Composed by Stan Pethel. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5466L. Published by Lorenz Publishing Company

By Deborah Govenor. (SATB). Brookfield Choral Series. Sacred. 8 pages. Published by Brookfield Press.

By Marie Therese Sokol; Joan Woodard. For C Instrument (Violin, Oboe, Flute); plus optional Harp, Violin, Cello, Bass. Instrumental. Includes guitar chord names. Sacred. Level: easy. 8 pages. Published by GIA Publications.

Narrator & Orchestra

SKU: SU.94010890

For Narrator & Orchestra. Composed by James Lee III. Orchestra. Narrator. Study Score. Subito Music Corporation #94010890. Published by Subito Music Corporation (SU.94010890).

TETHERED VOICES, a work for narrator and orchestra is inspired by the words of conductor and poet Kalena Bovell.narr; [2(1) 2(1) 2(1) 2(1); 4221; timp 3perc, hp, pno; stgs Duration: ca. 10' Composed: 2020 Published by: Subito Music Publishing Performance materials available on rental:.

(fur Kaiserin Marie Therese). By Franz Joseph Haydn (1732-1809). Edited by Kircher, Armin. For SATB Choir, Flute, 2 Oboes, 2 Bassoons, 2 Horns, 3 C trumpet, 3 Trombones, Timpani, 2 Violins, Viola, Basso Continuo. This edition: paperbound. XXIIIc:2. Praise and thanks. Score. Language: Latin. 60 pages. Duration 12 min

By Michael Haydn (1737-1806). Edited by Sherman, Charles H.. For Soli SATB, SATB Choir, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. MH 797. Full score available separately - see item CA.5032800. Masses, Latin. Level 4. Part: Violin 2. Language: Latin. Composed 1801. 24 pages. Duration 40 min

Composed by Jaromir Hruska. Arranged by Maria Theresa Vizconde-Roldan. Sheet music. Pavane Secular. Octavo. 12 pages. Pavane Publishing #P1588. Published by Pavane Publishing

For Violin (or Violoncello) and Piano. By Maria Theresia von Paradis. Schott. Size 9x12 inches. 3 pages. Published by Schott.

SKU: GI.G-007462

Composed by Paul Tate. Sacred. GIA Publications #007462. Published by GIA Publications (GI.G-007462).

UPC: 641151074627. English.

Includes 15 pieces ideal for teens and young adults. Five titles available in octavo format: Come! Let Us Sing Out Our Praise, Gathered as One, May We and God Be One, Show Us the Way, and The Love of God. Music Book, in lead sheet format, also includes page of chord diagrams for guitarists.

Piano solo

SKU: HH.HH491-SOL

Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH491-SOL. Published by Edition HH Music Publishers (HH.HH491-SOL).

ISBN 9790708185017.

Hayd n’s Symphony No. 48 was long thought to have been written for, and performed in honour of the state visit of Empress Maria Theresia to Eszterháza in 1773. However, research by Robbins Landon has shown that the symphony should be redated to 1770. Landon rightly comments that although the accepted soubriquet may be mistaken, the message is right, for in its magnificence it is a ‘Symphony for Queens and Emperors’.

By Liam Lawton. Arranged by Paul Tate. For SATB Choir, assembly, C Instrument. Bible Reference: Matthew 18:20. Celebration Series. Sacred, Easter. Easy. 12 pages. Published by GIA Publications

By Michael Haydn (1737-1806). Edited by Sherman, Charles H.. For Soli SATB, SATB Choir, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. MH 797. Full score available separately - see item CA.5032800. Masses, Latin. Level 4. Part: Violoncello. Language: Latin. Composed 1801. 20 pages. Duration 40 min

SKU: GI.G-CD-889

Sacred. CD. GIA Publications #889. Published by GIA Publications (GI.G-CD-889).

UPC: 785147088929.

Compo sers: Tony Alonso, John L. Bell, Rory Cooney, Gary Daigle, Marty Haugen, Michael Joncas, Liam Lawton, Michael Mahler, Francis Patrick O'Brien, Donna Peña, and Chris de Silva Gathered for God is the collaboration of eleven talented composers joining forces to create music that celebrates God's love for us. The songs in this collection are great for a variety of liturgical uses. Marty Haugen's “The Reign of God Is Near” is the perfect complement for a triumphant entrance procession. The poignant text of John Bell's “Dolorosa” will bring comfort in times of sorrow. Liam Lawton's “Eternal Is Your Love” has a beautiful melody embracing an expressive refrain that simply begs to be sung. “Praise the God of All Beginnings,” by Michael Joncas, employs a festive text by Herman G. Stuempfle Jr. And that's not all. The collection also includes new music from other great composers like Chris de Silva, Tony Alonso, Rory Cooney, Gary Daigle, Francis Patrick O'Brien, Donna Peña, and Michael Mahler. This collection is a must-have!

(Voices)

SKU: HP.8222

This edition: Complete. Author Collections. General Worship, Sacred. Hymn Collection. 128 pages. Hope Publishing Company #8222. Published by Hope Publishing Company (HP.8222).

UPC: 763628182229. Brian Wren.

A collection of new hymn texts from one of today's preeminent hymn text writers, Brian Wren. Many are paired with new hymn tunes written by a variety of composers.

SKU: GI.G-9596

Organ Music Based on Hymn Tunes. Tune Name: Aberystwyth, Ash Grove, Aurelia, Erhalt Uns Herr, Festal Song, Hanson Place, Hyfrydol, Italian Hymn, Kas Dziedaja, Kingsfold, Lauda Anima, Laudate Dominum, Leoni, Lourdes Hymn, Nun Danket, Pleading Savior, Sine Nomine, Slane, Southwell, St. Cle. Sacred. 120 pages. GIA Publications #9596. Published by GIA Publications (GI.G-9596).

UPC: 785147959663.

This third installment in the Gathered to Worship organ series, has 25 new titles arranged by some of today’s finest composers of organ music. This volume contains classic hymn tunes—many composed in the nineteenth century—and also a good sampling of folk melodies. From the setting of laudate dominum in a Baroque style, to the contemplative meditation on southwell, to the energetic fanfare of lauda anima, and triumphant toccata on thaxted, this collection and its preceding volumes are essential for the library of every church organist!

By Johann Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. MH 797. Full score available separately - see item CA.5032800. Masses, Latin. Score (Linen Envelope). Language: Latin. Composed 1801. 160 pages. Duration 40 min. Published by Carus Verlag (German import).

Piano - Level 2

SKU: LM.27280

Composed by Hans Gunter Heumann. Classical. Score. Editions Henry Lemoine #27280. Published by Editions Henry Lemoine (LM.27280).

ISBN 9790230972802.

TRAD ITIONNEL : Down by the Riverside - BACH : Prelude en fa majeur BWV 927 - BAROUH / LAI : Un Homme et une femme - BEETHOVEN : Pathetique (theme de la Sonate n. 8, Op.13) - BORODINE : Danse Polovtsienne - BREL : Ne me quitte pas - CABREL : Je l'aime a mourir - CARMEN : All by Myself - EBB / KANDER : New York, New York - FRANCK : Les Plaintes d'une poupee - FREED / BROWN : Singin' in the Rain - GAINSBOURG : Elisa - GRIEG : La Chanson de Solveig - HAENDEL : L'Harmonieux forgeron - HANDY : St. Louis Blues - HEUMANN : Piano Dreams - Walking Blues Shoes - JARRE : Chanson de Lara (Docteur Jivago) - JENNINGS / HORNER : My heart will go on (Titanic) - LENNON : Imagine - MANCINI : The Pink Panther Theme (La Panthere Rose) - MASSENET : Aragonaise - MOZART : Cavatine de Figaro - PACHELBEL : Canon - PLANTE / AZNAVOUR : La Boheme - VIVALDI : Le Printemps.

By David Conte. Text: St. Theresa, Longfellow. For SATB choir and Organ. (Mixed Voices). General. Choral. 8 pages. Published by ECS Publishing.

(Voices)

SKU: HP.8222C

This edition: Complete. Author's Collections. General Worship, Sacred. CD. Hope Publishing Company #8222C. Published by Hope Publishing Company (HP.8222C).

UPC: 799218004121. Brian Wren.

A collection of new hymn texts from one of today's preeminent hymn text writers, Brian Wren. Many are paired with new hymn tunes written by a variety of composers.

Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen, Christin Heitmann. For orchestra. This edition: Urtext edition. Stapled. Score. Text Language: German/English. Hob. I:48. Duration 27 minutes. Published by Baerenreiter Verlag

Composed by Raymond Weidner. For SATB choir, tenor voice solo, organ. Parish. Choral, Christmas. Medium. Choral octavo. Published by Paraclete Press

Choral SSA choir

SKU: CF.CM9770

Composed by Traditional African-American Spiritual. Arranged by Lee R. Kesselman. Duration 2 minutes, 17 seconds. Carl Fischer Music #CM9770. Published by Carl Fischer Music (CF.CM9770).

ISBN 9781491164419. UPC: 680160923311. Key: G major. English.

There is a Balm in Gilead is a well-known, traditional African-American spiritual. The “balm in Gilead” is a reference from the Old Testament, but the lyrics of this spiritual refer to the New Testament concept of salvation. The balm of Gilead is interpreted as a spiritual medicine that is able to heal Israel (and sinners in general). In the Old Testament, the balm of Gilead is taken most directly from Jeremiah chapter 8 v. 22: Is there no balm in Gilead? Is there no physician there? Why then is there no healing for the wounds of my [God's] people?This a cappella arrangement stays close to the simple, emotional source material. The words and the music embody weariness, resignation and hope, as the realities of slavery are met with the hope of salvation. There is a Balm in Gilead was originally part of a larger work, entitled, Mpaka simba watapo, for treble chorus, African drums and piano.  .

Choral TBB choir, piano

SKU: CF.CM9594

Composed by Greg Gilpin. Fold. Performance Score. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9594. Published by Carl Fischer Music (CF.CM9594).

ISBN 9781491154168. UPC: 680160912667. 6.875 x 10.5 inches. Key: Bb major. English. Alfred Tennyson. Alfred, Lord Tennyson (1809-1892).

The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 710, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 1417 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 2225, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 3336. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 3738 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words.The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7–10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14–17 as well as those that contain three-part singing.The piano establishes a consistent undulating tempo in mm. 22–25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes.Maintain a consistent tempo when singing the eighth notes in mm. 33–36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37–38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment.Linger with quiet, full and supported singing during the last three measures.

Composed by Larry Shackley. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5469L. Published by Lorenz Publishing Company