| Nobody Know Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Violoncello, baritone voice, Viola SKU: PR....(+)
Chamber Music Violin 1,
Violin 2, Violoncello,
baritone voice, Viola
SKU: PR.111402800
For Baritone Voice and
String Quartet.
Composed by Adolphus
Hailstork. Sws. Set of
Score and Parts.
64+16+16+16+20 pages.
Duration 15 minutes.
Theodore Presser Company
#111-40280. Published by
Theodore Presser Company
(PR.111402800). UPC:
680160681334. 9 x 12
inches. Herbert Martin.
Herbert
Martin. NOBODY KNOW
is a concert aria based
on a text by Herbert
Martin, an American poet
based in Dayton, Ohio.
The work depicts a song
from the other cross, a
viewpoint of one of the
thieves crucified with
Christ on Good Friday,
the thief who pleaded to
be remembered by
Christ. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nobody Know Voix Baryton, Piano Theodore Presser Co.
Chamber Music Baritone Voice, Piano SKU: PR.111402790 For Baritone Voi...(+)
Chamber Music Baritone
Voice, Piano SKU:
PR.111402790 For
Baritone Voice and
Piano. Composed by
Adolphus Hailstork. Sws.
Performance Score. 44
pages. Duration 15
minutes. Theodore Presser
Company #111-40279.
Published by Theodore
Presser Company
(PR.111402790). UPC:
680160681327. 9 x 12
inches. Herbert Martin.
Herbert
Martin. NOBODY KNOW
is a concert aria based
on a text by Herbert
Martin, an American poet
based in Dayton, Ohio.
The work depicts a song
from the other cross, a
viewpoint of one of the
thieves crucified with
Christ on Good Friday,
the thief who pleaded to
be remembered by
Christ. $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nobody Know [Conducteur] Theodore Presser Co.
Chamber Music Viola, Violin 1, Violin 2, Violoncello, baritone voice SKU: PR....(+)
Chamber Music Viola,
Violin 1, Violin 2,
Violoncello, baritone
voice SKU:
PR.11140280S For
Baritone Voice and String
Quartet. Composed by
Adolphus Hailstork. Sws.
Full score. 64 pages.
Duration 15 minutes.
Theodore Presser Company
#111-40280S. Published by
Theodore Presser Company
(PR.11140280S). UPC:
680160681341. 9 x 12
inches. Herbert
Martin. NOBODY KNOW
is a concert aria based
on a text by Herbert
Martin, an American poet
based in Dayton, Ohio.
The work depicts a song
from the other cross, a
viewpoint of one of the
thieves crucified with
Christ on Good Friday,
the thief who pleaded to
be remembered by
Christ. $45.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Haiku Set [Conducteur] Theodore Presser Co.
Chamber Music Viola, Violoncello SKU: PR.114400840 Eight Duos for viol...(+)
Chamber Music Viola,
Violoncello SKU:
PR.114400840 Eight
Duos for viola and
cello. Composed by
Herbert Haslam. Peter
Pauper Press, Shoha,
Basho, Gonsui, Anonymous,
Basko, Shushiko, Joso,
Roka. Score. With
Standard notation. 12
pages. Theodore Presser
Company #114-40084.
Published by Theodore
Presser Company
(PR.114400840). UPC:
680160004225. Peter
Pauper Press, Basko,
Joso, Roka, Gonsui,
Basho, Shoha, Anonymous,
Shushiko. $19.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Take Him, Earth Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402020 In Memoriam John F. Kennedy...(+)
Choral SATB choir, piano
SKU: PR.342402020
In Memoriam John F.
Kennedy, 1917-1963.
Composed by Steven
Stucky. Sws. Premiered by
ACDA National Conference,
Craig Jessop, cond.;
Meyerson Symphony Center,
Dallas, TX. Secular
choral. Performance
Score. With Standard
notation. Composed
November 3 2012. 24
pages. Duration 13
minutes. Theodore Presser
Company #342-40202.
Published by Theodore
Presser Company
(PR.342402020). ISBN
9781598064995. UPC:
680160616084. 8.5 x 11
inches. English. Text:
William Shakespeare;
Aurelius Prudentius
Clemens; Aeschylus.
Aurelius Clemens, William
Shakespeare, Aeschylus.
Texts from Aurelius
Prudentius Clemens,
Aeschylus, and William
Shakespeare. When
Tim Sharp, Executive
Director of the ACDA,
offered Stucky the Brock
Memorial Commission, it
was decided that the text
would commemorate the
50th anniversary of the
assassination of John F.
Kennedy, since the annual
convention would take
place in Dallas of that
year. To that end, Stucky
chose four different but
pertinent texts to honor
the occasion, although
never referencing JFK by
name. Take Him, Earth was
premiered at the ACDA
convention in March,
2013. Originally scored
for chorus and chamber
ensemble of nine
instruments (available on
a rental basis), Take
Him, Earth is presented
here in piano reduction.
For advanced choirs.
Duration: 13'. When
Tim Sharp, Executive
Director of the American
Choral Directors
Association, very
kindlyoffered me the
Raymond W. Brock Memorial
Commission for 2013, he
suggested that because
thepremiere would take
place at the national
conference in Dallas in
the 50th year since the
assassinationof John F.
Kennedy in that city, the
text might refer in some
way to that grim
anniversary. Hesuggested,
too, that I consider
using a chamber ensemble
or chamber orchestra to
accompany thechorus.I
took these suggestions to
heart, but at the same
time I wanted to write
something universal
enoughto be appropriate
on other occasions, in
other settings. Thus the
score is dedicated to
PresidentKennedy’s
memory, but otherwise he
is never referred to by
name. Instead, I
assembled a group oftexts
that are associated with
him in some way, but that
also stand alone as a
more general eulogy.As a
refrain, there are a few
lines from the early
Christian burial hymn
that begins “Take
him,Earth, for
cherishingâ€
— lines that were
earlier set to music by
Herbert Howells in his
classic motetcommissioned
for Kennedy’s
memorial service in 1963.
The lines of Aeschylus
“Drop, drop
— inour sleep,
upon the heart sorrow
falls†from
Agamemnon were quoted by
Robert F. Kennedy uponthe
death of Martin Luther
King in April 1968. The
celebrated “When he
shall die, cut him out
inlittle starsâ€
from Act III of
Shakespeare’s
Romeo and Juliet was
cited by RFK a few months
after hisbrother’s
murder. $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The President's March Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Cornet 1, Cornet 2,
Cornet 3, Cornet 4, Crash
Cymbals, Euphonium,
Euphonium T.C., Field
Drum, Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe 1 and more.
SKU: PR.11540191C
Composed by Victor
Herbert. Arranged by
Ronald Dieker. Condensed
score. With Standard
notation. 12 pages.
Theodore Presser Company
#115-40191C. Published by
Theodore Presser Company
(PR.11540191C). ISBN
9781491129630. UPC:
680160020294. 9 x 12
inches. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| May Night Piano seul [Conducteur] Theodore Presser Co.
Nocture for The Pianoforte. Composed by Herbert R. Ward. Romantic. Perfor...(+)
Nocture for The
Pianoforte. Composed
by Herbert R. Ward.
Romantic. Performance
score. With Standard
notation. 4 pages.
Theodore Presser Company
#110-15975. Published by
Theodore Presser Company
(PR.110159750).
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Piano Music Piano seul [Partie seule] - Intermédiaire Theodore Presser Co.
Graded Solos in Their Original Form - Classic to Modern - Volume Three - Interme...(+)
Graded Solos in Their
Original Form - Classic
to Modern - Volume Three
- Intermediate. By Ada
Richter; Anton Diabelli;
Bela Bartok; Cesar
Franck; Domenico
Scarlatti; Edvard Grieg;
Franz Joseph Haydn; Franz
Schubert; Frederic
Chopin; George Frideric
Handel; Geza Horvath;
Herbert Elwell; Isadore
Freed; Paul Nordoff;
Reinhold Gliere. Edited
by Ada Richter, Isadore
Freed. Text: Ada Richter.
Solo piano. For Piano
Solo. Theodore Presser
Company Distinguished
Collection Series. Solo
part. 40 pages. Published
by Theodore Presser
Company.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU:
PR.11641867L Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L). UPC:
680160683215. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata For Piano Piano seul [Partie séparée] Theodore Presser Co.
Composed by Steven Stucky (1949-2016). Premiered by Gloria Cheng, Piano, at Herb...(+)
Composed by Steven Stucky
(1949-2016). Premiered by
Gloria Cheng, Piano, at
Herbert Zipper
Auditorium, The Colburn
School, Los Angeles, CA.
Contemporary. Solo part.
With Standard notation.
Composed 2014. 24 pages.
Duration 14 minutes.
Theodore Presser Company
#140-40118. Published by
Theodore Presser Company
(PR.140401180).
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestre [Conducteur] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto No. 2 for Timpani and Orchestra Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Orchestra Concert Band SKU: PR.416413740 THE GRAND ENCOUNTER. Comp...(+)
Orchestra Concert Band
SKU: PR.416413740
THE GRAND
ENCOUNTER. Composed
by William Kraft.
Premiere: David Herbert,
solo Timpani, San
Francisco Symphony
Orchestra, conducted by
Michael Tilson Thomas,
Davies Symphony Hall, San
Francisco, California.
Contemporary. Full score.
With Standard notation.
Composed 2005, rev. 2006.
Duration 30 minutes.
Theodore Presser Company
#416-41374. Published by
Theodore Presser Company
(PR.416413740). UPC:
680160587582. 8.5 x 11
inches. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Introduction and Allegro Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Flutes, 2
Oboes, 2 Trombones, 3
Trumpets, 4 Horns, Bass
Trombone, Harp, Piccolo,
Strings, Timpani, Tuba
SKU: PR.47600138L
For Orchestra.
Composed by Herbert
Elwell. This edition:
Large Score.
Contemporary. Large
Score. With Standard
notation. Duration 11
minutes, 30 seconds.
Theodore Presser Company
#476-00138L. Published by
Theodore Presser Company
(PR.47600138L). UPC:
680160637133. 11x17
inches. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Introduction and Allegro [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Flutes, 2
Oboes, 2 Trombones, 3
Trumpets, 4 Horns, Bass
Trombone, Harp, Piccolo,
Strings, Timpani, Tuba
SKU: PR.476001380
For Orchestra.
Composed by Herbert
Elwell. This edition:
Small Score.
Contemporary. Full score.
With Standard notation.
Duration 11 minutes, 30
seconds. Theodore Presser
Company #476-00138.
Published by Theodore
Presser Company
(PR.476001380). UPC:
680160099658. 9x12
inches. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Universal Praise Theodore Presser Co.
Choral Bass 1, Bass 2, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Trumpet 3, ...(+)
Choral Bass 1, Bass 2,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2,
Trumpet 3, Tuba, alto
voice, soprano 1, soprano
2, tenor 1, tenor 2
SKU: PR.362032870
For SSATTBB, a
cappella, or with Brass
Quintet ad lib..
Composed by William
Billings. Edited by
Herbert Colvin. Sacred
Choruses. Choral. Part.
With Standard notation.
Duration 3 minutes, 50
seconds. Theodore Presser
Company #362-03287.
Published by Theodore
Presser Company
(PR.362032870). UPC:
680160059003. Key: C
major. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing To The Lord A New Made Song Theodore Presser Co.
Choral Piano, Trumpet, alto voice, bass Trombone, bass voice, soprano voice, ten...(+)
Choral Piano, Trumpet,
alto voice, bass
Trombone, bass voice,
soprano voice, tenor
SKU: PR.362031860
Composed by William
Billings. Arranged by
Herbert Colvin. With
Standard notation.
Theodore Presser Company
#362-03186. Published by
Theodore Presser Company
(PR.362031860). UPC:
680160058341. $1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Garden of Bell Flowers [Conducteur] Theodore Presser Co.
By Gail Levin. Arranged by Herbert Levin. Published by Theodore Presser Company....(+)
By Gail Levin. Arranged
by Herbert Levin.
Published by Theodore
Presser Company.
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Greetings And Goodbyes [Partition] Theodore Presser Co.
A Nordoff-Robbins Collection for Classroom Use. By Carol Robbins; Herbert Levin;...(+)
A Nordoff-Robbins
Collection for Classroom
Use. By Carol Robbins;
Herbert Levin; Joanne
Heyde; Paul Nordoff;
Suzanne Nowikas. Arranged
by Carol Robbins; Clive
Robbins. Text: Clive
Robbins. For Percussion,
Piano, Voice. Soft Cover.
20 pages. Published by
Theodore Presser Company.
$13.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prophet Unwilling Theodore Presser Co.
By David A Wehr. Arranged by Herbert E. Richards. Standard notation. Published b...(+)
By David A Wehr. Arranged
by Herbert E. Richards.
Standard notation.
Published by Theodore
Presser Company
$14.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Quartet for Woodwinds Flûte, Hautbois, Clarinette, Basson Theodore Presser Co.
(On Old Tunes). By Herbert Sontag. Woodwind quartet. For Flute, Oboe, Bb Clarine...(+)
(On Old Tunes). By
Herbert Sontag. Woodwind
quartet. For Flute, Oboe,
Bb Clarinet, Bassoon.
Contemporary. Score and
part(s). Standard
notation. 7 8 pages.
Published by Theodore
Presser Company score
and part(s) contemporary
$29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Is Any Afflicted, Let Him Pray Chorale SATB SATB A Cappella [Octavo] Theodore Presser Co.
(Is Any Afflicted, Let Him Pray). By William Billings (1746-1800). Edited by Her...(+)
(Is Any Afflicted, Let
Him Pray). By William
Billings (1746-1800).
Edited by Herbert Colvin.
SATB chorus. For SATB,
Piano Rehearsal. The
Singing Master's
Assistant Four Sacred
Choruses. Choral. Piano
reduction/vocal score.
Standard notation. 7
pages. Published by
Theodore Presser Company
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 28 American Art Songs Voix basse, Piano Schirmer
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. ...(+)
(Low Voice and Piano).
Composed by Various. For
Low Voice, Piano
Accompaniment. Vocal.
Softcover. 96 pages. G.
Schirmer #ED4600.
Published by G. Schirmer
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spielt Zum Lied Prep Playing Scor Voix basse, Piano Schott
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung...(+)
Low Voice and Piano
SKU: HL.49005024
Lieder mit
Instrumentalbegleitung
fur die Schule.
Arranged by Cesar
Bresgen, Friedrich Zipp,
Paul Nitsche, and Werner
Fussan. Edition Schott.
Classical. Score for
Voice and/or Instruments.
60 pages. Schott Music
#HL50499823. Published by
Schott Music
(HL.49005024). ISBN
9781495000713. UPC:
888680028183. Selec
ted Art Songs by
prominent American
composers in the G.
Schirmer and AMP catalog,
including songs by Samuel
Barber, John Duke, Lee
Hoiby, Charles Ives, John
Jacob Niles, William
Schuman, and
others. Selected art
songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Includes
worksfrom Ernst Bacon:
It's all I have to
bring * Samuel
Barber: The
Crucifixion; The Daisies;
Hey nonny no!; The Monk
and His Cat; Mother, I
cannot mind my wheel; A
Slumber Song of the
Madonna; Sure on this
shiningnight * Paul
Bowles: Cabin;
Heavenly Grass; Sugar in
the Cane * Theodore
Chanler: The Lamb *
Ernest Charles: When I
Have Sung My Songs *
John Duke: Loveliest
of Trees; Richard
Hageman: Do not go,
mylove * Lee Hoiby:
Where the Music Comes
From * Carles Ives:
In the mornin';
Serenity * Herbert
Kingsley: The Green
Dog * Charles
Naginski: The
Pasture * John Jacob
Niles: Black is
thecolor of my true
love's hair; Go 'way from
my window; The Lass from
the Low Countree *
Gladys Rich: American
Lullaby * William
Roy: This Little
Rose * John Sacco:
Brother Will, Brother
John *William
Schuman: Holiday
Song; Orpheus with his
lute.
Selected Art
Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. $20.99 - Voir plus => Acheter | | |
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