The Gig Book. By Adrian Hopkins_Tom Farncombe. The Gig Book. Country. Book Only. 274 pages. Wise Publications #MUSAM997502. Published by Wise Publications

The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! by Hans-Günter Heumann features demonstration tracks with recorded Piano, Bass and Drums, as well as backing with the Piano part taken out, allowing you to play along. **Please note: The CD included with this title can only be played through an MP3 compatible program.**

(Featuring ten of the greatest rock and pop classics of all time (Snare Drum)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Snare Drum. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

Nelson Faria, Cliff Korman. Brazilian -Latin Jazz. Published by Sher Music Company.

Transcribed Scores Bass; Drums; Guitar; Piano/Keyboard; Vocal Complete Scores Collectors Edition. By Queen. Transcribed Score. Pop, Rock. Hardcover. Published by Hal Leonard

Performed by The Beatles. Drum Recorded Versions (Authentic note-for-note drum transcriptions). Size 9x12 inches. 128 pages.

(Hymns and Songs for Flexible Ensemble). For flute 1, flute 2 or oboe, clarinet 1 and clarinet 2 in Bb, alto saxophone, bassoon, horn in F, trumpet in Bb, trombone, tuba, percussion/drums, voice and guitar, piano, violins 1 and 2, viola, cello, double bass.

Piano/Vocal/Chords Mixed Folio (Arrangements for piano and voice with guitar chords). Size 6.7x10.5 inches. 48 pages. Published by Hal Leonard.

(Featuring ten of the greatest rock and pop classics of all time (Opt. Tonal Bass Drums (4 Pitch))). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Opt. Tonal Bass Drums (4 Pitch). Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

Chamber Music Flute, Piccolo, alto Flute

SKU: PR.164002480

Composed by Dan Welcher. Set of performance scores. With Standard notation. 23 pages. Duration 14 minutes. Theodore Presser Company #164-00248. Published by Theodore Presser Company (PR.164002480).

UPC: 680160038237.

This work is my second for a solo woodwind and a solo percussionist, following Firewing: The Flame and the Moth for oboe and percussion by nine years. The earlier piece followed a specific story line, and pitted the oboe against the percussionist as both adversary and lover. In Spirit Realms, my aim was not only to juxtapose the very different sounds of flute (plus alto flute and piccolo) against a large array of percussion, but also to attempt three different meditative spaces, each named for a different type of spiritual practice. The musical means of expression is very different for each of the three movements (as is the instrumentation), although they share a common scale-source: the looped pentatonic scale I have been developing over the last several years.   The first movement is called Prayer Tunnel, and is named for the Eskimo practice of solo meditation within a tunnel of ice blocks. This is said to be a means of overcoming demons within, and in my musical rendering it takes the form of an unaccompanied alto flute solo. The flute begins rather angrily, full of tension, but in the course of the solo passage manages to slowly unwind. The percussionist then plays the exact same music the alto flute had played....on seven tuned cymbals. Toward the end, the alto flute re-enters, its original meditation having fused with its mirror.   Kiva represents the circular, subterranean pit in which the Anasazi practiced their religion, a form of which still can be found in the Hopi tribes of the American southwest. These are not spaces for solo meditation, but rather a group meeting place in which only the sanctified are permitted. After an introductory invocation (dove call), the music begins. At first, it is flowing, in a repetitive double-five meter. It then traces several sections, with metric shifts forcing the pulse to race faster and faster, until it halves itself in the coda and returns to the exact pulse of the beginning. The flutist here uses the C flute, and the percussionist plays on both pitched (marimba) and unpitched instruments (various drums and struck sources).   Zendo is the meditation room used by Zen Buddhists. My music begins with another invocation (wind chimes, temple cup gongs, and temple blocks), then moves on to a slow subject stated by the flute. The subject is taken up by the vibraphone, and after several modulations and tempo changes, the flutist takes up the piccolo. The music continues higher and higher, and faster and faster (Zen meditation is NOT all about becoming lost!) until it breaks free at the very end. The percussionist is put through his paces in this movement, having to reach a staggering number of instruments in a short time.   Spirit Realms was commissioned by, and is dedicated to, the Armstrong Duo. -- Dan Welcher.

Flute, Percussion

SKU: PR.16400248S

Composed by Dan Welcher. With Standard notation. Duration 14 minutes. Theodore Presser Company #164-00248S. Published by Theodore Presser Company (PR.16400248S).

UPC: 680160038244.

This work is my second for a solo woodwind and a solo percussionist, following Firewing: The Flame and the Moth for oboe and percussion by nine years. The earlier piece followed a specific story line, and pitted the oboe against the percussionist as both adversary and lover. In Spirit Realms, my aim was not only to juxtapose the very different sounds of flute (plus alto flute and piccolo) against a large array of percussion, but also to attempt three different meditative spaces, each named for a different type of spiritual practice. The musical means of expression is very different for each of the three movements (as is the instrumentation), although they share a common scale-source: the looped pentatonic scale I have been developing over the last several years.   The first movement is called Prayer Tunnel, and is named for the Eskimo practice of solo meditation within a tunnel of ice blocks. This is said to be a means of overcoming demons within, and in my musical rendering it takes the form of an unaccompanied alto flute solo. The flute begins rather angrily, full of tension, but in the course of the solo passage manages to slowly unwind. The percussionist then plays the exact same music the alto flute had played....on seven tuned cymbals. Toward the end, the alto flute re-enters, its original meditation having fused with its mirror.   Kiva represents the circular, subterranean pit in which the Anasazi practiced their religion, a form of which still can be found in the Hopi tribes of the American southwest. These are not spaces for solo meditation, but rather a group meeting place in which only the sanctified are permitted. After an introductory invocation (dove call), the music begins. At first, it is flowing, in a repetitive double-five meter. It then traces several sections, with metric shifts forcing the pulse to race faster and faster, until it halves itself in the coda and returns to the exact pulse of the beginning. The flutist here uses the C flute, and the percussionist plays on both pitched (marimba) and unpitched instruments (various drums and struck sources).   Zendo is the meditation room used by Zen Buddhists. My music begins with another invocation (wind chimes, temple cup gongs, and temple blocks), then moves on to a slow subject stated by the flute. The subject is taken up by the vibraphone, and after several modulations and tempo changes, the flutist takes up the piccolo. The music continues higher and higher, and faster and faster (Zen meditation is NOT all about becoming lost!) until it breaks free at the very end. The percussionist is put through his paces in this movement, having to reach a staggering number of instruments in a short time.   Spirit Realms was commissioned by, and is dedicated to, the Armstrong Duo. -- Dan Welcher.

(Featuring ten of the greatest rock and pop classics of all time (Drumset)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Drumset. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

By Steve Fidyk. For Drumset. Book; CD; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. 72 pages. Published by Alfred Music Publishing

(Drum Play-Along Volume 16). By Various. For Drum. Drum Play-Along. Softcover with CD. 40 pages. Published by Hal Leonard

Trumpet - easy

SKU: BT.MUSAM999251

By Lizzie Moore. Arranged by Paul Honey. Jazz. Book with Online Audio. Wise Publications #MUSAM999251. Published by Wise Publications (BT.MUSAM999251).

ISBN 9781849383530. English.

Take centre stage and play along with a live rhythm section featuring Bass, Drums and Piano

This collection features 24 great songs, from Jazz and Blues standards through Soul and Gospel favourites and lively Swing andLatinnumbers.

T he authentic CD backing tracks will help you achieve a more professional performance.

Wh at's included:

• Printed music - 24 pieces in melody line arrangements
• Two audio CDs-Professional 'soundalike' performances of every piece featuring a live band on CD 1, plus backing tracks to play along with on CD 2.
  
  

Keyboard

SKU: BT.MUSAM91383

Composed by Kenneth Baker. The Complete Keyboard Player. Tuition. Book Only. Music Sales #MUSAM91383. Published by Music Sales (BT.MUSAM91383).

ISBN 9780711936485. English.

Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a completerhythmsection with full sounding chords, bass and drums. Book 1 contains 15 famous songs including 'Let It Be', 'Super Trouper', 'Oh Lonesome Me' and 'Blowin' In The Wind'. Instrumental effects include piano, guitar, vibes andmanyothers.