By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Various Composers. Instrumental Folio. Size 9x12 inches. 144 pages. Published by Hal Leonard.

C Instruments. Composed by Various. Fake Book. Christmas, Christmas Secular. Softcover. Published by Hal Leonard

By Ernst Scherer. For SATB Choir a cappella. Christmas Spiritual. Published by Tonos (German import). (2640/1)

Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str)

SKU: BR.DV-6081

Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081).

ISBN 9790200460032. 9.5 x 12 inches.

Duration: full evening

Translation : German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century

Characters : Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )

There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

Chamber Music flute quartet

SKU: PR.144406430

Composed by Robert Martin. Music for the Days, a Collection of Flute Quartets. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 12+4+4+4+4 pages. Duration 4:30. Theodore Presser Company #144-40643. Published by Theodore Presser Company (PR.144406430).

UPC: 680160626502. 9 x 12 inches.

Following last month's release of Flute Trios for the Months of the Year, we now present Flute Quartets for the Days of the Week. Martin has completed a monumental task, dream-inspired, and has created a source of study, teaching, and program material. Each of the quartets is between 4 and 5 1/2 minutes in length, representative of the title subject.

Chamber Music flute quartet

SKU: PR.144406480

Composed by Robert Martin. Music for the Days, a Collection of Flute Quartets. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 16+8+8+4+4 pages. Duration 5:15. Theodore Presser Company #144-40648. Published by Theodore Presser Company (PR.144406480).

UPC: 680160626656. 9 x 12 inches.

Following last month's release of Flute Trios for the Months of the Year, we now present Flute Quartets for the Days of the Week. Martin has completed a monumental task, dream-inspired, and has created a source of study, teaching, and program material. Each of the quartets is between 4 and 5 1/2 minutes in length, representative of the title subject.

Chamber Music flute quartet

SKU: PR.144406440

Composed by Robert Martin. Music for the Days, a Collection of Flute Quartets. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 12+8+4+4+4 pages. Duration 5:15. Theodore Presser Company #144-40644. Published by Theodore Presser Company (PR.144406440).

UPC: 680160626533. 9 x 12 inches.

Following last month's release of Flute Trios for the Months of the Year, we now present Flute Quartets for the Days of the Week. Martin has completed a monumental task, dream-inspired, and has created a source of study, teaching, and program material. Each of the quartets is between 4 and 5 1/2 minutes in length, representative of the title subject.

Chamber Music flute quartet

SKU: PR.144406460

Composed by Robert Martin. Music for the Days, a Collection of Flute Quartets. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 12+4+4+4+4 pages. Duration 5:15. Theodore Presser Company #144-40646. Published by Theodore Presser Company (PR.144406460).

UPC: 680160626595. 9 x 12 inches.

Following last month's release of Flute Trios for the Months of the Year, we now present Flute Quartets for the Days of the Week. Martin has completed a monumental task, dream-inspired, and has created a source of study, teaching, and program material. Each of the quartets is between 4 and 5 1/2 minutes in length, representative of the title subject.

Chamber Music flute quartet

SKU: PR.144406470

Composed by Robert Martin. Music for the Days, a Collection of Flute Quartets. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 12+4+4+4+4 pages. Duration 4:15. Theodore Presser Company #144-40647. Published by Theodore Presser Company (PR.144406470).

UPC: 680160626625. 9 x 12 inches.

Following last month's release of Flute Trios for the Months of the Year, we now present Flute Quartets for the Days of the Week. Martin has completed a monumental task, dream-inspired, and has created a source of study, teaching, and program material. Each of the quartets is between 4 and 5 1/2 minutes in length, representative of the title subject.

Chamber Music flute quartet

SKU: PR.144406450

Composed by Robert Martin. Music for the Days, a Collection of Flute Quartets. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer, 2014. 12+4+4+4+4 pages. Duration 4:15. Theodore Presser Company #144-40645. Published by Theodore Presser Company (PR.144406450).

UPC: 680160626564. 9 x 12 inches.

Following last month's release of Flute Trios for the Months of the Year, we now present Flute Quartets for the Days of the Week. Martin has completed a monumental task, dream-inspired, and has created a source of study, teaching, and program material. Each of the quartets is between 4 and 5 1/2 minutes in length, representative of the title subject.

Chamber Music Organ, Trumpet

SKU: PR.114419810

Composed by Stacy Garrop. Set of Score and Parts. 33+12 pages. Duration 21 minutes. Theodore Presser Company #114-41981. Published by Theodore Presser Company (PR.114419810).

ISBN 9781491136638. UPC: 680160681921.

Stacy Garrop’s ROAD WARRIOR is music of real-life tragedy, expressed through the power of a trumpet/organ duo. Drawing inspiration from Neil Peart’s autobiographical book, “Ghost Rider: Travels on the Healing Road,” Garrop’s work grieves the loss of a friend’s young son and the journey to healing. ROAD WARRIOR’s evocative movement titles are drawn from passages in Peart’s book:1. I Am the Ghost Rider2. My Little Baby Soul3. Are You With Me Here?.
When Clarion members Keith Benjamin (trumpet), Melody Steed (organ), and I initially discussed possible topics for a new piece, Keith brought up his son Cameron, who had passed away at the age of seven from leukemia. While Cameron’s life ended too soon, he left an indelible and lasting mark on his those surrounding him. Keith asked if I could commemorate Cameron musically.In talking over possible ways to do this, Keith mentioned the book Ghost Rider: Travels on the Healing Road. The book was written by Neil Peart, who is well-known as the longtime drummer and lyricist of the band Rush. Peart suffered the heartbreaking loss of his daughter in 1997, followed by his wife 10 months later. In an effort to work through the grieving process, Peart did what his wife suggested before she passed: he got onto his motorcycle and hit the open road. Ghost Rider chronicles a year of Peart’s life in which he drove for 55,000 miles, zigzagging his way across Canada, the western portion of the United States, Mexico, and Belize. Peart’s powerful story illustrates how he coped with immense loss and eventually emerged on the other side to once again embrace life. Keith had found Peart’s book helpful in dealing with Cameron’s death; moreover, Mr. Peart sent Cameron a signed cymbal while he was in the hospital undergoing treatment. This unexpected gesture of compassion and generosity meant the world to both Cameron and Keith.I chose three phrases from Peart’s book to serve as the inspiration for the movements in Road Warrior. In the first movement, I am the ghost rider, I imagined the performers to be howling phantoms that are haunting drivers on a nearly deserted highway. Peart often mentioned that he felt haunted by ghosts from the past while on his journey, and sometimes felt like a ghost himself, moving through an immaterial world as he rode from town to town. The second movement, My little baby soul, references Peart’s wording to define his own inner essence that he was trying to protect and nurture while on his journey. In this gentle movement, I capture the innocence and simplicity of a newborn soul. The piece concludes with Are you with me here? In this movement, I depict the performers as they search to find connections to those they have lost, and to those still living.Over the course of his travels, Peart kept up a steady letter correspondence with his close friend Brutus. In one of his first letters, he repeatedly asks Brutus if he is with him in spirit. I found it to be very poignant that while in his self-imposed exile, Peart discovered that he still needed connections to humanity.I wish to thank Mr. Peart for granting me permission to use his phrases as the movement titles, and for serving as the inspiration for Road Warrior. Rarely do any of us make it through our lives without being touched by the loss of someone dear to us. I found Peart’s insights into his grieving and recovery process to be insightful, eloquent, and surprisingly comforting. His journey is a touching reminder that with enough fortitude and time, we can work through what fate deals us and continue down our own road of life.

Complete Lyrics for 200 Songs. By Various Composers. Lyric Library. Size 6x9 inches. 224 pages. Published by Hal Leonard.

Complete Lyrics for 200 Songs. Lyric Library. Size 5.75x9 inches. 222 pages. Published by Hal Leonard.

Piano

SKU: HL.14048265

For Piano Solo. Composed by Joby Talbot. Music Sales America. Classical. Softcover. Composed 2016. 8 pages. Chester Music #CH70136. Published by Chester Music (HL.14048265).

8.0x11.75 inches.

Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. September - The Last Day Of Summer was the ninth piece to be composed and is scored here for solo Piano.

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Christmas and holiday. 352 pages. 9x12 inches.

By Various. For Ukulele. Ukulele. Softcover. 416 pages. Published by Hal Leonard

Easy Guitar Without Tablature. Composed by Various. Easy Guitar. Softcover. 176 pages. Published by Hal Leonard

100 Seasonal Favorites. Piano/Vocal/Chords Mixed Folio (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 272 pages. Published by Hal Leonard.