Organ (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165249

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165249. Published by Carus Verlag (CA.5165249).

Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� ��™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman� ��s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Continuo realization (1(picc).2.0.1. - 2.2.0.0. - str - bc)

SKU: BR.OB-4371-12

Former name Concerto grosso No. 25 - Urtext. Composed by George Frideric Handel. Edited by Wilhelm Pfannkuch. Arranged by W. (Cont.-Auss.) Pfannkuch. Stapled. Orchester-Bibliothek (Orchestral Library).

Handel composed his Water Music for none other than King George I who requested a concert for guests invited to his pleasure cruise on the Thames.

Concerto grosso; Baroque. Part. 28 pages. Duration 45'. Breitkopf and Haertel #OB 4371-12. Published by Breitkopf and Haertel (BR.OB-4371-12).

ISBN 9790004306338. 10 x 12.5 inches.

According to the Daily Courant, the premiere took place as follows: On Wednesday Evening, at about 8, the King took to Water at Whitehall in an open Barge, wherein were Dutchess of Bolton, The Dutchess of New Castle, the Countess of Godolphin, Madam Kilmaseck, and the Earl of Orkney. And went up the River towards Chelsea. Many other of Barges with Person of Quality attended, and so the great Number of Boats, that the whole River in a manner was couver'd; a City Company's Barge was employ'd for the Musick, wherein were 50 Instruments of all sorts, Who play'd all the way from Lambeth (while the Barges drove with the Tide without Rowing, as far as Chelsea) the finest Symphonies, compos'd express for this Occasion, by Mr Hendel: which his Majesty liked so well, that he caus'd it to be play'd over three times in going and returning. At Eleven his Majesty came again into Barge, and return'd the same Way, the Musick continuing to play till he landed.

Handel composed his Water Music for none other than King George I who requested a concert for guests invited to his pleasure cruise on the Thames.

SKU: GI.G-1046

Composed by Taizé Community. Sacred. GIA Publications #1046. Published by GIA Publications (GI.G-1046).

UPC: 785147004622.

For the Taizé Community, prayer together, three times a day, is a vital way to return to the wellsprings, to renew hope, and to get ready to take on practical commitments. This CD, like the other recordings made in Taizé, shows how this prayer is renewed while yet remaining constant throughout the years. Many of the songs presented here are new: they were written by brothers of Taizé between 2012 and 2017 and are recorded here for the first time. Others have been part of the community’s prayer for many years. A few come from a much older tradition: for example, the hymn Ô vous qui dans l’obscurité (You who in darkness) comes from the German evangelical churches of the 17th century, the litany Ô Sagesse (O Wisdom), which calls for the coming of Christ, is based on antiphons of the age-old tradition of the Latin Church. These last two pieces are sung at Taizé especially during the season of Advent. Most of these songs focus on an essential reality that can be internalized more and more deeply, as the words are tirelessly repeated. The simplicity of these repetitive forms makes them easy to sing in many situations, but they can nevertheless achieve great breadth and depth, especially when the voices of a large assembly are united with solo singers and instruments. To help use these songs in prayer groups or parishes, practical suggestions as well as the musical scores are available online and in books listed on the Taizé website www.taize.fr/en.

(Symphony Themes, Opera Gems and Classical Favorites). Arranged by Nancy Faber and Randall Faber. For Piano/Keyboard. Faber Piano Adventures�®. Softcover. Faber Piano Adventures #FF3030. Published by Faber Piano Adventures

Mezzo-Soprano/Alto. By Various. Arranged by Max Spicker. Vocal Collection. Size 7.5x10.8 inches. 200 pages. Published by G. Schirmer, Inc.

Concert Band - Grade 4

SKU: HL.44007319

Grade 4 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2007. 36 pages. Anglo Music Press #AMP196. Published by Anglo Music Press (HL.44007319).

UPC: 884088245160. 9x12 inches. English-German-French-Dut ch.

Prelude to a Celebration is a fantastic way to open any concert in the tradition of great symphonic openers. The work starts with a triumphant yet majestic fanfare from the trumpet section, which gives the basis for the whole work. A rollicking and driving faster section follows for the woodwinds, which leads into a broader trio before the opening fanfare returns to bring the work to a majestic conclusion. Whatever the occasion (or celebration), Prelude to a Celebration is one piece that is sure to have your audience on the edge of their seat and start your performance off in the finest of styles. Duration: 5:10.

By Philip Sparke. (Score and Parts). This edition: AMP196. Anglo Music Press. Published by Anglo Music.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS75

Composed by Sean O'Loughlin. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+24+10+4+10+5+10+16 pages. Duration 4 minutes, 42 seconds. Carl Fischer Music #CAS75. Published by Carl Fischer Music (CF.CAS75).

ISBN 9780825894763. UPC: 798408094768. 9 x 12 inches. Key: Eb minor.

This action packed piece has a definite cinematic quality to it, and a title to match! Popular composer Sean O'Loughlin brings a wealth of musical sophistication to this contest/festival choice.
Phantom� �s Escape draws its title from a ski run at Mammoth mountain near Yosemite National Park in the Sierra Mountains. While skiing there, the name inspired me to create some original music with its roots in modern film scoring. The composition is in a traditional ABA form with contrasting sections. The music is both aggressive and passionate and provides some great teaching elements for the more mature string orchestra. At the beginning of the piece, the pulsing in the low voices sets the stage for the drama to come. I have always loved the pairing of eighth-note triplets and standard eighth notes in the same line. This is evident in the melodic element in the section starting at m. 7. Be sure not to rush the triplets here. A dramatic pulsing figure takes over at m. 21, then begins to deconstruct at m. 25.A mechanical-like rhythmic figure ensues at m. 31 to provide the accompaniment to the main melody in augmentation in the celli. The violas add some imitation to this at m. 39 that leads us to a more lyrical passage at m. 46. This lyricism continues to evolve at m. 51 with a multitude of inner counterpoint lines. The music pulls back at m. 59 to set up the big build-up into m. 73. The combination of eighth notes, eighth-note triplets and sixteenth notes creates some exciting textures leading into the passionate section at m. 73. The opening section returns at m. 86. This builds into the unison gesture at m. 120 to bring the music to a dramatic conclusion.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

(84 Songs by 28 Marvelous Male Vocalists). By Various. Piano/Vocal/Guitar Songbook. Softcover. 336 pages. Published by Hal Leonard

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS90

Composed by Sean O'Loughlin. Concert String Orchestra. Set of Score and Parts. With Standard notation. 16+16+4+10+10+5+10+16 pages. Duration 3 minutes, 57 seconds. Carl Fischer Music #CAS90. Published by Carl Fischer Music (CF.CAS90).

ISBN 9780825899195. UPC: 798408099190. 9x12 inches. Key: C major.

Free Spirit offers a fresh new sound from composer Sean O'Loughlin. It has a uniquely American sound to it with open chords contrasted with lush flowing melodies that interplay back and forth in a struggle for supremacy that is finally settled with both co-existing together in the end for a wonderful punctuated ending.
Free Spirit is a dynamic composition for the more advanced string ensemble. Full of lyrical and rhythmic passages, the music is a great way to showcase the musicianship of your ensemble.The rhythmic motive at the beginning serves as a connecting thread throughout the com- position. The rhythmic accents are added in m. 5 to increase the intensity and provide a slightly different color to the music. Some interplay follows at the section at m. 13. A lyrical melody then starts to soar over top of the rhythmic motive at m. 27. Bring out the contrast in the different styles simultaneously. The rhythmic energy fades away at m. 36 and gives way to a lush, haunting passage. The rhythmic motive quickly returns at m. 42 for some further development alongside the lyrical melody. A slight departure from the tonal center at m. 53 brings us back to a full presentation at m. 62. Some imitation and counterpoint lead us back to a recapitulation of the central musical ideas at m. 85. The lyrical melody returns as an echo of its former self at m. 100. This leads to a final build-up section at m. 110. Keep the accents punchy and crisp throughout this passage. This climaxes at a tutti gesture to end the piece with fire.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Soprano & Organ

SKU: SU.80101426

For Soprano & Organ. Composed by Carson Cooman. Vocal/Choral, Solo Voice. Accompanied by organ. Performance Score. Zimbel Press #80101426. Published by Zimbel Press (SU.80101426).

Set includes 2 scoresCirce (2010–11), a cantata for soprano and organ, takes a contemporary approach to the genre of the baroque secular solo cantata. As with many baroque works, the subject matter is taken from the classical world; in this case it is the story of Circe, the sorceress (or minor goddess: daughter of the sun god Helios and the sea nymph Perse) from Homer’s Odyssey. However,in the spirit of contemporary adaptation, the texts are three poems by American poet Louise Glück from her book Meadowlands (1996), a large section of which contains poems related to characters from the Odyssey. In the Odyssey, Odysseus and his men, returning home from the Trojan War, are lured to Circe’s island (Aeaea). Through her magic, Circe transforms Odysseus’s men into animals, but with help from the god Hermes, Odysseus is able to resist her magic himself, and Circe is forced to restore his men to human form. For the next year, Odysseus and his men remain on the island in leisure, and Odysseus becomes Circe’s lover. However, after the year has passed, Odysseus decides to continue the journey home to Ithaca (to return to his wife Penelope, who is patiently waiting for him). Circe reluctantly lets him go. Despite her divine heritage, the Circe of Glück’s poems is consumed with the quite human emotions of longing, bitterness, and jealousy. The musical language of the work is contemporary, though there is a great deal of allusion to baroque style and specific musical forms (including sarabande, loure, ground, plaint, and musette).Soprano and Organ Duration: 9’ Composed: 2010 Published by: Zimbel Press.

Composed by Mark Burrows. For Unison/two-part choir with piano and optional trumpet. Sacred Anthem. General. Octavo. Published by Chorister's Guild

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 80 pages

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS165

Composed by Sean O'Loughlin. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+8+2+5+5+5+2+8 pages. Duration 3 minutes, 58 seconds. Carl Fischer Music #YAS165. Published by Carl Fischer Music (CF.YAS165).

ISBN 9781491143865. UPC: 680160901364. Key: B minor.

An intense and emotional piece from popular composer Sean O'Loughlin. Lush harmonies with well-placed dissonances pull at your emotions and set the tone for the sophisticated ballad. It is a wonderful vehicle for young musicians to expressive themselves and use their budding musical skills.
Solitude is a dramatic composition for the developing string orchestra. The music is reminiscent of the great folk song settings of Holst, Grainger and others. Keep the music soft in the beginning to allow for growth later on in the piece.The main melody at m. 5 should be played with reverence and nobility. The quarternote rests in the accompanying instruments allow for some breath and drama in the phrase. The use of these quarter-note rests expands a bit at m. 15.The introductory material returns at m. 23 provides a build-up to m. 33. This is a foreshadowing of the larger build-up to the climactic chord at m. 47. The ending is a mere echo of the beginning and brings the music full circle for a solemn, peaceful ending.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Choral (SATB)

SKU: HL.2050275

Praise Gathering Choral. Christmas. Softcover. 120 pages. PraiseGathering #A08425. Published by PraiseGathering (HL.2050275).

UPC: 797242200090. 6.75x10.5x0.278 inches.

The wise men offered their precious gifts and they worshipped. And so it has been for two thousand years. People of wisdom still seek Him, still experience that exceeding great joy, still bring Him their offerings. The celebration of the birth of Christ has taken on many traditions since that evening in Bethlehem. Ritual has once again threatened to overshadow reality. The excitement as Christmas approaches is sometimes equal to the letdown as the season passes. Christmas is not about all of the things we bring to the celebration. Christmas is about what He brings. Christmas is about a God in Heaven who loved us enough to send His Son to die for us. Christmas is about deliverance from fear. Christmas is about returning to the heart of worship--Christmas is about offering my heart--Christmas is about Jesus. Fear not: for behold, we bring you good tidings of great joy.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS104

Composed by Sean O'Loughlin. SWS FS. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+5+2+5+5+2+8 pages. Duration 2 minutes, 44 seconds. Carl Fischer Music #FAS104. Published by Carl Fischer Music (CF.FAS104).

ISBN 9781491146453. UPC: 680160903955. 9 x 12 inches. Key: E minor.

Thunderstruc k is defined as being extremely surprised or shocked, which is the tone of this piece from the outset. The piece is cinematic in nature and hearkens back to some of the great movie scores. This will be just the type of piece students will love to practice and play again and again!.
Thunderstruck is a word I recently heard in a speech I attended. The word immediately brought to mind several musical ideas. This piece is a result of that inspiration. For the developing string ensemble, it provides many musicianship teaching opportunities.The music is bold from the outset and creates the setting for an exciting piece. Being very cinematic in nature, it harkens to some of the great movie scores I enjoy. This bold gesture is countered by a rhythmic eighth-note pattern at m. 9 that returns throughout the piece to provide balance and counterpoint. The dynamics at m. 37 are incredibly important, so make sure the ensemble exaggerates them. The section at m. 50 pulls apart the previous musical elements and creates a colorful tapestry of sound. Some continued development of both musical ideas follows to generate the final push to the end.

Orchestra String Orchestra - medium easy

SKU: CF.CAS36

Composed by Traditional. Arranged by Roy Phillippe. Carl Fischer Concert String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS36. Published by Carl Fischer Music (CF.CAS36).

ISBN 9780825863646. UPC: 798408063641. 8.5 X 11 inches. Key: F major.

A warm and richly scored setting of the popular Christmas carol Bring a Torch Jeanette, Isabella, this full sounding arrangement will greatly enrich seasonal programming. Roy Phillippe has employed a broad palette of harmonic and instrumental colors to craft a memorable holiday selection.
Bring a Torch is a lovely Christmas carol. Using techniques such as suspensions, re-harmonization and modulations, my goal is to provide an interesting showcase for this familiar melody. the introduction in F major features sustained violins with a pattern of moving eighth notes in the violas and cellos. This pattern recurs throughout the piece. The first statement of the melody is in the first violins. The second violins supply harmonic support along with the viola/cello pattern. Measures 13-29 feature a section of tutti chordal playing. Measure 30 crescendos into the modulation to D major at m. 32. Here, the dynamic is forte, and the viola/cello pattern returns. At m. 40, the violas and cellos have the melody with violin accompaniment. A crescendo begins at m. 44 and builds to fortissimo at m. 48, featuring a modulation to G major. At this point the melody should soar. A descrescendo at m. 60 is followed by a ritard at m. 64. The final four measures are in the original tempo ending on a tutti chord.Careful attention to dynamics, especially in the accompanying parts, will result in a fine performance.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

SKU: GI.G-CD-249

Composed by Marty Haugen. Sacred. CD. GIA Publications #249. Published by GIA Publications (GI.G-CD-249).

This collection will add new life to your celebration of Lent, Holy Week, Triduum, and the Easter Season. Begin on Ash Wednesday with Return to God and continue through the Lenten season with I Need You to Listen and Let Justice Roll Like a River. Process on Palm Sunday with Ride on Jesus, Ride. All three stations of the Triduum will be graciously linked together with Wondrous Love and the Vigil enhanced by Song at the Empty Tomb. We Are God's Work of Art and Come to the Feast will enliven the great fifty days...plus, much more!

Grade 3

SKU: CL.012-2243-01

Composed by J. Spears. Concert Band. Classics Series. Audio recording available separately (item CL.WFR103). Extra full score. Composed 1990. Duration 5 minutes. Opus III Wind Orchestra Publications #012-2243-01. Published by Opus III Wind Orchestra Publications (CL.012-2243-01).

A distinctive work inspired by folklore surrounding Llyr, the Welsh God of the Sea. A powerful, grandiose opening sets the scene for the exciting yet mysterious allegro of quickly changing instrumental colors. A slow and dramatic section follows, building gradually to an explosive return to the allegro. Great student and audience appeal. Rated as a definite pick’’ for contest.

About C.L. Barnhouse Classics Series

Und er the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!

Grade 3

SKU: CL.012-2243-00

Composed by J. Spears. Concert Band. Classics Series. Audio recording available separately (item CL.WFR103). Score and set of parts. Composed 1990. Duration 5 minutes. Opus III Wind Orchestra Publications #012-2243-00. Published by Opus III Wind Orchestra Publications (CL.012-2243-00).

A distinctive work inspired by folklore surrounding Llyr, the Welsh God of the Sea. A powerful, grandiose opening sets the scene for the exciting yet mysterious allegro of quickly changing instrumental colors. A slow and dramatic section follows, building gradually to an explosive return to the allegro. Great student and audience appeal. Rated as a definite pick’’ for contest.

About C.L. Barnhouse Classics Series

Und er the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!

(score). Curnow Concert Band Full Set. Size 9x12 inches. Published by Hal Leonard.