Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano

The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Alto Sax is a fun way to get started playing on your own. Using more than 120 well-known songs from the Beatles and Disney to Elvis and Adele, you will be given step-by-step instructions on what you need to know to get started and sounding like a pro in no time. Includes audio tracks for demonstration, plus video instruction by saxophone teacher Sam Fettig. Covers: putting the sax together; reading music on the staff; playing notes; developing your sound; improvisation; reed tips; demonstration audio tracks; video instruction and demonstration; sax talk: specific hints just for sax players; toolboxes: the tools you need to keep growing on your instrument. The price of this book includes access to audio and video online, for download or streaming, using the unique code found inside. Includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right-available exclusively from Hal Leonard. / Date parution : 2022-05-31/ Méthode / Saxophone Alto

National anthems are an integral part of official receptions and play an important role at major events such as the Olympic Games or World Championships. Most anthems date from the 18-20th centuries and are often an essential part of the political and cultural development of a country, e.g. on its way to independence or democracy.

At the same time, the anthem conveys a sense of community and is a means to express identification with one's home country. / [Hymnes Nationaux] / Musiques du monde / Partition / Broché /

If you're new to the guitar, you are probably eager to learn some songs. This book features special arrangements in standard notation of a variety of songs from pop/rock hits and standards to show tunes and movie themes that guitarists can play with a teacher or band. Includes: Chopsticks · Clocks (Coldplay) · Eleanor Rigby (The Beatles) · Game of Thrones Theme · Hallelujah (Leonard Cohen) · Linus and Lucy (from A Charlie Brown Christmas) · Memory (from Cats) · Over the Rainbow (from The Wizard of Oz) · Star Wars (Main Theme) · What a Wonderful World (Louis Armstrong) · You Raise Me Up (Josh Groban) · and many more./ Recueil / Guitare

(Out Here) On My Own (Nikka Costa) - 1973 (James Blunt) - 7 Seconds (Youssou ?N Dour) - ?74 ?75 (The Connells) - A Groovy Kind Of Love (Phil Collins) - A Horse With No Name (America) - A Kind Of Magic (Queen) - A New Flame (Simply Red) - A Woman's Worth (Alicia Keys) - About A Girl (Nirvana) - Again (Lenny Kravitz) - Against All Odds (Take A Look At Me Now) (Phil Collins) - Ain't Misbehavin' (Louis Armstrong) - All Apologies (Nirvana) - All Night Long (Lionel Richie) - All That You Have Is Your Soul (Tracy Chapman) - Always On My Mind (Michael Buble ) - Amazing (George Michael) - Angels (Robbie Williams) - Apache (The Shadows) - Aquarius (The 5th Dimension) - Arthur's Theme (Best That You Can Do) (Christopher Cross) - As Time Goes By (Herman Hupfeld) - Babooshka (Kate Bush) - Baby Can I Hold You (Tracy Chapman) - Back For Good (Take That) - Back To Black (Amy Winehouse) - Barbara Ann (Beach Boys) - Basin Street Blues (Ella Fitzgerald ) - Be Free With Your Love (Spandau Ballet) - Because You Loved Me (Céline Dion) - Been A Son (Nirvana) - Blue Moon - Blue Suede Shoes (Elvis Presley) - Bohemian Rhapsody (Queen) - Breakthru (Queen) - Can't Take My Eyes Off You (Gloria Gaynor ) - Caravan (From Sophisticated Ladies) - Careless Whisper ( (Wham ! / George Michael) - Celebration (Kool and The Gang) - Chattanooga Choo Choo (Glenn Miller) - Cheek To Cheek - Come As You Are (Nirvana) - Come Away With Me (Norah Jones) - Come To My Head (Simply Red) - Communication (Spandau Ballet) - Corazón Espinado (Santana) - Cosmic Girl (Jamiroquai) - Crazy For You (Madonna) - Crazy Little Thing Called Love (Queen) - Crossroads (Tracy Chapman) - Dancing In The Dark (Bruce Springsteen) - Dancing In The Street (Van Halen) - Deep Purple (Bing Crosby) - Delilah (Tom Jones / Paul Anka) - Do You Know Where You Are Going To' (Diana Ross) - Don't Leave Me This Way (Thelma Houston) - Don't Let Me Be Misunderstood (Santa Esmeralda) - Down Under (Men At Work) - Dream A Little Dream Of Me (Louis Armstrong / The Mamas And The Papas) - Easy (Lionel Richie) - Ebb Tide (Frank Sinatra) - Ebony And Ivory (Paul Mccartney Feat. Stevie Wonder) - Endless Love (Lionel Richie ) - Enola Gay (Orchestral Manouvres In The Dark) - Enough (Simply Red) - Everybody Loves Somebody - Everybody Wants To Rule The World (Tears For Fears) - Everytime You Go Away (Paul Young) - Fallin' (Alicia Keys) - Fame (Irene Cara) - Fast Car (Tracy Chapman) - Feel (Robbie Williams) - Fight For Ourselves (Spandau Ballet) - Flash (Queen) - Flashdance... What A Feeling (Irene Cara) - For Once In My Life (Michael Bublé) - Friends Will Be Friends (Queen) - Genie In A Bottle (Cristina Aguilera) - Get Down On It (Kool and The Gang) - Ghostbusters (Ray Parker Jr.) - Give Me One Reason (Tracy Chapman) - Gold (Spandau Ballet) - Goldfinger (Shirley Bassey) - Goodbye My Lover (James Blunt) - Goodbye Philadelphia (Peter Cincotti) - Goodnight Moon (Shivaree) - Goodnight Tonight (Paul McCartney ) - Grease (from Grease) - Happy Together (The Turtles) - Harden My Heart (Quarterflash) - Hello (Lionel Richie) - High (James Blunt) - Hips Don't Lie (Shakira) - Holding Back The Years (Simply Red) - Hot Stuff (Donna Summer) - Hotel California (Eagles) - How Deep Is The Ocean' (Irving Berlin) - How Many Lies' (Spandau Ballet) - How Sweet It Is (To Be Loved By You) (Michael Bublé) - I Don't Want To Miss A Thing (Aerosmith) - I Heard It Through The Grapevine (Creedence Clearwater Revival / Wilson Pickett / Marvin Gaye) - I Just Called To Say I Love You (Stevie Wonder) - I Wan't Feel Bad (Simply Red) - I Want It All (Queen) - I Want To Break Free (Queen) - I Want You To Need Me (Celine Dion) - I Will Always Love You (Whitney Houston / Dolly Parton) - If I Could Turn Back Time (Cher) - I'll Be There For You (The Rembrandts) - I'll Fly For You (Spandau Ballet) - I'll Stand By You (The Pretenders) - I'm In The Mood For Love - In The Midnight Hour (The Midnight Hour) (Wilson Pickett) - Infidelity (Simply Red) - Innuendo (Queen) - Is This Love (Whitesnake) - Isn't She Lovely (Stevie Wonder) - It Must Have Been Love (Roxette) - It's A Hard Life (Queen) - Jericho (Simply Red) - Karma Chameleon (Culture Club) - Killer Queen (Queen) - La Bamba (Ritchie Valens) - Lady Marmalade (Patty Labelle / Christina Aguilera) - Lambada (Llorando Se Fue) (Kaoma) - Lara's Theme (from Doctor Zhivago) Somewhere I Love - Laura - Let The Sunshine In - Lifeline (Spandau Ballet) - Lift Me Up (Moby) - Lithium (Nirvana) - Living On My Own (Freddie Mercury) - Look At You Now (Simply Red) - Love Don't Cost A Thing (Jennifer Lopez) - Love Is A Many Splendored Thing) - Love Is In The Air (John Paul Young) - Lucky Man (The Verve) - Luka (Suzanne Vega) - Lullaby Of Birdland - Macarena (Los Del Rio) - Mad About You (Hooverphonic) - Made In Heaven (Queen) - Master Blaster (Jammin') (Stevie Wonder) - Mercy (Duffy) - Minnie The Moocher (Cab Calloway) - Money's Too Tight To Mention (Simply Red) - Moonlight Shadow (Mike Oldfield) - More Than This (Roxy Music) - Move On Out (Simply Red) - My Baby Just Cares For Me (Nina Simone) - My Love (Paul McCartney) - My Perfect Love (Simply Red) - My Sweet Lord (George Harrison) - Need Your Loving Tonight (Queen) - Never Can Say Goodbye (Gloria Gaynor) - Never Forget (Take That) - Night And Day (Cole Porter) - No Tengo Dinero (Los Umbrellos) - Notorious (Duran Duran) - Obsesion (Aventura) - On The Sunny Side Of The Street) - One Vision (Queen) - Only When You Leave (Spandau Ballet) - Out Of Time (Blur) - Over The Rainbow (from The Wizard Of Oz) (Judy Garland) - Oye Como Va (Santana ) - Part-Time Lover (Stevie Wonder) - Patience (Take That) - Please Don't Go (Double You) - Precious (Depeche Mode) - Put Your Head On My Shoulder (Paul Anka) - Puttin' On The Ritz - Radio Ga Ga (Queen) - Rain And Tears (The Aphrodite's Child) - Rehab (Amy Winehouse) - Relight My Fire (Dan Hurtman) - Round And Round (Spandau Ballet) - Runaway Train (Soul Asylum) - Running Up That Hill (Kate Bush) - Same Mistake (James Blunt) - Say It Once (Ultra) - Say You Say Me (Lionel Richie) - Say You'll Be There (Spice Girls) - September (Earth Wind and Fire) - She Caught The Katy And Left Me A Mule To Ride (The Blues Brothers) - Shout (Tears For Fears) - Singin' In The Rain (Gene Kelly) - Sitting Down Here (Lene Marlin) - Sleeping Satellite (Tasmin Archer) - Smells Like Teen Spirit (Nirvana) - Smoke Gets In Your Eyes (The Platters) - Smoke On The Water (Deep Purple) - Smooth (Santana) - Somebody To Love (Queen) - Someone To Watch Over Me (Nikka Costa) - Something Got Me Started (Simply Red) - Sonnet (The Verve) - Stardust (Hoagy Carmichael) - Stormy Weather (Frank Sinatra) - Summer Nights (from Grease) (Olivia Newton John and John Travolta) - Summertime (from Porgy and Bess) (George Gershwin) - Superstition (Stevie Wonder) - Sure (Take That) - Talkin' About A Revolution (Tracy Chapman) - That's The Way (I Like It) (KC and The Sunshine Band) - That's What Friends Are For (Dionne Warwick) - The Drugs Don't Work (The Verve) - The Final Countdown (Europe) - The Game Of Love (Santana Feat. Michelle Branch) - The Greatest Love Of All (Whitney Houston) - The House Of The Rising Sun (The Animals) - The Invisible Man (Queen) - The Miracle (Queen) - The Power Of Love (Céline Dion) - The Promise (Tracy Chapman) - The Right Thing (Simply Red) - The Shadow Of Your Smile (Shirley Bassey) - The Show Must Go On (Queen) - The Taste Of Your Tears (King) - The Way We Were (Barbra Streisand) - Theme From New York, New York (Liza Minelli / Frank Sinatra) - Think (Aretha Franklin) - Thinking About You (Norah Jones) - Through The Barricades (Spandau Ballet) - Tonight's The Night (Rod Stewart) - True (Spandau Ballet) - Turn It Up (Simply Red) - Un-Break My Heart (Tony Braxton) - Unchained Melody (Righthouse Brothers) - Under Pressure (Queen) - Unforgivable Sinner (Lene Marlin) - Viva Forever (Spice Girls) - Wake Me Up When September Ends (Green Day) - Walking On Sunshine (Katrina And The Waves) - We Are The Champions (Queen) - We Are The World (USA For Africa) - We Have All The Time In The World (Louis Armstrong) - We Will Rock You (Queen) - Whatever You Want (Status Quo) - When A Man Loves A Woman (Percy Sledge / Michael Bolton) - When You Say Nothing At All (Ronan Keating) - When You Walk In The Room (Rokes) - Who Wants To Live Forever (Queen) - Woman In Chains (Tears For Fears) - Wuthering Heights (Kate Bush) - You And I (Michael Bublé / Stevie Wonder) - You Are The Sunshine Of My Life (Stevie Wonder) - You're Beautiful (James Blunt) - You're Mirror (Simply Red)

Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) / Soprano - piano / Edition Breitkopf

Cette édition pare-chocs des hymnes rock classique comprend des titres comme ' As de pique ', ' I Got You Babe ', ' nuits en blanc Satine, ' Wuthering Heights ' et beaucoup d'autres. Avec un index complet de l'artiste, chansons classiques d'à travers les décennies dans une variété de styles et de plus de 220 chansons pour obtenir vos dents, c'est un must pour tout aspirant guitariste de rock. / Pop and rock / Recueil / Ligne de Mélodie, Paroles et Accords

Retrouvez l'essentiel d'Alan Parsons Project pour piano, voix, guitare (grilles d'accords). / Variétés Internationales / Partition /

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

At last ... a collector's edition fit for Queen! The new Queen Platinum Collection is a hardcover edition featuring full-band transcriptions for nearly 50 classics from the iconic band. Every instrument, every note, every lyric, and every nuance of every song is carefully transcribed. It's beautifully packaged in a protective sturdy slipcase. Songs include: Another One Bites the Dust ? Bicycle Race ? Bohemian Rhapsody ? Crazy Little Thing Called Love ? Don't Stop Me Now ? Fat Bottomed Girls ? The Great Pretender ? I Want It All ? I Want to Break Free ? Killer Queen ? Radio Ga Ga ? The Show Must Go On ? Somebody to Love ? Thank God It's Christmas ? Under Pressure ? We Are the Champions ? We Will Rock You ? You're My Best Friend ? and more.
Another One Bites The Dust
Barcelona
Bicycle Race
Bohemian Rhapsody
Breakthru
Crazy Little Thing Called Love
Don't Stop Me Now
Driven By You
Fat Bottomed Girls
Flash's Theme
Friends Will Be Friends
Good Old-Fashioned Lover Boy
The Great Pretender
Hammer To Fall
Headlong
Heaven For Everyone
I Want It All
I Want To Break Free
I'm Going Slightly Mad
Innuendo
The Invisible Man
It's A Hard Life
Killer Queen
A Kind Of Magic
Las Palabras De Amor
Let Me Live
Living On My Own
The Miracle
No One But You
Now I'm Here
One Vision
Play The Game
Princes Of The Universe
Radio Ga Ga
Save Me
Seven Seas Of Rhye
The Show Must Go On
Somebody To Love
Thank God It's Christmas
These Are The Days Of Our Lives
Too Much Love Will Kill You
Under Pressure
We Are The Champions
We Will Rock You
Who Wants To Live Forever
You Don't Fool Me
You're My Best Friend
/ Partitions variété - pop - rock / Variété internationale / Scores / HAL LEONARD