CD

SKU: JK.10032

Composed by Janice Kapp Perry. Christian, Inspirational. CD. Jackman Music Corporation #10032. Published by Jackman Music Corporation (JK.10032).

Text: Janice Kapp Perry / Jack Kapp.

Songs on this CD are songs of comfort. Songs included on this CD are: There Will Be Light My Ways Are Not Thy Ways An Early Goodbye Be Still and Know My Heart Sang a Lullabye There is a Way Back Just When I Need You A Child Again Do Not Run Faster Well Done (funeral) These songs are included in the book There Will Be Light (#10030). The picture image is of the book which has the same cover as the CD or cassette.

A Great Big World - Is There Anybody Out There? by A Great Big World. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. 82 pages. ISBN 1480384577. 9x12 inches. Published by Hal Leonard

Let There Be Peace On Earth for Classical Guitar composed by Jill Jackson and Sy Miller. Arranged by Jerry George. For guitar solo. Solo. Classical. Sheet Music. Text Language: English; Standard notation and tablature. 4 pages. Published by Santorella Publications

Let There Be Peace On Earth for Trumpet and Piano composed by Jill Jackson and Sy Miller. Arranged by Jonathon Robbins. For trumpet solo and piano accompaniment. Solo with Accompaniment. Popular. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Let There Be Peace On Earth for Easy Piano composed by Jill Jackson and Sy Miller. Arranged by Jonathon Robbins. For easy piano solo. Solo. Popular. Easy. Sheet Music. Text Language: English. 4 pages. Published by Santorella Publications (

SAB/opt. Cello Cello; Choral (SAB with Cello)

SKU: HL.365823

Composed by Karen Crane. Arranged by Douglas Nolan. Shawnee Sacred. General Worship, Sacred, Wedding. Octavo. Duration 155 seconds. Published by Shawnee Press (HL.365823).

UPC: 840126962147. 6.75x10.5x0.029 inches. I John 4:16, John 15:12, Romans 5:5, Song of Solomon 3:4.

There is a simple pristine melody in this sacred song. Rising like a gentle prayer, the music reminds the listener of the heartbeat of the gospel: God is love! Appropriate any time, the song is both approachable and arranged for success. “Oh, let God's love flow through me, like the air I breathe, ev'ry word I say, be a testament of grace.”.

Theme from Let There Be Christmas. Composed by Joseph M. Martin. Shawnee Sacred. Christmas. Octavo. 12 pages. Duration 210 seconds. Published by Shawnee Press

There's No Business Like Show Business arranged by Ted Ricketts. Score and Parts. Pop Specials for Strings. Grade 3. Published by Hal Leonard

Martin Shaw's There Was A Rosebud Bloomed In The Snow, scored for SATB choir, with words by Doris Pailthorpe

(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wagner. For 2-part choir, piano. New Horizons Series. Concert. Octavo. Published by Heritage Music Press

(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wagner. For TTB/TBB choir, piano. Concert. Octavo. Published by Heritage Music Press

Choral (VoiceTrax CD)

SKU: HL.300686

Discovery Level 2. Composed by Don Cook and John Jarvis. Arranged by Cristi Cary Miller. Discovery Choral. Pop. Octavo. Duration 170 seconds. Published by Hal Leonard (HL.300686).

UPC: 888680963101. 5.0x5.0x0.185 inches.

Billy Gillman, who successfully navigated child stardom and a Top 40 Hit at the age of 14, has experienced a career resurgence after appearing on NBC's The Voice. From his 2000 debut album, There's a Hero champions those common heroes among us, including (and especially) the ones inside our own hearts.

(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wagner. For SSA choir, piano. Concert. Octavo. Published by Heritage Music Press

Theme from Let There Be Christmas. Composed by Joseph M. Martin. Shawnee Sacred. Christmas. Octavo. 12 pages. Duration 210 seconds. Published by Shawnee Press

(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wagner. For SATB choir, piano. Concert. Octavo. Published by Heritage Music Press

Piano

SKU: BT.MUSSRO100055

Composed by Nico Muhly. Classical. Book Only. Composed 2014. 24 pages. St. Rose Music #MUSSRO100055. Published by St. Rose Music (BT.MUSSRO100055).

English.

Nico Muhly is an American contemporary classical music composer and arranger. You Can't Get There From Here is no exception to Nico 's beautiful and accomplished style of writing. The work was commissioned by the Terez n Music Foundation as a living memorial to the composers and musicians of the Terez n concentration camp who perished during the Holocaust.

Let There Be Peace on Earth with I've Got Peace Like a River. Composed by Douglas E. Wagner. Concert. Octavo. Heritage Music Press #15/2729H. Published by Heritage Music Press (LO.15-2729H).

By Sr. Marie Therese Sokol. Arranged by Guitar: Joan Woodard. For Voices: 2 voices, descant. Instruments: Classical guitar (instruments optional). Keyboard accompaniment. For the centenary of St. Therese of Lisieux, 1897-1997. Celebration Series Sacred. Level: easy. 10 pages. Published by GIA Publications.

Piano

SKU: DB.01-00681

Fur Klavier, Theremin und Electronica. Composed by Gernot Wolfgang. Keyboard music. 19 pages pages. Doblinger Music Publishers #01-00681. Published by Doblinger Music Publishers (DB.01-00681).

ISBN 9790012200284.

Cont emporary Classical meets Jazz Grooves.

Theremin' s Journey is quite different. True, there is a piano - which plays bluesy, filmic, generally quite unmemorable music - but add in the theremin and pre-recorded electronics and the listener is off on a bizarre jazz meets sci-fi meets film-pop journey. The high-pitched spooky whine of the theremin is unmistakable, and unforgettable in small doses, as here; the work was in fact commissioned by Joanne Pearce Martin, who plays both theremin and piano. This track actually carries a 'health' warning on the cover: Crackles are part of the electronic track and are intentional: the CD is not defective! As it happens, the crackling is not particularly noticeable, and in general the electronics are atmospheric and additive in combination with the theremin. Especially the first and last two or three minutes of the 'journey' are really quite fascinating musically. (musicweb-international.c om, May 2011) // Theremin's Journey places that curiously otherworldly instrument and piano in cheeky avant-garde tandem with electronic sonorities...(GRAMOPHONE, August 2011).

Choral Descant, Piano, alto voice, soprano voice

SKU: CF.CM9774

Composed by Matthew Emery. Duration 3 minutes, 26 seconds. Carl Fischer Music #CM9774. Published by Carl Fischer Music (CF.CM9774).

ISBN 9781491164457. UPC: 680160923359. Key: E major. English. Leslie Grant Scott adapted by Composer.

I Have Heard the Music There for treble voices, optional descant, with piano is a lyrical work that utilizes a reoccurring motif which grows and varies. The developing variation-like use of this theme speaks to the image or notion of growth; the growth of a tree, of a person, or a choir. We may start out small, then vary, change, develop, transform. The vocal line’s slight variation, use of repetition, imitation, and canonic-like movements weave a thread of familiarity through the piano’s tapestry of subtle shifts in timbre, register, and alternation between chorale-like writing and moments of florid flourishing; the music paints the imagery of the text.The text by Leslie Grant Scott illuminates themes of the humanity, solace, and comfort we find in Nature. The forest’s foliage filters out the harshness of the world, and we are calmed by the forest’s heart. To me Nature is also a metaphor for community, or the network of loved ones you may have, over perhaps your choir; together with compassion and kindness we are able to filter the world’s harshness, together we grow, we celebrate, and we listen to the music around us.SILENCE [Leslie Grant Scott, 1912 PD] adpt. M. EmeryI have heard the music thereIn the deep forest's heart, Where filters the sun's rays, In a still, golden haze.I have heard the music there.The breathless silence speaks, Bringing Nature's soft balm And her great soothing calm To all those who will hear.I have heard the music there.

Arranged by Joyce Eilers. (3 Part Mixed). Choral. 12 pages. Published by Hal Leonard.

(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Lewis Norfleet. Percussion Ensemble. For glockenspiel, xylophone, chimes, 2 vibraphones, two 4.3-octave (low A) marimbas, two smaller 4-octave marimbas, 4 timpani, snare drum, small and large crash cymbals (pairs), bass drum, triangle, gong, tambourine. Note for larger ensembles: If there is a f (13 players). Medium-Advanced. Score and parts on CD-ROM. 18 pages. Duration 3'00 . Published by Tapspace Publications

Organ Music Based on Hymn Tunes. Sacred. 94 pages. Published by GIA Publications (GI.G-9202).

Composed by Raymond Weidner. For SATB choir, tenor voice solo, organ. Parish. Choral, Christmas. Medium. Choral octavo. Published by Paraclete Press

Choral SSA choir

SKU: CF.CM9770

Composed by Traditional African-American Spiritual. Arranged by Lee R. Kesselman. Duration 2 minutes, 17 seconds. Carl Fischer Music #CM9770. Published by Carl Fischer Music (CF.CM9770).

ISBN 9781491164419. UPC: 680160923311. Key: G major. English.

There is a Balm in Gilead is a well-known, traditional African-American spiritual. The “balm in Gilead” is a reference from the Old Testament, but the lyrics of this spiritual refer to the New Testament concept of salvation. The balm of Gilead is interpreted as a spiritual medicine that is able to heal Israel (and sinners in general). In the Old Testament, the balm of Gilead is taken most directly from Jeremiah chapter 8 v. 22: Is there no balm in Gilead? Is there no physician there? Why then is there no healing for the wounds of my [God's] people?This a cappella arrangement stays close to the simple, emotional source material. The words and the music embody weariness, resignation and hope, as the realities of slavery are met with the hope of salvation. There is a Balm in Gilead was originally part of a larger work, entitled, Mpaka simba watapo, for treble chorus, African drums and piano.  .

Choral TBB choir, piano

SKU: CF.CM9594

Composed by Greg Gilpin. Fold. Performance Score. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9594. Published by Carl Fischer Music (CF.CM9594).

ISBN 9781491154168. UPC: 680160912667. 6.875 x 10.5 inches. Key: Bb major. English. Alfred Tennyson. Alfred, Lord Tennyson (1809-1892).

The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 710, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 1417 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 2225, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 3336. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 3738 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words.The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7–10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14–17 as well as those that contain three-part singing.The piano establishes a consistent undulating tempo in mm. 22–25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes.Maintain a consistent tempo when singing the eighth notes in mm. 33–36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37–38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment.Linger with quiet, full and supported singing during the last three measures.