Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
C Edition. Composed by Various. Fake Book. Jazz. Fakebook (softcover). With voca...(+)
C Edition. Composed by
Various. Fake Book. Jazz.
Fakebook (softcover).
With vocal melody,
lyrics, chord names,
black and white photos,
discography and
introductory text. 400
pages. Hal Leonard
#FBM0003. Published by
Hal Leonard
Composed by Roy Clark. This edition: Paperback. Instructional. Method. Book and ...(+)
Composed by Roy Clark.
This edition: Paperback.
Instructional. Method.
Book and DVD. With Text
Language: English; Big
Note notation, chords and
tablature. 208 pages.
Published by Santorella
Publications
Concepts in Writing Two or More Melodies, Sounded at the Same Time. Explained....(+)
Concepts in Writing Two
or
More Melodies, Sounded at
the
Same Time. Explained.
Composition, Music
Theory,
Songwriting. Softcover
Audio
Online. Published by Hal
Leonard
Lyrics, Melody Lines,
and Chord Frames for
Standard Uke, Baritone
Uke, Guitar, Mandolin,
and Banjo. By Bob
Dylan. Strum Together.
Folk, Pop. Softcover. 104
pages. Published by Hal
Leonard (HL.364346).
ISBN 9781705134283.
UPC: 840126958652.
9.0x12.0x0.266
inches.
Strum
Together songbooks
feature melody, lyrics,
and chord diagrams for
five popular folk
instruments displayed
together in an
easy-to-use format. With
this edition, you can
play 47 Dylan classics on
ukulele, baritone
ukulele, guitar,
mandolin, and/or banjo!
This is a great resource
for stringed instrument
players who are ready to
experience the fun of
making music together.
Songs include: All Along
the Watchtower •
All I Really Want to Do
• Blowin' in the
Wind • Forever
Young • Girl from
the North Country •
Gotta Serve Somebody
• A Hard Rain's
A-Gonna Fall •
Highway 61 Revisited
• It Ain't Me, Babe
• Jokerman •
Just like a Woman •
Knockin' on Heaven's Door
• Lay, Lady, Lay
• Like a Rolling
Stone • Maggie's
Farm • Mr.
Tambourine Man •
Quinn, the Eskimo (The
Mighty Quinn) •
Tangled up in Blue
• The Times They
Are A-Changin' •
and more.
Band Horn - Grade 1 SKU: CF.O5421 Pieces for Grade 1 Bands. Compos...(+)
Band Horn - Grade 1
SKU: CF.O5421
Pieces for Grade 1
Bands. Composed by
Andrew Balent, Anonymous,
James Pierpont, Johann
Schultz, Joseph Compello,
Louis Elbel, and Ludwig
van Beethoven. Arranged
by Andrew Balent Joseph
Compello. Concert Band
Method. Sound
Spectacular. Classical.
Set of parts. With
Standard notation. Carl
Fischer Music #O5421.
Published by Carl Fischer
Music (CF.O5421).
ISBN
9780825833168. UPC:
798408033163. 9 X 12
inches.
Andy Balent
and Joe Compello have
done it again. Following
the great success of
their collaboration on
Ensembles Sound
Spectacular, Grade Two,
they created an
outstanding folio for the
Grade One Band. This very
easy collection of
original pieces and
arrangements for
beginning band contains
music that is enjoyable
and exciting for young
players and can also be
used to aid in the
teaching of basic
fundamentals of music and
band performance. All
pieces are correlated
with Book One of the
Sounds Spectacular Band
Course and are designed
to sound great with an
imbalanced
instrumentation or
larger, fully provided
ensembles. They will also
be a great supplement to
any band method you are
currently using. This
folio is written for the
basic instrumentation
that is common to most
beginning bands. There is
only one flute, clarinet
and trumpet part and the
low instrument parts are
all together. As long as
all parts are included,
even the smallest
ensemble will make a very
solid sound at this
level. First Concert
Folio contains the
following selections:
Ain't Gonna Rain No More,
Aura Lee, Captain Andy,
Chant For Band, Jingle
Bells, London Bridge is
Rockin' Down, The Mouse
in the Clock, O Come
Little Children, Old Mac
Donald's Band, The
Olympians, The Sailor and
the Bear, Skip To My Lou,
The Old Man Plays
Trumpet, The Victors
Wolfgang in the
Percussion Box.
Fakebook (spiral bound) for Eb instrument. With introductory text, vocal melody,...(+)
Fakebook (spiral bound)
for Eb instrument. With
introductory text, vocal
melody, lyrics, chord
names, discography and
black & white photos. 400
pages. Published by
Alfred Publishing.
Fakebook for bass clef instrument and voice. With introductory text, vocal melod...(+)
Fakebook for bass clef
instrument and voice.
With introductory text,
vocal melody, lyrics,
chord names, discography
and black & white photos.
400 pages. Published by
Alfred Publishing.
Compiled and arranged by Denes Agay. Book. Published by Music Sales. This appeal...(+)
Compiled and arranged by
Denes Agay. Book.
Published by Music Sales.
This appealing book is
for players of all ages;
the material ranges from
waltzes, marches, and
polkas to song favorites
and jazz solos. As a
special feature, the book
contains variations on
Happy Birthday in a
number of styles from
Bach to boogie.
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various
Artists. By Cedric
Chauveau / Bernhard
Kiessling. Arranged by
Cedric Chauveau /
Bernhard Kiessling. For
piano solo. This edition:
Editions Bourges R. In
Edit. Instrumental. Sheet
music. 4 pages. Published
by Editions Bourges
(French import).
Easy Piano Piano/Keyboard SKU: HL.235867 By Various. Easy Piano Songbook....(+)
Easy Piano Piano/Keyboard
SKU: HL.235867
By
Various. Easy Piano
Songbook. Folk.
Softcover. 106 pages.
Published by Hal Leonard
(HL.235867).
ISBN
9781495095634. UPC:
888680694746.
9.0x12.0x0.269
inches.
50 great
folk favorites simply
arranged with lyrics for
beginning pianists to
learn. Includes: Amazing
Grace • Buffalo
Gals (Won't You Come Out
Tonight?) • Down by
the Riverside •
Good Night Ladies •
Home on the Range •
I've Been Working on the
Railroad • Kumbaya
• Man of Constant
Sorrow • Michael
Row the Boat Ashore
• My Old Kentucky
Home • Nobody Knows
the Trouble I've Seen
• Oh! Susanna
• The Red River
Valley •
Scarborough Fair •
She'll Be Comin' 'Round
the Mountain • This
Little Light of Mine
• Turkey in the
Straw • The Wabash
Cannon Ball • When
the Saints Go Marching In
• Yankee Doodle
• The Yellow Rose
of Texas • and
more.
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
(Guitar TAB). By Garth Brooks. For Guitar. This edition: Guitar TAB. Artis...(+)
(Guitar TAB). By Garth
Brooks. For Guitar. This
edition: Guitar TAB.
Artist/Personality; Book;
Guitar Personality;
Guitar
TAB. Country. 88 pages.
Published by Alfred Music
Composed
by Zachary Cairns. Sws.
Yps. Full score. 24
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217F.
Published by Carl Fischer
Music (CF.YPS217F).
ISBN 9781491156551.
UPC: 680160915095. 9 x 12
inches.
Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.).
Composed by
Zachary Cairns. Folio.
Yps. Set of Score and
Parts.
8+8+4+8+8+4+2+6+4+4+4+8+8
+8+8+6+6+6+4+6+4+2+2+4+6+
10+24 pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217.
Published by Carl Fischer
Music (CF.YPS217).
ISBN 9781491156544.
UPC: 680160915088. 9 x 12
inches.
Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.).
2 Pianos, 4 mains [Partition] - Intermédiaire Alfred Publishing
Selections by George and Ira Gershwin, Thomas "Fats" Waller, Scott Joplin, Irvin...(+)
Selections by George and
Ira Gershwin, Thomas
"Fats" Waller, Scott
Joplin, Irving Berlin,
Jerome Kern and more. By
Various. For Piano. This
edition: 2 copies
required. Piano Duo (2
Pianos, 4 Hands).
Alfred's Classic
Editions. Masterwork.
Level: Intermediate /
Late Intermediate. Book.
128 pages. Published by
Alfred Publishing.
Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jon...(+)
Facade Entertainments by
William Walton
(1902-1983). Arranged by
David Lloyd-Jones.
Narrator, flute (
piccolo), clarinet (
bass clarinet), alto
saxophone, trumpet in C,
percussion, cello (1-2
players); Percussion:
snare drum, cymbal,
triangle, Chinese block,
castanets, tambourine,
jingles). Scores. William
Walton Edition. Walton
Edition. Full score. 272
pages. Duration 50'.
Published by Oxford
University Press
2 Pianos, 4 Hands. Composed by Camille Saint-Saens (1835- 1921). Edited by Pe...(+)
2 Pianos, 4 Hands.
Composed
by Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Henle Music Folios.
Classical. Solo part and
piano reduction. 84
pages. G.
Henle #HN1359. Published
by
G. Henle
By Louis de Caix d'Hervelois (1670-1760) and Louis de Caix D'Hervelois. Edited b...(+)
By Louis de Caix
d'Hervelois (1670-1760)
and Louis de Caix
D'Hervelois. Edited by
Philippe Lescat, Jean
Saint-Arroman. For Flute,
Continuo. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Chamber
Music. 44 pages.
Published by Anne Fuzeau
Productions - France
Performance Score with
CD, German. Composed
by Various. Edited by
Hans Magolt and Marianne
Magolt. Arranged by Klaus
G. Koop. This edition:
Saddle stitching. Sheet
music with CD. Brass.
Classical, General
Worship, Gospel,
Spiritual, Traditional.
Softcover with CD. 32
pages. Schott Music #ED
21344-50. Published by
Schott Music
(HL.49019403).
ISBN
9783795746551.
7.5x11.0x0.163 inches.
German. Christa
Estenfeld-Kropp.
Al
l melodies are very easy
arrangements for
beginners and can be
played at home, school or
in an ensemble. The
arrangements can be
played as solos or duets.
Contents: Down by the
Riverside * Glory
Hallelujah * Go down
Moses * O Happy Day *
Rock My Soul * He's Got
the Whole World in His
Hands * Nobody Knows the
Trouble I've Seen * Swing
Low * and many more.
Edition with CD.
Trumpet, Trumpet Duet - very easy SKU: HL.49019404 Performance Score/G...(+)
Trumpet, Trumpet Duet -
very easy
SKU:
HL.49019404
Performance
Score/German.
Composed by Various.
Edited by Hans Magolt and
Marianne Magolt. Arranged
by Klaus G. Koop. This
edition: Saddle
stitching. Sheet music.
Brass. Classical, Gospel,
Spiritual, Traditional.
Softcover. 32 pages.
Schott Music #ED21344.
Published by Schott Music
(HL.49019404).
ISBN
9783795746544. 7.5x11
inches. German. Christa
Estenfeld-Kropp.
Al
l melodies are very easy
arrangements for
beginners and can be
played at home, school or
in an ensemble. The
arrangements can be
played as solos or duets.
Contents: Down by the
Riverside • Glory
Hallelujah • Go down
Moses • O Happy Day
• Rock My Soul
• He's Got the Whole
World in His Hands •
Nobody Knows the Trouble
I've Seen • Swing
Low • and many
more.