ISBN 9781540046871. UPC: 888680916602. 5.25x7.75x0.372 inches.

Working Class Audio (WCA) is the home of the Working-Class Audio Podcast hosted by veteran Bay Area producer/engineer and drummer Matt Boudreau. And over the years, it has become a treasure trove of inspirational interviews with some of the best audio engineers in the business. The Working Class Audio Journal series captures the essence of Matt's podcast interviews with industry professionals, in an easy-to-digest written form. Matt moves beyond the technical and gets to the core of how top engineers practice their craft, delving into the world behind recording. He goes way beyond the typical “what was it like to work with” or “what is the best EQ to use on a kick drum” style questions typical of most interviews. WCA gets up close and personal with engineers and asks the questions no one else asks. Business practices, mistakes, failures, equipment choices, financial advice, work life balance, workflow, and family life are topics that are all on the table. Volume 1 includes interviews with engineer, producer, and label owner Andrew Scheps (Black Sabbath, Jay Z, Beyonce, Metallica), mastering engineer Kim Rosen (Bonnie Raitt, Aimee Mann, Steve Earle, Kris Kristofferson), audio entrepreneur Langston Masingale (owner of Handsome Audio and inventor of the Zulu passive analog tape simulator), and game sound designer Mark Kilborn (Forza Motorsport, Tony Hawk, Call of Duty, Black Ops). Join Matt and his guests as they discuss their professional journeys. The interviews explore the business dealings, approaches to finances, survival techniques, and the work/life balance as they pertain to a successful audio career. Through their words, you'll gain new perspective and ideas to help you navigate your own career.

SKU: BT.EMBZ14401

Hungarian-English-Germ an-French.

Lajos Papp, the author of innumerable popular pedagogical works, this time offers the youngest string players technically really easy little orchestral pieces that can nevertheless be successful concert items for more advanced students. The cycle of eight short pieces can be performed not only as a whole but in any kind of selection or grouping. The title refers both to the medieval knights' tournaments, which always stimulate children's imagination, and also to children's games that imitate them and bring them back to life. The work is based not on a single coherent story but the knights' life in general, with its traditional accoutrements and characters. The titles of thepieces are: Knighting Ceremony in the Castle Chapel - The Lord of the Castle - The Black Knight - The Beautiful Damsel of the Castle, by the Well - Page's Dance - The Scarlet Steed - The Battle of the Noble Knights - Festive Procession.

SKU: BT.EMBZ20017A

English-German-Hungari an.

In 1845 Franz Liszt embarked on a project to compose an Italian opera based on Lord Byron’s tragedy, Sardanapalus (1821). It was central to his ambition to attain status as a major European composer, with premieres variously planned for Milan, Vienna, Paris and London. But he abandoned it half way through, and the music he completed has lain silently for 170 years.
Liszt’s difficulty in obtaining a libretto meant that composition only began in April 1850. He completed virtually all the music for Act 1 in an annotated piano-vocal score of 111 pages, contained within his N4 music ‘sketch book’. The unnamed librettist was an Italian poet and political prisoner, seemingly living under house arrest, and a close acquaintance of Cristina Belgiojoso. His libretto survives as underlay in the N4 sketchbook and has been critically reconstructed and translated.
Sardanapalo is Liszt’s only mature opera. While he consistently referred to it in French, as Sardanapale, the published title of the Italian opera would almost certainly have used the Italian name, hence this forms the title of the first edition. There are three solo roles and a chorus of concubines. The manuscript was previously thought to be fragmentary and partially illegible, but it was finally deciphered to international acclaim in March 2017. Liszt’s score offers a richly melodic style, with elements from Bellini and Verdi alongside glimmers of Wagner and the symphonic poems ahead: a unique mixture of Italianate pastiche and mid-century harmonic innovation. It remains quintessentially Lisztian. The opera sets Byron’s tragedy about war and peace in ancient Assyria: the last King, effeminate in his tastes, is drawn to wine, concubines and feasts more than politics and war: his subjects find him dishonourable (a ‘man queen’) and military rebels seek to overthrow him, but are pardoned, for the King rejects the ‘deceit of glory’ built on others’ suffering: this leads only to a larger uprising, the Euphrates floods its banks, destroying the castle’s main defensive wall, and defeat is inevitable: the King sends his family away and orders that he be burned alive with his lover, amid scents and spices in a grand inferno. As Byron put it: ‘not a mere pillar formed of cloud and flame, but a light to lessen ages.’ For his part, Liszt told a friend that his finale ‘will even aim to set fire to the entire audience!’
This critical edition includes a detailed study on the genesis of Liszt’s Sardanapalo in English, German, and Hungarian, the libretto in the original Italian as well as in English, German, and Hungarian translation, several facsimile pages of Liszt’s manuscript, and a detailed Critical Report.

Inspired in part by smartphone and DSLR cameras that make great results accessbile to anyone, DLZ Creator XS transforms the on-screen controls to meet your creative style or skill level – without compromising processing power or sound quality. Three versatile modes Easy A no-fuss user interface that offers the fastest path to recording your first podcast. For those who want to get great results without menu-diving. Enhanced Expanded control over your sound and mix. For those who want some customization without an overwhelming number of options. Pro Total control and fully customizable. For those who know what they want, and how to get it. The ins and outs of producing DLZ Creator XS harnesses decades of Mackie expertise, making every detail count for your productions. From Onyx80 preamps that make even low-output mics sound both loud and pristine, to customized headphone mixes for each of your guests, DLZ Creator XS gives you the benefits of a professional studio mixer without the steep learning curve. Ready for what's next As a content creator, you know that flexibility is key. No matter how you like to create, the DLZ Creator XS podcast mixer supports you every step of the way. Record or stream to a computer via USB-C, or skip the computer and record full multitrack audio to an SC card for a truly self-contained setup. Mackie knows creators For decades, Mackie has provided musicians, DJs, and multimedia producers with the tools to create. From bedroom studios to the world's biggest festivals, Mackie mixers are literally everywhere. DLZ Creator XS puts all our knowledge into a new design for the next generation of creators.

SKU: HL.48024646

ISBN 9781784544041. UPC: 888680949105. 7.25x10.25x0.363 inches.

New edition, with preface by Gerard McBurney. The work was composed in 1933-38 for one of the greatest cellists of the 20th century, Gregor Piatigorsky. McBurney explains that, somehow this concerto had come to seem jinxed to the composer. And when, in 1947, he heard it in Moscow once again, this time played by the young Mstislav Rostropovich, he decided to recast it (albeit using much of the same material) as an entirely new piece, the Sinfonia Concertante, op 125. The earlier version never entirely disappeared, however, with a scattering of cellists always preferring it to the later one. And in recent years, it has found new favor and new champions, its spectacularly difficult cello writing and virtuosic orchestral effects offering a brilliance, pungency and fascination all of their own..

SKU: AP.42116S

UPC: 038081473147. English.

Featuring the trumpet section, the gorgeous R&B ballad You're Still a Young Man offers a nice change of pace as Part 2 of our Tower of Power show. (2:15).