6-DVD Set. (DVD). Performance video. DVD . Published by Devine Entertainment Corporation.

Unison/2-part children's choir (3 boys; 3 girls; 1 adult male; 1 adult female; possible extras) - Moderate

SKU: LP.765762117921

A Kids' Musical about God's Master Plan for Each of Us. Composed by Tim Conrad. Arranged by Jukka Palonen. Musical. Multicultural and Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company (LP.765762117921).

UPC: 765762117921.

The Game Plan is a fun summertime kids' musical about the importance of team work and following the game plan - God's game plan. The story wraps around the adventures of the Tigers soccer team and cheer squad, made up of girls and boys with all different personalities, talents, and skills. From the very first upbeat song, The Game Plan, you learn that God is the one in charge and has a game plan for our life. Coach Calhoun is the one adult in their lives who is teaching the kids though bible stories is constantly encouraging them and telling them that they are something special. Through the song DNA, we learn that God made our DNA and that we are all made special. As the musical progresses the kids face various hardships from being benched, to parents getting divorced, to peer pressure. But the coaches help the kids find their way through the adversity by teaching them biblical truths and that Christ is the answer to all the hardships we face in life. Throughout the musical your kids will love singing fun, upbeat songs like Trust His Plan, the bluesy song Bench Warmin' Blues, and the warm ballad Mighty is Your Love.

Split-channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.

SKU: GI.G-5866

Connecting to Others through Story. Composed by James Jordan. Evoking Sound. Music Education. Book. 228 pages. GIA Publications #5866. Published by GIA Publications (GI.G-5866).

ISBN 9781579991913. English. Text by: James Jordon.

...from the author of The Musician’s Soul In The Musician’s Soul, author James Jordan sets readers on a journey beyond the precise techniques of artistry and into a place of selfexploration, where music can be created with new heartfelt honesty and beauty. With The Musician’s Spirit, a companion book to The Musician’s Soul, and The Musician’s Walk, Jordan takes us to the next level of creating a more powerful art form. The Musician’s Spirit focuses not on the self, but on others and the stories each artist is able to share through his or her work. Using thought-provoking quotations, real-life stories, and visual art, Jordan challenges all artists to share themselves with their audience and fellow artists, thereby creating a more personal and beautiful body of work. This book offers practical and inspirational words on courage and vision, the arts of listening and trust, conquering the fear of looking foolish, and the importance of story in teaching. Jordan also includes a Storying Guide to help the reader bring out his or her own story as well as space for personal notes, stories, and reflections. Though written with musicians in mind, this beautiful illustrated book offers tremendous insight for any artist wanting to share his or her vision and story with the world. “Although written for musicians, this stunningly crafted book offers tremendous insight for any artist wanting to share their story and gifts with others.” “Communicating music is not academic, nor is Jordan’s book. The Musician’s Spirit is a guide to help us step out and experience music in the right place.” — Thomas R. Vozzella (Choral Journal, Volume 44, Number 9)   Those of us who have studied with inspiring teachers know how we looked forward to each lesson. The Musician’s Spirit opens such doors again, and reminds us why we are musicians. — Kathleen Thomerson (The American Organist, November 2004).

Piano

SKU: BT.EMBZ8379

Composed by Gyorgy Kurtag. Contemporary Music. Book Only. Composed 1979. 84 pages. Editio Musica Budapest #EMBZ8379. Published by Editio Musica Budapest (BT.EMBZ8379).

English-German-Hungari an.

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).

SKU: GI.G-1061

Sacred. GIA Publications #1061. Published by GIA Publications (GI.G-1061).

UPC: 785147006121.

For those who trust in God, in the pain of sorrow there is consolation, in the face of despair there is hope, in the midst of death there is life. —Order of Christian Funerals Those who struggle with the inability to conceive, those who know the pain of losing a child before birth, and those who have faced their infant's death at the time of birth know that this season of mourning is often held inside, hidden and unseen. But God does not abandon us. Somehow, on the other side of loss an incredible story of resilience emerges. Bodies, though they are never the same again, heal. Couples try again, adopt, or reimagine. Those who mourn in isolation find not one, not two, but a community of others with whom they can identify. God's silence is not absence, it is the patient listening of a God who knows our grief first-hand, who weeps with us, who holds us as a mother holds her child. Death is never the whole story. The hope of new life surprises, confounds, persists. Of Womb and Tomb: Prayer in Time of Infertility, Miscarriage, and Stillbirth is a resource for individuals, couples, and parish communities who wish to accompany those on their grief journey. Filled with stories, prayers, Scripture, poems, and rituals this book may serve as a guide in creating prayer opportunities in a variety of settings. Together, let us bear witness to the Christian mystery—that new life is born of the womb and of the tomb. This is the companion recording, which may be used in private prayer or as a demonstration tool for preparing music for parish prayer.  .

By Gyorgy Kurtag. Arranged by Jatekok. EMB. Size 9x12 inches. 52 pages. Published by Editio Musica Budapest.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam and more. - Grade 3

SKU: CF.CPS120F

Composed by Larry Clark. Closer. Carl Fischer Concert Performance Series. Full score. With Standard notation. 32 pages. Duration 3 minutes, 32 seconds. Carl Fischer Music #CPS120F. Published by Carl Fischer Music (CF.CPS120F).

ISBN 9780825885044. UPC: 798408085049. 9 x 12 inches. Key: C minor.

Larry Clark’s natural instinct is to provide great concert band music, and once again, trusting his gut feeling has resulted in another winner. Instinct blazes out of the starting gate with an aggressive 6/8 theme, which is then manipulated and developed over the course of this great concert opener or closer. We’re willing to bet that your audience will be out of their seats by the end.

Composed by Rose. Pentecost; General. Published by Concordia Publishing House (CR.97-6715U1).

For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score and parts. Duration 3:32. Published by Carl Fischer

Opera Piano, solo Voices

SKU: PR.411411630

Opera in Two Acts. Composed by Ricky Ian Gordon. Piano Reduction Score. 438 pages. Duration 2 minutes, 30 seconds. Theodore Presser Company #411-41163. Published by Theodore Presser Company (PR.411411630).

ISBN 9781491137635. UPC: 680160691081. English. Intimate Apparel by Lynn Nottage.

Originally an award-winning play, Lynn Nottage’s INTIMATE APPAREL was inspired by her great-grandmother’s life in New York in the early 20th century. The Pulitzer-laureate also created the libretto for Ricky Ian Gordon’s grand-yet-intimate opera whose complete instrumentation is two pianos. The story follows the life of a young, single seamstress who has recently emigrated from Barbados, the fascinating cast of characters in her life, and her socially-unacceptable feelings of affection for a Jewish fabric salesman. The premiere production of this 2½-hour drama was televised nationally from Lincoln Center on PBS’s “Great Performances.”.
Inti mate Apparel began with an old photograph that I found haphazardly wedged between the pages of a Family Circle magazine. I was helping my grandmother, who’d developed debilitating senile dementia, move from her longtime home in Crown Heights, Brooklyn. In the midst of a pile of weathered magazines I discovered a black and white passport photograph of my grandmother Waple and her younger sister Eurita sitting on their mother’s lap. It was the first time I’d ever seen an image of my great-grandmother Ethel, a striking woman with high West African cheekbones and a gentle intensity. She had been a seamstress from Barbados, who at the age of 18 arrived alone in New York City at the dawn of the Twentieth Century. The image invited a thousand questions, none that could be answered by the living, and it led me on a journey to piece together the history of my great-grandmother Ethel, a woman who was basically a stranger to me. The only clue that I had about Ethel, was a story that my grandmother had once told me about her mother corresponding with a man laboring on the Panama Canal, who would eventually become her husband. I was fascinated by this story, which served as the inspiration for INTIMATE APPAREL.As I began my research for INTIMATE APPAREL at the New York Public Library, I discovered that lives of Black working women in the early 1900s were woefully absent from the archive. So, I found myself perusing help wanted listings, boarding house and clothing advertisements, looking for any sign of women like my great-grandmother on the printed page. As I was doing so, I began to find the characters that would populate the world of INTIMATE APPAREL; Esther the lonely seamstress, Mrs. Dickson the proprietress of the boardinghouse for Black women, Mr. Marks the Jewish fabric salesman on the Lower Eastside, Mrs. Van Buren the wealthy white socialite on the Upper Eastside, Mayme the sex worker in the tenderloin, and George the laborer toiling on the Panama Canal. As I was conjuring the characters, I realized that I was interested in the unexpected intersections between class, race, and gender at the turn of the Twentieth Century, and what happens when people across cultural and economic divides are thrust into spaces of intimacy.INTIMATE APPAREL began its life as a popular play, but it was the brilliant composer Ricky Ian Gordon who invited me to consider adapting it into an opera. He saw something epic and expansive in the life of Esther that he felt demanded to be sung, and with his loving guidance I was able to write my first libretto. It took me several tries to figure out how to wrestle my play into a form that was new to me. As a playwright, I kept wanting to maintain absolute control of the narrative. But, it was Ricky’s words that freed me creatively to find my way into the libretto. He said, “You’re not trusting my music as a narrative tool; I can say “I love you” without any words, with just music. So, allow me to be your collaborator on the storytelling.” And once he said that, we found INTIMATE APPAREL the opera together.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119753

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Vocal score. BWV 197. 44 pages. Duration 20 minutes. Carus Verlag #CV 31.197/53. Published by Carus Verlag (CA.3119753).

ISBN 9790007186692. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119762

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. BWV 197. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.197/62. Published by Carus Verlag (CA.3119762).

ISBN 9790007210533. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119759

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.197/71 oboe 1, 1x 31.197/72 oboe 2, 1x 31.197/73 bassoon, 4x 31.197/81 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. BWV 197. Duration 20 minutes. Carus Verlag #CV 31.197/59. Published by Carus Verlag (CA.3119759).

ISBN 9790007210519. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and parts available separately - see item CA.3119700.

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119764

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas. Single Part, basso continuo. BWV 197. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.197/64. Published by Carus Verlag (CA.3119764).

ISBN 9790007210557. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium to difficult. Duration 20:00. Published by C. Alan Publications

By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales America. Folk, Pop, Rock. Softcover. Composed 2016. 788 pages. Music Sales #AM978923. Published by Music Sale

By Dakers. For Choral Collection: Mixed Choir Paper. Published by Oxford University Press.

Overture for Woodwinds (Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band. Anglo Music Concert Band. Grade 4. Anglo Music Press #003. Published by Anglo Music Press

SKU: GI.G-9756

A Short Course of Guided Conversations for Churches. Composed by Helen Bent. Royal School of Church Music. Sacred. 78 pages. GIA Publications #9756. Published by GIA Publications (GI.G-9756).

ISBN 9780854022717.

Insp iring Music in Worship encourages parishes to make the best use of music to enhance their worship, even when they have few resources. Guided conversations foster greater understanding – not only of worship and music but also between leaders of worship (both lay and ordained), musicians and congregations. In an atmosphere of mutual respect and trust, participants are invited to explore together. Grounded in real-life case studies, each session provides an opportunity to discover new riches whilst acknowledging the tensions of traditional and contemporary forms of worship and bringing hope to congregations in the face of challenge and unavoidable change.   Helen Bent is a priest and musician with a passion for worship and mission. She understands the challenges faced by local churches and guides discussion from her wealth of experience in both parish ministry and the training of worship leaders and musicians. She remains rooted in the local church, regularly leading worship in The Rivers Team in Sheffield Diocese. Although she writes as an Anglican, this course will be useful for churches of every denomination.

SKU: ST.MB57

Composed by Samuel Sebastian Wesley. Edited by Peter Horton. Library Volumes. Edited by Peter Horton. First published in 1990. Pages: 270. Format: Paperback. Dimensions (mm): 330 x 254 x 20. Score. Stainer & Bell Ltd. #MB57. Published by Stainer & Bell Ltd. (ST.MB57).

ISBN 9790220218293.

11 anthems by this vigorous reformer of Victorian church music show Romantic harmony and Bachian counterpoint combined with imaginative structures. These works brought new life to a uniquely English genre that had fallen into neglect at the time of their composition.

CONTENTS
Blessed be the God and Father (S solo SATB and Organ)
Glory to God on high (SATB and Organ)
Let us lift up our heart (B solo SATB and Organ)
Man that is born of woman (SATB and Organ)
O give thanks unto the Lord (S solo SATB and Organ)
O God, whose nature and property (original version) (SATB and Organ)
O God, whose nature and property (revised version) (SATB and Organ)
O Lord, thou art my God (B solo SATB and Organ)
Tho' round thy radiant throne on high (SS and Organ)
To my request and earnest cry (B solo SSATB and Organ)
Trust ye in the Lord (S solo SATB and Organ)
Wash me throughly (S solo SATB and Organ)
Ye who the widdow's griefs have cheer'd (SS and Organ).

SATB choir divisi and piano - Intermediate

SKU: MN.50-4064

Composed by Gwyneth W. Walker. Easter, 21st Century, Devotion, Faith, Morning, Praise/Thanksgiving, Trust/Guidance. Instrument parts. Duration 3 minutes, 15 seconds. MorningStar Music Publishers #50-4064. Published by MorningStar Music Publishers (MN.50-4064).

UPC: 688670540646. English. Psalms 30.

Commissioned by a church choir in honor of their director, this piece has a flowing accompaniment and energetic choir parts. The text, based on Psalm 30, brings a message of joy after darkness, dancing after sorrow. Accessible SATB writing with some brief divisi and one short a cappella passage. Duration: 3:15.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119755

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Choral Score. BWV 197. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.197/55. Published by Carus Verlag (CA.3119755).

ISBN 9790007186708. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.

Choral SSA Choir and Piano

SKU: CF.CM9522

Composed by Thomas Juneau. Fold. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM9522. Published by Carl Fischer Music (CF.CM9522).

ISBN 9781491150542. UPC: 680160908042. 6.875 x 10.5 inches.

Longfellow' s poem, The Arrow and the Song, evokes contrasting images and two important themes of trust and love. Gorgeous melodic homophony and gentle polyphony find their home in this lyrical setting by Thomas Juneau.

SKU: HL.1329342

Acoustic Correction Processor. IK Hardware. Studio & Rehearsal Support. IK Multimedia #IP-ARC-STUDIO-IN. Published by IK Multimedia (HL.1329342).

6.15x12.75x2.811 inches.

High-defini tion monitoring for all... There's a reason all of today's highest-end studio monitors are adding active room correction – it supercharges their performance and ensures mixes translate flawlessly. ARC Studio offers this same massive boost in performance and accuracy to every monitor in every studio. Dramactically improve your mixing accuracy Your room has a big impact on how you hear your music. The size, shape, materials, and furniture all work to distort the frequency and stereo balance of your monitors, degrading your sound. ARC Studio analyzes and corrects these issues in minutes. Your music snaps into focus, with more controlled low-end, tighter transients and pinpoint stereo imaging. It's like an instant upgrade to your monitors. And when you can trust what you hear, you'll mix faster and more confidently than ever. Installs in minutes ARC Studio combines the new ARC 4 measurement software, room analysis microphone and stand-alone correction processor. Plug the mic into your interface and you'll be guided through measuring acoustical spots within your listening position. IK's award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading your monitors' performance. This correction profile is loaded into the ARC Studio processor, sitting invisibly between your interface and monitors to apply all incoming signals. Acoustic issues disappear, unleashing your monitors' true performance. Correct every studio For pro studios, whether in-the-box or console-based, ARC Studio allows for a sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system's sonic quality. And for DAW-based studios, ARC Studio frees you from the hassle of inserting plug-ins on the master bus of your work and preserves zero-latency monitoring setups, plus allows you to listen to your preferred streaming service with acoustically corrected monitoring without messing around with system drivers. You can create a profile for every configuration, listening position or even monitor pair. Whether you're in a makeshift studio or a world-class one, fine-tuning your monitoring to your taste has never been easier and has never sounded so good. Includes monitor emulations ARC Studio also includes a monitor emulations function that turns your monitor system into iconic studio monitors and popular hi-fi speakers and mobile devices, with breathtakingly true-to-life results by accurately reproducing the frequency and phase response of the originals. With over 20 profiles included, a single pair of monitors now lets you test your mix on different reference systems quickly, without ever having to head to your car! For Every Studio • Compact digital room correction processor • High-end audio conversion • Full-range correction for any ki.

SATB choir and organ - Intermediate

SKU: MN.50-8012

Composed by Paul M. French. Cathedral Series. Catholic Year C Holy Trinity; Catholic Year C Ordinary14. Trinity, Lent, Organ Dedication, 21st Century, Morning, Prayer, Trust/Guidance. Octavo. MorningStar Music Publishers #50-8012. Published by MorningStar Music Publishers (MN.50-8012).

UPC: 688670580123. English.

The beloved text attributed to St. Patrick is set imaginatively for SATB and organ. Mostly homophonic choral phrases have a harmonic interest and momentum that belie their difficulty level. They alternate with organ phrases that solo out the melody of the traditional Irish tune SLANE. Written for the installation of a new Létourneau organ, the piece is best served by creative registrations.

SKU: GI.G-CD-905

By Fr. Bede Camera, OSB. Evoking Sound. Music Education. CD. GIA Publications #905. Published by GIA Publications (GI.G-CD-905).

UPC: 785147090526.

A companion to the best-selling book by James Jordan The seven meditations on this recording are a wonderful companion to any musical journey. There are many ways that you can use these meditations, the authors encourage you to trust your own instinct as to how you can enjoy and benefit from them. Use them in whatever creative way you wish. Tap into your own inner wisdom and your natural creativity to develop your own prayers, writings, and meditations that will come from what you have encountered in your own soul-work. Each of the seven meditations develops themes that are important for the inner journey. Since they are directed towards musicians, the meditations make use of much imagery particular to their special vocation in life, however, they can easily be applied to any life situation. The Musician’s Soul Meditations CD contains seven meditations on particular themes: • Visioning • Shedding • Be, Do, Have • Gifts • Giving • Coming from Love • Commitment In some cases, the meditations address specific topics from The Musician’s Soul. In other cases, the meditations have come from Fr. Bede's personal conversations with Dr. Jordan over the past ten years and from work with his own choirs and the choirs at Westminster. All of the meditations are designed to assist in the work, which Dr. Jordan encourages us all to undertake if our music is to sing with the spiritual depth that is its rightful heritage.

Soli SAB, Coro SATB, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119757

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Study score. BWV 197. 68 pages. Duration 20 minutes. Carus Verlag #CV 31.197/57. Published by Carus Verlag (CA.3119757).

ISBN 9790007245030. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.