| The Isle of the Dead Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
Symphonic Poem after a painting by Arnold Bocklin. Composed by Sergei Rac...(+)
Symphonic Poem after a
painting by Arnold
Bocklin. Composed by
Sergei Rachmaninoff
(1873-1943). Arranged by
Simon Scheiwiller. Full
score and set of parts.
Duration 20:00. Published
by Baton Music
(BF.BM563-SET).
$304.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| My Brother's Brain Theodore Presser Co.
Band 2 Bassoons, 2 Eup, 2 Oboes, 3 Trombones, 6 Clarinets in Bb, 6 Flutes, 6 Hor...(+)
Band 2 Bassoons, 2 Eup, 2
Oboes, 3 Trombones, 6
Clarinets in Bb, 6
Flutes, 6 Horns in F, 6
Trumpets in Bb, Alto Sax,
Baritone Sax, Bass
Clarinet (with low
C-ext.), Bass Trombone,
Contrabass Clarinet,
Contrabassoon, English
Horn, Piccolo, Soprano
Sax, Tenor Sax SKU:
PR.41541141L A
Symphony for Winds.
Composed by Carter Pann.
Spiral. Contemporary.
Large Score. With
Standard notation.
Composed 2011. 120 pages.
Duration 29 minutes.
Theodore Presser Company
#415-41141L. Published by
Theodore Presser Company
(PR.41541141L). ISBN
9781598064476. UPC:
680160610983. 11 x 17
inches. On the
heels of his Slalom,
which has enjoyed
numerous performances as
a new staple for bands,
Pann has created a major
three-movement magnum
opus, a triptych of sound
paintings, as he would
describe it. My Brother's
Brain encapsulates a
lifetime appreciation of
both uniqueness and
similarity in a younger
brother, through three
stages of growth (child,
facing demons, grace).
Symphony for Winds My
Brother's Brain was a
joint commission by more
than two dozen wind
ensembles throughout the
United States. For
advanced ensembles. $85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The New Guitar Big Book of Hits -- '50s and '60s Guitare notes et tablatures Alfred Publishing
(Guitar TAB). For Guitar. Book; Guitar Mixed Folio; Guitar TAB. The New Guitar T...(+)
(Guitar TAB). For Guitar.
Book; Guitar Mixed Folio;
Guitar TAB. The New
Guitar TAB Big Book.
Adult Contemporary; Folk;
Pop; Pop/Rock; Rock. 264
pages. Published by
Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| To Praise the Lord Chorale SATB Shawnee Press
Choral (SATB) SKU: HL.422667 Composed by Joseph M. Martin. Shawnee Sacred...(+)
Choral (SATB) SKU:
HL.422667 Composed by
Joseph M. Martin. Shawnee
Sacred. General Worship.
Octavo. 16 pages.
Duration 225 seconds.
Published by Shawnee
Press (HL.422667).
UPC: 196288061595.
6.75x10.5x0.036 inches.
Hebrews 13:15-16, Psalm
149:3, Psalm
92. Pure energy,
this exciting anthem of
praise lights up the air
with a dazzling theme
featuring mixed meter and
effective syncopations.
The contrasting B section
has word painting and
special vocal effects
that are wonderfully
fresh and compelling. $2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Praise the Lord Chorale 3 parties SSA Shawnee Press
Choral (SSA Choir) SKU: HL.422668 Composed by Joseph M. Martin. Shawnee S...(+)
Choral (SSA Choir)
SKU: HL.422668
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship. Octavo.
16 pages. Duration 225
seconds. Published by
Shawnee Press
(HL.422668). UPC:
196288061601.
6.75x10.5x0.036 inches.
Hebrews 13:15-16, Psalm
149:3, Psalm
92. Pure energy,
this exciting anthem of
praise lights up the air
with a dazzling theme
featuring mixed meter and
effective syncopations.
The contrasting B section
has word painting and
special vocal effects
that are wonderfully
fresh and compelling. $2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Singer's Library of Musical Theatre, Volume 2 Voix Mezzo-Soprano [Partition + CD] Alfred Publishing
(Mezzo Soprano/Alto Voice). Edited by Lisa DeSpain. For Voice (Alto voice (Mezzo...(+)
(Mezzo Soprano/Alto
Voice). Edited by Lisa
DeSpain. For Voice (Alto
voice (Mezzo)). Vocal
Collection. Singer's
Library of Musical
Theatre. Broadway. Book
and CD. 224 pages
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs from the Shore Heritage Music Press
2-part voices and piano SKU: LO.15-2109H Composed by Cynthia Gray. Choral...(+)
2-part voices and piano
SKU: LO.15-2109H
Composed by Cynthia Gray.
Choral. Sing Out Series.
Concert. Octavo. Heritage
Music Press #15/2109H.
Published by Heritage
Music Press
(LO.15-2109H). UPC:
000308107494. These
two charming original
works are set to poems
from Lowell's poetry
collection, A Dome of
Many Coloured Glass. Sea
Shell is in a lilting 6/8
and The Trout in a very
playful, rhythmic 2/2.
Full of vivid imagery and
word-painting, they may
be performed separately
or as a delightful
pair. $2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Easy Pop/Rock Fake Book Ligne De Mélodie, Paroles et Accords [Diagrammes] Hal Leonard
(Melody, Lyrics and Simplified Chords in the Key of C). Composed by Various. For...(+)
(Melody, Lyrics and
Simplified Chords in the
Key of C). Composed by
Various. For C
Instruments. Easy Fake
Book. Softcover.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Why the Caged Bird Sings Chorale SATB SATB divisi - Intermédiaire Schirmer
Composed by Judith Shatin (1949-). Martin Luther King Day, 21st Century. Octav...(+)
Composed by Judith Shatin
(1949-). Martin Luther
King
Day, 21st Century.
Octavo.
Duration 4 minutes, 45
seconds. E.C. Schirmer
Publishing #7149.
Published
by E.C. Schirmer
Publishing
$2.85 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Rolling Stones: Singles Collection - The London Years Guitare notes et tablatures [Partition] - Intermédiaire Alfred Publishing
Performed by The Rolling Stones. Guitar tablature songbook for guitar and voice....(+)
Performed by The Rolling
Stones. Guitar tablature
songbook for guitar and
voice. 334 pages.
Published by Alfred
Publishing.
(7)$44.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Poet To His Beloved [Conducteur] Theodore Presser Co.
Chamber Music Cello, Flute, Piano, Viola, Violin 1, Violin 2, tenor voice SKU...(+)
Chamber Music Cello,
Flute, Piano, Viola,
Violin 1, Violin 2, tenor
voice SKU:
PR.11140139S For
Tenor, Flute, String
Quartet and Piano.
Composed by Lowell
Liebermann. Poems by
William Butler Yeats.
Full score. With Standard
notation. Duration 15
minutes. Theodore Presser
Company #111-40139S.
Published by Theodore
Presser Company
(PR.11140139S). UPC:
680160002887. Poems by
William Butler
Yeats. This work
was commissioned by Susan
and Elihu Rose. It was
written at the request of
tenor Robert White, to
whom it is dedicated. It
was premiered at Alice
Tully Hall on February
17, 1993 by Robert White,
James Galway, the Lark
Quartet and pianist Brian
Zeger. It was actually
Miss Alice Tully's
suggestion that some
settings of Yeats would
be lovely that prompted
me to look at these
poems. I was at once
struck by their intense
lyric beauty and decided
immediately to use them
for this work. The six
poems were chosen from
Yeats' 1899 collection
The Wind Among the Reeds.
Dealing with unrequited
love, these particular
poems have hints of the
mystic preoccupations
which were to become more
prominent in Yeats' later
work. Scored for an
ensemble consisting of
Flute, Piano and String
Quartet, it was my
intention that the beauty
and clarity of the poetry
should be matched by a
directness of musical
expression which would
not overwhelm the poems.
The instrumental writing
makes no attempt at tone
painting but rather
provides a colorful but
often austere
psychological background
to the tenor's melodies
which are at times almost
folk-like in their
simplicity. The work is
unified as a cycle not
only by its tonal
structure, but also
through harmonic and
motivic elements that the
individual songs
share. $63.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Poet To His Beloved Theodore Presser Co.
Chamber Music Cello, Flute, Piano, Viola, Violin 1, Violin 2, tenor voice SKU...(+)
Chamber Music Cello,
Flute, Piano, Viola,
Violin 1, Violin 2, tenor
voice SKU:
PR.111401390 For
Tenor, Flute, String
Quartet and Piano.
Composed by Lowell
Liebermann. Saddle. Set
of Score and Parts. With
Standard notation.
Composed 1992. Opus 40.
44+7+7+8+8+8 pages.
Duration 15 minutes.
Theodore Presser Company
#111-40139. Published by
Theodore Presser Company
(PR.111401390). UPC:
680160002863. 9 x 12
inches. Poems by William
Butler Yeats. This
work was commissioned by
Susan and Elihu Rose. It
was written at the
request of tenor Robert
White, to whom it is
dedicated. It was
premiered at Alice Tully
Hall on February 17, 1993
by Robert White, James
Galway, the Lark Quartet
and pianist Brian Zeger.
It was actually Miss
Alice Tully's suggestion
that some settings of
Yeats would be lovely
that prompted me to look
at these poems. I was at
once struck by their
intense lyric beauty and
decided immediately to
use them for this work.
The six poems were chosen
from Yeats' 1899
collection The Wind Among
the Reeds. Dealing with
unrequited love, these
particular poems have
hints of the mystic
preoccupations which were
to become more prominent
in Yeats' later work.
Scored for an ensemble
consisting of Flute,
Piano and String Quartet,
it was my intention that
the beauty and clarity of
the poetry should be
matched by a directness
of musical expression
which would not overwhelm
the poems. The
instrumental writing
makes no attempt at tone
painting but rather
provides a colorful but
often austere
psychological background
to the tenor's melodies
which are at times almost
folk-like in their
simplicity. The work is
unified as a cycle not
only by its tonal
structure, but also
through harmonic and
motivic elements that the
individual songs
share. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Poet To His Beloved Theodore Presser Co.
Chamber Music Piano, tenor voice SKU: PR.111401970 For Tenor, Flute, S...(+)
Chamber Music Piano,
tenor voice SKU:
PR.111401970 For
Tenor, Flute, String
Quartet and Piano.
Composed by Lowell
Liebermann. Poems by
William Butler Yeats.
Piano Reduction Score.
With Standard notation.
Composed 1992. 20 pages.
Duration 15 minutes.
Theodore Presser Company
#111-40197. Published by
Theodore Presser Company
(PR.111401970). UPC:
680160490394. 9 x 12
inches. English. Text:
William Butler Yeats.
William Yeats. Poems by
William Butler
Yeats. This work
was commissioned by Susan
and Elihu Rose. It was
written at the request of
tenor Robert White, to
whom it is dedicated. It
was premiered at Alice
Tully Hall on February
17, 1993 by Robert White,
James Galway, the Lark
Quartet and pianist Brian
Zeger. It was actually
Miss Alice Tully's
suggestion that some
settings of Yeats would
be lovely that prompted
me to look at these
poems. I was at once
struck by their intense
lyric beauty and decided
immediately to use them
for this work. The six
poems were chosen from
Yeats' 1899 collection
The Wind Among the Reeds.
Dealing with unrequited
love, these particular
poems have hints of the
mystic preoccupations
which were to become more
prominent in Yeats' later
work. Scored for an
ensemble consisting of
Flute, Piano and String
Quartet, it was my
intention that the beauty
and clarity of the poetry
should be matched by a
directness of musical
expression which would
not overwhelm the poems.
The instrumental writing
makes no attempt at tone
painting but rather
provides a colorful but
often austere
psychological background
to the tenor's melodies
which are at times almost
folk-like in their
simplicity. The work is
unified as a cycle not
only by its tonal
structure, but also
through harmonic and
motivic elements that the
individual songs
share. $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hark! The Herald Angels Sing Chorale SATB SATB divisi, A Cappella [Octavo] - Intermédiaire MorningStar Music Publishers
By Matthew Culloton. For SATB choir divisi (a cappella). Christmas, Lessons and ...(+)
By Matthew Culloton. For
SATB choir divisi (a
cappella). Christmas,
Lessons and Carols.
Medium. Octavo. 15 pages.
Published by MorningStar
Music Publishers
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spring in Dresden [Conducteur] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Rolling Stones : Paint It Black [CD] Talking Tabs
By The Rolling Stones. For guitar. Play-It-Now Tunes. Level: 3. Instructional CD...(+)
By The Rolling Stones.
For guitar. Play-It-Now
Tunes. Level: 3.
Instructional CD only (no
sheet music included).
Published by Talking
Tabs.
$12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nian Hua 2 Guitares (duo) Theodore Presser Co.
Chamber Music 2 Guitars SKU: PR.114418800 Chinese New Year's Paintings...(+)
Chamber Music 2 Guitars
SKU: PR.114418800
Chinese New Year's
Paintings. Composed
by Chen Yi. Sws. Set of
performance scores. 24
pages. Duration 13
minutes. Theodore Presser
Company #114-41880.
Published by Theodore
Presser Company
(PR.114418800). UPC:
680160667673. 9 x 12
inches. Nian Hua
(Chinese New Year's
Paintings) for two
guitars is inspired by
the colorful folk
paintings presented in
Yangliuqing Town in
Tianjin, China. The work
is 13 minutes in
duration, and composed in
three
movements:
1.
Spring Ox and
Cowherd 2. Five Boys
Snatch Lotus Seed
Pods 3. Prosperity in
the New Year. Nian Hua
(Chinese New Year's
Paintings) for two
guitars is inspired by
the colorful folk
paintings presented in
Yangliuqing Town in
Tianjin, China. The work
is 13 minutes in
duration, and composed in
three movements: 1.
Spring Ox and Cowherd 2.
Five Boys Snatch Lotus
Seed Pods 3. Prosperity
in the New Year. Nian
Hua (Chinese New
Year’s Paintings)
for two guitars is
inspired by the colorful
folk paintings presented
in Yangliuqing Town in
Tianjin, China. The work
is 13 minutes in
duration, and composed in
three movements:1. Spring
Ox and Cowherd2. Five
Boys Snatch Lotus Seed
Pods3. Prosperity in the
New Year. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Red Tower (La Torre Rossa) Orchestre d'harmonie Amstel Music
The Venetian Collection. By Johan De Meij. (Score and Parts). Amstel Concert Ba...(+)
The Venetian Collection.
By Johan De Meij. (Score
and Parts). Amstel
Concert Bands. Published
by Amstel Music.
$158.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A View at the Zoo Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-001118-020 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-001118-020
Composed by Carl
Wittrock. Set (Score &
Parts). 300 pages.
Gobelin Music
Publications #GOB
001118-020. Published by
Gobelin Music
Publications
(BT.GOB-001118-020).
Everybody is
familiar with the zoo.
Remember all those
animals? Big ones, small
ones. Water dwellers,
air-bound birds, long
legged hoppers, creeping
bugs. All animals seem to
have their own
peculiarities. Now,
Carl Wittrock (who also
composed the world-famous
master piece 'Lord
Tullamore') invites you
to join him in a musical
exploration of the animal
kingdom. An
invitation you must not
reject! In his 'A view at
the Zoo', Wittrock
presents ten distinctly
different animals as
compositions of music.
You may be familiar with
some of those animals,
such as the white swan or
the butterfly, but there
are also more exotic
breeds, like the lion,
the monkey, or
theelephant.
The
composition as a whole is
built around a structure
of shorter fragments
reminiscent of 'The
Paintings Exhibition' by
Moussorgsky. The parts
are decorated with
recognizable
illustrations of the
different animals. At
each composition,
Wittrock looks for
something that can
fascinate both musicians
and listeners. In this he
succeeded extremely well.
De dierentuin.
iedereen is er wel eens
geweest! Al die
verschillende dieren,
groot en klein,
gevaarlijk en
ongevaarlijk, in het
water, in de lucht of
gewoon op het droge, en
allemaal met hun eigen
bijzonderheden. Carl
Wittrock(componist van
o.a. het wereldberoemde
‘Lord Tullamore’)
neemt je in ‘A View at
the Zoo’ mee op een
muzikale ontdekkingstocht
door het dierenrijk die
je absoluut niet mag
missen. In totaal
komen we gedurende deze
wandeling10 compleet
verschillende dieren
tegen. Naast de dieren
die je niet zomaar op
straat tegenkomt, zoals
de leeuw, de aap en de
olifant, is er ook
aandacht voor dieren waar
we misschien al iets
beter bekend mee zijn,
zoals de zwaanen de
vlinder.
De
compositie bestaat uit
korte deeltjes die qua
opzet doen denken aan
‘De
Schilderijententoonstelli
ng’ van Moussorgsky. De
partijen zijn versierd
met herkenbare
illustraties van de
verschillende
dieren.Wittrock zoekt bij
elke compositie naar iets
wat zowel de musici als
de luisteraars kan boeien
en dat is bijzonder goed
gelukt! $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A View at the Zoo Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001119-030 Composed by Carl Wittrock. Se...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001119-030
Composed by Carl
Wittrock. Set (Score &
Parts). 174 pages.
Gobelin Music
Publications #GOB
001119-030. Published by
Gobelin Music
Publications
(BT.GOB-001119-030).
Everybody is
familiar with the zoo.
Remember all those
animals? Big ones, small
ones. Water dwellers,
air-bound birds, long
legged hoppers, creeping
bugs. All animals seem to
have their own
peculiarities. Now,
Carl Wittrock (who also
composed the world-famous
master piece 'Lord
Tullamore') invites you
to join him in a musical
exploration of the animal
kingdom. An
invitation you must not
reject! In his 'A view at
the Zoo', Wittrock
presents ten distinctly
different animals as
compositions of music.
You may be familiar with
some of those animals,
such as the white swan or
the butterfly, but there
are also more exotic
breeds, like the lion,
the monkey, or
theelephant.
The
composition as a whole is
built around a structure
of shorter fragments
reminiscent of 'The
Paintings Exhibition' by
Moussorgsky. The parts
are decorated with
recognizable
illustrations of the
different animals. At
each composition,
Wittrock looks for
something that can
fascinate both musicians
and listeners. In this he
succeeded extremely well.
De dierentuin.
iedereen is er wel eens
geweest! Al die
verschillende dieren,
groot en klein,
gevaarlijk en
ongevaarlijk, in het
water, in de lucht of
gewoon op het droge, en
allemaal met hun eigen
bijzonderheden. Carl
Wittrock(componist van
o.a. het wereldberoemde
‘Lord Tullamore’)
neemt je in ‘A View at
the Zoo’ mee op een
muzikale ontdekkingstocht
door het dierenrijk die
je absoluut niet mag
missen. In totaal
komen we gedurende deze
wandeling10 compleet
verschillende dieren
tegen. Naast de dieren
die je niet zomaar op
straat tegenkomt, zoals
de leeuw, de aap en de
olifant, is er ook
aandacht voor dieren waar
we misschien al iets
beter bekend mee zijn,
zoals de zwaanen de
vlinder.
De
compositie bestaat uit
korte deeltjes die qua
opzet doen denken aan
‘De
Schilderijententoonstelli
ng’ van Moussorgsky. De
partijen zijn versierd
met herkenbare
illustraties van de
verschillende
dieren.Wittrock zoekt bij
elke compositie naar iets
wat zowel de musici als
de luisteraars kan boeien
en dat is bijzonder goed
gelukt! $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A View at the Zoo Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-001118-120 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-001118-120
Composed by Carl
Wittrock. Score Only. 34
pages. Gobelin Music
Publications #GOB
001118-120. Published by
Gobelin Music
Publications
(BT.GOB-001118-120).
Everybody is
familiar with the zoo.
Remember all those
animals? Big ones, small
ones. Water dwellers,
air-bound birds, long
legged hoppers, creeping
bugs. All animals seem to
have their own
peculiarities. Now,
Carl Wittrock (who also
composed the world-famous
master piece 'Lord
Tullamore') invites you
to join him in a musical
exploration of the animal
kingdom. An
invitation you must not
reject! In his 'A view at
the Zoo', Wittrock
presents ten distinctly
different animals as
compositions of music.
You may be familiar with
some of those animals,
such as the white swan or
the butterfly, but there
are also more exotic
breeds, like the lion,
the monkey, or
theelephant.
The
composition as a whole is
built around a structure
of shorter fragments
reminiscent of 'The
Paintings Exhibition' by
Moussorgsky. The parts
are decorated with
recognizable
illustrations of the
different animals. At
each composition,
Wittrock looks for
something that can
fascinate both musicians
and listeners. In this he
succeeded extremely well.
De dierentuin.
iedereen is er wel eens
geweest! Al die
verschillende dieren,
groot en klein,
gevaarlijk en
ongevaarlijk, in het
water, in de lucht of
gewoon op het droge, en
allemaal met hun eigen
bijzonderheden. Carl
Wittrock(componist van
o.a. het wereldberoemde
‘Lord Tullamore’)
neemt je in ‘A View at
the Zoo’ mee op een
muzikale ontdekkingstocht
door het dierenrijk die
je absoluut niet mag
missen. In totaal
komen we gedurende deze
wandeling10 compleet
verschillende dieren
tegen. Naast de dieren
die je niet zomaar op
straat tegenkomt, zoals
de leeuw, de aap en de
olifant, is er ook
aandacht voor dieren waar
we misschien al iets
beter bekend mee zijn,
zoals de zwaanen de
vlinder.
De
compositie bestaat uit
korte deeltjes die qua
opzet doen denken aan
‘De
Schilderijententoonstelli
ng’ van Moussorgsky. De
partijen zijn versierd
met herkenbare
illustraties van de
verschillende
dieren.Wittrock zoekt bij
elke compositie naar iets
wat zowel de musici als
de luisteraars kan boeien
en dat is bijzonder goed
gelukt! $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A View at the Zoo Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-001119-130 Composed by Carl Wittrock. Sc...(+)
Brass Band - Grade 2
SKU:
BT.GOB-001119-130
Composed by Carl
Wittrock. Score Only. 68
pages. Gobelin Music
Publications #GOB
001119-130. Published by
Gobelin Music
Publications
(BT.GOB-001119-130).
Everybody is
familiar with the zoo.
Remember all those
animals? Big ones, small
ones. Water dwellers,
air-bound birds, long
legged hoppers, creeping
bugs. All animals seem to
have their own
peculiarities. Now,
Carl Wittrock (who also
composed the world-famous
master piece 'Lord
Tullamore') invites you
to join him in a musical
exploration of the animal
kingdom. An
invitation you must not
reject! In his 'A view at
the Zoo', Wittrock
presents ten distinctly
different animals as
compositions of music.
You may be familiar with
some of those animals,
such as the white swan or
the butterfly, but there
are also more exotic
breeds, like the lion,
the monkey, or
theelephant.
The
composition as a whole is
built around a structure
of shorter fragments
reminiscent of 'The
Paintings Exhibition' by
Moussorgsky. The parts
are decorated with
recognizable
illustrations of the
different animals. At
each composition,
Wittrock looks for
something that can
fascinate both musicians
and listeners. In this he
succeeded extremely well.
De dierentuin.
iedereen is er wel eens
geweest! Al die
verschillende dieren,
groot en klein,
gevaarlijk en
ongevaarlijk, in het
water, in de lucht of
gewoon op het droge, en
allemaal met hun eigen
bijzonderheden. Carl
Wittrock(componist van
o.a. het wereldberoemde
‘Lord Tullamore’)
neemt je in ‘A View at
the Zoo’ mee op een
muzikale ontdekkingstocht
door het dierenrijk die
je absoluut niet mag
missen. In totaal
komen we gedurende deze
wandeling10 compleet
verschillende dieren
tegen. Naast de dieren
die je niet zomaar op
straat tegenkomt, zoals
de leeuw, de aap en de
olifant, is er ook
aandacht voor dieren waar
we misschien al iets
beter bekend mee zijn,
zoals de zwaanen de
vlinder.
De
compositie bestaat uit
korte deeltjes die qua
opzet doen denken aan
‘De
Schilderijententoonstelli
ng’ van Moussorgsky. De
partijen zijn versierd
met herkenbare
illustraties van de
verschillende
dieren.Wittrock zoekt bij
elke compositie naar iets
wat zowel de musici als
de luisteraars kan boeien
en dat is bijzonder goed
gelukt! $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Banner of the Sky Orchestre d'harmonie - Intermédiaire Peters
Concert Band - Grade 4 SKU: PE.TSGB013 Composed by Tyler S. Grant. Concer...(+)
Concert Band - Grade 4
SKU: PE.TSGB013
Composed by Tyler S.
Grant. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Tyler S. Grant
Music Works. Score and
Part(s). Duration 6:00.
Edition Peters
#98-TSGB013. Published by
Edition Peters
(PE.TSGB013). UPC:
038081584065. Inspi
red by a vivid Civil War
painting, Banner of the
Sky by Tyler S. Grant
features lyrical passages
and flowing lines that
are reminiscent of the
American landscape.
Contrasting with this are
quick-paced sections
reflecting the fiery
orange sky that lights up
the painting with warmth
and passion. (6:00). $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wander the USA with Warm-Ups Shawnee Press
Choral (Book) SKU: HL.323563 Shawnee Press. Choral Resources, Warm-Up. So...(+)
Choral (Book) SKU:
HL.323563 Shawnee
Press. Choral Resources,
Warm-Up. Softcover. 80
pages. Published by
Shawnee Press
(HL.323563). ISBN
9781540071507. UPC:
840126910568.
6.0x9.0x0.204
inches. Keeping
singers in our ensembles
excited and energized
during the warm-up
process is a consistent
hurdle for educators
across the nation. By
using songs that are
indigenous to different
parts of our country,
teachers in choral
classrooms can help
students prepare their
minds, bodies and voices
while sharing a bit of
our culture and history
from different areas of
the United States. All of
the songs can be used
with both inexperienced
beginners and advanced
singers. The lesson
suggestions introduced
with each song are
intended to be a
springboard for teachers
to modify and adapt to
their own students' needs
and skill levels. Each
melody includes
strategies that are
accessible for those who
are just learning how to
use their voices, and
also for those more
sophisticated singers who
enjoy a good
challenge. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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