This songbook contains over 50 massive festival anthems, arranged especially for guitar with full lyrics and chord boxes, ideal for outdoor festival or campfire strumming! / Niveau : Facile / Recueil / Mélodie, Chant et Guitare

Over 40 traditional and contemporary songs from the world of folk and folk-rock, all presented with complete lyrics and a detailed chord guide. From the introspective guitar virtuosity of John Martyn and Bert Jansch, and the traditional roots of The Dubliners, right up to the songs of David Gray, Adem and KT Tunstall, these timeless classics will will never grow old! / Niveau : Facile / Date parution : 2006-08-14/ Recueil / Piano, Chant et Guitare

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

60 classic hits from the eighties. Songs arranged for Voice and Guitar with lyrics, chord boxes and chord symbols. Includes songs by David Bowie, Madonna, Roxy Music, Depeche Mode and more. / Niveau : Facile / Recueil / Piano, Chant et Guitare

Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri's Lyric Interlude: 'A Study in Pastoral Style'. When, in 2008, the composer received the commission for a piece with English Horn from Cecilia Benner, patron of the Chamber Music Society of Detroit, he immediately thought of the duo between this instrument and the Oboe that Berlioz, in the Symphonie fantastique, placed at the beginning of the 'Scène aux champs', making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 in its original version for English Horn, Violin and Cello, the Lyric Interlude for English Horn and Piano (Op.110b) nonetheless proclaims another tradition: that of British pastoralism, illustrated by the music of Ralph Vaughan Williams (1872-1958), the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint, the undulating lament of the beginning, rhythmically supple, evokes the waving wheat, as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion, briefly interrupted by a scherzo in 6/8, again pours out, making the work evolve towards a slow, ecstatic atmosphere, close to the last of the English composer's Three Preludes on Welsh Hymn Tunes. Far from bucolic, postcard clichés and servile imitation, this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute, Clarinet or Viola), Violin and Cello, Op.110a (AL 30 751)

Par JOHNSON TIMOTHY. The pure excitement of space exploration and discovery are proclaimed in the moving work for young band. We follow the progress of the astronauts from their launch, through a tranquil space walk, and back into our atmosphere for a dramatic ending, stopping for a brief saxophone solo on the way. The tempo never lags, even in the contemplative portions of the piece, and there is plenty of technically challenging yet playable passages to go around. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par JOHNSON TIMOTHY. The pure excitement of space exploration and discovery are proclaimed in the moving work for young band. We follow the progress of the astronauts from their launch, through a tranquil space walk, and back into our atmosphere for a dramatic ending, stopping for a brief saxophone solo on the way. The tempo never lags, even in the contemplative portions of the piece, and there is plenty of technically challenging yet playable passages to go around. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band