Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Composed by Various. Guitar Collection. Folk, Pop, Standards. Softcover. Published by Hal Leonard

Organ, Voice

SKU: SP.TS272

Composed by Craig Stevens. Collection; Sacred. Book and CD. Santorella Publications #TS272. Published by Santorella Publications (SP.TS272).

ISBN 9781585604708. UPC: 649571102722.

The Best of Sacred for Organ and Vocal published by Santorella Publications contains the most popular selections of sacred music in print. The Best Of Sacred is written in Piano Vocal (PVG) and Organ Vocal editions, these collections are masterfully arranged, edited and performed by Craig Stevens. Every selection in this Organ Vocal edition from Santorella is featured on the compact disc recording using the exact registrations suggested by the author. This recording is arguably the most beautiful sacred organ performance you'll ever hear. The CD has 30 tracks with over 80 minutes of incredibly inspirational and majestic sounds. A must for any house of worship! Amazing Grace - Blessed Assurance - Bringing In the Sheaves - Faith of Our Fathers - He's Got the Whole World - Holy God, We Praise Thy Name - In the Sweet By and By - His Eye Is On the Sparrow - Just a Closer Walk With Thee - Swing Low Sweet Chariot - Nobody Knows the - Trouble I've Seen - The Lord's Prayer - Go, Tell It On the Mountain - Standing In the Need of Prayer - The Water Is Wide - Jesus, Lover of My Soul - Lift Ev'ry Voice and Sing - Nearer My God to Thee - Praise God from Whom All Blessings Flow - The Lord Is My Shepherd - What A Friend - With God's Hand In Mine - Morning Has Broken - Simple Gifts - In the Garden - Kum Ba Ya (Medley) - The Rosary - Open the Gates - The Palms - Ave Maria.

Piano, Voice

SKU: SP.TS271

Composed by Craig Stevens. Collection; Sacred. Book and CD. Santorella Publications #TS271. Published by Santorella Publications (SP.TS271).

ISBN 9781585600335. UPC: 649571102715.

The Best of Sacred published by Santorella Publications contains the most popular selections of sacred music in print. Written in both Piano Vocal (PVG) and Organ Vocal editions, these collections are masterfully arranged, edited and performed by Craig Stevens. This Piano Vocal best seller includes lyrics and chord box diagrams for guitar. Each piece is featured, with a magnificent piano solo performance, on the optional audio compact disc. That's 30 tracks with over 80 minutes of beautiful sacred music on one CD! Whether you prefer to worship alone or in a group, this inspirational collection is a must for any assembly. Amazing Grace - Blessed Assurance - Bringing In the Sheaves - Faith of Our Fathers - He's Got the Whole World - Holy God, We Praise Thy Name - In the Sweet By and By - His Eye Is On the Sparrow - Just a Closer Walk Thee - Swing Low Sweet Chariot - Nobody Knows the Trouble I've Seen - The Lord's Prayer - Go, Tell It On the Mountain - Standing In the Need of Prayer - The Water Is Wide - Jesus, Lover of My Soul - Lift Ev'ry Voice and Sing - Nearer My God to Thee - Praise God from Whom All Blessings Flow - The Lord Is My Shepherd - What A Friend - With God's Hand In Mine - Morning Has Broken - Simple Gifts - In the Garden - Kum Ba Ya - The Rosary - Open the Gates - The Palms - Ave Maria.

By William Bay. For Guitar (All). Methods. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 146 pages. Published by Mel Bay Publications, Inc.

By Lucy Holliday (Compiler) ; James Dean (Editor). For Guitar. Christmas. Sheet Music. 224 pages. Published by Wise Publications.

Solo Piano Arrangements for Christmas. By Lorie Line. Piano Solo Personality. Christmas Sacred, Christmas. Softcover. 82 pages. Hal Leonard #TLP357. Published by Hal Leonard

(2 (2pic).2.2.2-4.2.3.0-timp .2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str)

SKU: HL.49002518

Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1947-1952. 413 pages. Duration 150'. Schott Music #ED 10778. Published by Schott Music (HL.49002518).

ISBN 9790220120466. UPC: 073999913347. 9.0x12.0x1.015 inches. English.

Like few other theatre worksThe Magic Flute, A Midsummer Night's DreamTippett's first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer's businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).

SKU: CA.206600

Composed by Various. Edited by Karl Heinz Mertens. This edition: Paperbound. Choral collections (mixed choir). Geistliche Musik fur Chor und Blaser. Sacred vocal music, Special days, Easter and Eastertide, Whitsun, Morning, midday, evening. Collection. Carus Verlag #CV 02.066/00. Published by Carus Verlag (CA.206600).

ISBN 9790007006365.

Easy guitar tablature songbook for easy guitar and voice. Series: Hal Leonard E-Z Play Guitar. 64 pages. Published by Hal Leonard.

(Volume 1: SATB). For SATB choir. Lent, Ash Wednesday, Holy Week. Sacred. Collection. Published by GIA Publications

SKU: GI.G-1089

Revised Edition - Includes Digital Download. Composed by Jill Trinka and John M. Feierabend. First Steps in Music. Music Education. GIA Publications #1089. Published by GIA Publications (GI.G-1089).

UPC: 785147008927.

Click here to download the 2020 Supplement to First Steps in Music. Over the past year, a committee formed by the Feierabend Association for Music Education (FAME) developed a set of standards for evaluating repertoire associated with the curriculum. With their guidance, we have removed several songs that were deemed to be harmful, derogatory, or disrespectful in regard to their histories or context. We have also added a number of new songs and rhymes from a variety of world cultures. The above link details these revisions for the curriculum book and the supplemental folk song collections.   The great American folk songs and rhymes on this CD have enthralled young people for generations. This recording embodies the true spirit of these songs, delightfully sung by Jill Trinka and accompanied by a wide variety of acoustic instruments, including guitar, dulcimer, autoharp, piano, percussion, string bass, and violin. The enclosed illustrated booklet includes complete lyrics and song directions. And all of the performances are in step with John M. Feierabend’s philosophy of providing a nurturing environment for musical growth. Children and their families are sure to enjoy this and the other imaginative and engaging CDs drawn from John’s eight collections of folk songs for kids ages three and up. Contents: Had a Little Rooster - No More Pie - No More Pie (sing-a-long) - Frog in the Meadow - Chop, Chop, Chippity Chop - Listen, Listen - Over the Meadow - Five Little Ladies - Engine, Engine - The Ice Cream Sundae - My Name Is Michael - My Name Is Michael (sing-a-long) - Pitter, Patter - Two Little Blackbirds - Ali Baba - There Was a Man and He Was Mad - My Aunt Came Back - My Aunt Came Back (sing-a-long) - Eensy Weensy Spider - Aiken Drum - Bill Grogen's Goat - Bill Grogen's Goat (sing-a-long) - Johnny Had One Friend - Grandma's Glasses - Frog in the Meadow - Jennie Jenkins - Father Grumble - A Ram Sam Sam (Moroccan) - Bling, Blang - Down by the Bay - Down by the Bay (sing-a-long) - Fais Dodo (Cajun) - Three Little Ducks - Cobbler, Cobbler - Wise Old Owl - Wise Old Owl (sing-a-long) - Here's a Nest - Hickory, Dickory, Dock - The Tailor and the Mouse.

Chamber Music Trombone, Piano

SKU: PR.144407320

Composed by Lauren Bernofsky. Set of Score and Parts. 16+8 pages. Duration 10 minutes. Merion Music #144-40732. Published by Merion Music (PR.144407320).

ISBN 9781491135006. UPC: 680160685998.

From the pen of Lauren Bernofsky comes a truly unique contribution to the trombone repertoire – music expressing the joys and challenges of parenthood, through a mother’s eyes. FROM A MOTHER’S JOURNAL is a suite of five movements, Love Letter, A World of Worry, Bedtime Battle, Contentment, and Little Imp, which bubble with warmth, irony, frustration, tenderness, humor … as complex a cocktail of emotions as parenthood itself. The music explores a broad range of trombone techniques, making the 10-minute suite an exciting tour de force for any recital.
The idea for FROM A MOTHER’S JOURNAL originated during car ride from an IWBC conference back to New York City – Nikki Abissi and I were sharing our experiences of the challenges and joys of motherhood, and she said, “Wouldn’t it be cool to have a trombone piece written about all the emotions of motherhood?” There certainly wasn’t one that I knew about! Not long after, she contacted me about writing her exactly that piece.I thought that this was definitely a concept for a piece whose time had come, and I was immediately on board with the project. She sent me some short descriptions of some of her experiences, from the frustration of getting a rambunctious baby to go to sleep at bedtime to the boundless love she felt for not just her baby but her husband, as a father, as well. I wrote each anecdote into a short movement, and the result was a collection of musical vignettes covering a range of moods and textures as well as trombone techniques. Since I, too, am a mother, I filtered her anecdotes through my own lens, and I consider this piece to be not just a biography of Nikki but also my own autobiography.

(Mezzo Soprano)

SKU: HL.48009796

Composed by George Frideric Handel. Boosey & Hawkes Voice. 100 pages. Hal Leonard #M060031885. Published by Hal Leonard (HL.48009796).

UPC: 073999981193. 8.25x11.75x0.31 inches.

Contents: Begone, My Fears * Bending to Thy Throne * Beneath the Cypress' Gloomy Shade * Calm Thou My Soul * Convey Me to Some Peaceful Shore * Crystal Streams in Murmurs Flowing * Defend Her, Heaven! * Dryads, Sylvans * Forgive Me, Generous Victor * Haste to the Cedar Grove * Here Amid the Shady Woods * Hope, Thou Pure and Dearest Treasure * Lead Me, Oh Lead Me * My Father! * O Dreadful Oracle! * O Hercules! * O Mithra! * O Thou Bright Sun * Sorrow Darkens Every Feature * Subtle Love, With Fancy Viewing * The Clouds Begin * The Pilgrim's Home * The World When Day Its Course Has Run * There in Myrtle Shades Reclined * What Means This Weight? * Where Shall I Fly? * With Darkness Deep.

SKU: LO.99-2265H

Composed by Alisa Bair. Choral. Concert. Performance/rehearsal CD. Heritage Music Press #99/2265H. Published by Heritage Music Press (LO.99-2265H).

UPC: 000308117028.

A tender, intimate glimpse into the most private place of grief, this rich and emotional original expresses the universal longing for one who has passed on, while gently questioning the mystery of the world beyond. With words written in memory of the lyricist’s father and music born out of the resonant experience of the composer who lost her daughter, “From There” is a superb choice for any school, church or community wanting to honor someone’s memory or simply acknowledge that loss is part of life.

Score and Parts Clarinet; String Quartet (Score & Parts)

SKU: HL.49046287

Clarinet and String Quartet Score and Parts. Composed by Peter Eötvös. Ensemble. Classical. Softcover. Duration 1200 seconds. Schott Music #ED22985. Published by Schott Music (HL.49046287).

ISBN 9781540068668. UPC: 842819100607.

As most of my instrumental pieces, Joyce is also based on a literary source. My first string quartet (Korrespondenz) transferred thecorrespondence between Leopold and Wolfgang Amadeus Mozart, at times word by word, to the world of music, whose strong dramatic character effectively reflects the conflicts between father and son. I found the closest literary references to my second string quartet, which takes its listeners to the world of Odysseus and the sirens, in the works of Joyce, Homer and Kafka. The string quartet is enriched with an additional soprano part, which tells the classic story from three different perspectives. The complete title of my second string quartet is The Sirens Cycle, consisting of three movements: Joyce - Homer - Kafka. The twenty-minute-long duration of the first movement of the cycle Joyce allows it to be performed independently. This time, the vocal part accompanied by the strings is replaced by a solo clarinet, which - instead of giving a verbal account of Chapter 11 of Joyce's Ulysses - renders the quite masculine protagonist, Leopold Blooms musing over the attractive barmaids with befittingly vigorous musical gestures. Joyce for clarinet and string quartet immerses in James Joyces unique world and typical imaginative word creations, placing them into the world of musical composition. Peter Eotvos.

SKU: GI.G-10342

Composed by Laura Friedman, Peter Goodrich, and Sally Coveleskie. Music Education. GIA Publications #10342. Published by GIA Publications (GI.G-10342).

ISBN 9781622775088.

Spri ng is in the air and the annual piano recital is only a week away! How will our young pianist learn her music in time? This delightful tale introduces Ana and her special friend Henry the Steinway—a grandfatherly piano who speaks to her! Ana learns from Henry that she must first hear the music. Then, she must find the music in her heart. Soon, Ana’s tears of frustration turn to pure joy, as she delights in the playing of her music and her new friendship with Henry the Steinway. This story will resonate with piano students and piano lovers of all ages! A wonderful book that teaches kids about practice, concentration, and fortitude.   A charming account of an ageless story, the bond of friendship between pianists of all ages and their pianos. —Dr. Robert Blocker, Dean, Yale School of Music For all who understand the diligence required to master an instrument, these books will delight and inspire. They shall remain in my home by the piano for my children as a respite from those frustrating moments at practice, and as a reminder to me of the great skills passed on to me by my dedicated teachers. —Renée Fleming Henry the Steinway is a wonderful series of books about your best friend who is always by your side. I concertize in every corner of the globe and have been called a citizen of the world. Wherever I go I can depend on Henry the Steinway to be there with me. Teachers, children and parents will delight in this gentle story of making beautiful music, never giving up and becoming the best you can be. —Lang Lang Henry the Steinway is a wonderful book. It teaches kids about practice, concentration, and fortitude. Where can I find a piano like Henry? —Wynton Marsalis.

SATB choir

SKU: GI.G-7795

Ash Wednesday through Holy Week, SATB. Lent, Ash Wednesday, Holy Week. Sacred. Collection. GIA Publications #7795. Published by GIA Publications (GI.G-7795).

UPC: 785147779537. English, German, Latin.

The cornerstone of your choral library Compiled from GIA's best sellers and newer gems, each volume in the CHORAL ESSENTIALS series highlights a particular season and includes pieces in a variety of styles, voicings, and instrumentation. Invaluable as a planning tool…   …affordable enough to purchase copies for your entire choir! Included in this edition: G-3537 Return to God - Marty Haugen G-3980 Hosanna: An Introit for Palm Sunday - Glenn Rudolph G-4213 Glory in the Cross - Steven R. Janco G-4841 So You Must Do - Marty Haugen G-5082 From Deep Distress and Troubled Thoughts - arranged Alice Parker G-5253 Love Is His Word - Ronald F. Krisman G-5791 Ah, Holy Jesus - arranged Hal H. Hopson G-6662 Be with Me, Lord - Ken Macek, arranged Paul A. Tate G-6726 For God So Loved the World - Marty Haugen G-6871 When He Died upon the Tree - Patrick M. Liebergen G-6891 Aus meiner Su_nden Tiefe / How Deep Has Been My Sinning - Orlando di Lasso, edited Austin C. Lovelace G-6917 Crucifixus etiam pro nobis / He Was Crucified for Us - J. S. Bach, arranged Carlton R. Young G-7196 A Broken Heart - Luke Mayernik G-7495 In manus tuas, Pater / Into Your Hands, O Father - Taizé Community G-7592 Velum templi - Paul Nicholson .