The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

50 classic songs to accompany the world-famous justinguitar.com courses for guitar! The Justinguitar.com Acoustic Songbook is for all guitar players who want to progress beyond beginner level. The book starts with beginner level material, before progressing to songs that will teach you how to use more complex chords (including barre chords), riffs, fingerstyle patterns and open tunings. This book contains 50 great acoustic songs by artists such as The Beatles, Eric Clapton, Johnny Cash, Elliott Smith, Crowded House, Ed Sheeran, Coldplay, Sting, Tom Waits and David Gray. Take your playing forward by starting with the 15 beginner level songs, then move on to 15 intermediate songs specially chosen to develop your barre chords. After that you'll learn a further 15 songs which introduce interesting new techniques, chords and rhythms, before finishing off with 5 classic songs written out in full TAB! Every song is accompanied by performance tips and strumming patterns, often with tablature and chord diagrams to help you through any tricky bits. Much more than just a songbook, this book contains valuable tips and tutorials that will help you with every aspect of your playing. This long-awaited volume really is the best Acoustic Songbook ever! 'One of the most influential guitar teachers in history' - The Independent / Guitare et Guitare Tablatures

(Formerly Titled 'Melodic Banjo') Murphy Method students have been waiting a long time to learn Blackberry Blossom. Well, here it is and the teacher is none other than Casey Henry! Following in her mother's footsteps, Casey is a natural at teaching without tab. In her own clear way, she takes you through five melodic tunes one note at a time: Blackberry Blossom, Turkey In The Straw, Big Panther Creek Waltz, Katy Hill, and Roanoke. Casey's arrangements of all these tunes are strong on melody. Murphy joins her at the end of each lesson to play guitar. You'll need some playing experience to handle this one! No Tab.(1 hour 48 minutes) DVD / Banjo (5 Cordes) / 108 pages / niveau : Intermédiaire/Avancé / Dvd - Format: 7,5 X 5,25

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par METHENY PAT. Note-for-note guitar transcriptions from Pat Metheny's Grammy Award winning solo guitar album. All the songs from the record have been carefully transcribed under Pat's supervision. Metheny's collection of acoustic solos blends Jazz with some strong Folk and Pop influences - he even performs personal arrangement's of Norah Jones' Don't Know Why and Gerry And The Pacemakers' Ferry Cross The Mersey. A must for fans - Pat's remarkable guitar playing and musical approach continues to evolve. Note-for-note guitar transcriptions from Pat Metheny's Grammy Award winning solo guitar album. All the songs from the record have been carefully transcribed under Pat's supervision. Metheny's collection of acoustic solos blends Jazz with some strong Folk and Pop influences - he even performs personal arrangement's of Norah Jones' Don't Know Why and Gerry And The Pacemakers' Ferry Cross The Mersey. A must for fans - Pat's remarkable guitar playing and musical approach continues to evolve. / Rép International / Tablatures / Guitare Tablatures

Easy Piano Songbook. 50 timeless hymns for beginning pianists to learn, including: Amazing Grace - Be Thou My Vision - Come, Thou Fount of Every Blessing - For the Beauty of the Earth - Holy, Holy, Holy - I Surrender All - Jesus Paid It All - A Mighty Fortress Is Our God - Nearer, My God, to Thee - Rock of Ages - Were You There? - and more. / Niveau : Facile / Recueil / Piano

Par U2. In 2000 'superstar veterans' U2 released their tenth album All That You Can't Leave Behind . As they entered their third decade of recording they ditched the irony and extravagance and returned to their rock roots. This is a clever and crafted album and, though less of an adventure musically than previous efforts, the strong melodies and tunefulness of the songs shines through. This matching folio includes their best anthem in years, Beautiful Day , as well as the hits Elevation and Wild Honey all arranged for voice and guitar in standard notation and guitar tab, including lyrics and chord symbols / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures

Facile à lire simplifiée des arrangements de certains des hymnes plus aimés du monde, y compris ' Mon berger du Seigneur ', ' Louange À the Saints ' et ' Rock Of Ages '. / Piano/Vocal/Guitare (PVG) / Partition

The Justinguitar.com Vintage Songbook is the latest addition to Justin Sandercoe 's line of Songbooks. The book is a mixed folio publication, containing 50 songs, tutorials and tips. The London based guitarist, songwriter, performer, producer and educator, Justin Sandercoe , originates from the island of Tasmania. Justin has taught thousands of students in the virtual world as well as 'in the flesh', privately and at the ICMP, including Katie Melua and Cathy Dennis. Not only has Sandercoe taught thousands of people Guitar he is also in the band We Came As Strangers . Listen to The Wrong Place To Start , from their debut 2013 album, Recipe For Adventure , here: / Guitare

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses, however, the barlines are only there to help the singers to keep together, and for convenience in rehearsal: singers should observe their own strong beats, which fall in different places for each part, and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / . The words are a beautiful Victorian translation of a Latin hymn by Prudentius, which meditates on the story of the three wise men. Each verse is set to the same melody, in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Jeremy Thurlow is a composer, writer and pianist. His music has been described as 'seductive, innovative, full of freshness' by Henri Dutilleux. It has been performed by the BBC Philharmonic, the Fitzwilliam String Quartet, Rolf Hind, the BBC Singers, Endymion, Carmen Elektra, Peter Sheppard Skaerved, Matthew Schellhorn and Sequitur (New York), among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in the twentieth century. His book on composer Henri Dutilleux is published in French by Millénaire III, and he has written and broadcast on the music of Messiaen and many other 20th-century composers, frequently appearing on Radio 3's CD Review / Choeur SSATBB Et Orgue