(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Movie; TV. Easy Piano. 168 pages. Published by Alfred Music

(30-Minute Musical Audio Sampler). For Choral (AUDSAMPLER). Recorded Promo - Stockable. Published by MTI (Music Theatre International)

(Opera on an Intermezzo of Miguel de Cervantes). Composed by Hans Werner Henze (1926-). Study Score. Schott. Study Score. Schott Music #ED9519. Published by Schott Music

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

(Tenor Voice). Edited by Lisa DeSpain. For Voice (Tenor voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 224 pages

Piano, Vocal and Guitar

SKU: HL.14017965

Composed by Judith Queripel. Music Sales America. Musical Education. Book [Softcover]. Composed 2017. 30 pages. Music Sales #GA10931. Published by Music Sales (HL.14017965).

ISBN 9780711941632. English.

The castle is beautiful but draughty. The king is visited by double glazing salesmen who are offering two free cloaks along with their special window units. The king gladly gives them the work, not realising the effect the magic cloaks would have upon him and subsequently upon his family and the rest of his subjects. This all-year-round play with seven songs, optional improvised music, percussion and dance, has a strong moral - that attractive things are not always what they seem, and it is the simple things which bring joy and peace of mind. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

(1 (auch Picc.) * 1 (auch Engl. Hr.) * 1 (auch Bassklar.) * 1 - 1 * 1 * 1 * 0 - P. S. (Glsp. * Trgl. * gr. u. kl. Beck. * kl. Tr. * gr. Tr. * Xyl.) (3 Spieler) - Hfe. * Cemb. * Str. (1 * 1 * 1 * 1 * 1) -
Hinter der Buhne: Trp.)

SKU: HL.49005814

Oper auf ein Intermezzo von Miguel de Cervantes. Composed by Hans Werner Henze. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1948/1964. 80 pages. Duration 45'. Schott Music #ED 5672. Published by Schott Music (HL.49005814).

ISBN 9790001062770. 9.25x12.0x0.267 inches. German - English.

The earliest and now obsolete version of this piece (first performed in Heidelberg, 1949) was scored for actors and orchestra. This revised version of 1964 has recast the actors' parts into roles for singers.In addition, a scaled-down orchestration was made to suit performances in small theatres. The Magic Theatre is suitable as one part of a triptych, of which A Country Doctor forms the centre and The End of a World the third part.The Magic Theatre can still be performed with actors: for a production given at the Schiller Theatre in Berlin, on 30 September 1965 at the Berlin Festwochen, Henning Brauel made a version for a small ensemble designed to be performed in small theatres. This version ensures that the actors' voices are not drowned out by the instruments. - Hans Werner Henze.

(Tenor Voice). For Voice (Tenor voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and 2 CDs. 208 pages

6-DVD Set. (DVD). Performance video. DVD . Published by Devine Entertainment Corporation.

(Mezzo Soprano/Alto Voice). Edited by Lisa DeSpain. For Voice (Alto voice (Mezzo)). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 224 pages

(2 (2pic).2.2.2-4.2.3.0-timp .2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str)

SKU: HL.49002518

Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1947-1952. 413 pages. Duration 150'. Schott Music #ED 10778. Published by Schott Music (HL.49002518).

ISBN 9790220120466. UPC: 073999913347. 9.0x12.0x1.015 inches. English.

Like few other theatre worksThe Magic Flute, A Midsummer Night's DreamTippett's first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer's businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).

For Voice. (Tenor Voice). Vocal Collection. Broadway. Book. 224 pages. Published by Alfred Publishing.

(100 Songs Excerpted for Successful Auditions). Edited by Michale Dansicker. For tenor voice solo and piano accompaniment. Vocal Collection. Broadway, Movies and Pop. Difficulty: medium. Songbook. Vocal melody, lyrics, piano accompaniment, chord names and introductory text. 174 pages. Published by Hal Leonard

(Music from operas, ballets, and musicals). By Janet Bullard; Alan Bullard. For Piano solo. Pianoworks. 40 pages. Published by Oxford University Press

By Wolfgang Amadeus Mozart. Arranged by Hermann Abert. (Study Score). Schott. 412 pages. Published by Eulenburg.

Piano, Vocal and Guitar

SKU: HL.14026484

Composed by Nick Cornall. Music Sales America. Christmas. Cassette. Composed 2015. Golden Apple Productions #GA11021. Published by Golden Apple Productions (HL.14026484).

English.

A witty and innovative version of the well-known and much-loved pantomime story. Puss In Boots helps the hero, Edwin, to win the hand of the fair princess, by scaring away the nastiest ogre ever, who is allergic to cats! There are lead roles to challenge more able pupils and a large cast of non-speaking roles for younger pupils. The play is in rhyme. Duration: 50 mins. If you need to license a school/youth theatre performance of this product, please use the online application form.

Cello

SKU: HL.14028929

Composed by David Blake. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120425. Published by Music Sales (HL.14028929).

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter. ~ David Blake.

For Voice. (Mezzo Soprano/Alto Voice). Vocal Collection. Broadway. Book. 224 pages. Published by Alfred Publishing.

30-Minute Musical Audio Sampler. Recorded Promo - Stockable. Broadway, Theatre. Softcover with CD. Published by Hal Leonard

Composed by Markus Miklos, Mathilde Giraud, Lajos Bardos. Collection. Secular. Choir part. 118 pages. Published by Editions a Coeur Joie (CJ.A135300071).

Chorus (with soloists) and orchestra (solos: 7S (2 child). A (child) 3T. Bar. 3B - 3Sp - choir: SATTBB - 2(picc)2.2.2bassethn.2 - 2.2.3.0 - timp.perc - str / stage music: fl)

SKU: BR.PB-4824

German Opera in 2 Acts. Composed by Wolfgang Amadeus Mozart. Choir; Softbound. Partitur-Bibliothek (Score Library). Opera; Music theatre; Classical. Full score. 228 pages. Breitkopf and Haertel #PB 4824. Published by Breitkopf and Haertel (BR.PB-4824).

ISBN 9790004206256. 9 x 12 inches.

Duration: full eveningText by Emanuel SchikanederPlace: EgyptCharacters: Sarastro (bass) - Tamino (tenor) - Speaker (bass) - 1st Priest (speaking part) - 2nd Priest (tenor) - 3rd Priest (speaking part) - Queen of the Night (soprano) - Pamina (soprano) - 1st Queens Lady (soprano) - 2nd Queens Lady (soprano) - 3rd Queens Lady (alto) - 1st Boy (soprano: boys voice) - 2nd Boy (soprano: boys voice) - 3rd Boy (alto: boys voice) - Papageno (baritone) - Papagena (soprano) - Monostatos (tenor) - 1st Man in Armour (tenor) - 2nd Man in Armour (bass) - 3 Slaves (speaking parts) - Dance of the Moors (ballet)Since only the German original version of this work is available, we have supplied only a German-language commentary.

Chorus (with soloists) and piano (solos: 7S (2 child). A (child) 3T. Bar. 3B - 3Sp - choir: SATTBB - 2(picc)2.2.2bassethn.2 - 2.2.3.0 - timp.perc - str / stage music: fl)

SKU: BR.EB-208

German Opera in 2 Acts. Composed by Wolfgang Amadeus Mozart. Edited by C. F. Wittmann. Arranged by C F Wittmann. Choir; Softbound. Edition Breitkopf. Opera; Music theatre; Classical. Piano/Vocal Score. 192 pages. Breitkopf and Haertel #EB 208. Published by Breitkopf and Haertel (BR.EB-208).

ISBN 9790004160152. 7.5 x 10.5 inches.

Duration: full evening Text by Emanuel Schikaneder Place: Egypt Characters: Sarastro (bass) - Tamino (tenor) - Speaker (bass) - 1st Priest (speaking part) - 2nd Priest (tenor) - 3rd Priest (speaking part) - Queen of the Night (soprano) - Pamina (soprano) - 1st Queens Lady (soprano) - 2nd Queens Lady (soprano) - 3rd Queens Lady (alto) - 1st Boy (soprano: boys voice) - 2nd Boy (soprano: boys voice) - 3rd Boy (alto: boys voice) - Papageno (baritone) - Papagena (soprano) - Monostatos (tenor) - 1st Man in Armour (tenor) - 2nd Man in Armour (bass) - 3 Slaves (speaking parts) - Dance of the Moors (ballet) Since only the German original version of this work is available, we have supplied only a German-language commentary.

Overture. By Wolfgang Amadeus Mozart. (Study Score). Schott. 36 pages. Published by Eulenburg.