| The Big Book Of Childrens Songs For Little Guitar Pickers Guitare notes et tablatures Santorella Publications
The Big Book of Childrens Songs for Little Guitar Pickers composed by Tony Santo...(+)
The Big Book of Childrens
Songs for Little Guitar
Pickers composed by Tony
Santorella. For guitar
and voice. This edition:
Paperback. Collection.
Little Picker series.
Childrens. Book. Text
Language: English;
Tablature, chords and
lyrics. 180 pages.
Published by Santorella
Publications
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In Tune with Ragtime Piano seul [Partition] FJH
Arranged by Carol Matz. For Piano. In Tune Withandseries. Contents include: The ...(+)
Arranged by Carol Matz.
For Piano. In Tune
Withandseries. Contents
include: The Easy
Winners; Cleanin' Up in
Georgia; Original Rags;
Maple Leaf Rag; The
Entertainer; Bohemia;
Echoes from the Snowball
Club; Evergreen Rag; Doc
Brown's Cake Walk; Elite
Syncopations; Funny
Folks; Sunburst Rag; One
o' Them Tings!; Meteor
Rag; syncopation
exercises, historical
information and more.
Ragtime. Level: Early
Intermediate/Intermediate
. Book. Published by The
FJH Music Company, Inc.
(1)$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Frog Dance Piano seul Theodore Presser Co.
For Piano. Composed by Vincent Persichetti (1915- 1987). Contemporary. Solo Pa...(+)
For Piano. Composed by
Vincent Persichetti
(1915-
1987). Contemporary. Solo
Part. With Standard
Notation. Composed 1926.
8
pages. Duration 2
minutes,
30 seconds. Theodore
Presser
Company #160-00224.
Published by Theodore
Presser Company
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The New Elson's Pocket Music Dictionary Livre - Pas de partitions Theodore Presser Co.
| | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Flute)
Flûte traversière [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For flute s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
flute solo. Includes
flute solo book and
accompaniment CD. With
standard notation.
Movies. 28 pages. 9x12
inches. Published by
Warner Brothers.
(45)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Alto Sax)
Saxophone Alto [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For alto sa...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
alto saxophone solo.
Includes saxophone solo
book and accompaniment
CD. With standard
notation. Movies. 28
pages. 9x12 inches.
Published by Warner
Brothers.
(15)$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Trombone) Trombone [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For trombon...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
trombone solo. Includes
trombone solo book and
accompaniment CD. With
standard notation.
Movies. 28 pages. 9x12
inches. Published by
Warner Brothers.
(5)$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Tenor Sax) Saxophone Tenor [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For tenor s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
tenor saxophone solo.
Includes saxophone solo
book and accompaniment
CD. With standard
notation. Movies. 28
pages. 9x12 inches.
Published by Warner
Brothers.
(2)$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Cello/Piano)
Violoncelle, Piano [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For cello s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
cello solo and piano
accompaniment. Includes
cello/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
(22)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Violin/Piano)
Violon [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For violin ...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
violin solo and piano
accompaniment. Includes
violin/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
(55)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Horn in F)
Cor [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For F horn ...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For F
horn solo. Includes horn
solo book and
accompaniment CD. With
standard notation.
Movies. 28 pages. 9x12
inches. Published by
Warner Brothers.
(4)$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Viola/Piano)
Alto, Piano [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For viola s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
viola solo and piano
accompaniment. Includes
viola/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
(10)$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Howard Shore: The Lord of the Rings - Instrumental Solos (Clarinet)
Clarinette [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For clarine...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
clarinet solo. Includes
clarinet solo book and
accompaniment CD. With
standard notation.
Movies. 28 pages. 9x12
inches. Published by
Warner Brothers.
(22)$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Cornemuse - Intermédiaire Paterson Ltd
| | |
| The Youthful Baritone [Vocal Score] Theodore Presser Co.
An Album of Songs for Studio and Recital. By Various. For Baritone Solo, Piano. ...(+)
An Album of Songs for
Studio and Recital. By
Various. For Baritone
Solo, Piano. Piano/Vocal
Score. 48 pages.
Published by Theodore
Presser Company.
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| PDQ Bach: Four Folk Song Upsettings Tuba, Piano [Vocal Score] Theodore Presser Co.
By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For Schlaggen...(+)
By PDQ Bach. Arranged by
Peter Schickele. Text by
Peter Schickele. For
Schlaggenfrappe, Ocarina,
Tuba Mirum, Pastaphone,
Mezzo, Piano. S. 4.
Duration 9:0. Published
by Theodore Presser
Company.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Esa-Pekka Salonen: Second Meeting for Oboe and Piano Hautbois, Piano (duo) Chester
Oboe, Piano Accompaniment SKU: HL.14028681 Composed by Esa-Pekka Salonen....(+)
Oboe, Piano Accompaniment
SKU: HL.14028681
Composed by Esa-Pekka
Salonen. Music Sales
America. Post-1900. Sheet
Music, Instrumental Work.
With Text language:
English. 32 pages.
Chester Music #CH60917.
Published by Chester
Music (HL.14028681).
UPC: 884088810481.
8.5x11.0x0.094
inches. Composer's
Note Second Meeting was
written in January 1992.
The first performance
took place in Stockholm
in February (Bengt
Rosengren, oboe and
Stefan Bojsten, piano).
The work belongs to a
planned series of
virtuoso duos,
ââ¬ÅmeetingsÃ
â¬Â. The first
one (from 1982) is
written for clarinet and
harpsichord. Formally,
Second Meeting is very
close to a familiar
ââ¬Åtheme and
variationsââ¬Â
category, although there
are seven themes, or
melodies, all quite
closely related. In the
autumn of the same year I
decided to write a
version of the piece for
oboe and a small
orchestra, trying to
remain reasonably
faithful to the original
(a la Ravel, perhaps).
The orchestral version is
called Mimo 1). Esa-Pekka
Salonen. $38.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intimate Apparel Theodore Presser Co.
Opera Piano, solo Voices SKU: PR.411411630 Opera in Two Acts. Comp...(+)
Opera Piano, solo Voices
SKU: PR.411411630
Opera in Two Acts.
Composed by Ricky Ian
Gordon. Piano Reduction
Score. 438 pages.
Duration 2 minutes, 30
seconds. Theodore Presser
Company #411-41163.
Published by Theodore
Presser Company
(PR.411411630). ISBN
9781491137635. UPC:
680160691081. English.
Intimate Apparel by Lynn
Nottage. Originally
an award-winning play,
Lynn Nottage’s INTIMATE
APPAREL was inspired by
her great-grandmother’s
life in New York in the
early 20th century. The
Pulitzer-laureate also
created the libretto for
Ricky Ian Gordon’s
grand-yet-intimate opera
whose complete
instrumentation is two
pianos. The story follows
the life of a young,
single seamstress who has
recently emigrated from
Barbados, the fascinating
cast of characters in her
life, and her
socially-unacceptable
feelings of affection for
a Jewish fabric salesman.
The premiere production
of this 2½-hour drama
was televised nationally
from Lincoln Center on
PBS’s “Great
Performances.”. Inti
mate Apparel began with
an old photograph that I
found haphazardly wedged
between the pages of a
Family Circle magazine. I
was helping my
grandmother, who’d
developed debilitating
senile dementia, move
from her longtime home in
Crown Heights, Brooklyn.
In the midst of a pile of
weathered magazines I
discovered a black and
white passport photograph
of my grandmother Waple
and her younger sister
Eurita sitting on their
mother’s lap. It was
the first time I’d ever
seen an image of my
great-grandmother Ethel,
a striking woman with
high West African
cheekbones and a gentle
intensity. She had been a
seamstress from Barbados,
who at the age of 18
arrived alone in New York
City at the dawn of the
Twentieth Century. The
image invited a thousand
questions, none that
could be answered by the
living, and it led me on
a journey to piece
together the history of
my great-grandmother
Ethel, a woman who was
basically a stranger to
me. The only clue that I
had about Ethel, was a
story that my grandmother
had once told me about
her mother corresponding
with a man laboring on
the Panama Canal, who
would eventually become
her husband. I was
fascinated by this story,
which served as the
inspiration for INTIMATE
APPAREL.As I began my
research for INTIMATE
APPAREL at the New York
Public Library, I
discovered that lives of
Black working women in
the early 1900s were
woefully absent from the
archive. So, I found
myself perusing help
wanted listings, boarding
house and clothing
advertisements, looking
for any sign of women
like my great-grandmother
on the printed page. As I
was doing so, I began to
find the characters that
would populate the world
of INTIMATE APPAREL;
Esther the lonely
seamstress, Mrs. Dickson
the proprietress of the
boardinghouse for Black
women, Mr. Marks the
Jewish fabric salesman on
the Lower Eastside, Mrs.
Van Buren the wealthy
white socialite on the
Upper Eastside, Mayme the
sex worker in the
tenderloin, and George
the laborer toiling on
the Panama Canal. As I
was conjuring the
characters, I realized
that I was interested in
the unexpected
intersections between
class, race, and gender
at the turn of the
Twentieth Century, and
what happens when people
across cultural and
economic divides are
thrust into spaces of
intimacy.INTIMATE APPAREL
began its life as a
popular play, but it was
the brilliant composer
Ricky Ian Gordon who
invited me to consider
adapting it into an
opera. He saw something
epic and expansive in the
life of Esther that he
felt demanded to be sung,
and with his loving
guidance I was able to
write my first libretto.
It took me several tries
to figure out how to
wrestle my play into a
form that was new to me.
As a playwright, I kept
wanting to maintain
absolute control of the
narrative. But, it was
Ricky’s words that
freed me creatively to
find my way into the
libretto. He said,
“You’re not trusting
my music as a narrative
tool; I can say “I love
you” without any words,
with just music. So,
allow me to be your
collaborator on the
storytelling.” And once
he said that, we found
INTIMATE APPAREL the
opera together. $110.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Five Serious Pieces Piano seul [Conducteur] Theodore Presser Co.
Composed by Carter Pann (1972-). Contemporary. Performance score. With Standard ...(+)
Composed by Carter Pann
(1972-). Contemporary.
Performance score. With
Standard notation.
Composed 2016. 28 pages.
Duration 16 minutes.
Theodore Presser Company
#110-41818. Published by
Theodore Presser Company
(PR.110418180).
$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Building of the House Chorale SATB SATB Faber Music Limited
Building of the House by Benjamin Britten (1913-1976). Choir Secular. SATB choir...(+)
Building of the House by
Benjamin Britten
(1913-1976). Choir
Secular. SATB choir.
Choral Extended Work;
Larger Works;
Masterworks; Part(s).
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hardwood Theodore Presser Co.
Chamber Music Bassoon, Clarinet, Flute, Horn, Oboe SKU: PR.144405800 F...(+)
Chamber Music Bassoon,
Clarinet, Flute, Horn,
Oboe SKU:
PR.144405800 For
Wind Quintet.
Composed by Lansing
McLoskey. Co-premiered at
the 2012 International
Clarinet Association,
International Double Reed
Society, International
Horn Society, and
National Flute
Association conventions.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2012.
44+20+16+16+16+16 pages.
Duration 20 minutes.
Theodore Presser Company
#144-40580. Published by
Theodore Presser Company
(PR.144405800). UPC:
680160612543. Four
leading organizations
(International Clarinet
Association,
International Double Reed
Society, International
Horn Society, and
National Flute
Association) joined
together to bring about a
mutual goal - to promote
new works for the very
ensemble that binds them
together, the woodwind
quintet. Once the details
were ironed out, these
organizations (together
as The International
Joint Wind Quintet
Project) launched an
international competition
to find a new work for
quintet. From the 76
compositions submitted,
and through three rounds
of judging,
representatives of the
four organizations
proclaimed a winner -
Lansing McLoskey's
Hardwood. Written as a
theme and variations
(although not actually
variations on a given
theme), the five-movement
work was premiered at the
2012 meetings of all four
organizations, and it is
a stellar beginning to a
hopefully long-running
competition. For advanced
performers. Total dur.:
c. 20'. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hardwood [Conducteur] Theodore Presser Co.
Woodwind quintet Bassoon, Clarinet, Flute, Horn, Oboe SKU: PR.14440580S <...(+)
Woodwind quintet Bassoon,
Clarinet, Flute, Horn,
Oboe SKU:
PR.14440580S For
Wind Quintet.
Composed by Lansing
McLoskey. Co-premiered at
the 2012 International
Clarinet Association,
International Double Reed
Society, International
Horn Society, and
National Flute
Association conventions.
Contemporary. Full score.
With Standard notation.
Composed 2012. Duration
20 minutes. Theodore
Presser Company
#144-40580S. Published by
Theodore Presser Company
(PR.14440580S). UPC:
680160612567. Four
leading organizations
(International Clarinet
Association,
International Double Reed
Society, International
Horn Society, and
National Flute
Association) joined
together to bring about a
mutual goal - to promote
new works for the very
ensemble that binds them
together, the woodwind
quintet. Once the details
were ironed out, these
organizations (together
as The International
Joint Wind Quintet
Project) launched an
international competition
to find a new work for
quintet. From the 76
compositions submitted,
and through three rounds
of judging,
representatives of the
four organizations
proclaimed a winner -
Lansing McLoskey's
Hardwood. Written as a
theme and variations
(although not actually
variations on a given
theme), the five-movement
work was premiered at the
2012 meetings of all four
organizations, and it is
a stellar beginning to a
hopefully long-running
competition. For advanced
performers. Total dur.:
c. 20'. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Anton Webern Collection, The (Early Vocal Music, 1899-1909) Piano, Voix [Vocal Score] Carl Fischer
Early Vocal Music - 1899-1909. By Anton Von Webern; Ferdinand Avenarius. Edited ...(+)
Early Vocal Music -
1899-1909. By Anton Von
Webern; Ferdinand
Avenarius. Edited by
Matthew R. Shaftel.
Arranged by Matthew R.
Shaftel. Text: Detlev Von
Liliencron; Ferdinand
Avenarius; Freidrich
Nietzche; Gustav Falke;
Hans Bohm; J.W. Von
Goethe; Martin Greif;
Matthew R. Shaftel;
Matthias Claudius;
Richard Dehmel; Stefan
George; Wilhelm Weigand.
For Piano Solo, Voice.
Masters Collection.
Piano/Vocal Score. 92
pages. Published by Carl
Fischer.
$37.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410). UPC:
680160687015. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $50.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.11442041L
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Large Score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041L.
Published by Theodore
Presser Company
(PR.11442041L). UPC:
680160687039. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $44.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.11442041S
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Full score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041S.
Published by Theodore
Presser Company
(PR.11442041S). UPC:
680160687022. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Getting Into Travis Guitar Picking Guitare notes et tablatures [Partition + Accès audio] Mel Bay
Composed by Michael O'Dorn. Squareback saddle stitch. Getting Into. Cou...(+)
Composed by Michael
O'Dorn.
Squareback saddle stitch.
Getting Into. Country.
Book
and online audio. 84
pages.
Mel Bay Publications, Inc
#20804M. Published by Mel
Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Taizé Community GIA Publications
SKU: GI.G-VHS-480 Composed by Taize. Sacred. VHS. GIA Publications #480. ...(+)
SKU: GI.G-VHS-480
Composed by Taize.
Sacred. VHS. GIA
Publications #480.
Published by GIA
Publications
(GI.G-VHS-480).
Moving back and
forth from the life of
the brothers in the
Taizé Community and
their work to the
expectations and
discoveries of the young
people who visit, this
video provides an
original in-depth view of
life at Taizé. Some of
the brothers speak about
community life, while
young people express
their reactions to the
various key points of the
weekly meetings: the
prayer together, the
simple lifestyle, the
sharing in a climate of
trust. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Who Can Sail Without the Wind? Chorale SATB SATB, Piano [Octavo] - Intermédiaire Hinshaw Music Inc.
Arranged by Dan Forrest. For SATB choir, piano 4-hands. Folk Songs of America....(+)
Arranged by Dan Forrest.
For
SATB choir, piano
4-hands.
Folk Songs of America.
Folk,
secular. Difficulty:
medium
advanced (Jr. High/High
School), medium (adult).
Octavo. 20 pages.
Duration 3
minutes, 55 seconds.
Published
by Hinshaw Music Inc.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Night At The Symphony - Violin Orchestre à Cordes [Partie seule] - Intermédiaire Kjos Music Company
By James McLeod. Orchestra Method/Study. Night At the Symphony. Level: Grade 4. ...(+)
By James McLeod.
Orchestra Method/Study.
Night At the Symphony.
Level: Grade 4. Music
Book. Published by Neil
A. Kjos Music Company.
$5.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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