(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Movie; TV. Easy Piano. 168 pages. Published by Alfred Music

(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcover. 512 pages. Published by Hal Leonard

(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

By Jamey Aebersold. For any C, Eb, Bb or bass instrument. Jamey Aebersold Play-A-Long series. Jazz; play along. Book and CD. Published by Jamey Aebersold Jazz

Choral (ShowTrax CD)

SKU: HL.295241

Composed by Monty Norman. Arranged by Alan Billingsley. Pop Choral Series. A Cappella, Concert, Jazz, Movies, Pop, Sixties. CD. Duration 145 seconds. Published by Hal Leonard (HL.295241).

UPC: 888680946135. 5.0x5.0x0.15 inches.

There is no more iconic music than the James Bond Theme. Movie goers for generations can sing the melody. Here it is cleverly arranged and ready for the concert stage.

By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. By James Leith MacBeth Bain / arr. Douglas E. Wagner. For Concert Band. Concert Band. Belwin Beginning Band. Level: Very Easy (grade I). Conductor Score & Parts. 164 pages. Duration 2:29. Published by Alfred Publishing

By Jamey Aebersold. For any C, Eb, Bb or bass instrument. Jamey Aebersold Play-A-Long series. 64 pages. Published by Jamey Aebersold Jazz

(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Standard. 564 pages. Published by Alfred Music Publishing

Orchestra Bassoon, Cello, Clarinet, Contrabass, Flute, Harp, Horn, Marimba, Oboe, Vibraphone, Viola, Violin 1, Violin 2

SKU: PR.416414230

For Chamber Orchestra. Composed by James Matheson. This edition: Version 6/10/10. Sws. Contemporary. Full score. With Standard notation. Composed February 13 2003. 84 pages. Duration 18 minutes. Theodore Presser Company #416-41423. Published by Theodore Presser Company (PR.416414230).

ISBN 9781598066630. UPC: 680160602087. 9x12 inches.

Colonnade is James Matheson’s intriguing response to the Albany Symphony’s commission to create a work inspired by the NY State Board of Education Building, designed by the renowned architect Rafael Guastavino. Matheson explains that “A colonnade acts as a metaphor for the tension between knowledge and perception. The columns are the same height and equidistant from each other; while the mind understands this fully, there exists no place from which one can perceive this – the columns always appear to be of uneven height and spacing. If one then adds motion to perspective, identical columns acquire elasticity, and begin to change kaleidoscopically – they shrink, grow, become closer, and then further apart.” This structural paradox is given musical life in the outer sections of Colonnade, while the long, arching middle section is inspired by the vaulted ceiling of one of the building’s largest rooms, enhancing the structure’s spacious openness and lightness.
Colonnade is inspired by Albany’s majestic New York State Board of Education Building, and written on a commission from the Albany Symphony Orchestra. It was an intriguing task, in part because in order to accept the commission I had to agree to write a work “inspired by” a building I had not yet seen. Thisproblem was compounded by the fact that, for me, the very notion of extra-musical inspiration is a complex one, particularly with respect to literary or visual sources. I generally find ideas and abstracted notions more generative of musical ideas than specific ones (a poem, an experience, a painting). So when I went to seeand tour the building, I sought to identify fundamental formal aspects of the building which I could process into musical ideas, and would then be linked to the building through a sense of formal relationship. In theend, two characteristics of the building stood out as noteworthy and undiminished by time (compared with, for instance, the building’s rotunda, which contains a series of quaintly outdated allegorical paintings): theexterior colonnade and a beautiful interior vaulted ceiling, designed by Rafael Guastavino.For me, a colonnade acts as a metaphor for the tension between knowledge and perception. We all know, for instance, that the columns are of the same height and are equidistant from each other. Nevertheless, while the mind understands this fully, it is also the case that there exists no place – no standpoint or viewpoint – anywhere in the universe – from which one can perceive this; the columns always appear to be of uneven height and spacing. If one then adds motion to perspective – a walk along the colonnade, for instance – the fixed, even, rigidly identical columns acquire elasticity, and begin to change kaleidoscopically – they shrink, grow, become closer, and then further apart. Further, the detail of the building’s façade behind the colonnadeshifts into and out of visibility, with different portions obscured by the columns from each vantage point. These considerations underlie the outer sections of Colonnade, in which a continuously repeated, continuously varied rising figure – suggestive of a column – dominates. The iterations of this elastic, evolvingfigure are interspersed with other music – suggestive of the building’s façade. The second feature of the building that caught my attention was the vaulted ceiling, designed by Guastavino,of one of the building’s largest rooms. The ceiling enhances the spaciousness of the room, giving it an openness and lightness that is quite captivating. The middle section of Colonnade has this openness at its core, and is dominated by long, arching lines that, to me, suggest the refined beauty of this ceiling.World premiere March 8, 2003; Albany Symphony Orchestra conducted by David Alan Miller.

Written by Mark Levine. Instructional book (spiral bound). With instructional text, musical examples and black and white photos. 522 pages. Published by Sher Music Company.

Autoharp Complete Method. For Autoharp. Ashley Publications. Theory. 96 pages. Ashley Mark Publishing Company #AS10462. Published by Ashley Mark Publishing Company

E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).

B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Published by Hal Leonard

(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

By Jamey Aebersold. This edition: spiral-bound. 104 pages. Published by Jamey Aebersold Jazz

Arranged by Kevin Mayhew (editor). For Choir. SA Men. Sacred. Intermediate. Book. Published by Kevin Mayhew Publishers

Edited by Gail Lew. Arranged by Gail Lew, Chris Lobdell. Piano method/supplement (late-elementary piano). Level: late elementary, level two. Published by Belwin. {SERIES INFO" Music for the performer in all of us brings together blockbuster movie hits with band and orchestral backgrounds available on CD and MIDI disk. Here are NEW hot hits and performer and audience favorites pianistically arranged by Gail Lew and Chris Lobdell using effective chord substitutions to give a "big" professional sound. Levels correspond with MTNA state affiliates syllabus standards. (THIS PRODUCT) Titles include: Over the Rainbow * Hedwig's Theme * Fawkes the Phoenix * Talk to the Animals * The James Bond Theme * Star Wars Main Theme * The Polar Express * Gollum's Song (The Lord of the Rings: The Two Towers) * Double Trouble (Harry Potter and the Prisoner of Azkaban) * All That Jazz (Chicago).

Edited by Gail Lew. Arranged by Gail Lew, Chris Lobdell. Piano method/supplement (late-elementary piano). Level: late elementary, level two. Published by Belwin. {SERIES INFO" Music for the performer in all of us brings together blockbuster movie hits with band and orchestral backgrounds available on CD and MIDI disk. Here are NEW hot hits and performer and audience favorites pianistically arranged by Gail Lew and Chris Lobdell using effective chord substitutions to give a "big" professional sound. Levels correspond with MTNA state affiliates syllabus standards. (THIS PRODUCT) Titles include: Over the Rainbow * Hedwig's Theme * Fawkes the Phoenix * Talk to the Animals * The James Bond Theme * Star Wars Main Theme * The Polar Express * Gollum's Song (The Lord of the Rings: The Two Towers) * Double Trouble (Harry Potter and the Prisoner of Azkaban) * All That Jazz (Chicago).