile Schott
(100 Beautiful Studies for Piano). Edited by Hans-Günter Heumann. Piano. So...(+)
(100 Beautiful Studies
for
Piano). Edited by
Hans-Günter
Heumann. Piano.
Softcover. 168
pages. Schott Music
#ED21122.
Published by Schott Music
(1)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shall I compare thee to a summer's day? Chorale SATB SATB divisi, A Cappella Oxford University Press
SATB double choir, a cappella (SATB) - Moderately Difficult SKU: OU.978019341...(+)
SATB double choir, a
cappella (SATB) -
Moderately Difficult
SKU:
OU.9780193413450
Composed by David
Bednall. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 5'.
Oxford University Press
#9780193413450. Published
by Oxford University
Press (OU.9780193413450).
ISBN 9780193413450. 10
x 7 inches. for
SATB double choir
unaccompanied A
setting of Shakespeare's
much-loved Sonnet 18,
Bednall's expressive work
highlights this timeless
text with sumptuous
harmony, including
pleasing tonal shifts and
topical false relations.
Various choral textures
are explored, from the
imitative lines of
'Sometime too hot', to
the warm richness of the
closing pages, where the
choir divides into eight
parts. This work is part
of the New Horizons
series and a piano
reduction is included for
rehearsal
purposes.
About Oxford
New
Horizons N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music. $4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight [Conducteur] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Thine Own Child Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419260 From Terra Nostra...(+)
Choral Children's choir,
Piano SKU:
PR.312419260 From
Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2:45.
Theodore Presser Company
#312-41926. Published by
Theodore Presser Company
(PR.312419260). ISBN
9781491137901. UPC:
680160692590. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270). ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Czerny - Selections from The Little Pianist, Opus 823 Piano seul [Partition] Hal Leonard
Technique Classics Series Hal Leonard Student Piano Library. By Carl Czerny. Edu...(+)
Technique Classics Series
Hal Leonard Student Piano
Library. By Carl Czerny.
Educational Piano
Library. Softcover. Size
9x12 inches. 48 pages.
Published by G SCHIRMER,
INC.
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Singing Trumpet Trompette [Conducteur] Carl Fischer
Using Singing and Speech as Literal Models for Trumpet Performance. Composed...(+)
Using Singing and Speech
as
Literal Models for
Trumpet
Performance. Composed by
Peter Bond. Score. Carl
Fischer Music #TXT14.
Published by Carl Fischer
Music
$38.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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