SKU: GI.001150

Composed by Michael O'Neill McGrath. Children. Sacred. GIA Publications #001150. Published by GIA Publications (GI.001150).

UPC: 641151011509. English.

Ephesians 5:15-2. These colorful notecard packs are just the thing to have on hand for thank-you notes, impromptu birthday or holiday greetings, or for special occasions throughout the year. They are blank inside, ready for you to personalize by hand or by running through your computer printer. The low price allows you to keep several styles on hand at home or in the office. They make great gifts, too! 4 x 5 cards with envelopes, 20 cards per pack.

SKU: GI.001153

4 x 5 folded card. Composed by Michael O'Neill McGrath. Children. Sacred. GIA Publications #001153. Published by GIA Publications (GI.001153).

English.

These colorful notecard packs are just the thing to have on hand for thank-you notes, impromptu birthday or holiday greetings, or for special occasions throughout the year. They are blank inside, ready for you to personalize by hand or by running through your computer printer. The low price allows you to keep several styles on hand at home or in the office. They make great gifts, too! 4 x 5 cards with envelopes, 20 cards per pack.

SKU: CA.204110

Composed by Various. Edited by Uwe Wolf, Johann Adam Hiller. This edition: Paperbound. Sacred vocal music, motets, psalm, german. German title: Motetten Und Chorarien 1. Sacred, Motets, Psalms, German. Collection. Carus Verlag #CV 02.041/10. Published by Carus Verlag (CA.204110).

ISBN 9790007074272.

The six collections of Vierstimmige Motetten und Arien published by Johann Adam Hiller offer a selection of motets, mostly from the second half of the 18th century. They show us the products of a new age of achievement in which the motet was again able to flourish after this genre had led only a shadowlike existence for more than a century. The editor of those collections, Johann Adam Hiller, was active as a composer of Singspie, editor of various musical periodicals, leader of the Gewandhaus concerts, University Director of Music, musical director of the Neukirche, and finally, from 1789, Thomaskantor in Leipzig. Upon Hiller's assumption of the office of Thomaskantor the older motets were replaced in Leipzig church services by contemporary compositions. Printed texts which have been preserved show that Hiller's collections were used widely. A Critical Report from the editor, Uwe Wolf, with additional information concerning the motets and their composers, will be published to cover all the collections.

Book Only. Composed by Various. Edited by Richard Walters. Vocal Collection. Broadway. Softcover. 264 pages. Published by Hal Leonard (HL.239695).

21 Quartets for Various Voice Combinations. Composed by Various. Edited by Richard Walters. Vocal. Softcover Audio Online. 264 pages. Published by Hal Leonard

Accompaniment CDs for Corresponding Songbook. Composed by Various. Vocal Collection. Broadway, Musicals. CD. 8 pages. Published by Hal Leonard (HL.259864).

Choir

SKU: ST.EC32

Composed by Robert White. Edited by David Mateer. Library Volumes. Edited by David Mateer. First published in 1986. Pages: 164. Format: Paperback. Dimensions (mm): 254 x 177 x 11. Choral Score. Stainer & Bell Ltd. #EC32. Published by Stainer & Bell Ltd. (ST.EC32).

ISBN 9790220218378.

Incl uded are Libera me, Domine, de morte aeterna, the ninth respond at Matins in the Office of the Dead, and WhiteAs only surviving essay in respond form. There are also four hymn settings with Sarum texts, and two Lamentation settings. They hold an important place in the ranks of a genre that briefly flourished during the Elizabethan period, despite a lack of indigenous precedent for the form.

Individual titles from this volume are available as Adobe PDF files...

By Benjamin Britten (1913-1976). For Choral (TBB). BH Secular Choral. 22 pages. Boosey and Hawkes #M051481705. Published by Boosey and Hawkes

By John Latouche, music by Jerome Moross. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Shows and Movies. Broadway. Book. 538 pages. Published by Alfred Music Publishing

SKU: LO.99-2446L

The followers of Jesus reflect on His final days. Composed by Lloyd Larson. Choral, cantatas. Eastertide, Lent, Sacred. SA/B part-dominant rehearsal CD (reproducible). Lorenz Publishing Company #99/2446L. Published by Lorenz Publishing Company (LO.99-2446L).

UPC: 000308120943.

This compelling reflection upon Jesus’ final days is viewed through His eyes and the eyes of those surrounding Him: Mary, sister of Martha; an officer to Caiaphas; Judas; Peter; Jesus Himself; Pilate; Mary, the mother of Jesus; Mary Magdalene; and Thomas. A sequence of dramatic, scripture-based monologues tells the story, alternating with Lloyd Larson’s masterfully inspired music as the “voice of the believer” responds. Flexibly conceived, this work may be presented as simply or as elaborately as you wish, depending upon your resources and preferences. Performance options range from use as a source of single anthems for your seasonal service needs to a short worship program with monologues and choruses or a special, fully staged production. It is our hope that this work will prompt your own reflections upon the great wonder and mystery of the Incarnate God Who, for the love of His people, humbled Himself, dying for our salvation and triumphing over death.

SKU: LO.99-2443L

The followers of Jesus reflect on His final days. Composed by Lloyd Larson. Choral cantata. Eastertide, Lent, Sacred. Bulk SATB performance CDs (10 pak). Lorenz Publishing Company #99/2443L. Published by Lorenz Publishing Company (LO.99-2443L).

UPC: 000308120912.

This compelling reflection upon Jesus’ final days is viewed through His eyes and the eyes of those surrounding Him: Mary, sister of Martha; an officer to Caiaphas; Judas; Peter; Jesus Himself; Pilate; Mary, the mother of Jesus; Mary Magdalene; and Thomas. A sequence of dramatic, scripture-based monologues tells the story, alternating with Lloyd Larson’s masterfully inspired music as the “voice of the believer” responds. Flexibly conceived, this work may be presented as simply or as elaborately as you wish, depending upon your resources and preferences. Performance options range from use as a source of single anthems for your seasonal service needs to a short worship program with monologues and choruses or a special, fully staged production. It is our hope that this work will prompt your own reflections upon the great wonder and mystery of the Incarnate God Who, for the love of His people, humbled Himself, dying for our salvation and triumphing over death.

SKU: LO.99-2442L

The followers of Jesus reflect on His final days. Composed by Lloyd Larson. Choral cantata. Eastertide, Lent, Sacred. SATB performance CD. Lorenz Publishing Company #99/2442L. Published by Lorenz Publishing Company (LO.99-2442L).

UPC: 000308120905.

This compelling reflection upon Jesus’ final days is viewed through His eyes and the eyes of those surrounding Him: Mary, sister of Martha; an officer to Caiaphas; Judas; Peter; Jesus Himself; Pilate; Mary, the mother of Jesus; Mary Magdalene; and Thomas. A sequence of dramatic, scripture-based monologues tells the story, alternating with Lloyd Larson’s masterfully inspired music as the “voice of the believer” responds. Flexibly conceived, this work may be presented as simply or as elaborately as you wish, depending upon your resources and preferences. Performance options range from use as a source of single anthems for your seasonal service needs to a short worship program with monologues and choruses or a special, fully staged production. It is our hope that this work will prompt your own reflections upon the great wonder and mystery of the Incarnate God Who, for the love of His people, humbled Himself, dying for our salvation and triumphing over death.

SKU: LO.55-1129L

The followers of Jesus reflect on His final days. Composed by Lloyd Larson. Choral cantata. Holy Week, Eastertide, Lent, Sacred. Performance CD/sab score combination. Lorenz Publishing Company #55/1129L. Published by Lorenz Publishing Company (LO.55-1129L).

UPC: 000308121506.

This compelling reflection upon Jesus’ final days is viewed through His eyes and the eyes of those surrounding Him: Mary, sister of Martha; an officer to Caiaphas; Judas; Peter; Jesus Himself; Pilate; Mary, the mother of Jesus; Mary Magdalene; and Thomas. A sequence of dramatic, scripture-based monologues tells the story, alternating with Lloyd Larson’s masterfully inspired music as the “voice of the believer” responds. Flexibly conceived, this work may be presented as simply or as elaborately as you wish, depending upon your resources and preferences. Performance options range from use as a source of single anthems for your seasonal service needs to a short worship program with monologues and choruses or a special, fully staged production. It is our hope that this work will prompt your own reflections upon the great wonder and mystery of the Incarnate God Who, for the love of His people, humbled Himself, dying for our salvation and triumphing over death.

Violin 1

SKU: BR.DV-9515A-15

The people that walked in darkness. Composed by Johann Georg Reichard. Voice; stapled. Deutscher Verlag. Baroque period. Part. 4 pages. Deutscher Verlag fur Musik #DV 9515a-15. Published by Deutscher Verlag fur Musik (BR.DV-9515A-15).

ISBN 9790200490602. 9 x 12 inches. German.

In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972.

Violin 2

SKU: BR.DV-9515A-16

The people that walked in darkness. Composed by Johann Georg Reichard. Voice; stapled. Deutscher Verlag. Baroque period. Part. 4 pages. Deutscher Verlag fur Musik #DV 9515a-16. Published by Deutscher Verlag fur Musik (BR.DV-9515A-16).

ISBN 9790200490619. 9 x 12 inches. German.

In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972.

Upper Voices a Cappella - Grade 3

SKU: BT.EMBZ14461

Composed by Miklos Kocsar. Hymns & Chorals. Book Only. Composed 2006. 36 pages. Editio Musica Budapest #EMBZ14461. Published by Editio Musica Budapest (BT.EMBZ14461).

Latin.

Hungary has a thousand-year-old tradition of reverence for the Virgin Mary. In the course of the centuries the Church has found more and more occasions for the celebration of Mary. The greatest is the celebration of Mary?s assumption into heaven, which coincides with the anniversary of the death of Saint Stephen, on August 15. The texts of these choral works originate from various supplicatory prayers from the office, vocal texts and hymns. The six choral works don?t form a cycle, since the texts are associated with different liturgies. The choruses: Regina caeli ? antiphon for Easter, Sub tuum praesidium ? antiphon, Maria Mater gratiae ? short hymn, Ave Regina caelorum ?antiphon for Lent, Ave maris stella ? Hymn to Mary, Virgo parens Christi benedicta ? responsorium, can be sung singly or in any combination.

Brass Band - Grade 2

SKU: BT.DHP-0950625-030

From The Lion King. Composed by Alan Mencken. Arranged by Ron Sebregts. Film Spectaculars. TV-Film-Musical-Show. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950625-030. Published by De Haske Publications (BT.DHP-0950625-030).

9x12 inches.

The Lion King was a smash-hit box office success all over the world, and is still the highest grossing 2D animated film in the US. Can You Feel The Love Tonight, is a delightful concert band arrangement of the song from this Walt Disney classic, sung and composed by Elton John. A Disney favourite for young and old alike, your musicians will look forward to playing this piece both in rehearsal and in concert!

The Lion King schreef zowel film-, musical- als popgeschiedenis. Op alle drie de gebieden droegen vooral de songs van Elton John bij aan het monumentale succes van deze Disneyproducties. Ron Sebregts is al jaren een ervaren arrangeurvan popmuziek voor orkest. Hij is het die deze authentieke bewerking schreef van de mooie balade Can You Feel the Love Tonight.

Ca n You Feel the Love Tonight ist das mit einem Golden Globe für den besten Filmsong prämierte Lied aus der Filmmusik zu Walt Disneys König der Löwen>, die auch insgesamt einen Oscar erhielt. Zum weltweiten Erfolg des Soundtracks trugen vor allem Elton John und sein Texter Tim Rice bei, aus der Kooperation neben anderen Liedern auch diese gefühlvolle Liebesballade stammt.

Can You Feel the Love Tonight, composition d’Elton John et Tim Rice, est probablement le thème le plus connu du dessin animé Le Roi Lion. Ron Sebregts a réalisé un magnifique arrangement de cet incontournable standard, pour le bonheur des grands et des petits. Une magnifique ballade pour orchestre d’harmonie.

di Elton John e Tim Rice è senza dubbio la canzone più conosciuta del film e musical Il Re Leone. Ron Sebregts, apprezzato arrangiatore di titoli di musica pop, firma questo arrangiamento molto riuscito dell’indimenticabi le canzone.

Brass Band - Grade 2

SKU: BT.DHP-0950625-230

From The Lion King. Composed by Alan Mencken. Arranged by Ron Sebregts. Film Spectaculars. TV-Film-Musical-Show. Score Only. Composed 1995. De Haske Publications #DHP 0950625-230. Published by De Haske Publications (BT.DHP-0950625-230).

The Lion King was a smash-hit box office success all over the world, and is still the highest grossing 2D animated film in the US. Can You Feel The Love Tonight, is a delightful concert band arrangement of the song from this Walt Disney classic, sung and composed by Elton John. A Disney favourite for young and old alike, your musicians will look forward to playing this piece both in rehearsal and in concert!

The Lion King schreef zowel film-, musical- als popgeschiedenis. Op alle drie de gebieden droegen vooral de songs van Elton John bij aan het monumentale succes van deze Disneyproducties. Ron Sebregts is al jaren een ervaren arrangeurvan popmuziek voor orkest. Hij is het die deze authentieke bewerking schreef van de mooie balade Can You Feel the Love Tonight.

Ca n You Feel the Love Tonight ist das mit einem Golden Globe für den besten Filmsong prämierte Lied aus der Filmmusik zu Walt Disneys König der Löwen>, die auch insgesamt einen Oscar erhielt. Zum weltweiten Erfolg des Soundtracks trugen vor allem Elton John und sein Texter Tim Rice bei, aus der Kooperation neben anderen Liedern auch diese gefühlvolle Liebesballade stammt.

Can You Feel the Love Tonight, composition d’Elton John et Tim Rice, est probablement le thème le plus connu du dessin animé Le Roi Lion. Ron Sebregts a réalisé un magnifique arrangement de cet incontournable standard, pour le bonheur des grands et des petits. Une magnifique ballade pour orchestre d’harmonie.

di Elton John e Tim Rice è senza dubbio la canzone più conosciuta del film e musical Il Re Leone. Ron Sebregts, apprezzato arrangiatore di titoli di musica pop, firma questo arrangiamento molto riuscito dell’indimenticabi le canzone.

SATB choir, SSA choir and Organ

SKU: C4.9790902260367

Composed by Michael Leighton Jones. Classical. Score. Crescendo Music Publications #9790902260367. Published by Crescendo Music Publications (C4.9790902260367).

ISBN 9790902260367. 8.27 x 11.7 inches.

To mark the 150th anniversary of the founding of Trinity College, University of Melbourne, the College's former Director of Music Michael Leighton Jones has created a spellbindingly beautiful work of art. Using the Gregorian office hymn O lux beata Trinitas as the bones of his work, around which Leighton Jones has brilliantly set the words of British-Australian poet Katherine Firth. The work was first performed in its original version (solo sextet SSATBarB; SATB semi chorus, SATB chorus and organ) at the commemorative Evensong held in St Paul's Cathedral, Melbourne on 22 May, 2022.

Choir

SKU: ST.EC51

Composed by Various. Edited by David Mateer. Library Volumes. Transcribed and Edited by David Mateer. First published in 2009. Pages: 280. Format: Hardback. Dimensions (mm): 324 x 246 x 27. Choral Score. Stainer & Bell Ltd. #EC51. Published by Stainer & Bell Ltd. (ST.EC51).

ISBN 9790220222344.

This volume, the second of two devoted to the 16th-century 'Gyffard' partbooks, typifies the collection as a whole in the wide variety of liturgical types and compositional procedures on display. There are Jesus Mass propers built on plainsong cantus firmi, Mass ordinaries based on 'squares', Magnificat settings freely composed or using the canticle tone or its faburden, antiphons in honour of Jesus and the Virgin Mary, the setting of a tract (virtually unprecedented in the history of English polyphony), prayers, and even office responds masquerading as votive antiphons. The composers include Alcock, Bramston, Hoskins, Johnson, Knyght, Mundy, Sheppard, Henry? Stoning, Tallis, Whytbroke, Van Wilder, Wright and Anon.

Individual titles from this volume are available as Adobe PDF files...

SATB & Piano

SKU: SU.80200104

For SATB & Piano. Composed by Daniel E. Gawthrop. Vocal/Choral, Sacred Choral. Choral Octavo. Subito Music Corporation #80200104. Published by Subito Music Corporation (SU.80200104).

Text: adapted from the New Testament by Jane Griner 12 page octavo Published by: Dunstan House Minimum order quantity: 8 copies. Perusal copies are available by contacting office@DunstanHouse.com (Please include the organization name with your request). To order quantities less than 8.

Choir

SKU: ST.EC30

Composed by John Taverner. Edited by Hugh Benham. Library Volumes. Edited by Hugh Benham. First published in 1984. Pages: 244. Format: Paperback. Dimensions (mm): 254 x 177 x 16. Choral Score. Stainer & Bell Ltd. #EC30. Published by Stainer & Bell Ltd. (ST.EC30).

ISBN 9790220216626.

Ritu al music for the Office and for associated non-liturgical devotions appears in no comparable body of work by an earlier English composer - and from later composers, only in the surviving output of Tallis and Sheppard. Typically, these pieces alternate polyphony and plainsong, not recorded in the sources, but here supplied from the Salisbury Antiphonal, Gradual or Processional. Four of Taverner's secular songs are also included. Quemadmodum are also included.