Piano - advanced to difficult SKU: HL.49004282 A systematically graded...(+)
Piano - advanced to
difficult
SKU:
HL.49004282
A
systematically graded and
progressively arranged
collection of Carl
Czerny's Studies selected
from his entire
works. Composed by
Carl Czerny. Edited by
Adolph Stark and Moritz
Mayer-Mahr. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 48 pages.
Schott Music #ED3725.
Published by Schott Music
(HL.49004282).
ISBN
9790001044363. UPC:
884088108434.
9.0x12.0x0.124 inches.
German - English -
French.
Repeating
notes • Broken
chords • Thirds
• Chromatic
exercises • Chords-
and Staccato-Exercises
• Shake •
Broken thirds and sixths
• Octaves •
In florid counterpoint
• Broken chords
• Silent change of
fingers •
Smoothness in velocity
• Exercises in
skips • Scales in
thirds • Exercises
with notes held down
• Chromatic
exercises • Fouths
and sixths • Broken
chords • Change of
positions •
Skipping accompaniment
chords • Accuracy
in striking with the 5th
finger and the thumb
• Stretching
exercises.
Chamber Music Cello, Recording, Viola, Violin SKU: CF.BE10F For String...(+)
Chamber Music Cello,
Recording, Viola, Violin
SKU: CF.BE10F
For String Trio and
Recording. Composed
by Paul Lansky. Full
score. With Standard
notation. 32 pages.
Duration 19:37. Carl
Fischer Music #BE10F.
Published by Carl Fischer
Music (CF.BE10F).
ISBN
9780825891175. UPC:
798408091170. 8.5 x 11
inches. Key: G
major.
Commissioned
by the Princeton-Columbia
Electronic Music Center
for Speculum Musicae in
1981. The first movement,
In Preparation, is a
study in tuning and
intonation and is based
on the open strings in
perfectly tuned fifths,
with the violins D string
tuned 294 hertz. The
first moments of the
piece provide opportunity
to tune to the tape part.
(This tuning probably
differs imperceptibly
from a tempered tuning
since the E string of the
violin is only 1/33 of a
semitone sharper then in
a tempered system and the
C strings of the viola
and cello 1/33 of a
semitone flatter.) Most
subsequent pitches in the
movement are either the
open strings or major and
minor thirds above and
below the open strings.
The minor thirds will be
slightly sharp with
respect to equal tempered
tuning about 15 cents or
1/6 of a semitone and the
major thirds will be
slightly flat about 14
cents, or one seventh of
a semitone. Listen to the
tape part as a guide. All
harmonics in this
movement are to be played
as natural harmonics and
open strings are to be
used whenever possible.
In the second movement,
At a Distance, the tape
part largely doubles
selected pitches in the
string parts and should
be thought of as a
backdrop rather then
counterpart. In this and
the remaining movements
equal tempered tuning is
used though it will
probably not be necessary
to retune the instruments
for this reason alone.
The third movement, In
Practice, is a study in
modes of performance
particularly with respect
to rhythmic rigidity and
flexibility. While the
tape part may seem to
bend and sway a great
deal, the string parts
are to be played with as
much rhythmic precision
as possible. At many
points it may be
necessary to delay or
anticipate beats in order
to coincide with the
arrival of beats in the
tape part, though in
general the quarter
equals 120 is accurate.
In the fourth movement,
In Distinction, different
kinds of musical
conceptions are
counter-pointed and
counter-posed. Here the
beat is quite accurate
although the notation of
the synthetic saxophone
part is only approximate.
All the tape parts are
based on computer
reprocessed violin except
for parts of the fourth
movement in which
synthetic saxophone is
used. The tape part was
synthesized on the IBM
3033 and 3081 computers
at Princeton University
and converted at the
Winham Laboratory. The
violin source was
performed by Cyrus
Stevens. Commissioned
by the Princeton-Columbia
Electronic Music Center
for Speculum Musicae in
1981. The first movement,
In Preparation, is a
study in tuning and
intonation and is based
on the open strings in
perfectly tuned fifths,
with the violinas D
string tuned 294 hertz.
The first moments of the
piece provide opportunity
to tune to the tape part.
(This tuning probably
differs imperceptibly
from a tempered tuning
since the E string of the
violin is only 1/33 of a
semitone sharper then in
a tempered system and the
C strings of the viola
and acello 1/33 of a
semitone flatter.) Most
subsequent pitches in the
movement are either the
open strings or major and
minor thirds above and
below the open strings.
The minor thirds will be
slightly sharp with
respect to equal tempered
tuning about 15 cents or
1/6 of a semitone and the
major thirds will be
slightly flat about 14
cents, or one seventh of
a semitone. Listen to the
tape part as a guide. All
harmonics in this
movement are to be played
as natural harmonics and
open strings are to be
used whenever possible.
In the second movement,
At a Distance, the tape
part largely doubles
selected pitches in the
string parts and should
be thought of as a
backdrop rather then
counterpart. In this and
the remaining movements
equal tempered tuning is
used though it will
probably not be necessary
to retune the instruments
for this reason alone.
The third movement, In
Practice, is a study in
modes of performance
particularly with respect
to rhythmic rigidity and
flexibility. While the
tape part may seem to
bend and sway a great
deal, the string parts
are to be played with as
much rhythmic precision
as possible. At many
points it may be
necessary to delay or
anticipate beats in order
to coincide with the
arrival of beats in the
tape part, though in
general the quarter
equals 120 is accurate.
In the fourth movement,
In Distinction, different
kinds of musical
conceptions are
counter-pointed and
counter-posed. Here the
beat is quite accurate
although the notation of
the synthetic saxophone
part is only approximate.
All the tape parts are
based on computer
reprocessed violin except
for parts of the fourth
movement in which
synthetic saxophone is
used. The tape part was
synthesized on the IBM
3033 and 3081 computers
at Princeton University
and converted at the
Winham Laboratory. The
violin source was
performed by Cyrus
Stevens. Commissioned
by the Princeton-Columbia
Electronic Music Center
for Speculum Musicae in
1981. The first movement,
In Preparation, is a
study in tuning and
intonation and is based
on the open strings in
perfectly tuned fifths,
with the violin's D
string tuned 294 hertz.
The first moments of the
piece provide opportunity
to tune to the tape part.
(This tuning probably
differs imperceptibly
from a tempered tuning
since the E string of the
violin is only 1/33 of a
semitone sharper then in
a tempered system and the
C strings of the viola
and 'cello 1/33 of a
semitone flatter.) Most
subsequent pitches in the
movement are either the
open strings or major and
minor thirds above and
below the open strings.
The minor thirds will be
slightly sharp with
respect to equal tempered
tuning about 15 cents or
1/6 of a semitone and the
major thirds will be
slightly flat about 14
cents, or one seventh of
a semitone. Listen to the
tape part as a guide. All
harmonics in this
movement are to be played
as natural harmonics and
open strings are to be
used whenever possible.
In the second movement,
At a Distance, the tape
part largely doubles
selected pitches in the
string parts and should
be thought of as a
backdrop rather then
counterpart. In this and
the remaining movements
equal tempered tuning is
used though it will
probably not be necessary
to retune the instruments
for this reason alone.
The third movement, In
Practice, is a study in
modes of performance
particularly with respect
to rhythmic rigidity and
flexibility. While the
tape part may seem to
bend and sway a great
deal, the string parts
are to be played with as
much rhythmic precision
as possible. At many
points it may be
necessary to delay or
anticipate beats in order
to coincide with the
arrival of beats in the
tape part, though in
general the quarter
equals 120 is accurate.
In the fourth movement,
In Distinction, different
kinds of musical
conceptions are
counter-pointed and
counter-posed. Here the
beat is quite accurate
although the notation of
the synthetic saxophone
part is only approximate.
All the tape parts are
based on computer
reprocessed violin except
for parts of the fourth
movement in which
synthetic saxophone is
used. The tape part was
synthesized on the IBM
3033 and 3081 computers
at Princeton University
and converted at the
Winham Laboratory. The
violin source was
performed by Cyrus
Stevens. Commissioned
by the Princeton-Columbia
Electronic Music Center
for SpeculumMusicae in
1981.The first movement,
In Preparation, is a
study in tuning and
intonation and isbased on
the open strings in
perfectly tuned fifths,
with the violin’s
D stringtuned 294 hertz.
The first moments of the
piece provide opportunity
to tuneto the tape part.
(This tuning probably
differs imperceptibly
from a temperedtuning
since the E string of the
violin is only 1/33 of a
semitone sharper then ina
tempered system and the C
strings of the viola and
‘cello 1/33 of a
semitoneflatter.) Most
subsequent pitches in the
movement are either the
open stringsor major and
minor thirds above and
below the open strings.
The minor thirdswill be
slightly sharp with
respect to equal tempered
tuning about 15 cents
or1/6 of a semitone and
the major thirds will be
slightly flat about 14
cents, or oneseventh of a
semitone. Listen to the
tape part as a guide. All
harmonics in thismovement
are to be played as
natural harmonics and
open strings are to be
usedwhenever possible.In
the second movement, At a
Distance, the tape part
largely doubles
selectedpitches in the
string parts and should
be thought of as a
backdrop rather
thencounterpart. In this
and the remaining
movements equal tempered
tuning is usedthough it
will probably not be
necessary to retune the
instruments for this
reasonalone.The third
movement, In Practice, is
a study in modes of
performance
particularlywith respect
to rhythmic rigidity and
flexibility. While the
tape part may seemto bend
and sway a great deal,
the string parts are to
be played with as
muchrhythmic precision as
possible. At many points
it may be necessary to
delay oranticipate beats
in order to coincide with
the arrival of beats in
the tape part,though in
general the quarter
equals 120 is accurate.In
the fourth movement, In
Distinction, different
kinds of musical
conceptions
arecounter-pointed and
counter-posed. Here the
beat is quite accurate
although thenotation of
the synthetic saxophone
part is only
approximate.All the tape
parts are based on
computer reprocessed
violin except for parts
ofthe fourth movement in
which synthetic saxophone
is used. The tape part
wassynthesized on the IBM
3033 and 3081 computers
at Princeton University
andconverted at the
Winham Laboratory. The
violin source was
performed by
CyrusStevens.
By Beatrice A. Miller. For Piano. Spotlight Solo Sheets. Includes: Dreamy Thirds...(+)
By Beatrice A. Miller.
For Piano. Spotlight Solo
Sheets. Includes: Dreamy
Thirds, Indian Sunset in
Fourths, and Dancing
Fifths. Level: Late
Elementary. Solo Sheet.
Published by The FJH
Music Company, Inc.
Thirds a Plenty Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO213C Composed by Richard S...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO213C
Composed by Richard
Stephan and Robert Frost.
Artistry in Strings.
Score and parts. Neil A.
Kjos Music Company
#SO213C. Published by
Neil A. Kjos Music
Company (KJ.SO213C).
UPC:
8402701421.
The
title refers to the 3rd
degree of a scale, which
refers to F-sharp and
F-natural in Mr.
Stephan's composition.
Thirds A Plenty is in
ternary form and all
instruments have
opportunities for melodic
work. It is correlated
with Artistry in Strings,
Book I, Unit II.
About Artistry
in
Strings
Ar
tistry in Strings is a
groundbreaking string
method that will be at
home in your classroom or
private studio. Its
comprehensive approach
contains all the basic
tools necessary to
establish solid technique
and expressive music
making. Artistry in
Strings is a music
educator's dream,
combining a
performance-centered
approach with optional
theory, composing,
listening, assessment,
and interdisciplinary and
multi-cultural
studies.
Authors
Robert S. Frost, Gerald
Fischbach, and Wendy
Barden have combined
their vast experience as
educators to provide a
string method that is
well paced for all types
of beginning string
classes. Regardless of
class frequency and
duration, or class size
and student age, Artistry
in Strings will assist
you to achieve superior
results.
Orchestra string orchestra - Grade 1 SKU: KJ.SO213F Composed by Richard S...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO213F
Composed by Richard
Stephan and Robert Frost.
Artistry in Strings.
Score. Neil A. Kjos Music
Company #SO213F.
Published by Neil A. Kjos
Music Company
(KJ.SO213F).
The title
refers to the 3rd degree
of a scale, which refers
to F-sharp and F-natural
in Mr. Stephan's
composition. Thirds A
Plenty is in ternary form
and all instruments have
opportunities for melodic
work. It is correlated
with Artistry in Strings,
Book I, Unit II.
About Artistry
in
Strings
Ar
tistry in Strings is a
groundbreaking string
method that will be at
home in your classroom or
private studio. Its
comprehensive approach
contains all the basic
tools necessary to
establish solid technique
and expressive music
making. Artistry in
Strings is a music
educator's dream,
combining a
performance-centered
approach with optional
theory, composing,
listening, assessment,
and interdisciplinary and
multi-cultural
studies.
Authors
Robert S. Frost, Gerald
Fischbach, and Wendy
Barden have combined
their vast experience as
educators to provide a
string method that is
well paced for all types
of beginning string
classes. Regardless of
class frequency and
duration, or class size
and student age, Artistry
in Strings will assist
you to achieve superior
results.
Chamber Music Cello, Recording, Viola, Violin SKU: CF.BE10 Composed by Pa...(+)
Chamber Music Cello,
Recording, Viola, Violin
SKU: CF.BE10
Composed by Paul Lansky.
Set of Score and Parts.
With Standard notation.
32+18+18+18 pages.
Duration 19 minutes. Carl
Fischer Music #BE10.
Published by Carl Fischer
Music (CF.BE10).
ISBN
9780825891168. UPC:
798408091163. Score.
8.5x11, Pts. 9x12 inches.
Key: G major.
As If
is Paul Lansky at the
genesis of his computer
music powers. Here he
explores the relationship
between pre-recorded and
live performers, forcing
a re-examination of the
concepts of both
composition and
performance. Lansky
worked with an early IBM
computer (1981) for As
If, a far cry from the
powerful computers and
complex algorithms he
would later create.
Duration:
19'37. Commissioned by
the Princeton-Columbia
Electronic Music Center
for SpeculumMusicae in
1981.The first movement,
In Preparation, is a
study in tuning and
intonation and isbased on
the open strings in
perfectly tuned fifths,
with the violin’s
D stringtuned 294 hertz.
The first moments of the
piece provide opportunity
to tuneto the tape part.
(This tuning probably
differs imperceptibly
from a temperedtuning
since the E string of the
violin is only 1/33 of a
semitone sharper then ina
tempered system and the C
strings of the viola and
‘cello 1/33 of a
semitoneflatter.) Most
subsequent pitches in the
movement are either the
open stringsor major and
minor thirds above and
below the open strings.
The minor thirdswill be
slightly sharp with
respect to equal tempered
tuning about 15 cents
or1/6 of a semitone and
the major thirds will be
slightly flat about 14
cents, or oneseventh of a
semitone. Listen to the
tape part as a guide. All
harmonics in thismovement
are to be played as
natural harmonics and
open strings are to be
usedwhenever possible.In
the second movement, At a
Distance, the tape part
largely doubles
selectedpitches in the
string parts and should
be thought of as a
backdrop rather
thencounterpart. In this
and the remaining
movements equal tempered
tuning is usedthough it
will probably not be
necessary to retune the
instruments for this
reasonalone.The third
movement, In Practice, is
a study in modes of
performance
particularlywith respect
to rhythmic rigidity and
flexibility. While the
tape part may seemto bend
and sway a great deal,
the string parts are to
be played with as
muchrhythmic precision as
possible. At many points
it may be necessary to
delay oranticipate beats
in order to coincide with
the arrival of beats in
the tape part,though in
general the quarter
equals 120 is accurate.In
the fourth movement, In
Distinction, different
kinds of musical
conceptions
arecounter-pointed and
counter-posed. Here the
beat is quite accurate
although thenotation of
the synthetic saxophone
part is only
approximate.All the tape
parts are based on
computer reprocessed
violin except for parts
ofthe fourth movement in
which synthetic saxophone
is used. The tape part
wassynthesized on the IBM
3033 and 3081 computers
at Princeton University
andconverted at the
Winham Laboratory. The
violin source was
performed by
CyrusStevens.
SKU: SU.12810001 Composed by Cory Hall. Keyboard, Piano/Harpsichord. Musi...(+)
SKU: SU.12810001
Composed by Cory Hall.
Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12810001. Published by
Subito Music Corporation
(SU.12810001).
3 Volume Bundle
- BachScholar Editions
Vol. 88, Vol. 90, Vol.
92. A $135 Value!
BachScholar Editions Vol.
88 - Complete Guide
to Major & Minor Scales,
Volume 1 (53 pages),
written especially for
piano teachers and
students, introduces the
24 major and minor scales
to the beginning to
intermediate level
student (Grades 1-4). All
scales are presented one
octave in parallel and
contrary motion and in
parallel thirds, sixths,
and tenths indicated with
traditional fingerings.
Students learn the
essential theory concepts
of key signatures (up to
five sharps and six
flats), relative major
and minor keys, and
harmonizing scales in
thirds, sixths, and
tenths. Volume 1 is
accompanied with weekly
lesson plans freely
available to the public
on The Well-Rounded
Pianist website, hence,
this is not merely a
scale book but a complete
scale guide with
step-by-step instructions
written especially for
teachers and students.
The manuscript is large,
dark, and very easy to
read, making this an
indispensable guide for
teachers’ studios
and piano students at the
beginning to intermediate
levels. BachScholar
Editions Vol. 90
— Complete Guide
to Major & Minor Scales,
Volume 2 (58 pages),
written especially for
piano teachers and
students, continues the
24 major and minor scales
learned in Volume 1.
Volume 2, for upper
intermediate to advanced
level students (Grades
5-7), presents all scales
two octaves in parallel
and contrary motion and
in parallel thirds,
sixths, and tenths
indicated with
traditional fingerings.
Also included is a
section on
multiple-octave scales in
three and four octaves.
Students learn the
essential theory concepts
of key signatures (all
seven sharps and flats),
parallel and relative
major and minor keys, and
harmonizing scales in
thirds, sixths, and
tenths. Volume 2 is
accompanied with weekly
lesson plans freely
available to the public
on The Well-Rounded
Pianist website, hence,
this is not merely a
scale book but a complete
scale guide with
step-by-step instructions
written especially for
teachers and students.
The manuscript is large,
dark, and very easy to
read, making this an
indispensable guide for
teachers’ studios
and piano students at the
upper intermediate to
advanced levels.
BachScholar Editions Vol.
92 — Complete
Guide to Major & Minor
Scales, Volume 3 (75
pages), written
especially for piano
teachers and students,
continues the 24 major
and minor scales learned
in Volume 2. Volume 3,
for advanced to concert
level students (Grades
8-11), presents all
scales in double thirds
and sixths one and two
octaves in parallel and
contrary motion indicated
with practical fingerings
derived from symmetrical,
mirror relationships.
Practicing major and
minor scales in double
thirds and sixths is the
cornerstone of the highly
esteemed Russian Piano
School, which trains the
pianist to play two notes
at a time in each hand
requiring strength and
flexibility not possible
with the practice of
single-note scales.
Volume 3 is accompanied
with weekly lesson plans
freely available to the
public on The
Well-Rounded Pianist
website, hence, this is
not merely a scale book
but a complete scale
guide with step-by-step
instructions written
especially for teachers
and students. The
manuscript is large,
dark, and very easy to
read, making this an
indispensable guide for
teachers’ studios
and piano students at the
advanced to concert
levels. Published by:
BachScholar.
By Carl Czerny. Arranged by John W. Schaum. For Piano. Piano - Schaum Method Sup...(+)
By Carl Czerny. Arranged
by John W. Schaum. For
Piano. Piano - Schaum
Method Supplement. Schaum
Master Composer Series.
Level: Late Elementary.
Book. 32 pages. Published
by Alfred Publishing.
Chamber Music Cello,
Flute, Viola 1, Viola 2,
Violin
SKU:
CF.MXE219
Composed by
Wolfgang Amadeus Mozart.
Arranged by Robert
Stallman. Sws.
56+16+16+16+16+12 pages.
Carl Fischer Music
#MXE219. Published by
Carl Fischer Music
(CF.MXE219).
ISBN
9781491157794. UPC:
680160916399. 9 x 12
inches.
By ,. Edited by Judi Gowe. Arranged by Frances Clark, Louise Goss. Frances Clark...(+)
By ,. Edited by Judi
Gowe. Arranged by Frances
Clark, Louise Goss.
Frances Clark piano
method. Level: book 1. 28
pages. Published by
Alfred Publishing.
Illustrated with Playing Examples for the 5-String Banjo. Composed by Rick Mc...(+)
Illustrated with Playing
Examples for the 5-String
Banjo. Composed by Rick
McKeon. Banjo: 5-
String,Banjo:
Clawhammer,Technique,
Theory
and Reference,Technique,
Theory and Reference.
Book
and Online Audio/Video.
160
pages. Published by Mel
Bay
Publications, Inc
A Proven Method to Increase Technique and Become a Complete Saxophonist. C...(+)
A Proven Method to
Increase
Technique and Become a
Complete Saxophonist.
Composed by Nick
Mainella.
Saxophone,Featured
Products,Method,Technique
,
Theory and Reference.
Book.
68 pages. Published by
Mel
Bay Publications, Inc
Book/Disk Pack Piano (Piano) SKU: HL.48011509 Book/Diskette Pack. ...(+)
Book/Disk Pack Piano
(Piano)
SKU:
HL.48011509
Book/Diskette
Pack. Composed by
Bé, k, and la
Bartó. BH Piano.
Classical, Contemporary,
Educational. Book & Disk
Package. Boosey & Hawkes
#M060095153. Published by
Boosey & Hawkes
(HL.48011509).
UPC:
073999475968.
9.25x12.25x0.35
inches.
Includes
3.5'' ISM diskette. Text
in English, French,
German and Hungarian.
Keyboard SKU: SU.12800088 For Keyboard. Composed by Cory Hall. Key...(+)
Keyboard
SKU:
SU.12800088
For
Keyboard. Composed by
Cory Hall. Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800088. Published by
Subito Music Corporation
(SU.12800088).
BachScholar
Editions Vol. 88
— Complete Guide
to Major & Minor Scales,
Volume 1 (53 pages),
written especially for
piano teachers and
students, introduces the
24 major and minor scales
to the beginning to
intermediate level
student (Grades 1-4). All
scales are presented one
octave in parallel and
contrary motion and in
parallel thirds, sixths,
and tenths indicated with
traditional fingerings.
Students learn the
essential theory concepts
of key signatures (up to
five sharps and six
flats), relative major
and minor keys, and
harmonizing scales in
thirds, sixths, and
tenths. Volume 1 is
accompanied with weekly
lesson plans freely
available to the public
on The Well-Rounded
Pianist website, hence,
this is not merely a
scale book but a complete
scale guide with
step-by-step instructions
written especially for
teachers and students.
The manuscript is large,
dark, and very easy to
read, making this an
indispensable guide for
teachers’ studios
and piano students at the
beginning to intermediate
levels. Published by:
BachScholar.
(Fun Percussion-based Activities & Games for the Classroom). By Jeff Stewart. Fo...(+)
(Fun Percussion-based
Activities & Games for
the Classroom). By Jeff
Stewart. For Other
Percussion. Book;
Classroom/Pre-School;
DVD; General Music and
Classroom Publications;
Other Classroom;
Reproducible.
Multicultural. 80 pages.
Published by Alfred Musi
Keyboard SKU: SU.12800090 For Keyboard. Composed by Cory Hall. Key...(+)
Keyboard
SKU:
SU.12800090
For
Keyboard. Composed by
Cory Hall. Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800090. Published by
Subito Music Corporation
(SU.12800090).
BachScholar
Editions Vol. 90
— Complete Guide
to Major & Minor Scales,
Volume 2 (58 pages),
written especially for
piano teachers and
students, continues the
24 major and minor scales
learned in Volume 1.
Volume 2, for upper
intermediate to advanced
level students (Grades
5-7), presents all scales
two octaves in parallel
and contrary motion and
in parallel thirds,
sixths, and tenths
indicated with
traditional fingerings.
Also included is a
section on
multiple-octave scales in
three and four octaves.
Students learn the
essential theory concepts
of key signatures (all
seven sharps and flats),
parallel and relative
major and minor keys, and
harmonizing scales in
thirds, sixths, and
tenths. Volume 2 is
accompanied with weekly
lesson plans freely
available to the public
on The Well-Rounded
Pianist website, hence,
this is not merely a
scale book but a complete
scale guide with
step-by-step instructions
written especially for
teachers and students.
The manuscript is large,
dark, and very easy to
read, making this an
indispensable guide for
teachers’ studios
and piano students at the
upper intermediate to
advanced levels.
Published by:
BachScholar.
(New Definitive Edition) Composed by Bela Bartok (1881-1945). For piano. Format:...(+)
(New Definitive Edition)
Composed by Bela Bartok
(1881-1945). For piano.
Format: instructional
book. With standard
notation, introductory
text and instructional
text. 20th Century,
Hungarian and
Instructional. Text
language English, French,
German, Hungarian. 56
pages. 9x12 inches.
Published by Boosey and
Hawkes.
Soprano voice, soprano saxophone, piano SKU: P2.50010 Composed by Lori F....(+)
Soprano voice, soprano
saxophone, piano
SKU:
P2.50010
Composed by
Lori F. Ardovino. Chamber
music, 20th century.
Published by Potenza
Music (P2.50010).
Between Walls
is a group of songs on
the poems of William
Carlos Williams for
soprano voice, soprano
saxophone and piano.
Within each movement, the
music helps describe the
text or set the mood of
each of the movements.
The first movement,
Between Walls, is solemn,
without joy or humor,
quiet in nature and
thoughtful. In the text,
where nothing will grow,
the last pitch on grow is
much higher than the
previous pitches, as if
it were to grow. The
soprano and the saxophone
are unison on In which
and then move apart a
step and a third on shine
the ending with a
dissonant minor 2nd on
the word broken, playing
upon the text. Young
Woman at a Window is for
soprano and piano alone.
This movement is also
quite dissonant and the
piano sustains that
tonality by using pedal
through out. The soprano
sings in the lower
tessitura while the piano
moves slowly between
major thirds and minor
seconds to minor thirds
and tritones to the end
of the piece, suggesting
the sadness of the women,
with tears on her cheeks.
The listener is left to
wonder what she and the
child are looking at. The
Nightingales is a
contrast to the first two
movements. The tonality
is more consonant,
lyrical in the saxophone
line and arpeggiated
chords sustained with
pedal throughout most of
the piano line, promoting
a poetic and expressive
premise. In The Thing,
the lines move more
independently and do not
come together as one
until the text bitterly
together, which is
unison, to the last line
moving apart to the M3rd.
As the Cat is sprightly
and jaunty, the piano and
saxophone placing the
beats in an unexpected
manner, the soprano a bit
disjunctive at times,
just as how a cat might
work it's way carefully
over obstacles to find
it's way to it's final
destination.
By Henri Herz. Edited by Willard A. Palmer. For Piano. Piano Collection. Masterw...(+)
By Henri Herz. Edited by
Willard A. Palmer. For
Piano. Piano Collection.
Masterwork. Level: Late
Intermediate / Advanced
(grade 6/6 ). Book. 64
pages. Published by
Alfred Publishing.