SKU: CA.2780300

Composed by Claudio Monteverdi. Edited by Uwe Wolf, Barbara Neumeier. Selva Morale E Spirituale. Salmi. Sacred vocal music, Mass sections, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Collection. 172 pages. Carus Verlag #CV 27.803/00. Published by Carus Verlag (CA.2780300).

ISBN 9790007171698.

Toda y Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The big effect in this music is the combination of soloistic and weighty tutti sections, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Salmi II contains the additional settings of the multiple settings of the psalms and also the psalm Memento (each of the first of the multiple settings of the psalms are to be found in the Salmi I volume). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: - It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. - For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edition of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. - All of the pieces are printed untransposed and using the original note values. - All of the pieces are available in single editions with complete performance material. - Vocal scores of all works with obbligato instruments facilitate rehearsal. - Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).

Orchestra Solo Baritone voice, SATB chorus, Big Band - Grade 3

SKU: CA.2810600

Composed by Christoph Schonherr. Carus digital: Extra digital products. Full Score. Composed 2018. 36 pages. Duration 11 minutes. Carus Verlag #2810600. Published by Carus Verlag (CA.2810600).

ISBN 9790007251291. Key: E flat major. German.

Based on the extensive Psalm 107, Die mit Schiffen auf dem Meer thrillingly describes a storm at sea, during which God saves the sailors in distress and guides them safely back to land. The musical realization of the tumultuous ocean is framed by hymns of thanksgiving and praise to the Lord. Regarding his compositional process, Christoph Schönherr says: I was particularly attracted by the idea of translating the different facets of the sea into music. It can calm us down, convey a sense of freedom through its vastness, or indeed actually offer a route to freedom. For others, of course, it is the bringer of death.

The psalm setting skillfully interweaves sacred music traditions with the fascinating sonic possibilities of big band instrumentation, including its confident use of sassy 12/8 grooves and Latin rhythms.

With its identical instrumental scoring, the work is the perfect match for the Missa ad maiorem Dei gloriam by Wolfram Buchenberg (Carus 28.010).

Orchestra Solo Baritone voice, SATB chorus, Big Band - Grade 3

SKU: CA.2810603

Composed by Christoph Schonherr. Vocal score. Composed 2018. 32 pages. Duration 11 minutes. Carus Verlag #2810603. Published by Carus Verlag (CA.2810603).

ISBN 9790007251307. Key: E flat major. German.

Based on the extensive Psalm 107, Die mit Schiffen auf dem Meer thrillingly describes a storm at sea, during which God saves the sailors in distress and guides them safely back to land. The musical realization of the tumultuous ocean is framed by hymns of thanksgiving and praise to the Lord. Regarding his compositional process, Christoph Schönherr says: I was particularly attracted by the idea of translating the different facets of the sea into music. It can calm us down, convey a sense of freedom through its vastness, or indeed actually offer a route to freedom. For others, of course, it is the bringer of death.The psalm setting skillfully interweaves sacred music traditions with the fascinating sonic possibilities of big band instrumentation, including its confident use of sassy 12/8 grooves and Latin rhythms.With its identical instrumental scoring, the work is the perfect match for the Missa ad maiorem Dei gloriam by Wolfram Buchenberg (Carus 28.010).. Score available separately - see item CA.2810600.

SKU: LO.99-3678MD

Composed by Jay Rouse. Choral. Sacred Anthem. Performance/accompaniment CD (split-track). Medallion Music #99/3678MD. Published by Medallion Music (LO.99-3678MD).

UPC: 000308146806.

Rich harmonies ebb and flow in this engaging setting of a beloved hymn. Truly a journey, this stunning arrangement begins a cappella, then adds the piano and optional orchestra, gradually building in intensity to a beautiful, climactic moment, and resolves to an ending filled with quiet reflection.

Rhythm

SKU: LO.30-2508L

Composed by Chris Tomlin. Arranged by Louie Giglio. Choral. Sacred Anthem, General, Holy Week, Lent, Palm/Palm-Passion Sunday. Score and parts. Lorenz Publishing Company #30/2508L. Published by Lorenz Publishing Company (LO.30-2508L).

UPC: 000308123562.

†œâ€˜Tis so sweet to trust in Jesus.” Tomlin and Giglio include the text and tune from this wonderful hymn in their popular Christian song, “Enough.” Larry Shackley has crafted a spectacular arrangement that showcases vocal sections in frequent call and response. The addition of his rhythm score makes this a perfect choice for blended or contemporary worship.

(Alto Sax). For Alto Sax. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music Publishing

(Tenor Sax). Arranged by Various. For Tenor Sax. Book; CD; Instrumental Series; Play-Along; SmartMusic. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music

(Trumpet). For Trumpet. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music Publishing

(Cello). For Cello. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Movie. 108 pages. Published by Alfred Music Publishing

(Violin). For Violin. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Movie. 108 pages. Published by Alfred Music Publishing

(Piano Acc.). For Piano Acc.. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 80 pages. Published by Alfred Music Publishing

(Flute). For Flute. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music Publishing

(Clarinet). For Clarinet. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music Publishing

(Viola). For Viola. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Movie. 108 pages. Published by Alfred Music Publishing

(Horn in F). For Horn in F. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music Publishing

(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Pop Instrumental Solo Series. Movie. 32 pages. Published by Alfred Music Publishing

Handbells 3-6 octave handbell choir with optional 3-5 octave handchimes - Level 4

SKU: HP.2743

Arranged by Matthew Compton. Agape Bronze - L4-5. General Worship, Sacred. Handbell score. Hope Publishing Company #2743. Published by Hope Publishing Company (HP.2743).

UPC: 763628127435.

Famil iar hymn tune With constant flowing sixteenth notes, arranger Matthew Compton gives the tune BEACH SPRING a refreshing and meditative setting. Well worth the challenge, this arrangement will make a fine addition to any worship service or concert.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103214

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Viola 2. Sacred vocal music, Motets, Praise and thanks. Single Part, Viola 2. H 146. 8 pages. Duration 25 minutes. Carus Verlag #CV 21.032/14. Published by Carus Verlag (CA.2103214).

ISBN 9790007198305. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103205

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Choral Score. H 146. 20 pages. Duration 25 minutes. Carus Verlag #CV 21.032/05. Published by Carus Verlag (CA.2103205).

ISBN 9790007240868. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103212

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Violin/flute/oboe 2. Sacred vocal music, Motets, Praise and thanks. Single Part, Violin/Flute/Oboe 2. H 146. 12 pages. Duration 25 minutes. Carus Verlag #CV 21.032/12. Published by Carus Verlag (CA.2103212).

ISBN 9790007198282. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103213

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Violin/viola. Sacred vocal music, Motets, Praise and thanks. Single Part, Violin/Viola. H 146. 16 pages. Duration 25 minutes. Carus Verlag #CV 21.032/13. Published by Carus Verlag (CA.2103213).

ISBN 9790007198299. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103211

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Violin/flute/oboe 1. Sacred vocal music, Motets, Praise and thanks. Single Part, Violin/Flute/Oboe 1. H 146. 12 pages. Duration 25 minutes. Carus Verlag #CV 21.032/11. Published by Carus Verlag (CA.2103211).

ISBN 9790007241407. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103203

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203).

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103219

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Complete orchestral parts. Sacred vocal music, Motets, Praise and thanks. Set of Orchestra Parts. H 146. Duration 25 minutes. Carus Verlag #CV 21.032/19. Published by Carus Verlag (CA.2103219).

ISBN 9790007241414. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and parts available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103231

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. 2 trumpets + timpani. Sacred vocal music, Motets, Praise and thanks. Single Part, 2 Trumpets + Timpani. H 146. 12 pages. Duration 25 minutes. Carus Verlag #CV 21.032/31. Published by Carus Verlag (CA.2103231).

ISBN 9790007241421. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103215

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Basso continuo. Sacred vocal music, Motets, Praise and thanks. Single Part, basso continuo. H 146. 16 pages. Duration 25 minutes. Carus Verlag #CV 21.032/15. Published by Carus Verlag (CA.2103215).

ISBN 9790007198312. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103200

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Full score. H 146. 72 pages. Duration 25 minutes. Carus Verlag #CV 21.032/00. Published by Carus Verlag (CA.2103200).

ISBN 9790007186135. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on.

Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc

SKU: CA.2103249

Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Organ. Sacred vocal music, Motets, Praise and thanks. Single Part, Organ. H 146. 20 pages. Duration 25 minutes. Carus Verlag #CV 21.032/49. Published by Carus Verlag (CA.2103249).

ISBN 9790007241438. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1064074-140

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Score Only. Composed 2006. De Haske Publications #DHP 1064074-140. Published by De Haske Publications (BT.DHP-1064074-140).

9x12 inches. English-German-French-Dut ch.

This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.

Zwei Bilder des Landes Luxemburg bilden die Grundlage dieses ungewöhnlichen Werkes: Zunächst beschreiben schöne, teilweise düstere Klänge die Bergbauregion Luxemburg und ihre vielen Gastarbeiter.Mit Zitaten aus Beethovens Ode an die Freude und Charpentiers Te Deum wird Luxemburg als Sitz einiger wichtiger europäischer Institutionen vorgestellt. Der gemeinsame Nenner und Inspiration zum Titel Concordia - lateinisch für Einheit - ist das funktionierende Miteinander vielfältiger Kulturen und Interessen in so einem kleinen Land.

Concordia est une oeuvre de commande pour l’Orchestre d’Harmonie Concorde de Sanem au Luxembourg. Cette pièce de concert inhabituelle s’appuie sur deux éléments principaux : l’évolution du contexte économique et social de cette ville luxembourgeoise située dans une région minière et l’idéal européen souligné par une riche palette de nuances et l’utilisation de quelques fragments de l’Hymne la Joie et du Te Deum.

Concordia è un brano commissionato a Jan Van der Roost dall’Orchestra di Fiati Concorde di Sanem in Lussemburgo. Questo inusuale brano da concerto si appoggia su due elementi principali: l’evoluzione del contesto economico e sociale di questa citt lussemburghese situata in una regione mineraria, e l’ideale europeo evidenziato da una ricca gamma di suoni e dall’utilizzo di qualche frammento dell’Inno alla Gioia e del Te Deum.

Concert Band - Grade 3

SKU: BT.DHP-1064074-040

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064074-040. Published by De Haske Publications (BT.DHP-1064074-040).

9x12 inches. English-German-French-Dut ch.

This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.

Zwei Bilder des Landes Luxemburg bilden die Grundlage dieses ungewöhnlichen Werkes: Zunächst beschreiben schöne, teilweise düstere Klänge die Bergbauregion Luxemburg und ihre vielen Gastarbeiter.Mit Zitaten aus Beethovens Ode an die Freude und Charpentiers Te Deum wird Luxemburg als Sitz einiger wichtiger europäischer Institutionen vorgestellt. Der gemeinsame Nenner und Inspiration zum Titel Concordia - lateinisch für Einheit - ist das funktionierende Miteinander vielfältiger Kulturen und Interessen in so einem kleinen Land.

Concordia est une oeuvre de commande pour l’Orchestre d’Harmonie Concorde de Sanem au Luxembourg. Cette pièce de concert inhabituelle s’appuie sur deux éléments principaux : l’évolution du contexte économique et social de cette ville luxembourgeoise située dans une région minière et l’idéal européen souligné par une riche palette de nuances et l’utilisation de quelques fragments de l’Hymne la Joie et du Te Deum.

Concordia è un brano commissionato a Jan Van der Roost dall’Orchestra di Fiati Concorde di Sanem in Lussemburgo. Questo inusuale brano da concerto si appoggia su due elementi principali: l’evoluzione del contesto economico e sociale di questa citt lussemburghese situata in una regione mineraria, e l’ideale europeo evidenziato da una ricca gamma di suoni e dall’utilizzo di qualche frammento dell’Inno alla Gioia e del Te Deum.